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All Journal Harmonia: Journal of Research and Education MUDRA Jurnal Seni Budaya Wikrama Parahita : Jurnal Pengabdian Masyarakat Syntax Literate: Jurnal Ilmiah Indonesia Journal on Education Patrawidya: Seri Penerbitan Penelitian Sejarah dan Budaya Jurnal Pendidikan dan Konseling Journal of Social Science Jurnal Sosial dan Teknologi Indonesian Journal of Multidisciplinary Science Journal of Social Research Abdi Widya: Jurnal Pengabdian Masyarakat Journal of Aesthetics, Creativity and Art Management Journal of Social Science Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Retina Jurnal Fotografi Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Framing: Journal of Art, Film, Television, Animation, Games and Technology JHSS (Journal of Humanities and Social Studies)
I Nengah Wirakesuma, I Nengah
Institut Seni Indonesia Bali
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Banana Heart Sap Experiment I Nengah Wirakesuma; I Wayan Mudana; I Wayan Kondra; I Ketut Mustika; I Wayan Sujana
Journal of Social Science Vol. 5 No. 5 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46799/jss.v5i5.930

Abstract

A unique and interesting creative process using banana blossom sap as a medium. Banana flower sap has specific characteristics compared to other synthetic colors. Banana flower sap tends to display typical milky white, gray, light brown, yellowish-green, red and dark brown colors. Painting using banana blossoms starts from picking the banana blossom. Exploration of the technique of cutting the stem of the banana flower until the sap oozes out and drips onto the canvas. Since then I have been practicing spontaneously using banana sap, involving movements of my fingers, pressing the banana flower gently, medium and hard. The effect of the pressure of the banana flower sap produces natural colors, according to the intensity of the movement of the fingers on the canvas. The method used is carried out spontaneously, following the stages of the art creation process (E4): Existence, Exploration, Experimentation and Evaluation. Realization (E4) represents the existence of my creative process. Utilization of fine art elements such as light, point, line, space, plane, color, texture and composition. The resulting works of art include the following titles: Banana Sap Color 1, Banana Sap Color 2, Banana Sap Color 3, and so on. The use of banana blossom sap is driven by the need to express the soul in order to produce new works of art of high quality and have high aesthetic values
Nature Trofis and Young Artist's Light Painting at Penestanan Ubud Bali I Wayan Mudana; I Nengah Wirakesuma; I Wayan Adi Sucipta; I Ketut Mustika; I Wayan Kondra
Journal of Social Science Vol. 5 No. 6 (2024): Journal of Social Science
Publisher : Syntax Corporation Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The purpose and purpose of this research is to find out that tropical nature rich in light effects can be explored as an idea to create paintings. When he lived in Penestanan Ubud Bali in the 1957s, he taught light painting techniques that drove the birth of Young Artist-style painting. The people of Penestanan initially did not respect the painting activities offered by Arie Smit, but driven by the concern of seeing firsthand the condition of the residents of Penestanan village, who were very poor and underdeveloped, then he felt called to liberate the younger generation of the Penestanan community from poverty economically but very culturally rich. To analyze the nature of trophies and paintings of young artists in Penestanan carefully and accurately, a qualitative method is used, imperially using a participatory approach, namely analyzing the works of painters educated by Arie Smit, such as: Soki, Cakra, and Dewa Kaka using a motivational, behavioral, and interaction approach. To depict identity, aesthetic experience, creative process, until it is realized into a painting of young artists is analyzed participatory. The results and discussions in an impermatic manner describe about; (1) Tropical and Campuhan nature as inspiration for light painting, (2) Light Painters, and (3) painting forms produced by the Penestanan people of Ubud. Conclusion; The realm of trophism and light can be explored into paintings by young artists. The young artist's painting style reflects the play of colors, light, lines, and decorative. Meanwhile, perspective is used to obtain gradations and display the impression of far and near. Findings; Light painting in the West and in the East (Bali) has a very distinctive difference. The identity of Western light painting emphasizes the impression, the painter must face a direct object that gives birth to an impressionist style of painting. Meanwhile, in Young Artist's paintings, light capture displays color, decoration, and bold lines. It is arranged with a gradation game so that from perspective to get a far and close impression
Mengeksplorasi Relief dan Rerajahan dalam Penciptaan Seni Rupa Sedana, I Gusti Ngurah Agung Putra Wahyu; Wirakesuma, I Nengah; Mudana, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 6 No 1 (2026): "Majukan Seni Lewat Ekspresi dan Literasi"
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v6i1.6007

Abstract

The Merdeka Belajar Kampus Merdeka (MBKM) program is a policy of the Ministry of Education and Culture aimed at encouraging students to master various fields of knowledge as preparation for entering the professional world. At ISI Denpasar, the MBKM program this year is implemented in collaboration with industry partners in the fields of art, design, creative industries, and culture. This research originates from the idea of creating visual artworks inspired by reliefs and rerajahan. Reliefs, as two- and three-dimensional carvings found in Balinese temples, hold strong historical, religious, and artistic values, although some have been diminished due to renovations that neglect the original ornamentation. Meanwhile, rerajahan represents magical and spiritual symbols in Balinese Hindu traditions, enriched with sacred modre characters believed to possess divine energy. The creative process was carried out through literature review, observation of temple reliefs, and visual exploration of modern scripts in rerajahan. The outcomes consist of two-dimensional artworks (paintings) and three-dimensional ornamentations that integrate the form of reliefs with the symbolic strength of rerajahan, using expressionist and impressionist approaches to reinterpret traditional forms. The implication of this work shows that combining reliefs and rerajahan can create contemporary artistic expressions rooted in tradition while also contributing to the preservation of Balinese cultural, historical, spiritual, and aesthetic values.
Eksperimen Medium Getah Jantung Pisang I Nengah Wirakesuma; I Wayan Mudana; I Wayan Kondra
Jurnal Sosial Teknologi Vol. 6 No. 2 (2026): Jurnal Sosial dan Teknologi
Publisher : CV. Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jurnalsostech.v6i2.32681

Abstract

Eksperimen menggunakan medium getah jantung pisang dalam penciptaan seni lukis di atas kain kanvas. Getah jantung pisang memiliki karakter unik, klasik dan spesifik dibandingkan dengan warna sintetis lainya. Getah jantung pisang cenderung menampilkan warna khas putih susu, abu-abu, coklat muda, hijau-kekuningan, merah dan coklat tua. Melukis menggunakan getah jantung pisang dimulai dari memetik buah jantung pisang di kebun. Eksplorasi tenik memotong-motong tangkai jantung pisang sampai mengeluarkan getah dan menetes di atas kain kanvas. Sejak itu saya melukis secara spontanitas menggunakan getah jantung pisang, dengan melibatkan gerakan jari-jari tangan, menekan jantung pisang secara lembut, sedang dan keras. Efek dari tekanan-tekanan getah jantung pisang menghasilkan warna alami, sesuai dengan intensitas gerakan jari-jari tangan di atas kanvas. Metode yang digunakan dilakukan secara spontanitas, mengikuti tahapan-tahapan proses penciptaan seni (E4): Eksistensi, Eksplorasi, Eksperimen dan Evaluasi. Realisasi (E4) mencerminkan eksistensi proses kreativitas saya. Pemanfaatan elemen-elemen seni rupa seperti cahaya, titik, garis, ruang, bidang, warna, tekstur, dan komposisi. Karya seni lukis yang dihasilkan antara lain berjudul: Eksperiment Garis 1,  Eksperimen Garis 2, Eksperimen Garis 3, Eksperimen Kalaya 1 dan Eksperimen Kalaya 2. Penggunaan getah jantung pisang didorong oleh kebutuhan kreatiftas dan ekspresi jiwa agar menghasilkan karya seni yang bermutu, berkualitas serta memiliki nilai-nilai estetika yang tinggi.
Documentary Films As An Educational Medium On The Gaming World And Teenagers' Emotions I Putu Huwa Bagus Utama; I Wayan Suardana; I Nengah Wirakesuma
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol. 10 No. 02. (2026): JHSS (Journal of Humanities and Social Studies)
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jhss.v10i02..202

Abstract

This study aims to produce a documentary film as an educational medium to explore the impact of gaming on adolescents’ emotional development. The research applies a practice-based approach using both qualitative and quantitative methods. Data were collected through in-depth interviews, participatory observation, and questionnaires involving adolescents, parents, and experts. The findings indicate that most adolescents engage in gaming daily with durations exceeding three hours. This activity generates various emotional responses, including enjoyment, satisfaction, frustration, and anger. Gaming provides positive impacts such as entertainment, cognitive skill development, and social interaction, but also presents negative effects, including addiction, emotional instability, and reduced direct social engagement. The documentary film is designed using an expository approach to present balanced and reflective perspectives. The results suggest that documentary film is an effective educational medium to raise awareness among adolescents and parents regarding balanced game use in daily life
Foto Prewedding Bali Dengan Gaya Hitam Putih Putu Raka Narendra Dinata; I Nengah Wirakesuma; Ida Bagus Candrayana
Retina Jurnal Fotografi Vol 5 No 1 (2025): Retina Jurnal Fotografi
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v5i1.5237

Abstract

Foto prewedding dengan gaya hitam putih di Bali mencerminkan perpaduan antara kreativitas fotografer dan keindahan budaya lokal Bali. Dalam hal ini, foto prewedding tidak hanya berfungsi sebagai dokumentasi, tetapi juga sebagai ekspresi identitas dan simbolisme yang kaya akan makna. Laporan ini mengeksplorasi bagaimana elemen-elemen estetika, seperti pose mempelai pasangan, ragam bangunan Bali dan keindahan alam bali, menemukan nuansa baru dalam pengambilan gambar untuk menciptakan karya yang unik. Gaya hitam putih dalam foto prewedding memberikan nuansa klasik dan dramatis, memungkinkan penekanan pada interaksi antara pasangan. Penggunaan teknik pencahayaan yang tepat serta komposisi yang matang menjadi kunci dalam menghasilkan gambar yang tidak hanya menarik secara visual tetapi juga menyampaikan cerita yang mendalam. Dengan demikian, foto prewedding bali dalam gaya hitam putih menjadi medium penting untuk mengekspresikan keindahan dan kreativitas foto prewedding, sekaligus memperkuat identitas lokal dalam era modern yang terus berkembang.
Visualisasi Tradisi Biukukung di Bali Melalui Fotografi Konseptual I Komang Dimas Putra Winangun; Amoga Lelo Octaviano; I Nengah Wirakesuma
Retina Jurnal Fotografi Vol 6 No 2 (2026): Retina Jurnal Fotografi
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat (LPPM) Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/rjf.v6i2.6571

Abstract

Visualisasi tradisi Biukukung, sebuah ritual agraris masyarakat Hindu Bali sebagai ungkapan syukur atas kesuburan padi, melalui pendekatan fotografi konseptual. Penelitian ini dilatarbelakangi oleh pentingnya pelestarian tradisi lokal di tengah tantangan modernisasi dan alih fungsi lahan pertanian yang masif di Bali. Dengan menggunakan metode studi pustaka, observasi lapangan, dan wawancara mendalam dengan praktisi tradisi di Desa Baha, Mengwi, karya ini bertujuan untuk menginterpretasikan nilai-nilai spiritual dan simbolis Biukukung menjadi wacana visual yang sarat makna. Proses penciptaan karya ini memanfaatkan teknik dasar fotografi yang dikombinasikan dengan teknik pencahayaan buatan untuk menciptakan karya yang dramatis. Rangkaian 15 karya fotografi konseptual dihasilkan dengan melibatkan subjek lintas generasi untuk menyampaikan pesan pentingnya pewarisan identitas budaya kepada generasi muda. Hasil akhirnya menunjukkan bahwa fotografi konseptual tidak hanya berfungsi sebagai media dokumentasi, tetapi juga sebagai sarana edukasi visual dan jembatan antara tradisi leluhur dengan ekspresi seni kontemporer di masa kini.
Co-Authors Adipura Satrio Nugroho Agus Deddy Krisna Adi Saputra, I Putu Amoga Lelo Octaviano Arsad Tri Gunawan, I Made Aryani, Ni Nyoman Ayu Suti Cokorda Istri Puspawati Nindhia Dharma, I Made Aryswara Dresser Julian Hendri Titihalawa Drs. I Wayan Mudana,M.Si. . Gede Pasek Putra Adnyana Yasa I Gusti Agung Bagus Wimajaya I Ketut Adi Sugita I Ketut Muka I Ketut Mustika I Komang Dimas Putra Winangun I Made Aryswara Dharma I Made Dennis Penn Yohan Kayansa I Made Ruta I Nyoman Larry Julianto I Nyoman Larry Julianto I Nyoman Widhi Adnyana I Putu Huwa Bagus Utama I Wayan Adnyana I Wayan Agus Eka Cahyadi I Wayan Mudana I Wayan Setem I Wayan Suardana I Wayan Suardana I Wayan Sujana I Wayan Sujana I Wayan Swandi Ida Bagus Candra Yana Kadek Dwi Martha Saputra Kariana, I Nengah Kondra, I Wayan Muhammad Faqih Soya Pramono Nanda Darmayanta, Kadek Ni Putu Paramesti Mitha Cahyani Nugroho, Adipura Satrio Pramono, Muhammad Faqih Soya Putu Raka Narendra Dinata Raharjo, Anis Raharjo, Anis Rai Remawa, Anak Agung Gede Rekha Bayutha , Ida Bagus Saputra, Kadek Dwi Martha Sedana, I Gusti Ngurah Agung Putra Wahyu Sucipta, Wayan Gede Adi Supriyatini, Sri Tirta Ray , D.A. Tirta Ray, D.A Titihalawa, Dresser Julian Hendri Totton, Mary Louise Vanesa Vanesa Martida, Vanesa