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Nofha Rina
Universitas Telkom
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Neuroscience Nursing Public Health Social Sciences Other

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Journal : protvf

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Technological artifacts and the negotiation of Kamikaze ideology in Godzilla Minus One Salinda, Rheihan Atridya; Rustandi, Dudi; Hidayat, Dasrun; Rina, Nofha
ProTVF Vol 10, No 2 (2026): September 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v10i2.69174

Abstract

Background: Godzilla Minus One (2023) signals an important turning point in the cinematic representation of Japanese post war trauma, few academic studies have examined how specific visual artifacts function as rhetorical devices to challenge historical narratives. Purpose: This paper aims to investigate how visual rhetoric in the film redefines heroism and reconfigures the traditional kamikaze ethos. Methods: Adopting a qualitative approach, the study combines Roland Barthes’s semiotic framework (denotation, connotation, and myth) with key scenes within depth interviews of five viewers to cross validate the visual text. Results: The findings highlight a strong counter discourse narrative where the ejection seat serves not merely as a safety device, but also as a communicative artifact symbolizing reconciliation and the permission to live. The visual transformation of the aircraft from a site of self-sacrifice into a vehicle of life, thus debunking the myth of gyokusai (honorable death). Furthermore, audience responses confirm that viewers actively decode this visual metaphor, interpreting survival as a higher form of honor than self-sacrifice. Conclusion:  Ultimately film successfully redefines heroism by shifting the focus from a death drive to a life drive, proposing that historical atonement is achieved through living rather than dying. Implications: These insights demonstrate the capacity of academic film criticism to reveal multidimensional messages within cinematic art, reaffirming the role of visual culture in reshaping collective memory and offering social healing for historical trauma.
Co-Authors Abdul Fadli K Ade Liana Adi Bayu Mahadian ADRIO KUSMAREZA ADIM Aep Wahyudin Aiza Nabilla Arifputri Alila Pramiyanti Anak Agung Ayu Meisya Dewi Anisa Diniati Aqilla Putri Herta Aqilla Putri Herta Astaria Eka Santi Asticharahmani, Rr. Aldina Astri Wulandari Astuti, Sri Wahyuning Ayu Wulandari Aziziyah, Devi Nur Berlian Primadani Satria Putri Citta, Givania Diwiya Dasrun Hidayat Devry Josiarvi Dharmawan Dewi K.Soedarsono Dhea Nursyafitri Liani Diah Agung Esfandari Dudi Rustandi Endah Ayu Kurnia Sari Fatmah Hulaibi Ferdian, Ilham Hanny Hafiar Idola Perdini Putri Imam Zuliantripa Isabela Brenda Evelyne Fernando Putri Kalimau Ismi’ Aida, Thea Kirana Jenny Ratna Suminar Jurnal COMMED Justicia Chantika Dhea Arda Khairiyyah, Lathifah Komang Sujantini Lucy Pujasari Supratman Lusi Satia Rahmawati Lyra, Aquila Dinda Meilania Kusuma Dewi Mia Rachmayanti Muhammad Alif Akbar Muhammad Luthfi Nancy Citra Purnaningtyas Natasya Puspita Sari Naya, Pramedistiyani N Ain Nida Yasmin Ninis Agustini Damayani Nugroho, Pramudya Wahyu Nurrezqia, Agnessya Pitthauly Haomasan Purnama, Aulia Wulansari Putri Apsarini, Elsa Putri, Salma Raina Rahma Nur Fathiyyah Raissa Azaria Arief Ramadhan, Aditya Bagus Rana Aushaf Ratika Zahra Reni Nuraeni Risalah, Aisyah Mujahidah Ruri Wahyu Yuriadi Ruth Mei Ulina Malau Saleh, Kanaya Putri Athira Salinda, Rheihan Atridya Sang Ayu Putu Vajravany Yudyaputri Warasenda Sarah Derma Ekaputri Satia Rahmawati, Lusi Tabitha Hemastuti Thoibah, Sufaira Tita Melia Milyane Wiwin Sukmawati Yuliani Rahma Putri Zalfa Qathrunnada Zaxrie, Shifa 'Ainun Zikri Fachrul Nurhadi, Zikri Fachrul