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FAKTOR-FAKTOR YANG MEMPENGARUHI MINAT SISWA KONSENTRASI KEAHLIAN BEAUTY THERAPY SMKN 1 BUDURAN SEBAGAI TERAPIS KECANTIKAN BIDANG PERAWATAN TANGAN Kanzha Kania Damayanti; Nieke Andina Wijaya; Sri Dwiyanti; Maspiyah
Jurnal Tata Rias Vol. 15 No. 1 (2026): Jurnal Tata Rias Volume 15 Nomer 1 Tahun 2026
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v15n1.74226

Abstract

The rapid development of beauty trends has increased the demand for professional workers in the beauty service industry, including hand care. SMKN 1 Buduran, through the Beauty Therapy Expertise Concentration, equips students with relevant skills. This study aims to analyze the influence of internal and external factors on the interest of 11th-grade Beauty Therapy students at SMKN 1 Buduran to become hand care beauty therapists. The research employed a quantitative inferential approach with a population of 35 students. Data were collected through an online Likert-scale questionnaire and analyzed using multiple linear regression to examine both partial and simultaneous effects.The results show that partially, the interest indicator (sig. 0.000) has a significant effect on student interest, while attention (sig. 0.978), experience (sig. 0.942), social environment (sig. 0.310), and educational environment (sig. 0.202) have no significant effect. Simultaneously, the significance value (sig. 0.000) indicates that internal and external factors together have a significant effect on student interest. The coefficient of determination (R²) of 0.677 demonstrates that 67.7% of the variation in student interest is explained by internal and external factors, while 32.3% is influenced by other factors beyond this study. This study concludes that student interest is strongly affected by internal factors, particularly the interest indicator, while simultaneously both internal and external factors play an important role in shaping students’ interest in pursuing a career as hand care beauty therapists.
Hubungan Tingkat Pengetahuan Dengan Tindakan Kesehatan Rambut Pada Pengemudi Ojek Online di Gubeng Tasya Aisyah Ramadani; Biyan Yesi Wilujeng; Sri Dwiyanti; Octaverina Kecvara Pritasari
Jurnal Tata Rias Vol. 15 No. 1 (2026): Jurnal Tata Rias Volume 15 Nomer 1 Tahun 2026
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v15n1.74340

Abstract

Hair health is an essential aspect of personal hygiene, particularly for online motorcycle taxi drivers who are frequently exposed to pollution, dust, and prolonged helmet use. This research aimed to assess the level of hair health knowledge, hair care practices, and the relationship between the two among online motorcycle taxi drivers in Gubeng, Surabaya. a quantitative correlational design was applied. 50 drivers in were selected using purposive sampling and data were collected through questionnaires. The data were analyzed using the Pearson Product Moment correlation test. The findings showed that the most participants had good knowledge, while hair health practices varied. The correlation coefficient (r= 0,577; p < 0,05) indicated a significant positive relationship between knowledge and hair health practices. Higher knowledge levels were associated with better hair health practices.Keywords: Knowledge, Hair Health, Online Motorcycle Taxi Driver, Gubeng.
Modifikasi Tata Rias Pengantin Giri Kedhaton Konsep Syar'i Sebagai Upaya Pelestarian Budaya Lokal Kota Gresik Noviyani, Rista Ema Noviyani; Sri Dwiyanti; Dewi Lutfiati; Biyan Yesi Wilujeng
Jurnal Tata Rias Vol. 15 No. 1 (2026): Jurnal Tata Rias Volume 15 Nomer 1 Tahun 2026
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v15n1.75033

Abstract

The Giri Kedhaton bridal makeup from Gresik is facing extinction, and efforts to preserve it are urgently needed. This research was conducted by modifying the Giri Kedhaton bridal makeup as an effort to preserve Gresik's local culture. The objectives of this research are: 1) to realize the design of modified Giri Kedhaton bridal makeup with a syar’i concept, 2) to realize the modification of Giri Kedhaton bridal makeup with a syar’i concept, 3) to understand the responses of the people of Gresik city as respondents to the results of the modification of Giri Kedhaton bridal makeup with a syar’i concept. This research is a descriptive study using qualitative methods. The study was conducted using the procedure of developing works of art. The object of this research is the modified bridal makeup of Giri Kedhaton with a syari concept. The subjects of this research are 5 sources and 40 respondents who are residents of Gresik city. This research was conducted using data collection techniques including observation, interviews, and documentation. The research uses data analysis techniques such as data reduction, data presentation, and verification. The results of this research are; 1) the design of the modified bridal makeup of Giri Kedhaton. The selected design is the one with the highest value from the three design options, which is design 2. The theme of the modified bridal makeup of Giri Kedhaton is in line with the syari concept, which is modern minimalist. The use of accents, materials, and colors is adjusted to a more modern and minimalist theme. 2) The results of the modified bridal makeup of Giri Kedhaton. The result of the modification is counted to be 29.99% of the overall framework. 3) The response of the people of Gresik regarding the results of the modification. The assessment from respondents resulted in a percentage of 87.1%, which is categorized as Very Good (according to the assessment criteria by Sugiono, 2012; 143). The results of the modification also received good evaluation feedback from observers and research sources. Thus, the modification is declared successful, and the modification of the Giri Kedhaton bridal makeup in the syar’i concept can be used by brides in wedding events. The results of the modification can also serve as a reference for the exploration of Giri Kedhaton bridal makeup by bridal makeup artists in Gresik city. Therefore, this exploration can be one of the efforts to preserve the traditional bridal makeup of Gresik.
APLIKASI TEKNIK EYESHADOW CUT CREASE DENGAN EYELID TAPE ATAU TANPA EYELIDE TAPE PADA BENTUK MATA MONOLID UNTUK TATA RIAS PENGANTIN BARAT Anggraini, Rhavinda Dwi; Sri Dwiyanti; Nia Kusstianti; M.A. Hanny Ferry Fernanda
Jurnal Tata Rias Vol. 15 No. 1 (2026): Jurnal Tata Rias Volume 15 Nomer 1 Tahun 2026
Publisher : Program Studi Pendidikan Tata Rias

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jtr.v15n1.75852

Abstract

In Western bridal makeup, understanding eye shape characteristics is fundamental for determining appropriate eye correction techniques. One commonly used method is the application of eyelid tape, particularly to help create an eyelid crease for monolid eyes. This study is intended to analyze the findings of monolid eye makeup using the eyeshadow cut crease technique with and without eyelid tape, as well as to identify and examine the differences between two techniques. The research was conducted using a quantitative methodology with an experimental design and involved 30 observers as evaluators. The independent variables were the eyeshadow cut crease technique with eyelide tape and without eyelide tape, while the dependen variable was the final makeup finding. Data analysis was conducted using mean score calculations. The results showed that the technique using eyelid tape achieved a score of 3.5 (very good), whereas the technique without eyelid tape scored 3.1 (good), with statistical testing indicating a significant difference between the two. These findings confirm that the use of eyelid tape in the eyeshadow cut crease technique enhances the quality of monolid eye makeup in Western bridal makeup.