Article Per Year (5 Year)
p-Index From 2021 - 2026
3.405
P-Index
This Author published in this journals
All Journal IJEE (Indonesian Journal of English Education) Jurnal Pendidikan Agama Islam (Journal of Islamic Education Studies) MODELING: Jurnal Program Studi PGMI METASASTRA: Jurnal Penelitian Sastra Esteem Journal of English Study Programme JKKP (Jurnal Kesejahteraan Keluarga dan Pendidikan) Jurnal Pemberdayaan Masyarakat Universitas Al Azhar Indonesia Journal Intellectual Sufism Research Riwayah : Jurnal Studi Hadis Journal of English as a Foreign Language Teaching and Research (JEFLTR) APLIKATIF: Journal of Research Trends in Social Sciences and Humanities Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Jurnal Tarbiyatuna
Dhuha Hadiyansyah
Universitas Al Azhar Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 25 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 25 Documents
Search

 1   2   3 
Expressive Speech Acts in Do Revenge (2022): A Pragmatic Analysis Irianto, Dila Najwa Sofia; Heraeni, Indi; Hadiyansyah, Dhuha; Amalia, Almira
APLIKATIF: Journal of Research Trends in Social Sciences and Humanities Vol. 4 No. 4 (2025): APLIKATIF: Journal of Research Trends in Social Sciences and Humanities
Publisher : Lembaga Junal dan Publikasi, Universitas Muhammadiyah Buton

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59110/aplikatif.v4i4.813

Abstract

Previous studies on expressive speech acts in movies have primarily focused on identifying and classifying types of expressions, with limited attention to their pragmatic functions in contemporary teenage narratives. Moreover, the movie Do Revenge (2022) has not yet been examined from a linguistic or pragmatic perspective, indicating a research gap in the study of expressive speech acts in modern cinematic discourse. To address this gap, this study investigates the types and forms of expressive speech acts used by the characters in the film based on Searle’s (1976) speech act theory. Employing a descriptive qualitative method, the study addresses two research questions concerning the types of expressive speech acts found in the film and the ways these acts are realized in the dialogues. The findings identify six types of expressive speech acts, namely greeting, apologizing, thanking, expressing attitudes, wishing, and congratulating. In total, 55 expressive utterances were found, consisting of 51 direct and 4 indirect speech acts. Greeting appeared as the most dominant type, followed by apologizing and thanking. These findings indicate that expressive speech acts play an important role in representing emotional openness and interpersonal interaction among teenage characters. This study contributes to pragmatic research by demonstrating how expressive speech acts function as interactional resources that shape emotional expression and interpersonal dynamics in teenage film discourse.
Conceptualizing Motherhood Through Metaphors of Grief and Hope Setiady, Azra Latifah; Fadilah, Sarah; Usman, Bilbina Azzahara; Hadiyansyah, Dhuha
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): InPress
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4980

Abstract

Language is not only a tool for communication, but also a cognitive device  that enables individuals to understand and interpret their life experiences. By addressing the issue of how language reflects emotional experiences related to loss and recovery within parenting communities, showing how metaphorical expressions reflect Western perceptions of motherhood and emotional resilience. This research aims to explore how conceptual metaphors, namely baby blues, sunshine baby, rainbow baby, angel baby, golden baby, and sunrise baby reflect emotional experiences, coping mechanisms, and meaning-making processes among parents who have experienced childbirth or infant loss. The study involved qualitative descriptive analysis with purposive sampling of online narratives shared by parents, following stages of data collection, metaphor identification, and conceptual mapping The results reveal that light, color, and nature metaphors are dominant, showing how linguistic expressions transform grief into shared narratives of hope and healing, in accordance with the study’s objective to explore language as a cognitive and emotional tool.Keywords – Baby, Experience, Metaphore, Motherhood, Parenting
Unveiling ‘Spek LC’: How Language Perpetuates Gender Bias through Digital Discourse Daffani, Puji Aishya; Hadiyansyah, Dhuha
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): InPress
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4967

Abstract

Language plays a central role in shaping and reproducing social reality. Through language, individuals construct meaning, express ideology, and reinforce or challenge social hierarchies. One expression that illustrates this dynamic is “Spek LC”, a popular term on social media on platform X. Derived from “spek” (specification) and “LC” (Lady Companion), it originally described physical looks but has shifted into a form of verbal violence and gender-based discrimination against women. This study analyzes the denotative and connotative meanings of “Spek LC” and its psycholinguistic implications using Roland Barthes’ (1957) connotative semiotics and the Affective Load framework. Employing a qualitative content analysis, textual data were collected from public posts and comments containing the term “Spek LC” on platform X. Findings reveal that at the denotative level, the term refers to appearance, while at the connotative level, it functions as a derogatory label suggesting immorality and social inferiority. Exposure to this term generates a high affective load, evoking emotions such as shame, anger, and self-stigmatization. Overall, the study shows that language in social media operates as a symbolic power that perpetuates gender bias through emotional and ideological mechanisms. It emphasizes the need for critical language awareness to promote ethical and inclusive digital communication.Keywords: Connotative Semiotics, Digital Verbal Violence, Gender Based Discrimination.
Ephemeral Anthroponymization: Studi Kasus Jonru, Ahok, Tedjo, dan Diddy di Media Online Raihan, Habib Muhammad; Hadiyansyah, Dhuha
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): InPress
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4971

Abstract

Bahasa dalam konteks budaya digital seperti sosial media dan budaya populer menunjukkan kedinamisan tinggi, di mana interaksi sosial dan viralitas media menjadi katalis utama perubahan linguistik. Penelitian ini menyelidiki fenomena leksikalisasi nama diri (antroponimik), yaitu proses transformasi nama diri menjadi unit leksikal seperti verba atau nomina umum yang mencerminkan perilaku, tindakan, atau atribut tertentu individu. Data dikumpulkan secara komprehensif dari platform daring yaitu Facebook, TikTok, X (Twitter), blog, dan media berita, dengan fokus pada studi kasus Jonru, Ahok, Tedjo, dan Diddy. Analisis rinci dari perspektif morfologis, semantik, dan sosiolinguistik mengungkapkan bahwa proses leksikalisasi ini melibatkan mekanisme kunci, termasuk afiksasi, konversi morfologis (zero derivation), perluasan makna yang ekstensif, dan peyorasi semantik. Hasil penelitian mengkonfirmasi bahwa siklus hidup unit leksikal yang baru terbentuk ini bersifat fundamental sementara (ephemeral), yang sangat bergantung pada perhatian publik yang berkelanjutan dan relevansi sosial nama-nama tersebut dalam wacana. Kata-kata antroponimik ini memperoleh prominensi sementara selama puncak peristiwa viral, namun mengalami pola pemudaran leksikal (lexical attrition) yang cepat dan memudar seiring dengan pergeseran drastis wacana publik ke isu-isu lain yang lebih aktual. Studi kasus ini secara tegas menyoroti sifat evolusi bahasa yang dinamis, inheren fleksibel, dan didorong kuat oleh konteks sosial dalam lingkungan digital kontemporer.Kata Kunci - Antroponimisasi Derivatif, Leksikalisasi Nama Diri, Pemudaran Leksikal, Perluasan Makna, Viralitas Media Social.
Code Switching Used by the Characters in “13 Bom di Jakarta” (2023) Syahputera, Akmal Rizky; AlZammy, Salwa; Hadiyansyah, Dhuha
Prosiding Seminar Nasional Pemberdayaan Masyarakat (SENDAMAS) Vol 5, No 1 (2025): InPress
Publisher : UniversitasAl Azhar Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36722/psn.v5i1.4889

Abstract

Code-switching is a common linguistic practice in multilingual societies and often appears in modern Indonesian films as a reflection of bilingual communication. In 13 Bom di Jakarta (2023), characters frequently alternate between Indonesian and English, suggesting that language choice plays an important role in shaping identity, emotional expression, and social interaction. This study aims to identify the types and communicative functions of code-switching used by characters in the film. Using a qualitative research design with a content analysis approach, data were collected through the transcription of dialogues containing instances of code-switching. Each case was categorized based on Poplack’s code-switching typology and Appel and Muysken’s communicative function framework. The findings show that from 25 identified instances, intra-sentential switching was the most dominant type (68%), followed by inter-sentential switching (24%) and tag switching (8%). Regarding communicative functions, the referential function was used most frequently (44%), followed by expressive (24%), directive (20%), metalinguistic (8%), and poetic functions (4%). These results indicate that code-switching in the film is purposefully employed to convey technical meanings, express emotions and identity, give instructions, and create stylistic effects. The study contributes to sociolinguistic research and enriches the discussion on bilingual representation in Indonesian popular media.Keywords – Bilingualism, Code-Switching, Indonesia Films, Language Function, Sociolinguistics.
Co-Authors A Halim Abdul Manan Adrimurlan, Raditya Daffa Alanurinisa, Arsylla AlZammy, Salwa Amalia, Almira Amalia, Annisa Nur Amelia Safitri, Aliza An’asy, Zaharil Arif Zamhari Azlan, Olivia Sabrina Bawarti, Era Daffani, Puji Aishya Fadhilah, Asih Restu Fadilah, Sarah Fahlehfi, Muhammad Ikbal Firdaus, Muhammad Dhilal Mustambit H. M. Suparta Hanifa, Labitta Chaya Heraeni, Indi Herwandar, Era Herwandar, Ria Hidayat, Didin Nuruddin In'ami, Moh Irianto, Dila Najwa Sofia Iskandar, Farhan Alfarizi Mahendro, Rasika Tasdyatta Maria Ulfa Nabillah Putri, Shania Piantari, Lusi Lian Prameswari, Ditha Raihan, Habib Muhammad Sabbah, Sherien Salsabila, Laetisia Jutta Setiady, Azra Latifah Sururin, Sururin Syahirul Alim Syahputera, Akmal Rizky umi faizah Usman, Bilbina Azzahara Wiwin Luqna Hunaida, Wiwin Luqna Zaharil Anasy