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All Journal English Language and Literature International Journal of Nusantara Islam REKAYASA Ilmu Dakwah: Academic Journal for Homiletic Studies ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) CALL Interference: Journal of Language, Literature, and Linguistics Journal of Electrical Engineering and Computer (JEECOM) Journal of English Language and Education Jurnal Neraca Peradaban AKSARA: Jurnal Bahasa dan Sastra Kajian Linguistik dan Sastra Mardibasa: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Saksama: Jurnal Sastra Indonesian Journal of Innovation Multidisipliner Research Argopuro: Jurnal Multidisiplin Ilmu Bahasa Suara Bahasa: Jurnal Bahasa dan Sastra Jurnal Pengabdian Sosial International Journal of Nusantara Islam Jurnal Manajemen Pesisir dan Laut Sujud: Jurnal Agama, Sosial dan Budaya
Nurholis Nurholis, Nurholis
Mahasiswa Program Studi Agronomi dan Hortikultura. Sekolah Pascasarjana, Institut Pertanian Bogor
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Ragam Bentuk Hegemoni dalam Karya Sastra di Semenanjung Persia dan Asia Tengah: The Kite Runner dan the Thief of Baghdad Fakhruddin, Rifki Muhamad; Subawati, Salsabila Zahran Galuh Putri; Nurholis, Nurholis
Kajian Linguistik dan Sastra Vol. 4 No. 1 (2025): Januari 2025
Publisher : Prodi Sastra Indonesia, FKIP Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/kalistra.v4i1.39218

Abstract

This article discusses the forms of hegemony that appear in literary works in the Persian Peninsula and Central Asia. The method used is descriptive qualitative. Factors such as geographical, social, and educational environments can give rise to social issues and hegemony. Literature, as social criticism as well as a reflection of society, often becomes a tool to promote or challenge hegemony. This approach uses the sociology of literature and Antonio Gramsci's theory of hegemony. The research data sources are the novels The Kite Runner by Khaled Hosseini and The Thief of Baghdad by Alexander Romanoff. The data were obtained using reading and note-taking techniques. The results of the research in the form of various forms of hegemony that appear in the two novels are five forms, namely: (1) racial hegemony, (2) educational hegemony, (3) socio-cultural hegemony, (4) gender role hegemony, and (5) political hegemony Abstrak Artikel ini membahas tentang bentuk-bentuk hegemoni yang muncul di dalam karya sastra di Semenanjung Persia dan Asia Tengah. Metode yang digunakan adalah deskriptif kualitatif. Faktor-faktor seperti lingkungan geografis, sosial, dan pendidikan dapat memunculkan isu sosial dan hegemoni. Sastra, sebagai kritik sosial serta cerminan masyarakat, seringkali menjadi alat untuk mempromosikan atau menantang hegemoni. Pendekatan ini menggunakan sosiologi sastra dan teori hegemoni Antonio Gramsci. Sumber data penelitian adalah novel The Kite Runner karya Khaled Hosseini dan The Thief of Baghdad karya Alexander Romanoff. Data diperoleh dengan teknik membaca dan mencatat. Hasil penelitian berupa ragam bentuk hegemoni yang muncul di dalam kedua novel adalah lima bentuk, yaitu: (1) hegemoni ras, (2) hegemoni pendidikan, (3) hegemoni sosial-kultural, (4) hegemoni peran gender, dan (5) hegemoni politik
REPRESENTATION OF SOCIAL INEQUALITY IN SNOWPIERCER (2013) DIRECTED BY BONG JOON HO Anindya, Raissa Talitha; Nurholis, Nurholis
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 8, No 2 (2024)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v8i22024p264-274

Abstract

 ABSTRACT: My research discusses how social issues that occur in society, such as social inequality represented in literary works, film as the genre, Snowpiercer (2013) directed by Korean director, Bong Joon Ho. The background of the research is social issues that are reflected in literary works. The purpose of the research is, to find out and show to the reader, how social inequality and exploitation are represented in Snowpiercer (2013). The research method used in this research is a literary qualitative method, where all the information is collected in various references. The conclusion that can be obtained from this writing is, that social issues such as social inequality and exploitation can be represented through the literary work, film. Snowpiercer (2013) shows that there is an inequality social issue and exploitation which often occurs in real life society.Keywords: Snowpiercer, Social Inequality, Sociology 
REPRESENTATION OF SOCIAL CLASSS IN THE SHORT STORY THE NECKLACE Alia, Regina Putri; Nurholis, Nurholis
ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Vol 8, No 2 (2024)
Publisher : Jurusan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um006v8i22024p255-263

Abstract

The objective of this study is to examine Guy de Maupassant's short story,"The Necklace." This study applies Karl Marx's literary sociology theory along with aqualitative descriptive methodology. One method of data analysis used in this study isreading short stories and marking specific passages that discuss social elements. 2)choosing and identifying narrative elements that depict socioeconomic classes 3)explaining quotes in light of the applied theory 4) drawing recommendations andconclusions from the analysis's findings.
Exploring of Hegemony in the Novel the Kite Runner, A Thousand Splendid Suns, Girl of Kosova, and The Thief of Baghdad Wangsi, Siti Nabila Amira; Ramadani, Tri; Mayanti, Zahra Tinaendah; Nurholis, Nurholis
Indonesian Journal of Innovation Multidisipliner Research Vol. 2 No. 4 (2024): December
Publisher : Institute of Advanced Knowledge and Science

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69693/ijim.v2i4.229

Abstract

This research explores the depiction of hegemony in four literary works: The Kite Runner and A Thousand Splendid Suns by Khaled Hosseini, Girl of Kosovo by Alice Mead, and The Thief of Baghdad by Alexander Romanoff. Through Antonio Gramsci's theory of hegemony, this research analyzes the impact of political, ethnic and patriarchal power on individuals and society. In The Kite Runner, ethnic hierarchy in Afghanistan is reflected through Pashtun-Hazara relations. A Thousand Splendid Suns reveals the oppression of patriarchy and the Taliban regime's rule over women. In contrast, Girl of Kosovo depicts the trauma of war through political-military domination amidst ethnic conflict in the Balkans. The Thief of Baghdad presents a fantasy narrative of resistance to the tyranny of the authorities through symbolism and class tensions. Although set in different contexts, these four works demonstrate the universal theme of struggle against hegemonic power and the role of literature in articulating both trauma and hope. The analysis uses a qualitative approach by examining quotations, symbolism, dialogue, and characterization to identify forms of hegemony. As a result, literature becomes a reflective medium that highlights the multidimensional impact of hegemony in history and culture. This research demonstrates the relevance of Gramsci's theory in understanding complex global socio-political dynamics.
EKSOTISME PAKISTAN DAN INDIA DALAM “THE HOLY WOMAN” DAN “TYPHOON” KARYA QAISRA SHAHARAZ Zahra, Siti; A’ida, Wanda Nur; Azam, Zidan Khairul; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 4 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v4i4.7471

Abstract

This study investigates the use of exoticism in Qaisra Shahraz's novels The Holy Woman and Typhoon. Exoticism in literature extends beyond depicting foreign cultures, often functioning as a lens to critique social realities through stereotypes and cultural symbolism. This research employs a qualitative descriptive method, focusing on how Shahraz uses exotic elements to portray the complexity of gender, identity, and power dynamics in Pakistan. The study compares Shahraz’s works with Taj by Timeri N. Murari and Beneath a Marble Sky by John Shors, which showcase exoticism within Indian cultural contexts. The findings reveal that in The Holy Woman, exoticism highlights patriarchal traditions and social inequalities, particularly through rituals like making women "holy" to preserve family honor. Similarly, Typhoon explores dual identities and societal pressures within a diasporic setting, employing exotic cultural practices and language to enrich the narrative. Contrastingly, the Indian novels use the grandeur of the Mughal era, exemplified by the Taj Mahal, to critique political power struggles and social injustices. The study concludes that exoticism in these literary works serves as both an aesthetic device and a medium for social critique, revealing the nuanced intersection of tradition, gender, and power. This analysis enhances understanding of how postcolonial literature uses exoticism to navigate cross-cultural narratives and reflect on societal complexities.
ISU SOSIAL DAN IDENTITAS KULTURAL DALAM SASTRA MUSLIM: ANALISIS SOSIOLOGI SASTRA 'AYAT-AYAT CINTA' DAN 'LASKAR PELANGI' Rendy Febrianto; Sabrina Satriawati; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 4 No. 6 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v4i6.8142

Abstract

ABSTRAK Sastra Muslim di Indonesia telah menjadi medium penting untuk mengekspresikan dinamika sosial, budaya, dan religius. Penelitian ini menganalisis dua novel berpengaruh, Ayat-Ayat Cinta karya Habiburrahman El Shirazy dan Laskar Pelangi karya Andrea Hirata, untuk mengeksplorasi representasi isu-isu sosial melalui analisis dari dinamika sosial yang ada menggunakan pendekatan sosiologi sastra. Kajian ini mengeksplorasi isu-isu sosial seperti ketimpangan pendidikan, diskriminasi, dan identitas kultural dalam menghadapi modernitas menggunakan teori Alan Swingewood. Penelitian ini berfokus pada isu sosial pendidikan, identitas kultural dalam menghadapi tantangan modern dan peran agama dalam kehidupan bermasyarakat yang ditunjukkan oleh kedua novel ini. Hasil analisis ini pun menunjukkan bahwa sastra Muslim kontemporer mampu menjembatani tradisi dan modernitas, menawarkan wawasan tentang integrasi nilai Islam dalam menghadapi tantangan sosial. Penelitian ini berkontribusi pada pemahaman peran sastra dalam merefleksikan dan membentuk diskursus sosial di masyarakat Muslim Asia Tenggara, serta membuka dialog lebih luas tentang peran agama dalam masyarakat modern. Kata Kunci :Isu Sosial, Identitas Kultural, Ayat-Ayat Cinta, Laskar Pelangi ABSTRACT Muslim literature in Indonesia has become an important medium for expressing social, cultural and religious dynamics. This study analyzes two influential novels, Ayat-Ayat Cinta by Habiburrahman El Shirazy and Laskar Pelangi by Andrea Hirata, to explore the representation of social issues through an analysis of the existing social dynamics using a sociology of literature approach. This study explores social issues such as educational inequality, discrimination, and cultural identity in the face of modernity using Alan Swingewood's theory. This study focuses on the social issues of education, cultural identity in the face of modern challenges and the role of religion in social life shown by these two novels. The results of this analysis also show that contemporary Muslim literature is able to bridge tradition and modernity, offering insights into the integration of Islamic values in facing social challenges. This research contributes to understanding the role of literature in reflecting and shaping social discourse in Southeast Asian Muslim societies, as well as opening a broader dialogue on the role of religion in modern society. Keywords: Social Issues, Cultural Identity, Ayat-Ayat Cinta, Laskar Pelangi
ANALYSIS OF THE USE OF ALLEGORY IN GEORGE ORWELL’S “ANIMAL FARM” Rodhiatammardiyah, Bella; Rabbani, Beril; Putra, Muhammad Dzaky Maulana; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8412

Abstract

George Orwell's Animal Farm is a highly satirical allegory of the Russian Revolution and the rise of the totalitarianism under Joseph Stalin. Through the revolt of farm animals against their owner, Mr. Jones, Orwell criticizes the corruption of revolutionary ideals, illustrating how a noble intention can turn into an oppressive regime. The characters in the novel symbolize key figures in history, such as Napoleon as Stalin and Snowball as Trotsky, allowing readers to explore the power dynamics and betrayal. The analysis uses formalist and a sociological method to examine how allegorical elements, propaganda, and character portrayals reflect broader social and political themes. In the end, Animal Farm emphasizes the dangers of absolute power and the importance of accountability in leadership.
POWER AND CONSEQUENCES SYMBOLISM IN FRANKENSTEIN Perdiansyah, Rifky Ali; Afghani, Muhammad Al; Taufik, Elza Salsabillah Arriyaha Lawaqih; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8445

Abstract

This paper discusses the use of symbolism in Mary Shelley’s Frankenstein, illustrates how Shelley uses various symbols as a form of social criticism of the moral degradation when scientific exploration is separated from ethical considerations. Through several symbols, the novel highlighting the dangers of ambition uncontrolled by moral limitations. The symbol that show on the monster, represent dangerous consequences of uncontrolled scientific ambition. Victor Frankenstein, as the creator, crosses moral and ethical boundaries by creating life without considering his responsibilities. Also, the nature elements that Shelley uses is shown as an example how the quest for knowledge can lead to disaster, warning readers of the moral responsibility that comes with science. This study explores how the novel uses symbols to reflects concept of man and the responsibility of the creator emphasize how important it is to consider the moral and social implications of every action.
ANALYZING TOTALITARIANISM IN GEORGE ORWELL’S ‘1984’: PROPAGANDA, SURVEILLANCE, CONTROL, HISTORY, FEAR, AND SUPPRESSION Putri, Apsari Eka; Nabila, Najwa Zayra; Faturrahman, Yanwar; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i1.8542

Abstract

George Orwell's 1984 is a dystopian novel that depicts a bleak future, incorporating elements of political totalitarianism. Where the society is fully controlled by the ruling regime. This is a fairly extreme political school, where a state fully controls all the personal lives of its citizens. This analysis focuses on the society in 1984. Propaganda carried out by the ruling party tries to shape the government according to its will and tries to erase the freedom of thought of its people. Surveillance of the people, starting from the content of thoughts, is under the control of the ruling regime. The manipulation of information and language is aimed at silencing the people from resisting the party. The violent terror portrayed in the novel is to enforce submission. George Orwell succeeded in illustrating how the politics of totaliarism, namely the bad consequences that will occur if this kind of political system is followed.
PATRIARCHY AND POWERLESS: THE HIERARCHY IN THE CRYING OF LOT 49 Dinie, Nida Najah; Fauziyyah, Nurkhalistiani; Anugrah, Zidni Dinia; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 4 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i4.8886

Abstract

The Crying of Lot 49 is one of Thomas Pynchon’s novel that offers a detailed analysis of power, conspiracy, and hierarchy within contemporary society, investigating how concealed systems influence individual lives. The story follows Oedipa Maas, who uncovers a realm filled with secret symbols and clandestine networks, particularly the Trystero postal system, which challenges established views on societal control. The narrative emphasizes hierarchical themes related to gender, class, and authority, linking them to the societal transformations following World War II and the manipulation of power dynamics. Pynchon critiques conventional gender roles through Oedipa's portrayal as a passive housewife and examines patriarchy in her interactions with male figures of authority. Symbols like the "Tupperware party" illustrate gender disparities, while affluent characters such as Pierce Inverarity critique capitalist hierarchies. The Trystero network embodies resistance from the lower classes, and the novel further explores social stratification and alienation among marginalized communities. Ultimately, This novel presents the world of power, conspiracy, and personal struggles in a non-linear or fragmented and ambiguous world.
Co-Authors Achmad Djunaedy Afghani, Muhammad Al Alawiyah, Siti Dilla Alia, Regina Putri Alya Hasya Azqia Andri, Rival Anindya, Raissa Talitha Anugrah, Zidni Dinia Arifin, Nadiah Zalfa Nur Astuti, Rengganis Elung Naafi Asy Syamil, Muhammad Fikri Azam, Zidan Khairul Azzahra, Ratna A’ida, Wanda Nur Buana, Lintang Indra Chaniago, Ricka Hidayati Creani Handayani Debiliya, Debiliya Dhaniswara, Erwin Dinie, Nida Najah Ekayani, Ridha Fadilah, Nizam Fakhruddin, Rifki Muhamad Faturrahman, Yanwar Fauziah Fauziah Fauziyyah, Nurkhalistiani Fazrin, Okti Winarti Aulia Fhadilla, Ghulam Ikhwan Fharaz, Sohibul Hanifah, Cahyarani Triayu Haurani, Najwa Djafira Herlambang, Diaz Billy Hidayah, Irna Inayatul Ice Sariyati Ismiyanti Agustina Kamila, Nasywa Khaeruman, Badri Latief , Abdul Listriyana, Ani Mandai, Disyela Apriswa Marjuki Marjuki Mayanti, Zahra Tinaendah Misrudi, Misrudi Muafalah, Siti Muhammad Fadhlurrahman Nabila, Najwa Zayra Natashia, Novi Dian Oktavani, Deliana Fazra Oktaviani, Naila Dwinanda Pahlewi, Anita Diah Perdiansyah, Rifky Ali Pratiwi, Nabila Putri Priyawan, Pepen Putra, Muhammad Dzaky Maulana Putri, Apsari Eka Putri, Helmilia Putri, Kayla Rania Rabbani, Beril Ramadani, Tri Ramadani, Yasinta Sahla Ramadhan, Alfarish Ramadhan, Ghifari Ilham Rendy Febrianto Rodhiatammardiyah, Bella Rosidah, Siti Zulfah Sabrina Satriawati Sabrina, Silvany Haifa Salsabila, Socha Saputra, Farhan Januar Saputra, Septian Bimo Siti Fatimah Siti Zahra Subawati, Salsabila Zahran Galuh Putri Sudjatnika, Tenny Syarifatul Ainiyyah, Zuvika Amoret Tamaji, Tamaji Taufik Arbain Taufik, Elza Salsabillah Arriyaha Lawaqih Utami, Regita Permata Wangsi, Siti Nabila Amira Widanarti, Widanarti Yasis, Rizqia Fatimatuzahra Yoga Sudarisman