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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Lingua Scientia Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Mozaik Humaniora International Journal of Science and Applied Science: Conference Series Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JENTERA: Jurnal Kajian Sastra Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Nusantara Science and Technology Proceedings Komunika: Jurnal Dakwah dan Komunikasi Jumantara: Jurnal Manuskrip Nusantara Jurnal Kata : Penelitian tentang ilmu bahasa dan sastra Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia International Review of Humanities Studies Jurnal Kawistara Bhakti
Turita Indah Setyani
Program Studi Sastra Daerah Untuk Sastra Jawa Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Social Sciences Other

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SERAT YUSUF: SASTRA ISLAM POPULER DI JAWA TIMUR Pudjiastuti, Titik; Buduroh, Mamlahatun; Mu’jizah, Mu’jizah; Suharjo, Rias; Setyani, Turita Indah; Rahmawanto, Dwi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

Serat Yusup is one of the popular Islamic literary works in Java, especially in East Java. This literary work is a handwritten ancient manuscript written in the form of tembang macapat, in Javanese language, and using Pegon or Javanese script. Serat Yusup which create by the students (santri) is inspired by Surah Yusuf, the 12th Surah of the Quran. As a literary work, its story differs significantly from its inspirational text, and there are so many of it. In relation to this, the question arises: what are the reasons behind the creation of Serat Yusup and why is it highly favored by the Muslim community in East Java? This article aims to uncover the popularity of Serat Yusup in East Java. The primary data source for this article is ancient manuscripts; therefore, the appropriate method to study it is philology. From the discussion of its content, it is estimated that there are three reasons for the adaptation of Serat Yusup: it represents Islamic teachings, Javanese culture, and human ideals. In conclusion, Serat Yusup was composed in the form of Javanese Islamic literary work not only for aesthetic fulfilment and creative expression of its student creators but also to spread Islam in East Java.
SOSIALISASI TRADISI PURNAMA DI KARANGREJO, DESA WISATA BOROBUDUR MAGELANG Setyani, Turita Indah; Tjahjandari, Lily
Bhakti: Jurnal Pengabdian Masyarakat Vol. 2, No. 1
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The development of digital technology, while offering many conveniences, has also led the younger generation to become overly absorbed in their gadgets. Many young people today find it difficult to detach themselves from their devices. This situation can have negative effects on children's psychological development, as they need both motor and social stimulation. Traditional children's games offer significant benefits for physical and mental growth. Coinciding with the Summer Solstice event in Borobudur—when the Moon is positioned directly above Borobudur's coordinates—the Summer Solstice Festival was held in Karangrejo Tourism Village, Magelang. In support of this festival, a community service program was conducted to promote the “Full Moon Tradition. In Javanese society, the full moon tradition in the past was a time when communities would gather under the full moon and engage in various activities, such as playing traditional games, dancing, singing, and performing full moon meditation. This community service program involved students and residents of Karangrejo Tourism Village in presenting a variety of artistic activities during the full moon night. The goal of this initiative is to promote literacy about the full moon tradition, which has become increasingly rare in the era of digital technology.
"Ngadéngékeun nu mantun"; Constructing the "carita pantun" performance in rice planting ritual of the Baduy indigenous community Saparudin, Endin; Limbong, Priscila Fitriasih; Setyani, Turita Indah; Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

This study aims to examine carita pantun performances in ritual contexts as observed in the Baduy community in Kanekes Village, Banten, on several occasions between 2021 and 2023. Carita pantun serves as traditional epics narrated in oral tradition performances accompanied by kacapi musical instruments. Historically, carita pantun was fully integrated into the ritual calendar and performed regularly in various regions in Tatar Sunda including West Java and Banten. Over time, it has been increasingly narrated for secular entertainment. This study explores carita pantun performances that retain a sacred function and remain deeply integrated into the life of the Baduy community. By identifying the distinctive characteristics and observing the roles of speakers and listeners, the analysis emphasizes the importance of the oral text being highly dependent on the context of the specific ritual. The analysis further enriches the understanding of the nature and structure of the carita pantun performances as a traditional ritual in West Java and Banten.
Tracing the transformation of the "ruwatan" rituals in Java from the fifteenth to the twenty–first century Wijayanto, Muhammad Heno; Suparta, I Made; Setyani, Turita Indah
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 3
Publisher : UI Scholars Hub

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This article explores the transformation of ruwatan (purification) rituals in Java from the fifteenth century to the twenty-first century, focusing on the changes that occurred based on archaeological relics and texts related to ruwatan rituals. A thorough study in connecting archaeological relics, such as reliefs in Sukuh Temple, with puja (ritual worship) texts used in ruwatan rituals and the transformation of these texts from their origins within Kawi culture through to the Islamic period and the present day, has not been attempted. This research aims to identify and analyse the transformation of ruwatan rituals from the fifteenth century, as reflected in the reliefs at Sukuh Temple and in texts such as Aji Saraswati and Bhīma Swarga, to texts of the modern era, including the Serat Centhini, Serat Hong Ilaheng, and Lakon Wayang Ruwatan Murwakala. Through an interdisciplinary approach combining archaeological and manuscript-based research, this study shows how ruwatan rituals remain relevant and adapt to the changing socio-cultural context of Java, maintaining cosmological balance and strengthening the order of Javanese society over time.
Reinterpret panji roman in bedhaya gandrungmanis lost choreography Yudhistira, Naufal Anggito; Suparta, I Made; Buduroh, Mamlahatun; Setyani, Turita Indah
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 20 No. 2 (2025)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v20i2.7684

Abstract

Bedhaya Gandrungmanis is one of the Bedhaya dance which created in 19th century during Pakubuwana VIII reign in Keraton Surakarta. This dance narrated Panji Jayakusuma text which symbolize political chaos in 19th century Keraton Surakarta. The dance itself could be represent how Panji roman used by Keraton Surakarta to construct the idea of Javanese kingship. This research tries to put forward and understanding Bedhaya Gandrungmanis, which had been fragmented and lost, based on manuscript and oral tradition. This research uses an ethno-philological method which integrate philological research in anthropological perspectives. Data collecting technique includes collecting philological data on manuscript research in Keraton Surakarta Library, Universitas Indonesia Library, and Pura Mangkunegaran Library, and also collecting ethnographic data by interview, field research, and observation. The earliest version of Bedhaya Gandrungmanis interpreted as symbol of royal succession. In the last version from the 20th century, Bedhaya Gandrungmanis re-interpreted in more romantic terms and lost its political resonance. Panji story in this dance comes from Panji Jayakusuma story that formed by Pakubuwana VIII to symbolize cultural change in the 19th century during the Dutch Colonial era. Its meaning had been shifted and fragmented as a result of these cultural changes.
Co-Authors Adinda Zahra Laxmitha Afandi, Haekal Rheza Agus Aris Munandar Agus Aris Munandar Azhari, Dian Rizky Deny Yudo Wahyudi Diki Febrianto Dwi Rahmawanto Haekal Rheza Afandi Halimah Ratna Rusyidah Haryanti, Novi Diah I Made Suparta Jessica Boru Nababan Jung Ju Roh Lily Tjahjandari M Yoesoef M. Yoesoef M. Yoesoef M. Yoesoef M. Yoesoef Mamlahatun Buduroh Mohamad Yoesoef Muhammad Bilal Radhitya Prahasya Muhammad Heno Wijayanto Mu’jizah, Mu’jizah Paulus Aditya Christianto Permana, R. Cecep Eka Priscila Fitriasih Limbong Pudjiastuti, Titik Raharjo, Rias Antho Rahmi Roh Jung Ju Rusyidah, Halimah Ratna Saparudin, Endin Suharjo, Rias Suwargono, Eko Wijayanto, Muhammad Heno Yoesoef, M. Yudhistira, Naufal Anggito Zuhdi, Muhammad Luthfi Zulyeno, Bastian