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Mengungkap Makna Puitik dalam Lagu Yā ‘Āsyiqah al-Ward Karya Zaki Nassif: Analisis Semiotika Michael Riffaterre Bayu Ihsan Sauqi; Akmaliyah Akmaliya; Khomisah Khomisah
Dzil Majaz: Journal of Arabic Literature Vol. 4 No. 3 (2026): Articles in Press
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar, Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/dzilmajaz.v4i3.993

Abstract

This study aims to uncover the mechanism of the shift in meaning from aesthetic romanticism to moral guidance in contemporary Arabic literary works. The main data source used in this study is specifically the lyric text of the song "Yā ‘Āsyiqah al-Ward" by Zaki Nassif, written in the fusha variety of Arabic. Using a descriptive qualitative method, this study applies the analytical knife of Michael Riffaterre's modern semiotic theory which includes the stages of heuristic-hermeneutic reading, the convention of indirect expression, and the search for matrices, models, and variants. The results show that the lyric text consistently demystifies the clichéd symbols of traditional romantic aesthetics. Romantic relationships are no longer seen as merely private expressions of affection, but are reconstructed by the text matrix into a space of ethical awareness that demands commitment, emotional honesty, and relational responsibility between humans. The academic contribution of this study is to enrich the study of contemporary popular Arabic literature by proving the rigidity and dynamism of Riffaterre's semiotic theory when operated on the medium of popular music texts. The implications of this research confirm that modern cultural texts are capable of resisting and creatively transforming classical poetic traditions (ghazals) without losing the depth of their ethical content and moral messages for society.
Humanitarian Facts In Nawal Sa'dawi’s Mautu Ma'aliyyi Al-Waziru Sabiqan: Genetic Structuralism Of Lucien Goldmann Sihabudin Alawi; Muhammad Abdul Halim; Khomisah Khomisah
TSAQOFIYA : Jurnal Pendidikan Bahasa dan Sastra Arab Vol 7 No 2 (2025): Tsaqofiya: Jurnal Pendidikan Bahasa dan Sastra Arab
Publisher : Jurusan Pendidikan Bahasa Arab UIN Kiai Ageng Muhammad Besari onorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21154/40t97x85

Abstract

The novel Mautu Ma’aliyyi Al-Waziru Sabiqan emerged as a response to gender inequality and social conflict in Egypt, particularly highlighting the dominance of men over women in both the workplace and the household. This study aims to elucidate humanitarian facts, within The novel Mautu Ma’aliyyi Al-Waziru Sabiqan specifically individual and social realities, through the lens of Lucien Goldmann's genetic structuralism. Employing a descriptive qualitative methodology, this research utilizes Goldmann's genetic structuralism approach. The primary data source consists of the text of Mautu Ma’aliyyi Al-Waziru Sabiqan by Nawal Sa'dawi, which was gathered through reading, note-taking, and classification techniques, and analyzed using interpretive methods based on the descriptive framework of genetic structuralism. The study uncovers two key findings. First, at the individual level, the Prime Minister is portrayed as grappling with inner turmoil manifested through anger, sadness, and regret. Second, on a societal level, the novel reflects the realities of Egypt, particularly the prevailing male dominance over women, which corresponds with the social data from the period in which this work was produced. The narrative of the novel illustrates the alignment between fictional representation and social facts, while also exposing the complexities of Egyptian social constructs, especially concerning gender roles in professional and domestic spheres. This research contributes to the field by applying Lucien Goldmann's genetic structuralism framework to analyze the interplay between Arabic literary works and the Egyptian social context. These findings enhance Arabic literary studies by illustrating how social dynamics are both shaped by and represented in literary expressions, thereby expanding the understanding of the relationship between texts, social structures, and societal ideologies. Abstrak Novel Mautu Ma’aliyyi Al-Waziru Sabiqan muncul atas respon ketimpangan gender dan konflik sosial di Mesir, terutama dominasi laki-laki atas perempuan di tempat kerja dan rumah tangga. Penelitian ini bertujuan untuk mendeskripsikan fakta-fakta kemanusiaan, dalam Novel Mautu Ma’aliyyi Al-Waziru Sabiqan terkhusus fakta individu dan fakta sosial berdasarkan kajian strukturalisme genetik Lucien Goldmann. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan strukturalisme genetik Lucien Goldmann. Sumber data utama adalah teks novel Mautu Ma’aliyyi Al-Waziru Sabiqan karya Nawal Sa’dawi yang dikumpulkan melalui teknik baca, catat, dan klasifikasi dan dianalisis melalui teknik interpretasi berdasarkan metode deskriptif strukturalisme genetik. Penelitian ini mengungkap dua temuan utama. Pertama, pada level individual, tokoh Perdana Menteri digambarkan mengalami pergulatan batin berupa kemarahan, kesedihan, dan penyesalan. Kedua, pada level sosial, novel merefleksikan realitas Mesir, khususnya dominasi laki-laki atas perempuan, yang selaras dengan data sosial pada masa karya ini lahir. Narasi novel menunjukkan kesesuaian antara realitas fiksi dan fakta sosial, sekaligus menyingkap kompleksitas konstruksi sosial masyarakat Mesir, terutama terkait peran gender dalam pekerjaan dan rumah tangga. Kontribusi penelitian ini terletak pada penerapan kerangka strukturalisme genetik Lucien Goldmann untuk menganalisis relasi antara struktur karya sastra Arab dan konteks sosial Mesir. Temuan ini memperkaya kajian sastra Arab dengan menunjukkan bagaimana dinamika sosial membentuk dan direpresentasikan melalui karya sastra, sekaligus memperluas pemahaman tentang hubungan antara teks, struktur sosial, dan ideologi masyarakat.
Pandangan Dunia Tragis Generasi Revolusioner Dalam Novel Jawaizu Lil Abthal Karya A?mad ‘Auni: Strukturalisme Genetik Muhamad Rian Nuryana; Yani Heryani; Khomisah Khomisah
Jurnal Impresi Indonesia Vol. 5 No. 7 (2026): Jurnal Impresi Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jii.v5i7.7845

Abstract

This study examines the tragic worldview (vision tragique du monde) of the revolutionary generation as represented in Ahmad ‘Auni’s novel Jawaizu Lil Abthal (2019). Two research questions are addressed: first, how the tragic worldview is represented within the novel's narrative structure; and second, how structural homology exists between that tragic worldview and the sociopolitical conditions of Egyptian society following the January 25, 2011 Revolution. This study employs a sociology of literature approach through Lucien Goldmann's genetic structuralism framework with a qualitative-descriptive method and dialectical analysis technique. The analytical focus is confined to the tragic worldview dimension, comprising four characteristics: inauthenticity, mediocritas, fragmentation, and degradation. Data were collected through library research, with the novel as the primary data source. The findings reveal that all four characteristics are systematically manifested through 34 data points across the novel's narrative elements. The identified structural homology demonstrates that Rami’s inauthenticity corresponds to the ideological disorientation of Egyptian youth who participated in the revolution without mature commitment; mediocritas corresponds to the failure of substantive change in the post-Mubarak era; fragmentation corresponds to the disintegration of the opposition movement into mutually conflicting factions; and degradation corresponds to the restoration of authoritarianism that systematically punished activists and betrayed revolutionary values.
INTERCULTURALISM IN MIDDLE EASTERN LITERATURE: REPRESENTATION OF IDENTITY, CULTURAL CONFLICT, AND INTERCULTURAL AWARENESS Khomisah Khomisah
CMES (Center of Middle Eastern Studies) Vol 19, No 1 (2026)
Publisher : Arabic Literature Department

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/cmes.19.1.116034

Abstract

This study addresses the increasing need for cross-cultural understanding in the era of globalization, where interactions among diverse cultural groups have intensified. Focusing on Middle Eastern studies, this research examines literature as a cultural medium that facilitates intercultural dialogue. The study aims to analyze how literary works by Middle Eastern authors represent cultural interactions and mediate intercultural communication. This research employs a library research method with a qualitative content analysis approach, focusing on themes of identity, cultural representation, and intercultural conflict in selected Middle Eastern literary texts and related scholarly works. The analysis demonstrates that these literary works reflect complex encounters between tradition and modernity, as well as between local and global cultural influences, particularly in contexts shaped by migration and historical transformation. The findings indicate that Middle Eastern literature not only represents social realities but also promotes intercultural awareness by portraying characters engaged in identity negotiation and cultural tension. These narratives foster empathy and understanding across cultural boundaries. The study concludes that literature serves as an effective medium for strengthening intercultural discourse and offers a valuable contribution to multicultural education from the perspective of Middle Eastern literature.