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All Journal Harmonia: Journal of Research and Education SWARA - Jurnal Antologi Pendidikan Musik Jurnal Penelitian Pendidikan Panggung DWIJA CENDEKIA: Jurnal Riset Pedagogik Gondang: Jurnal Seni dan Budaya Pendas : Jurnah Ilmiah Pendidikan Dasar Tunas Siliwangi : Jurnal Program Studi Pendidikan Guru PAUD STKIP Siliwangi Bandung Jurnal Paedagogy Didaktika: Jurnal Kependidikan Jurnal Kependidikan: Jurnal Hasil Penelitian dan Kajian Kepustakaan di Bidang Pendidikan, Pengajaran dan Pembelajaran Jurnal Pendidikan dan Teknologi Indonesia These proceedings represent the work of researchers participating in The International Conference on Elementary Education (ICEE) which is being hosted by the Elementary Education Study Programme School of Postgraduate Studies, Universitas Pendidikan Ghurnita: Jurnal Seni Karawitan Indonesian Journal of Performing Arts Education Jurnal Impresi Indonesia Siwayang Journal: Publikasi Ilmiah Bidang Pariwisata, Kebudayaan, dan Antropologi IRAMA JURNAL SENI DESAIN DAN PEMBELAJARANNYA Journal of General Education and Humanities JPLED Panggung KOLEKTIF: Jurnal Pendidikan, Pengajaran, dan Pembelajaran Harmonia: Journal of Arts Research and Education OSTINATO Journal of Music Study and Research
uus karwati
Pendidikan Seni Musik, UPI
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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Journal : jpled

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Contextualizing the Kacapi Instrument in Karungut Tradition: A Reflection of Indonesian Art Education Paradigm through Ki Hadjar Dewantara’s Philosophy Elvionita Surya, Dhea; Uus Karwati; Reni Haerani
Journal of Practice Learning and Educational Development Vol. 6 No. 1 (2026): Journal of Practice Learning and Educational Development (JPLED)
Publisher : Global Action and Education for Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58737/jpled.v6i1.963

Abstract

This study aims to analyze the pedagogical and philosophical meanings contained in the kacapi instrument in the Karungut oral tradition of the Dayak Ngaju people in Central Kalimantan and its relevance to Ki Hadjar Dewantara's philosophy of education. Using descriptive-ethnographic qualitative methods, this study explores the symbolic and moral dimensions of the kacapi instrument and Karungut as a form of cultural pedagogy. The results show that the kacapi functions not only as a musical accompaniment, but also as a symbol of balance, spirituality, and wisdom, which is embodied through symbolic ornaments such as Batang Garing and Burung Enggang. This representation is in line with Ki Hadjar Dewantara's three principles of education, namely Ing Ngarso SungTulodo, Ing Madyo Mangun Karso, and Tut Wuri Handayani, which emphasize character building through exemplary behavior, guidance, and freedom of expression. Thus, the recontextualization of the kacapi in the Karungut tradition becomes a form of culture-based arts education that fosters moral character, ecological awareness, and cultural identity.
Improving Student Character through Role Playing Senja Script Scene 2: Ki Hadjar Dewantara's Perspective Gunawan Wibisana Danubrata; Uus Karwati; Reni Haerani
Journal of Practice Learning and Educational Development Vol. 6 No. 2 (2026): Journal of Practice Learning and Educational Development (JPLED)
Publisher : Global Action and Education for Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58737/jpled.v6i2.1043

Abstract

The teaching of arts and culture in schools, including theater, plays a crucial role in shaping students' appreciation, imagination, and creativity towards aesthetic values and local and global culture. Through role-playing, performances, and appreciation activities, students not only learn performance techniques but also understand complex human experiences such as conflict, sacrifice, and hope. The success of this process is largely determined by the teacher's choice of teaching methods, especially in the context of traditional Indonesian theater for 10th grade high school students, which requires a balance between artistic aspects and character building. The role- playing method has proven to be effective because it encourages students to explore feelings, attitudes, values, skills, and knowledge through performance and reflective discussion after the performance. This study examines the application of role playing in the script Senja Adegan 2 by Gunawan Wibisana Danubrata, highlighting its relevance to Ki Hadjar Dewantara's perspective, which emphasizes the harmony of thought, feeling, and intention as the basis of character. Through analysis of the performance process and results, the findings are expected to contribute to the development of creative, contextual, student-centered theater learning strategies that are in line with national educational values and character education objectives in secondary schools.
Suara Naratif sebagai Bahasa Sinematik: Dol dalam Pembentukan Pendidikan Karakter Berbasis Trilogi Ki Hajar Dewantara di Bengkulu Adinda Innayah Putri Lianni; Uus Karwati; Reni Haerani
Journal of Practice Learning and Educational Development Vol. 6 No. 2 (2026): Journal of Practice Learning and Educational Development (JPLED)
Publisher : Global Action and Education for Society

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58737/jpled.v6i2.1061

Abstract

Traditional musical instruments possess philosophical, historical, and social values ​​that can reveal past civilizations and serve as a medium for cultural communication (Mufarizuddin, 2022; Agustinus, 2024). In Bengkulu, the Dol serves as a symbol of cultural identity and the primary instrument in the Tabot ritual. It also contains educational elements such as mathematics, physics, and character building. This study analyzes the implementation of Ki Hajar Dewantara's Educational Trilogy—Ing Ngarsa Sung Tuladha, Ing Madya Mangun Karsa, Tut Wuri Handayani—in preserving Dol as a cultural heritage. The research method employed a descriptive qualitative approach with literature analysis and the integration of quotations and empirical findings from various studies on organology, ethnomathematics, and character education. The results indicate that Dol can serve as a medium for character formation for the younger generation through role models of preservation, creative empowerment in the production process, and mentoring in musical practice. Dol preservation also faces challenges such as a lack of promotional media and the threat of a breakdown in the transmission of playing techniques. This study confirms that local culture-based education has strategic potential for revitalizing traditional musical instruments while strengthening students' character.
Co-Authors Adinda Innayah Putri Lianni Arnetha Deyananda Cipta, Febbry Diah Latifah Dodi Pranata Elvionita Surya, Dhea Endah Irawan Engkur Kurdita, Engkur epin, Erfina Fathurohman, Muhammad Aji Fifiet Dwi Tresna Santana Fifiet Dwi Tresna Santana, Fifiet Dwi Tresna Gunawan Wibisana Danubrata Ilham Maulana Juju Masunah Kusuma, Adel Sulaiman Marsel Ridky Maulana Muhamad Ramdhani Khoerudin Muhammad Aji Fathurohman Muqri, Al Nana Supriatna Narawaty, Taty Nikawanti, Gia Novianti, Rahyuni Pangrestu, Saranti Galih Rahmatunnisa Ramadhani S Rani Tiara FL Reni Haerani Reni Haerani Reyhan Swarna Medica Rian Agustiansyah, Rian Ridwan, Indra Ridwan, Ridwan Rita Milyartini S, Mustika Iman Zakaria sandie gunara, sandie Sandra Rolisa Sekunderiawan, Muhammad Rafly Sentosa, Gempur Shintanie Intan Ramadhan, Shintanie Intan Stevanie Lumbangaol Sunaryo, Ayo Suryati Budiwati, Dewi Tati Narawati Toni Setiawan Sutanto Tri Karyono Trianti Nugraheni Wilky Leonady Wina Lerina Wina Lerina, Wina Yanti Nur Aprianti Yudi Sukmayadi