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All Journal English Language and Literature International Journal of Nusantara Islam REKAYASA Ilmu Dakwah: Academic Journal for Homiletic Studies ISLLAC : Journal of Intensive Studies on Language, Literature, Art, and Culture Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) CALL Interference: Journal of Language, Literature, and Linguistics Journal of Electrical Engineering and Computer (JEECOM) Journal of English Language and Education Jurnal Neraca Peradaban AKSARA: Jurnal Bahasa dan Sastra Kajian Linguistik dan Sastra Mardibasa: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Saksama: Jurnal Sastra Indonesian Journal of Innovation Multidisipliner Research Argopuro: Jurnal Multidisiplin Ilmu Bahasa Suara Bahasa: Jurnal Bahasa dan Sastra Jurnal Pengabdian Sosial International Journal of Nusantara Islam Jurnal Manajemen Pesisir dan Laut Sujud: Jurnal Agama, Sosial dan Budaya
Nurholis Nurholis, Nurholis
Mahasiswa Program Studi Agronomi dan Hortikultura. Sekolah Pascasarjana, Institut Pertanian Bogor
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CLASS STRUGGLE IN 1984 BY GEORGE ORWELL Mandai, Disyela Apriswa; Astuti, Rengganis Elung Naafi; Ekayani, Ridha; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 5 No. 5 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v5i5.8947

Abstract

This article researches the complicated class structure of George Orwell's dystopian masterpiece, which is the novel titled "1984." By examining the clear and stark divisions within Oceania's society, this analysis aims to uncover the underlying social commentary that is on the text. The article will be focusing on two different classes, the classes are Bourgeois and Proletarian. Through a close examination of these classes' roles, privileges, and oppression, this study will reveal how Orwell makes use of class stratification to give a critique about the dangers of totalitarianism and the annihilation of individual freedom. This research will also focus more on showing the correlation and difference between the Bourgeois and Proletarian class, and how unfair the treatment the lower class will get meanwhile the higher class having a decent life. Ultimately, this exploration shows the lasting relevance of "1984" as a warning tale about the consequences of unchecked power and the timeless struggle for social justice.
FIKSI DAN KEBENARAN, KEPENGARANGAN, GENDER, KELAS, DAN RAS DALAM NOVEL THE CRYING OF LOT 49 KARYA THOMAS PYNCHON Arifin, Nadiah Zalfa Nur; Fharaz, Sohibul; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 1 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i1.9317

Abstract

Studi ini bertujuan untuk menyelidiki hubungan antara fiksi dan kebenaran dalam novel Crying of Lot 49 karya Thomas Pynchon, yang diterbitkan pada tahun 1967. Menggunakan pendekatan analisis kualitatif, penelitian ini mengkaji pengaruh faktor-faktor seperti kepemilikan, gender, kelas, dan ras dalam membentuk narasi dan karakter dalam karya tersebut. Novel ini mengeksplorasi tema kompleks mengenai realitas dan fiksi, serta bagaimana konstruksi sosial memengaruhi persepsi individu terhadap kebenaran. Hasil analisis menunjukkan bahwa representasi gender dan kelas di dalam novel menciptakan lapisan makna yang memperkaya pemahaman pembaca tentang dinamika sosial. Penelitian ini menyimpulkan bahwa Crying of Lot 49 tidak hanya sebagai karya fiksi, tetapi juga sebagai refleksi kritis terhadap kebenaran yang dibentuk oleh struktur sosial dan kekuasaan.
SIMBOLISME DALAM "THE CRYING OF LOT 49" KARYA THOMAS PYNCHON: ANALISIS MAKNA DAN KONTEKS Saputra, Farhan Januar; Ramadhan, Ghifari Ilham; Hidayah, Irna Inayatul; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 2 (2024): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i2.9586

Abstract

Novel The Crying of Lot 49 karya Thomas Pynchon merupakan salah satu karya sastra postmodern yang penuh dengan kompleksitas simbolis dan narasi ambigu. Artikel ini menganalisis makna simbol-simbol utama dalam novel tersebut serta menghubungkannya dengan konteks sosial, budaya, dan ekonomi masyarakat modern. Dengan mengkaji simbolisme Tristero, Lot 49, berbagai objek, dan karakter-karakter utama, artikel ini mengungkap bagaimana Pynchon menggunakan simbolisme untuk mengkritik sistem kapitalis, menyentil kegagalan komunikasi, serta menggambarkan absurditas dan ketidakpastian kehidupan di era modern. Hasil analisis menunjukkan bahwa novel ini tidak hanya menantang pembaca untuk mempertanyakan sistem yang ada, tetapi juga menawarkan refleksi filosofis tentang pencarian makna dalam dunia yang penuh ambiguitas.
PARANOIA IN THOMAS PYNCHON'S “THE CRYING OF LOT 49” Oktaviani, Naila Dwinanda; Haurani, Najwa Djafira; Utami, Regita Permata; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9704

Abstract

This paper explores the enduring theme of Paranoia in Thomas Pynchon’s novel “The Crying of Lot 49,” with a particular emphasis on the protagonist, Oedipa Maas. In the story, Paranoia arises as a reaction to the intricate and uncertain nature of the modern world portrayed by Pynchon. Through symbols such as the muted post horn and Tristero’s conspiratorial network, Oedipa is caught up in a never-ending search for meaning. As Oedipa delves deeper into her investigation, she experiences a mental crisis characterized by paranoia and disorientation. The more Oedipa gathers information about Tristero, the higher her paranoid levels become. She feels that everything she sees, smells, dreams and remembers will be interwoven into Tristero. This creates a tension between what is real and what is imagined. She wonders if all these clues really exist or are just imaginary. This creates a strong internal debate, making it difficult for her to believe in anything. With this discussion of paranoia in the novel, we as readers can explore how paranoia not only affects Oedipa’s perception of the world around her, but also illustrates Pynchon’s critique of social and political structures that oppress individuals.
EXPLORING INNEQUALITY AND CLASS STRUGGLES IN THE ADVENTURES OF HUCKLEBERRY FINN Hanifah, Cahyarani Triayu; Oktavani, Deliana Fazra; Kamila, Nasywa; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 3 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i3.9777

Abstract

Mark Twain's The Adventures of Huckleberry Finn serves as a profound critique of the class and racial inequalities entrenched in 19th-century American society. Through the characters of Huck Finn, a poor white boy, and Jim, an escaped slave, Twain illuminates the struggles faced by those at the bottom of the social hierarchy. Jim's journey for freedom symbolizes the broader fight against systemic injustice that characterized his time. As a black man in a society that dehumanizes him, Jim embodies the plight of individuals denied their basic rights and dignity. His aspirations for family, financial stability, and freedom from discrimination reflect a natural right to liberty that society systematically denies him. Huck's moral development is central to the narrative, as he grapples with societal norms that dictate racial superiority and class distinctions. Initially conditioned by the prejudices of his environment, Huck experiences a transformation as he befriends Jim. This relationship challenges his ingrained beliefs and compels him to confront the hypocrisy of a society that claims to be civilized while perpetuating slavery and inequality [5][7]. Huck's internal conflict highlights the tension between societal expectations and personal conscience, ultimately leading him to reject social hierarchies in favor of empathy and human connection. Twain's portrayal of these characters not only critiques institutional racism but also underscores the necessity of personal integrity in the quest for equality. The novel advocates for a moral awakening that transcends class and race, suggesting that true freedom and dignity can only be achieved through compassion and the rejection of oppressive societal constructs [6][8]. In this way, The Adventures of Huckleberry Finn remains a powerful commentary on the enduring issues of inequality and class struggle.
THE ROLE OF PARADOX IN MARY SHELLEY’S FRANKENSTEIN PERAN PARADOKS DALAM FRANKENSTEIN OLEH MARY SHELLEY Latief , Abdul; Herlambang, Diaz Billy; Putri, Kayla Rania; Nurholis, Nurholis
Argopuro: Jurnal Multidisiplin Ilmu Bahasa Vol. 6 No. 4 (2025): Argopuro: Jurnal Multidisiplin Ilmu Bahasa
Publisher : Cahaya Ilmu Bangsa Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.6734/argopuro.v6i4.9802

Abstract

Mary Shelley’s Frankenstein is a piece of Gothic literature which has lasted in popularity until the modern age. There are numerous interesting aspects to analyze from this book. One such aspect is the use of paradoxes in this novel and its execution in the story. This paper aims to analyze four types of paradoxes present in Mary Shelley's novel Frankenstein: Situational Paradox, Verbal Paradox, Character Paradox, and Thematic Paradox. The Situational Paradox highlights the contradictions between the intentions of Victor Frankenstein and the disastrous outcomes of his experiments. The Verbal Paradox examines instances of language that convey conflicting meanings, reflecting the complexity of the characters' experiences. The Character Paradox explores the duality within the characters, particularly in Victor and his creation, as they navigate their desires and identities. Finally, the Thematic Paradox addresses the broader moral and ethical dilemmas presented in the novel, showcasing the conflicts between ambition, responsibility, and the nature of humanity. This study will approach these issues from a mainly posmodern point of view which explores the complexity of these paradoxes. The results of this analysis revealed new insights into how these paradoxes not only serve as narrative elements but also reflect the ethical and philosophical dilemmas of the era. It can be concluded that Shelley employs paradoxes in various forms­ situational, character, verbal, and thematic-to highlight the complexities of her narrative and deepen the understanding of her characters and themes. Frankenstein oleh Mary Shelley adalah karya sastra Gotik yang tetap populer hingga zaman modern. Ada banyak aspek menarik yang dapat dianalisis dari buku ini. Salah satu aspek tersebut adalah penggunaan paradoks dalam novel ini dan pelaksanaannya dalam cerita. Makalah ini bertujuan untuk menganalisis empat jenis paradoks yang ada dalam novel Frankenstein karya Mary Shelley: Paradoks Situasional, Paradoks Verbal, Paradoks Karakter, dan Paradoks Tematik. Paradoks Situasional menyoroti kontradiksi antara niat Victor Frankenstein dan hasil eksperimennya yang membawa bencana. Paradoks Verbal meneliti contoh-contoh bahasa yang menyampaikan makna yang saling bertentangan, yang mencerminkan kompleksitas pengalaman para tokoh. Paradoks Karakter mengeksplorasi dualitas dalam diri para tokoh, khususnya dalam diri Victor dan ciptaannya, saat mereka menavigasi keinginan dan identitas mereka. Terakhir, Paradoks Tematik membahas dilema moral dan etika yang lebih luas yang disajikan dalam novel, yang memperlihatkan konflik antara ambisi, tanggung jawab, dan sifat manusia. Studi ini akan membahas isu-isu tersebut dari sudut pandang posmodern yang mengeksplorasi kompleksitas paradoks tersebut. Hasil analisis ini mengungkapkan wawasan baru tentang bagaimana paradoks tersebut tidak hanya berfungsi sebagai elemen naratif tetapi juga mencerminkan dilema etika dan filosofis pada era tersebut. Dapat disimpulkan bahwa Shelley menggunakan paradoks dalam berbagai bentuk situasional, karakter, verbal, dan tematik untuk menyoroti kompleksitas narasinya dan memperdalam pemahaman karakter dan temanya.
Isu Modernitas dan Ketidaksetaraan Gender pada Novel Tenggelamnya Kapal Van Der Wijck dan Para Priyayi serta Relevansinya dalam Pembelajaran Apresiasi Prosa Rosidah, Siti Zulfah; Widanarti, Widanarti; Syarifatul Ainiyyah, Zuvika Amoret; Nurholis, Nurholis
MARDIBASA: Jurnal Pembelajaran Bahasa dan Sastra Indonesia Vol 4 No 2 (2024)
Publisher : SATU Press Universitas Islam Negeri Sayyid Ali Rahmatullah Tulungagung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21274/jpbsi.2024.4.2.129-143

Abstract

This research aims to identify the issues of modernity and gender equality raised in Indonesian muslim literature, specifically in the novels Tenggelamnya Kapal van der Wijck by Hamka and Para Priyayi by Umar Khayam. This research applies a descriptive qualitative methodology. The issue of gender inequality is particularly highlighted in the novel Tenggelamnya Kapal van der Wijck, as exemplified by the character of Hayati. Discrimination against women is depicted in the novel Tenggelamnya Kapal van der Wijck. Umar Khayam's Para Priyayi explores the contemporary manifestation of traditionalism in Indonesian religious practice, particularly within the context of Javanese Muslim society. The synthesis of Javanese tradition and modernity in Para Priyayi represents a contemporary phenomenon.
Exoticism in “Harry Potter and The Sorcerer’s Stone” and “Archipelagos: Wizarding School in Nusantara” Fazrin, Okti Winarti Aulia; Nurholis, Nurholis; Priyawan, Pepen
Interference: Journal of Language, Literature, and Linguistics Vol 6, No 1 (2025): INTERFERENCE
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/interference.v6i1.71023

Abstract

Abstract. This study contributes to a deeper understanding of how exoticism in fantasy literature is shaped by cultural backgrounds and the use of magical elements. . A comparative qualitative approach is used due to the use of narrative analysis in this study and is necessary to determine the similarities of the study objects. This study analyzes elements such as objects, characters, dialogues or narratives, and rituals or customs collected from both novels as primary data sources. The finding shows the distinct cultural background to build the exoticism. Harry Potter draws extensively from Western and Europe traditions, folklore, myths, and Greek mythology, applying these to create its magical world. In contrast, Archipelagos adopts Asian culture, particularly Indonesian traditions, to enhance the exoticism of its story. The magical elements in this novel are deeply connected to human relationships with nature and animistic beliefs that are central to Indonesian culture. Voldemort and Berong are cultural villain conceptions that have a strong basis in their respective mythologies. The different cultural influences in each novel appear in these differences.   The research demonstrates that the cultural context is important in the development of exoticism in fantasy literature Keywords: exoticism, comparative analysis, fantasy, harry potter, magical element, novel
The Qur'an and Hadith as a Rule of Law Change: Fatwa Studies of Islamic Organizations in West Java Khaeruman, Badri; Nurholis, Nurholis
International Journal of Nusantara Islam Vol 12 No 2 (2024): International Journal of Nusantara Islam
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ijni.v12i2.44784

Abstract

This study examines how Islamic organizations in West Java use the Qur'an and Hadith as foundations for legal rulings (fatwas) in response to modern challenges. Focusing on Muhammadiyah, Nahdlatul Ulama (NU), and Persatuan Islam (Persis), the research highlights how ijtihad (Islamic legal reasoning) adapts to social and technological changes. Comparative analysis reveals distinct methodological approaches: Muhammadiyah employs rational-textual methods (bayani, qiyasi, istishlahi), NU combines traditionalism with contextual flexibility, while Persis strictly follows scriptural sources. These differences produce varying fatwas - for example, Muhammadiyah declares smoking haram (forbidden) due to health risks, whereas NU and Persis consider it makruh (discouraged) due to weaker scriptural evidence. These variations stem from differing interpretations of texts, social considerations, and methodological priorities. The findings demonstrate Islamic law's ability to address contemporary issues while maintaining core principles. The study suggests that fatwa differences reflect each organization's intellectual tradition and social context rather than fundamental disagreements about Islamic law. Future research could explore: (1) regional variations in fatwa formulation across Indonesia, (2) interdisciplinary studies combining Islamic jurisprudence with social sciences, and (3) the impact of digital technology on ijtihad processes. Such studies would deepen understanding of how Islamic legal traditions interact with modernity in diverse Muslim communities.
The Qur'an and Hadith as a Rule of Law Change: Fatwa Studies of Islamic Organizations in West Java Khaeruman, Badri; Nurholis, Nurholis
International Journal of Nusantara Islam Vol 12 No 2 (2024): International Journal of Nusantara Islam
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/ijni.v12i2.44784

Abstract

This study examines how Islamic organizations in West Java use the Qur'an and Hadith as foundations for legal rulings (fatwas) in response to modern challenges. Focusing on Muhammadiyah, Nahdlatul Ulama (NU), and Persatuan Islam (Persis), the research highlights how ijtihad (Islamic legal reasoning) adapts to social and technological changes. Comparative analysis reveals distinct methodological approaches: Muhammadiyah employs rational-textual methods (bayani, qiyasi, istishlahi), NU combines traditionalism with contextual flexibility, while Persis strictly follows scriptural sources. These differences produce varying fatwas - for example, Muhammadiyah declares smoking haram (forbidden) due to health risks, whereas NU and Persis consider it makruh (discouraged) due to weaker scriptural evidence. These variations stem from differing interpretations of texts, social considerations, and methodological priorities. The findings demonstrate Islamic law's ability to address contemporary issues while maintaining core principles. The study suggests that fatwa differences reflect each organization's intellectual tradition and social context rather than fundamental disagreements about Islamic law. Future research could explore: (1) regional variations in fatwa formulation across Indonesia, (2) interdisciplinary studies combining Islamic jurisprudence with social sciences, and (3) the impact of digital technology on ijtihad processes. Such studies would deepen understanding of how Islamic legal traditions interact with modernity in diverse Muslim communities.
Co-Authors Achmad Djunaedy Afghani, Muhammad Al Alawiyah, Siti Dilla Alia, Regina Putri Alya Hasya Azqia Andri, Rival Anindya, Raissa Talitha Anugrah, Zidni Dinia Arifin, Nadiah Zalfa Nur Astuti, Rengganis Elung Naafi Asy Syamil, Muhammad Fikri Azam, Zidan Khairul Azzahra, Ratna A’ida, Wanda Nur Buana, Lintang Indra Chaniago, Ricka Hidayati Creani Handayani Debiliya, Debiliya Dhaniswara, Erwin Dinie, Nida Najah Ekayani, Ridha Fadilah, Nizam Fakhruddin, Rifki Muhamad Faturrahman, Yanwar Fauziah Fauziah Fauziyyah, Nurkhalistiani Fazrin, Okti Winarti Aulia Fhadilla, Ghulam Ikhwan Fharaz, Sohibul Hanifah, Cahyarani Triayu Haurani, Najwa Djafira Herlambang, Diaz Billy Hidayah, Irna Inayatul Ice Sariyati Ismiyanti Agustina Kamila, Nasywa Khaeruman, Badri Latief , Abdul Listriyana, Ani Mandai, Disyela Apriswa Marjuki Marjuki Mayanti, Zahra Tinaendah Misrudi, Misrudi Muafalah, Siti Muhammad Fadhlurrahman Nabila, Najwa Zayra Natashia, Novi Dian Oktavani, Deliana Fazra Oktaviani, Naila Dwinanda Pahlewi, Anita Diah Perdiansyah, Rifky Ali Pratiwi, Nabila Putri Priyawan, Pepen Putra, Muhammad Dzaky Maulana Putri, Apsari Eka Putri, Helmilia Putri, Kayla Rania Rabbani, Beril Ramadani, Tri Ramadani, Yasinta Sahla Ramadhan, Alfarish Ramadhan, Ghifari Ilham Rendy Febrianto Rodhiatammardiyah, Bella Rosidah, Siti Zulfah Sabrina Satriawati Sabrina, Silvany Haifa Salsabila, Socha Saputra, Farhan Januar Saputra, Septian Bimo Siti Fatimah Siti Zahra Subawati, Salsabila Zahran Galuh Putri Sudjatnika, Tenny Syarifatul Ainiyyah, Zuvika Amoret Tamaji, Tamaji Taufik Arbain Taufik, Elza Salsabillah Arriyaha Lawaqih Utami, Regita Permata Wangsi, Siti Nabila Amira Widanarti, Widanarti Yasis, Rizqia Fatimatuzahra Yoga Sudarisman