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"Ngadéngékeun nu mantun"; Constructing the "carita pantun" performance in rice planting ritual of the Baduy indigenous community Saparudin, Endin; Limbong, Priscila Fitriasih; Setyani, Turita Indah; Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

This study aims to examine carita pantun performances in ritual contexts as observed in the Baduy community in Kanekes Village, Banten, on several occasions between 2021 and 2023. Carita pantun serves as traditional epics narrated in oral tradition performances accompanied by kacapi musical instruments. Historically, carita pantun was fully integrated into the ritual calendar and performed regularly in various regions in Tatar Sunda including West Java and Banten. Over time, it has been increasingly narrated for secular entertainment. This study explores carita pantun performances that retain a sacred function and remain deeply integrated into the life of the Baduy community. By identifying the distinctive characteristics and observing the roles of speakers and listeners, the analysis emphasizes the importance of the oral text being highly dependent on the context of the specific ritual. The analysis further enriches the understanding of the nature and structure of the carita pantun performances as a traditional ritual in West Java and Banten.
Tracing the transformation of the "ruwatan" rituals in Java from the fifteenth to the twenty–first century Wijayanto, Muhammad Heno; Suparta, I Made; Setyani, Turita Indah
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 3
Publisher : UI Scholars Hub

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This article explores the transformation of ruwatan (purification) rituals in Java from the fifteenth century to the twenty-first century, focusing on the changes that occurred based on archaeological relics and texts related to ruwatan rituals. A thorough study in connecting archaeological relics, such as reliefs in Sukuh Temple, with puja (ritual worship) texts used in ruwatan rituals and the transformation of these texts from their origins within Kawi culture through to the Islamic period and the present day, has not been attempted. This research aims to identify and analyse the transformation of ruwatan rituals from the fifteenth century, as reflected in the reliefs at Sukuh Temple and in texts such as Aji Saraswati and Bhīma Swarga, to texts of the modern era, including the Serat Centhini, Serat Hong Ilaheng, and Lakon Wayang Ruwatan Murwakala. Through an interdisciplinary approach combining archaeological and manuscript-based research, this study shows how ruwatan rituals remain relevant and adapt to the changing socio-cultural context of Java, maintaining cosmological balance and strengthening the order of Javanese society over time.
Transformasi Estetika dalam Festival Reyog Ponorogo: Negosiasi Tradisi dan Modernitas Nursilah, Nursilah; Tambunan, Shuri Mariasih Gietty; Setyani, Turita Indah; M. Yoesoef
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 5 No. 2 (2026): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.052.01

Abstract

Artikel ini membahas permasalahan yang muncul akibat transformasi seni pertunjukan Reyog Ponorogo dalam Festival Nasional yang menggeser orientasi tradisional ke arah profesionalisme dan estetika modern. Tujuan penelitian ini adalah untuk memahami perubahan format dan elemen artistik dalam pertunjukan Reyog antara format Reyog Festival dan Reyog Obyog mempengaruhi kelangsungan nilai budaya tradisional. Penelitian ini menggunakan pendekatan kualitatif dengan metode etnografi dan analisis teks. Teknik pengumpulan data dilakukan melalui observasi partisipatif, wawancara mendalam dengan seniman dan pengelola festival, serta studi dokumentasi visual. Hasil penelitian menunjukkan bahwa Reyog Festival cenderung menekankan inovasi visual, perubahan koreografi dan kostum, serta komersialisasi seni pertunjukan. Sebaliknya, Reyog Obyog mempertahankan interaksi langsung dengan penonton serta unsur ritual dan adat yang kuat. Kesimpulan dari penelitian ini menegaskan bahwa meskipun modernisasi menghadirkan tantangan terhadap nilai-nilai budaya tradisional, ia juga membuka ruang negosiasi antara pelestarian adat dan inovasi kontemporer. Oleh karena itu, strategi pelestarian yang adaptif dan kontekstual sangat diperlukan untuk menjaga keberlanjutan identitas budaya Reyog Ponorogo.
Pemertahanan Tradisi Lisan Mahzani, Nyanyian Rakyat Orang Tombulu di Tomohon, Sulawesi Utara Manus, Jeane; Limbong, Priscila Fitriasih; Setyani, Turita Indah; M. Yoesoef
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 5 No. 2 (2026): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.052.05

Abstract

Masyarakat Tombulu di Minahasa memiliki tradisi nyanyian rakyat dan dikenal sebagai tradisi mahzani yang sudah bertahan beberapa generasi. Nyanyian mahzani biasanya dilakukan dalam rangka praktik mapalus. Inti praktik mapalus adalah kerja sama warga (gotong royong antarwarga). Kerja gotong royong ini melibatkan warga dalam beberapa kegiatan seperti bekerja di kebun, membangun rumah baru, dan pekerjaan-pekerjaan berat lainnya yang membutuhkan tenaga manusia. Saat ini tradisi mahzani menghadapi masalah pemertahanan akibat pelakunya yang semakin menurut akibat usia. Tulisan ini membahas pemertahanan tradisi mahzani di Rurukan. Di lapangan, upaya-upaya pemertahanan sudah dilakukan oleh para pemangku kepentingan seperti pemerintah daerah, pelaku tradisi, dan pegiat tradisi. Penelitian tradisi mahzani ini bersifat kualitatif dengan pendekatan etnografis.
<i>SONGS OF MAHZANI</i> OF WOLOAN AND RUKUKAN: FROM RITUAL TO PERFORMANCE Manus, Jeane Angela; Limbong, Priscila Fitriasih Fitriasih; Setyani, Turita Indah; Yoesoef, Muhammad
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

As one of oral traditions acknowledged in Woloan and Rurukan, Tomohon Minahasa, the songs of mahzani have long been sung in these two areas. As we understand that oral tradition would disappear from its community when it has lost its real function, this particular oral tradition has developed into staged performances. Songs of mahzani that had been practiced for generations as part of the mapalus traditions in the last decades has significantly decreased in line with the change of lifestyle of the people who practice it. Using qualitative method with an ethnographic approach, this article is to delve into the shift of function of mahzani songs. Data are drawn from two village: Woloan and Rurukan in Tomohon Minahasa.
Negotiation of Javanese culture in the tradition of respecting guests in Serat Jatiswara Pipit Mugi Handayani; Priscila Fitriasih Limbong; Turita Indah Setyani
Diksi Vol. 34 No. 1: DIKSI (MARCH 2026)
Publisher : Fakultas Bahasa, Seni, dan Budaya, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/diksi.v34i1.89661

Abstract

This study examines the process of negotiation of Javanese culture in receiving guests based on dynamics of relationship between Javanese figures and non-Javanese figures (Campa) in Serat Jatiswara. Serat Jatiswara is an eighteenth-century suluk work that explores Islamic teachings in the form of a Macapat song. This manuscript represents the life of the Javanese rural people and their traditional mindset. Javanese characters in the text exhibit a responsive and adaptive attitude towards the presence of Jatiswara, who is treated as a great guest. This study focused on ideological negotiations through the pattern of relationship between Jatiswara and Javanese figures. This is text analysis research by using Gramsci negotiation theory to elaborate dynamics of relationship between Javanese figures and non-Javanese figures. The results showed that Jatiswara, a traveler from Campa who sought out his younger brother and spread Islam, was positioned superior to the Javanese figures he visited. The main findings include: (1) the representation of respect for guests, (2) the domination-subordination relationship through the glorification of Jatiswara, and (3) the accommodating attitude of the Javanese people. These findings confirm that Serat Jatiswara reflects the Javanese cultural ideology, namely harmonization, through the strategy of character representation and social relations as a negotiation of Javanese identity.