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All Journal Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Yupa: Historical Studies Journal Satwika : Kajian Ilmu Budaya dan Perubahan Sosial Jurnal Pendidikan dan Konseling Socius (Jurnal Pendidikan dan Pembelajaran Ilmu Pengetahuan Sosial) (Edisi Elektronik) ENTITA: Jurnal Pendidikan Ilmu Pengetahuan Sosial dan Ilmu-Ilmu Sosial Didaktik : Jurnal Ilmiah PGSD STKIP Subang The Innovation of Social Studies Journal Jurnal Pengabdian UNDIKMA JURNAL PENDIDIKAN IPS Publikasi Berkala Pendidikan Ilmu Sosial Prabayaksa: Journal of History Education HISTORIA: Jurnal Program Studi Pendidikan Sejarah Carmin: Journal of Community Service Carita : Jurnal Sejarah dan Budaya SAJARATUN : Jurnal Sejarah dan Pembelajaran Sejarah Pengabdian Masyarakat
Dewicca Fatma Nadilla
Universitas Lambung Mangkurat
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Nursing Public Health Social Sciences Other

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TRADISI TARI RONGGENG PASER DI KELURAHAN KUARO KABUPATEN PASER PADA TAHUN 2008-2025 Maulida Rusdiana Zuhriah; Syaharuddin; Fitri Mardiani; Dewicca Fatma Nadilla
Historia Vol 15 No 1 (2027): HISTORIA: Jurnal Program Studi Pendidikan Sejarah (Issu in Progress)
Publisher : UNIVERSITAS MUHAMMADIYAH METRO

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24127/hj.v15i1.17374

Abstract

Along with rapid globalization and modernization, the Ronggeng Paser Dance Tradition in the Village of Kuaro serves as an identity and adhesive force within society, but is starting to be marginalized by foreign cultures entering the region. The aim of this research is to describe the background of the Ronggeng Paser Dance in the Village of Kuaro and the development of the Ronggeng Paser Dance Tradition in the Village of Kuaro from 2008 to 2025. The method used is a historical method consisting of four stages: first, heuristics is carried out by collecting primary sources in the form of interviews with informants, documents, and documentation. Second, source criticism is applied in two steps: external criticism and internal criticism. Third, interpretation is carried out by interpreting and examining the historical facts of the Ronggeng Paser Dance Tradition in Kuaro Village. Fourth, historiography, namely the presentation of a chronological and analytical reconstruction of events in the form of scientific writing. This study reveals that Tari Ronggeng Paser represents a cultural acculturation between the indigenous Paser and Malay peoples, emerging during the Sadurengas Sultanate era. Since becoming part of the Kuaro Village administration, Ronggeng Paser Dance has undergone changes in its presentation, accessories, and cultural status. In conclusion, this traditional dance meaningfully represents the cultural identity of the Kuaro Village community.
Pernikahan Adat Batak Toba di Kota Banjarbaru Tahun 2006-2023 Ruth Ekakristi Banjarnahor; Mansyur Mansyur; Dewicca Fatma Nadilla
JURNAL PENDIDIKAN IPS Vol. 16 No. 4 (2026): JURNAL PENDIDIKAN IPS
Publisher : STKIP Taman Siswa Bima

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37630/jpi.v16i4.4936

Abstract

Masyarakat Batak Toba di Kota Banjarbaru menghadapi tantangan dalam mempertahankan tradisi pernikahan adat di tengah pengaruh modernisasi dan globalisasi. Penelitian ini bertujuan menganalisis perkembangan pelaksanaan pernikahan adat Batak Toba di Banjarbaru tahun 2006-2023, mengidentifikasi perubahan struktur upacara, dan mengkaji upaya pelestarian nilai-nilai budaya. Metode penelitian menggunakan metode sejarah melalui tahap heuristik, kritik, interpretasi, dan historiografi. Hasil penelitian menyimpulkan dua hal utama untuk menjawab rumusan masalah. Pertama, latar belakang pelaksanaan pernikahan adat Batak Toba di Banjarbaru didorong oleh ikatan marga dan komitmen menjaga identitas di tanah rantau. Prosesi pernikahan ini secara utuh bersandar pada struktur Dalihan Na Tolu (hula-hula, dongan tubu, boru) yang diwujudkan melalui tahapan terstruktur mulai dari marhori-hori dinding, marhusip, marhata sinamot, martumpol, hingga pesta unjuk. Kedua, perkembangan tradisi pada periode 2006–2023 menunjukkan pola adaptasi kreatif berupa pemadatan waktu dan tempat akibat keterbatasan biaya, ruang, serta tokoh adat di perantauan. Adaptasi ini memicu pergeseran makna benda adat seperti ulos, tandok, boras si pir ni tondi, dan sinamot yang kini lebih difungsikan sebagai simbol identitas budaya dan penghormatan sosial dibandingkan sebagai sarana ritual sakral-keagamaan. Meskipun terjadi simplifikasi teknis, tradisi ini menunjukkan resiliensi budaya (cultural resilience) yang kuat karena nilai-nilai inti filosofinya tetap dipertahankan secara kolektif.
Co-Authors Ade Listya Dwi Widodo Ahmad Priyanka Tegar Pangabdi Alfianoor Septiawan Bambang Subiyakto Bambang Subiyakto Daud Yahya Deasy Arisanty Ega Nasywa Ersis Warmansyah Abbas Fathul Jannah Fathurrahman Fathurrahman Fathurrahman Fathurrahman Fitri Mardiani Habibah Habibah Helmi Akmal Heri Susanto Herry Porda Nugroho Putro Ilham Galih Pambudi Ilham Galih Pambudi Mansyur Mansyur Maulida Rusdiana Zuhriah Melisa Prawitasari Muhammad Fadillah Muhammad Rico Nada Ariani Nurhalimah Nurhalimah Octavian Hendra Priyatno Parid Wajdi Al Mujtaba Rochgiyanti Rusdi Effendi Rusdi Effendi Ruth Ekakristi Banjarnahor Sri Dewi Syaharuddin Willy Alfarius Wisnu Subroto Wisnu Subroto Yuliantri, Rhoma Dwi Aria