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SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26210851     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
SEBASA: Jurnal Pendidikan Bahasa dan Sastra Indonesia adalah berkala ilmiah yang dipublikasikan oleh Program Studi Pendidikan Bahasa dan Sastra Indonesia FKIP Universitas Hamzanwadi. Jurnal ini menerima artikel dari dosen, peneliti, mahasiswa, atau pemerhati yang berupa hasil penelitian, hasil pemikiran, telaah kritis atau tinjauan akademik tentang topik di bidang bahasa, sastra, dan pembelajarannya. Jurnal ini terbit dua tahun sekali, yaitu Maret dan September.
Arjuna Subject : -
Articles 315 Documents
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IMITASI BAHASA SELEBGRAM DAN DAMPAKNYA TERHADAP PRAKTIK BERBAHASA REMAJA DI KOTA MATARAM: KAJIAN PRAGMATIK SIBER Wika Wahyuni; I Nyoman Sudika; Januari Rizki Pratama; Ahmad Rifai; YY Wima Riyayanatasya; Citra Aulia Putri
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34713

Abstract

This study aims to examine the forms of imitation of Instagram celebrity language and its impact on the language practices of adolescents in Mataram City from a cyber pragmatics perspective. The scope of the study includes identifying the Instagram celebrity language styles imitated by adolescents and their implications for language use in digital communication and everyday life. This study used qualitative methods with data collection techniques in the form of observations, interviews, and questionnaires with adolescents who are active Instagram users. Data were analyzed using content analysis techniques with reference to cyber pragmatics theory and social imitation theory. The results show that adolescents tend to imitate the use of Instagram celebrity language (such as kocak, anjay, yapping, for real, gacor, etc.) in their communication with an average percentage of 72.55%. This imitation occurs not only in digital spaces, but also in offline interactions. The impact is seen in the shift in language styles to more informal and the emergence of a tendency to use language that pays less attention to communication ethics. These findings indicate that Instagram celebrities play a role as linguistic models that influence adolescents' language practices in the digital era.
KOHESI DAN KOHERENSI DALAM ESAI MAHASISWA MANAJEMEN BISNIS INTERNASIONAL POLITEKNIK NEGERI BALI Legi Aspriyanti; Alfi Khoiru An Nisa
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34727

Abstract

This study is motivated by the limited research on cohesion and coherence in the academic writing of students at state vocational higher education institutions. Therefore, the study aims to identify forms of inaccuracy or errors in the use of cohesion and coherence in student writing. This research employs a qualitative approach with a descriptive research design. The data sources consist of essays written by students of the International Business Management program at Bali State Polytechnic. Data were collected through documentation and reading–note-taking techniques. The data were analyzed using content analysis, which includes data reduction, data display, and conclusion drawing. The findings indicate that inaccuracies in the use of cohesion are found in references, conjunctions, and repetition. Furthermore, instances of incoherent discourse are identified, characterized by unclear writing flow and a lack of integration in the relationships between sentences and paragraphs.
BENTUK LELUCON DAN KECERDASAN YANG MENYINGGUNG DALAM CERITA KELAKAR MADURA Novita Angraini; Andaru Ratnasari
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34729

Abstract

Penelitian ini bertujuan untuk mendeskripsikan bentuk-bentuk humor berupa lelucon dan kecerdasan yang bersifat menyinggung dalam cerita Kelakar Madura Buat Gus Dur karya Sujiwo Tejo melalui perspektif pragmatik bahasa tabu Timothy Jay. Penelitian ini menggunakan pendekatan kualitatif deskriptif dengan teknik pengumpulan data berupa membaca dan mencatat. Data penelitian berupa kutipan kata, kalimat, dan wacana yang mengandung unsur humor tabu. Hasil penelitian menunjukkan bahwa bentuk-bentuk humor yang ditemukan meliputi lelucon seksual, lelucon skatologis, lelucon etnis, lelucon bermuatan permusuhan, serta humor yang merendahkan laki-laki dan perempuan. Selain itu, terdapat bentuk kecerdasan yang menyinggung seperti sindiran, sarkasme, dan penggunaan makian yang berfungsi sebagai strategi kritik sosial. Berdasarkan kajian pragmatik, penggunaan bahasa tabu dalam humor tidak semata-mata bersifat ofensif, melainkan bergantung pada konteks sosial, relasi penutur, dan tujuan komunikatif. Dengan demikian, humor dalam karya ini berfungsi tidak hanya sebagai hiburan, tetapi juga sebagai medium refleksi sosial dan kritik budaya yang disampaikan secara implisit. Kata kunci: humor; bahasa tabu; lelucon seksual; lelucon etnis ; pragmatik Abstract This study aims to describe the forms of humor, including jokes and offensive wit, in Sujiwo Tejo's "Kelakar Madura Buat Gus Dur" (Madura Jokes for Gus Dur) through the perspective of Timothy Jay's pragmatics of taboo language. This study employed a descriptive qualitative approach, with data collection techniques including reading and note-taking. The research data consisted of quotes, sentences, and discourse containing elements of taboo humor. The results indicate that the forms of humor found include sexual jokes, scatological jokes, ethnic jokes, jokes containing hostility, and humor that demeans men and women. Furthermore, offensive wit, such as satire, sarcasm, and the use of profanity, function as strategies for social criticism. Based on pragmatic studies, the use of taboo language in humor is not solely offensive but depends on the social context, the speaker's relationship, and the communicative purpose. Thus, the humor in this work functions not only as entertainment but also as a medium for social reflection and implicit cultural criticism. Keywords: humor, taboo language; sexual jokes; ethnic jokes; pragmatic
CAMPUR KODE DIALEK MELAYU SEKADAU PADA MAHASISWA UNIVERSITAS PGRI PONTIANAK Fitri Wulansari; Siti Khairiah; Devita Aprillia; Anggita Putri; Yohana Lilis
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34773

Abstract

This study is designed to elucidate the patterns, categories, and social purposes of borrowing elements of the Sekadau dialect of Malay in the speech of students at PGRI University of Pontianak from a sociolinguistic perspective. The focus of this study is limited to the use of Indonesian, the Sekadau Malay dialect, and English in conversations among students in an academic setting. The approach adopted is qualitative descriptive, with data collection methods including non-intrusive participatory observation (SBLC), audio recording, and detailed note-taking. The study material consists of students’ spoken utterances containing code-mixing phenomena, which were then processed through information reduction, presentation of findings, and synthesis of conclusions. The findings indicate the existence of three classifications of code-mixing: internal, external, and combined, with a prevalence of internal code-mixing characterized by the insertion of the Sekadau Malay dialect into Indonesian. Significant research results indicate that the use of regional dialects functions not only as a means of communication but also as a symbol of identity and social cohesion, and is influenced by the forces of globalization through the adoption of English. Therefore, the code-mixing phenomenon reflects shifts within society and multilingual identity among students.
WUJUD PRAGMATIK IMPERATIF DALAM CERAMAH USTADZ FELIX SIAUW PADA YOUTUBE UNGGAHAN BULAN APRIL 2023 Lalu Mas'ud; Utia; Eva Nurmayani; Muhammad Khairul Abror
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34782

Abstract

This study aims to describe and explain the forms of imperative pragmatics used in Ustadz Felix Siauw's lectures on YouTube. The method used was descriptive qualitative. Data were collected using listening and note-taking techniques. The results showed the use of seven types of imperative pragmatics in Ustadz Felix's lectures: (1) utterances with the imperative pragmatic meaning of commands; (2) utterances with the imperative pragmatic meaning of commands; (3) utterances with the imperative pragmatic meaning of requests; (4) utterances with the imperative pragmatic meaning of urges; (5) utterances with the imperative pragmatic meaning of prohibitions; (6) utterances with the imperative pragmatic meaning of urges; and (7) utterances with the imperative pragmatic meaning of hopes.
ANALISIS GAYA BAHASA PADA LIRIK LAGU DALAM ALBUM DALAM DINAMIKA KARYA PERUNGGU Fajrianto Setyo Nugroho; Kodrat Eko Putro Setiawan
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34788

Abstract

The purpose of this study is to identify the various types of figurative language used in the song lyrics of the album Dalam Dinamika by Perunggu. The scope of this research focuses specifically on the stylistic devices embedded within the lyrics of the Dalam Dinamika album. This study employs a qualitative approach with a descriptive design. The data source of this research is the Dalam Dinamika album by Perunggu, which consists of nine songs: (1) Tapi, (2) Amalan Baik, (3) Gemilang, (4) Pikiran Yang Matang, (5) Biarkan Ia Tumbuh, (6) Berita Buruk, (7) Aku Ada Untukmu, (8) Berhasil, and (9) Abu. The data collection techniques include reading and note-taking. Data analysis was conducted through data reduction, data display, and conclusion drawing. The results of this study revealed a total of 83 instances of figurative language, comprising 61 instances of comparative language, 16 instances of repetitive language, 4 instances of contrastive language, and 2 instances of emphatic language. Additionally, the findings highlight an intriguing insight: musicians share a strong resemblance to literary writers. Much like writers, musicians carefully consider rhetorical devices, employing various forms of figurative language to craft their work.
ANALISIS TOKOH LAIL DALAM NOVEL HUJAN KARYA TERE LIYE: KAJIAN PSIKOLOGI SASTRA Nisa Syafira Ichwan; Luqy El Dayyan; Adzkia Nisa Humaira; Mahmudah Fitriyah ZA
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.34888

Abstract

This study aims to analyze the character of Lail in the novel Hujan by Tere Liye as the center of the story’s emotional development. The scope of the study focuses on Lail’s characterization, including her role, motivations, inner conflicts, and psychological changes following a major disaster. This research employs a literary psychology approach using a qualitative descriptive method based on Nurgiyantoro’s theory of character and characterization. The literary psychology approach is used to understand Lail’s behavior, motivations, inner conflicts, and psychological development as representations of human experiences in dealing with trauma and the process of self-healing. The data consist of narrative excerpts, dialogues, and actions related to Lail, obtained from the text of the novel Hujan. The data were analyzed by describing and interpreting the character’s behavior in relation to her roles as a protagonist, antagonist, and tritagonist. The findings reveal that Lail is not only portrayed as a protagonist who represents empathy, resilience, and social concern, but also displays antagonistic and tritagonistic traits in certain situations due to emotional pressure and inner conflict. An interesting finding of this study is the complexity of Lail’s character, which realistically portrays the process of self-healing, where vulnerability and strength coexist. Through Lail’s character, the novel Hujan conveys humanitarian messages about trauma, loss, and the human ability to recover and rediscover the meaning of life.
BATAS KEBEBASAN EKSISTENSIAL PEREMPUAN: ANALISIS LE DEUXIÈME SEXE DALAM CERPEN KISAH SIE SIE Naeluzzahronnovi; Imas Juidah; Agus Nasihin
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.35036

Abstract

This study describes Simone de Beauvoir’s Le Deuxième Sexe concept in the character of Sie Sie in Tere Liye's short story “Kisah Sie Sie”. It focuses on the representation of women as the other, forms of immanence, transcendence, and women's existence within patriarchal culture. Employing a descriptive qualitative approach with existentialist feminist theory, narrative data were collected through documentation and note-taking from the novel Sepotong Hati yang Baru. Data analysis used heuristic and hermeneutic reading methods. The findings reveal that Sie Sie experiences subordination and objectification as the other within patriarchal structures and domestic confinement (immanence). However, she demonstrates transcendence through sacrifice, labor, and decision-making courage. This study shows that women’s freedom in literary works is portrayed as an existential struggle to preserve identity.
STRUKTUR NARATIF DAN NILAI SOSIAL DALAM DONGENG JERMAN HANSEL AND GRETEL DAN DONGENG JERMAN RAPUNZEL: KAJIAN SASTRA BANDINGAN Syfani Zara Ranzani; Putri Ratih Septariyani; Dyah Hesti Retnaningtyas; Alin Ambarwati
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.35092

Abstract

This study aims to analyze the narrative structure and social values in the fairy tales Hansel and Gretel and Rapunzel through a comparative literature approach. The scope of the research includes the identification of narrative functions based on Vladimir Propp’s theory and the exploration of social values using Alan Swingewood’s sociology of literature perspective. This study employed a descriptive qualitative method with content analysis techniques. The data consisted of narrative excerpts from Hansel and Gretel and Rapunzel by the Grimm Brothers, which were analyzed using Vladimir Propp’s theory and Alan Swingewood’s sociology of literature approach. The findings reveal that both fairy tales share similar narrative structures, including an initial situation, villainy, struggle, and a happy ending. However, differences are found in the forms of conflict, character roles, and conflict resolution. Hansel and Gretel emphasizes economic conflict and character independence, while Rapunzel highlights psychological conflict and the process of maturation. In terms of social values, both stories convey love, responsibility, and cooperation, although these values are presented in different contexts. These findings indicate that fairy tales possess universal patterns in representing social realities and can serve as a reference for the development of comparative literature studies and literary analysis.
REPRESENTASI RELASI MAKNA TERHADAP TUTURAN PEMAIN MOBILE LEGENDS IN-GAME Christina Octaviana Asnat Rofael; Tri Indrayanti
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 9 No 2 (2026): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v9i2.35176

Abstract

This research was motivated by the growth of digital communication in online games, specifically Mobile Legends, which utilizes in-game chat features as a medium for communication among players. The researcher aims to examine the relationships of meaning that emerge in players’ discourse during gameplay. A qualitative descriptive method was employed in this study, grounded in Abdul Chaer’s theory of semantic relations. Player utterances from Mobile Legends, obtained through documentation of in-game chat screenshots, served as the research data source. The findings revealed the presence of semantic relations specifically synonyms, antonyms, and hyponyms used by players in their communication. Synonymic relationships were found in 24 data points, indicating the use of linguistic variations to expedite coordination among players. Antonymic relationships were found in 8 data points, illustrating conflicting game conditions and strategies. Hyponymic relationships were found in 7 data points, indicating the use of game-specific terminology. The research findings suggest that Mobile Legends players’ communication forms a distinctive digital language pattern that is concise, contextual, and influenced by the online gaming situation.

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