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All Journal Jurnal Presipitasi : Media Komunikasi dan Pengembangan Teknik Lingkungan Jurnal Bahasa dan Sastra LITE: Jurnal Bahasa, Sastra, dan Budaya Paramita: Historical Studies Journal KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Teknik Sipil Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Gelar : Jurnal Seni Budaya Hasta Wiyata JAVA Journal of Electrical and Electronics Engineering Metahumaniora MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial SULUK: Jurnal Bahasa, Sastra, dan Budaya Jurnal Syntax Imperatif : Jurnal Ilmu Sosial dan Pendidikan SEMAR Prosiding Seminar Nasional Program Pengabdian Masyarakat Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Jurnal Pembelajaran Sastra Jurnal Cerdik: Jurnal Pendidikan dan Pengajaran Aceh International Journal of Science and Technology EJOIN : Jurnal Pengabdian Masyarakat BAHASTRA Jurnal Teknologi dan Inovasi Industri MANUSKRIPTA JPFT (Jurnal Pendidikan Fisika Tadulako Online) Jurnal bahasa, sastra, seni, dan pengajarannya

Sudibyo Sudibyo

Jurusan Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Gadjah Mada, Jalan Humaniora 1 Bulaksumur, Yogyakarta

Author-ID : 662203

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Korona dalam Ruang Politik dan Poetik Sastra: Arena Diskursif Karya-karya Fiksi Komunitas Jejak Imaji Yogyakarta Di Era Pandemi Sudibyo, Sudibyo; Dewojati, Cahyaningrum; Indrastuti, Novi Siti Kussuji; Zuliana, Rina
Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 4 No 1 (2021): 2021: Edisi 1
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article departs from the findings of the implementation of the community service program of Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada in the form of providing workshop and assistance in writing fiction works for the Komunitas Jejak Imaji (KJI). KJI is a space of community for writers, poets, and students who carry out the routine of gathering, discussing, and producing literary works. This community is located in Yogyakarta — which culturally has a social climate that supports the existence of literary development and the literary community. In the midst of a pandemic, the demands for innovation on the formation of new habits and new knowledge provide a new field for communities to continue to exist in producing literary works. This service was initiated to spark community awareness to revive its literary space amid the pandemic. The implementation of the service program uses lecture, discussion, and practice methods to produce works about Covid-19 that are ready to be published through the application of research and processing of historical data, as well as social facts in literary works. Even though the story ideas from the 14 works of fiction they wrote were a response to the Covid-19 pandemic, the tendency of their works is not far from the social problems surrounding them. The conceptual framework used to see the tendency of KJI's fiction is Laclau and Mouffe's discourse theory which is to answer the question of how the corona is received and responded to in a political space as well as a literary poetic space. The results of these activities show that the entire works of fiction written by the Imaji Literature Community, tend to put the discourse of globality clashed with various social problems experienced by the Indonesian people in general and local communities in particular during the pandemic. ===== Tulisan ini berangkat dari temuan pelaksanaan program pengabdian kepada masyarakat Magister Sastra, Fakultas Ilmu Budaya, Universitas Gadjah Mada berupa pemberian pelatihan (workshop) dan pendampingan penulisan karya fiksi untuk Komunitas Jejak Imaji (KJI). KJI merupakan salah satu ruang sastrawan, penyair, dan mahasiswa yang ‘menggemari sastra’ melaksanakan rutinitas berkumpul, berdiskusi, dan memproduksi karya sastra. Komunitas ini berlokasi di Yogyakarta—yang secara kultural memiliki iklim pergaulan yang mendukung eksistensi perkembangan sastra dan komunitas sastra di dalamnya. Di tengah pandemi, tuntutan inovasi atas terbentuknya kebiasaan baru dan pengetahuan baru memberikan medan baru bagi komunitas untuk tetap eksis dalam memproduksi karya sastra. Pengabdian ini diinisiasi untuk memantik kesadaran komunitas untuk menghidupi ruang sastranya kembali di tengah pandemi. Pelaksanaan program pengabdian menggunakan metode ceramah, diskusi, dan praktik hingga menghasilkan karya tentang covid-19 yang siap publis melalui penerapan riset dan pengolahan data sejarah, serta fakta sosial dalam karya sastra. Meskipun ide cerita dari 14 karya fiksi yang mereka tulis merupakan respon atas pandemi covid-19, kecenderungan karya-karya mereka tidak jauh dari persoalan sosial di sekitarnya. Kerangka konseptual yang digunakan untuk melihat kecenderungan karya fiksi KJI adalah konsepsi wacana Laclau dan Mouffe yang untuk menjawab pertanyaan bagaimana korona diterima dan direspon dalam ruang politik sekaligus ruang poetik sastra. Dari hasil kegiatan tersebut menunjukkan bahwa keseluruhan karya fiksi yang ditulis oleh Komunitas Sastra Jejak Imaji cenderung meletakkan wacana global yang dibenturkan dengan berbagai persoalan sosial yang dialami masyarakat Indonesia pada umumnya dan masyarakat lokal pada khususnya selama pandemi.

Pengaruh Limbah Polimer PET dan EVA sebagai Subtitusi Pasir Silika dan Semen terhadap Peningkatan Kuat Lentur, Sifat Fisis dan Karakterisasi Mortar Polimer Amin, Muhammad; Laksmidevi Juwono, Ariadne; Sudibyo, Sudibyo; Suprihatin, Suprihatin; Putriana, Silvia
Jurnal Teknik Sipil Vol 31 No 3 (2024): Jurnal Teknik Sipil - Edisi Desember
Publisher : Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/jts.2024.31.3.3

Abstract A study was conducted on the manufacture of polymer mortar using Polyethylene Terephthalate (PET) as a substitute for sand with a composition of 0%, 0.2%, 0.5%, 0.8%, 1.1%, 1.4% and Ethylene Vinyl Acetate (EVA) polymer composition of 0%, 2%, 4%, 6%, 8%, 10%. Sand, cement and polymer materials were weighed and molded into a size of 16 × 4 × 4 cm3 and soaked in water for 7 and 14 days. The highest flexural strength value obtained at 14 days of immersion was 6.50 MPa, porosity at 7 days of 12.20%, absorption value at 7 days of 6.65% and density at 14 days of 1.89 g/cm3 with a polymer substitution composition for sand of 10% EVA polymer: 1.4% PET. Characterization of the sample was carried out using X-ray Diffraction (XRD), X-ray fluorescence (XRF), Scanning Electron Microscope- Energy Dispersive X-ray spectroscopy (SEM-EDS), and Fourier-transform infrared spectroscopy (FTIR). XRF characterization obtained CaO of 46.95% and SiO2 of 24.45%, which is the result of CS-H formation. XRD characterization obtained calcite, quartz, corundum, hematite phases. SEM-EDS images show a cauliflower-like morphology and dominant elements of Ca and Si. FTIR functional groups are O-H, C=O, C-C, C-H, Si-O-Si, and Si-O is a portlandite group. The increasing addition of EVA and PET polymers results in high porosity and high flexural strength. Keywords: Polymer, mortar, EVA, PET, and characterization.

Representation of middle eastern countries in Geni Jora's novel: An analysis of travel literature according to Carl Thompson theory Ilma, Awla Akbar; Manshur , Fadlil Munawwar; Sudibyo, Sudibyo
SULUK : Jurnal Bahasa, Sastra, dan Budaya Vol. 5 No. 1 (2023): Maret
Publisher : Program Studi Sastra Indonesia UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/suluk.2023.5.1.63-76

This study aims to explain the representation of society and culture in Middle Eastern countries, including Morocco, Syria, and Jordan in the novel Geni Jora. The theory used is the theory of travel literature with the concept of representation of others according to Carl Thompson. Travel literature is a report about the world that is written based on the author's subjectivity and has a role in shaping the reader's knowledge. The results of the analysis show that the novel Geni Jora uses exploratory journey narratives and presents critical and courageous subjects. Morocco is described as a tolerant Islamic country because it succeeded in combining European modernity with past Islamic religiosity and Jewish culture. While Syria is described as a modern country, it is less religious and too Westernized. Likewise, Jordan is described as an Islamic country, but too westernized and inconsistent with Islamic ethics. The novel represents a contemporary travel literary genre that presents alternative and realistic narratives about the condition of the Middle East as a complex and diverse region. The novel also represents the contemporary travel genre which has not succeeded in narrating cosmopolitanism by still presenting competitive narratives and travel subjects that are superior when interacting with the characters encountered.

Tracing the traces of doxa: Socialization and internalization in Kampung Pentigraf Indonesia Harendika, Melania Shinta; Salam, Aprinus; Sudibyo, Sudibyo
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 1 (2025): March
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i1.11516

This study scrutinizes the personal and collective doxa in Kampung Pentigraf Indonesia (The Indonesian Pentigraf Village or KPI), a community started by Tengsoe Tjahjono. This study applies Bourdieu’s theory of the field of cultural production as the frame to observe how Tjahjono’s personal beliefs, or personal doxa, are spread to the members of KPI and hence converted as collective doxa. This study uncovers how Tjahjono’s values shape the community dynamics by exploring socialization and internalization practices in KPI. The findings show that the personal doxa rooted in Tjahjono’s symbolic capital reinforces social structures in KPI, where his power drives the community’s practices. This study emphasizes the role of social sanctions in preserving the community’s principles to guarantee that the Pentigrafs written by the KPI members obey the rules. Moreover, the study discovers how vertical and horizontal interactions in the community contribute to social reproduction, allowing KPI standards to be passed down to new members. This study contributes to understanding how literary communities play a role in cultural production, proposing insights into the dynamics of symbolic power and the practices of socialization and internalization in a minor but highly organized creative setting.

Letusan Gunung dan Persepsi Sang Pujangga: Kesaksian Teks Bima, Jawa, dan Melayu Abad ke-19 Sudibyo, Sudibyo
Manuskripta Vol 9 No 1 (2019): Manuskripta
Publisher : Masyarakat Pernaskahan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33656/manuskripta.v9i1.107

This article aims to describe manuscript comparison between Syair Nabi Allah Ayub (SNAA) and Hikayat Nabi Ayub Dimurkai Allah (HNADA) based on intertextual approach. This study describes equations, differences and hypograms in the form of expansion and modification. The equation in the two texts is that the Prophet Ayub was given a trial repeatedly by Allah SWT, the Prophet Ayub left his country when he was sick, the wife of the Prophet Job made a living when the Prophet Ayub was sick, Prophet Ayub recovered thanks to the water rising from the ground. The difference in the two texts is the beginning of the story of Prophet Job, the background of the story and the end of the story. The expansion hypogram is in the form of the addition of the angel Michael's figure and the reduction of the male character to the SNAA script. The conversion in the form of SNAA text seems to be a predecessor text of HNADA because it has a more complete story, even though the year of writing was older. While the modification is a change because the Prophet Ayub received trials from God. === Tulisan ini bertujuan untuk mengungkap persepsi pujangga tentang sifat destruktif gunung terutama dalam teks-teks abad ke-19, utamanya dalam Syair Kerajaan Bima (SKB), Babad Betawi (BB), Babad Diponegoro (BD), dan Syair Lampung Karam (SLK).

Mimetic desire and child violence in Rasa’s novel by Tere Liye Lantowa, Jafar; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
BAHASTRA Vol. 45 No. 1 (2025): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v45i1.1280

Child violence in educational settings is often rooted in mimetic desire, which provokes rivalry and emotional tension among students. This study investigates the dynamics of mimetic desire, rivalry, violence, and reconciliation as portrayed in Rasa, a novel by Tere Liye. Employing a descriptive qualitative approach with thematic analysis, the research applies René Girard’s theory of mimetic desire, focusing on the interconnected concepts of desire, rivalry, and reconciliation. Textual elements such as dialogue, narrative perspective, and character development are systematically examined through six analytical stages: data familiarization, coding, theme development, thematic review and coherence checking, theme definition and naming, and interpretive narrative construction. To ensure the reliability and validity of the findings, the study incorporates intra-coder consistency testing—by re-coding at different times—and peer debriefing for collaborative validation. The results reveal that Lin’s mimetic desire to emulate Jo’s academic success and social interactions with Nando leads to escalating rivalry, ultimately manifesting in conflict and interpersonal violence. This unmanaged mimetic rivalry results in emotional manipulation, symbolic violence, and social exclusion, reflecting real-world school dynamics. Significantly, Rasa also offers a narrative resolution through self-reflection and reconciliation, positioning literature not only as a mirror of school-based violence but also as a pedagogical tool. This study contributes to Indonesian literary scholarship by integrating mimetic theory into the analysis of contemporary fiction and enriches educational discourse through an empathy-driven approach to character education and conflict prevention.

Exploring the field of cultural production: The development of Pentigraf in Indonesia Harendika, Melania Shinta; Salam, Aprinus; Sudibyo, Sudibyo
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 53, No. 1
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

This research examines the development of Pentigraf, an Indonesian minifiction form with a three-paragraph structure initiated by Tengsoe Tjahjono to suit modern, fast-paced culture. The emergence of Pentigraf and its community, i.e., KPI (Kampung Pentigraf Indonesian or the Indonesian Pentigraf Village), influenced the dynamics of the Indonesian field of cultural production. Using Bourdieu’s theory, it analyses Pentigraf’s position in cultural production from 2016-2023 based on literature reviews, media content analysis, competition records, and participatory observations in KPI. By studying the legitimacy and consecration of Pentigraf in the cultural production field, the research provides insights into how this literary format has been embraced by various institutions, serving as a medium for amateur writers. This research shows that Pen-tigraf has gained institutional support within the cultural production and has adapted to the literary environment by integrating conventional and digital to promote a new literary work. The position of Pentigraf moves from the left to the right below in Bourdieu’s diagram of cultural production, indicating its movement toward popular literature. The conclusion underscores the usefulness of Bourdieu’s framework in understanding new literary phenomena and highlights the implications of Pentigraf for the growth of popular literature in Indonesia.

Political dimensions in four Indonesian women’s travel writings: Cultural resistance and ambivalent agency Jaya, Akmal; Faruk, Faruk; Sudibyo, Sudibyo
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 9 No 1 (2026)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v9i1.1398

This study examines four Indonesian women’s travel narratives published between 2011 and 2014: The Naked Traveler One Year Round The World Trip (Trinity), The Jilbab Traveler (Asma Nadia), Perempuan Merah Putih (Nungky Irma Nurmala Pratikno), and London: Angel (Windry Ramadhina) through the concept of ambivalent agency by Ullah (2025) and Spivak’s (1994) notion of the double bind. This study reinterprets these contradictions not as conscious political strategies, but as symptoms of a complex, often complicit, negotiation with hegemonic power. The analysis reveals that agency in these texts is achieved through patterned accommodations to the very structures they critique: Trinity articulates agency through self-orientalizing mimicry that internalizes the tourist gaze; Nadia navigates the commodification of piety, transforming the jilbab into a neoliberal lifestyle brand; Nungky operates within the gendered constraints of State Ibuism, performing empowerment only within state-sanctioned nationalism; and Ramadhina utilizes intimate relationality to manage the anxiety of the unhomely. The study concludes that Indonesian women’s travel writing is less a site of pure resistance than a space of ambivalence, where the postcolonial subject must inhabit conflicting norms, simultaneously resisting and reproducing patriarchal and capitalist logics to achieve mobility.

A critique of America: Occidentalism in Umar Kayam’s Cold War literature Seribu Kunang-Kunang di Manhattan Taufiqurrohman, Muhammad; Sudibyo, Sudibyo; Manshur, Fadlil Munawwar
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 12 No. 1 (2026): April
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v12i1.40678

Cold War literary studies remain dominated by Western perspectives, particularly narratives from the United States and the Soviet Union, resulting in the marginalization of literary experiences and criticism from Third World countries. Indonesian literary works that represent America as an object of critique have seldom been read as integral to global Cold War literary discourse. This research aims to uncover and explain criticisms of the United States in Umar Kayam's short story collection Seribu Kunang-Kunang di Manhattan within the context of Cold War Literature, using Indonesia’s perspective as part of the Third World. This study employs a qualitative-descriptive approach within a postcolonial framework, combining the concept of Occidentalism with an intersectional analysis of race, class, and gender. The analytical method used is a wide, close, and deep reading approach that integrates textual analysis and historical documents. The research data include primary textual units from short stories, as well as secondary data, including historical, and relevant academic literature. The results show that Kayam delivers an ideological critique of America by portraying it as a dark and ambiguous space, with a working-class society that is vulnerable and apolitical, and patriarchal gender relations, thereby dismantling the myth of America as a symbol of progress and universal freedom. This research concludes that Indonesian literature serves as a legitimate medium for cultural and ideological critique of Western hegemony, while also affirming Indonesia’s active position in global Cold War literary discourse.

PEMBERDAYAAN PERTANIAN DAN KERAJINAN BATIK DI DESA DONOWARIH KECAMATAN KARANGPLOSO KABUPATEN MALANG Saputro, Waridi Hendro; Sudibyo, Sudibyo
SEMAR (Jurnal Ilmu Pengetahuan, Teknologi, dan Seni bagi Masyarakat) Vol 9, No 2 (2020): November
Publisher : LPPM UNS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/semar.v9i2.42581

Desa Donowarih Kecamatan Karangploso Kabupaten Malang terletak di bawah bukit Arjuna. Desa ini merupakan daerah pertanian yang subur dengan tanaman utama palawija, sayur-mayur, buah-buahan dan bunga hias. Pada umumnya pekerjaan di ladang dilakukan oleh para bapak, sedangkan ibu membantu pekerjaan suami. Kehidupan mereka sehar-hari bekerja secara rutinitas sebagai petani, sehingga ketika waktu luang tidak ada sambilan pekerjaan. Mengingat banyaknya waktu luang bagi ibu-ibu maka dipandang perlu adanya peningkatan potensi lingkungan untuk meningkatkan keterampilan dan kemampuannya. Keterampilan yang dimaksud adalah pemberdayaan batik tulis yang sudah ada di masyarakat secara terbatas, yakni di Dusun Supiturang dan ketika itu masih serba terbatas keberadaannya. Prakarsa pertama adalah ibu kepala dusun dan kemudian dikembangkan ke tingkat desa dengan motif yang cukup khas. Model peningkatan batik tulis ini terutama dilakukan oleh ibu-ibu PKK dan selanjutnya diikuti oleh ibu-ibu yang lain. Pelaksanaan kegiatan pada awalnya dilakukan secara bergantian sesuai kesepakatan mereka. Seterusnya dapat dilakukan di rumah masing-masing sesuai dengan waktu yang tersedia. Setelah pembuatan batik tulis selesai, dikumpulkan ke ketua kelompok untuk diproses lebih lanjut. Hasilnya cukup menggembirakan karena ibu-ibu tersebut dapat melakukannya dengan bangga dan senang hati bisa melakukan pembuatan batik tulis.

Co-Authors Agung, Langgeng Akmal Jaya Aldara, Intan Anggraeni, Pangesti Anggraeni, Tika Aprinus Salam Dahlan, Astryd Viandila Dewojati, Cahyaningrum Diah Riski Gusti Eddy Hermanto Fadlil Munawwar Manshur Fahmi, Muhammad Zaki faruk faruk Frastica Deswardani Ginting, JP Hanafiah, Luthfi Harendika, Melania Shinta Hary Sulistyo Ilma, Awla Akbar Jafar Lantowa Jati, Anisa Ambar Laksmidevi Juwono, Ariadne Lismeri, Lia Manshur , Fadlil Munawwar Muhammad Amin Muhammad Ikbal Muhammad Taufiqurrohman, Muhammad Muratin, Muratin Novi Siti Kussuji Indrastuti Nulhakim, Lukman Prabawati, Theresia Sekar Pramudya, Injira Rizqy Pratama, Dian Septiani Priscila Fitriasih Limbong Pudjiastuti, Titik Puspita, Afifah Lingga Putriana, Silvia Ramadhan, Cahyo Setiadi Ramandani, Adityas Agung Ramdhani, Aditya Dwi Ronidin Ronidin Rozana, Monna Safitri Safitri Saputro, Waridi Hendro Saripudin, Khansa Syaima Rihaadatul Aisya Sarwan, Sarwan Sasmita, Ismoyo Aji Sinurat, Menita Situmeang, Rudy Tahan Mangapul Sjamsjul Anam Sukma, Vinda Avri Suprihatin Suprihatin Syaiful Anwar Tiurmaida, Serepina Tri Adi Sarwoko Wahyuni, Sri Amelia Widodo Widodo Yeni Ria Wulandari Yuli Darni Zalianty, Sebila Aulia Zipora Sembiring Zulian, Muhammad Rizki Zuliana, Rina

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