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Erna Meiliana
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INDONESIA
Jurnal Dimensi Seni Rupa dan Desain
Published by Universitas Trisakti
ISSN : 25275666     EISSN : 25497782     DOI : https://doi.org/10.25105/dim
Core Subject : Humanities, Art,
Arts Humanities
Jurnal Dimensi Seni Rupa dan Desain diterbitkan oleh Fakultas seni Rupa dan Desain. Jurnal ini terbit 2 (dua) kali dalam setahun, yaitu Februari dan September. Jurnal Dimensi Seni Rupa dan Desain merupakan jurnal bidang seni dan desain yang terbilang aktif sejak pertama kali diterbitkan dari tahun 2003 sampai sekarang. Menjadi salah satu jurnal seni dan desain yang banyak diminati oleh para penulis dari berbagai perguruan tinggi di Indonesia
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 376 Documents
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KAJIAN BENTUK DAN MAKNA PADA LOGO DESA VISESA: Study of The Form and Meaning of The Desa Visesa Logo Made Gana Hartadi
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 2 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i2.18807

Abstract

Desa Visesa is accommodation and a tourist destination that applies traditional Balinese permaculture into a modern package with the Panca Visesa concept. The implementation of the concept is carried out thoroughly and harmoniously between local residents, companies and tourists. The logo is designed based on the company concept. This research examines the form of illustrations and letters in the Desa Visesa logo based on the meaning of denotation and connotation, thereby revealing the effectiveness of the logo. The research method is descriptive qualitative with an interpretive approach. The illustration is composed by geometric, natural and abstract, but not yet able to reflect the kayon. Letters are composed of several types of letter anatomy. The connotation meanings are able to represent the values ​​of Panca Visesa. The effectiveness of the logo hasn’t been optimal because it isn’t able to describe the company in its entirety.
ANALISIS HERMENEUTIK MOTIF GUIRLANDE PADA PELIPIT CANDI-CANDI PENINGGALAN MATARAM KUNO : Hermeneutical Analysis of Garland Motifs in the Spiral Ornamentation of Ancient Mataram Era Temples Nurulfatmi Amzy; Herliyana Rosalinda; Edo Galasro Limbong
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 2 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i2.18821

Abstract

The temple is considered as a homage to the gods. As gods reverence, the building is decorated with numerous beautiful motifs. Each decoration presents a value, either symbolic or aesthetic. Some previous studies have only explored the decorative motifs depicted on the roof, body, and base. The temple also consists of a cornice and plinth. They serve as separators between those three main parts of the temple. Some decorative motifs are also depicted on those parts. This essay discusses one of the decorative motifs usually applied on cornices and plinths, namely garland motifs. This research aims to identify various garland motifs in the ancient Mataram temple buildings (8-10C). The method used in this research is Wilhelm Dilthey's hermeneutics. It explains that in empirical data, there are patterns connected. Those patterns give meaning to experience and life. Dilthey's hermeneutics is carried out by looking at those patterns, understanding them, and interpreting their means. This research will reveal the meaning of the elements that form the garland motif. By understanding the interconnectedness of each element's intention, we can also understand the universal value of the garland motif in the temple building.
PENGEMBANGAN PRODUK FUNITUR ROTAN INDUSTRI SKALA USAHA KECIL DI DESA TRANGSAN PASCA PANDEMI COVID - 19: Product Development Of Industrial Rattan Furniture Small Business Scale In Trangsan Post-Covid Pandemic Bambang Kartono Kurniawan; Gihon Nugrahadi; Ira Samri; Dyah Ayu Sekarningrum
Jurnal Dimensi Seni Rupa dan Desain Vol. 20 No. 2 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v20i2.19035

Abstract

The export-based rattan industry plays an important role for the country's foreign exchange, one of which is the export of rattan products has become the main source of income for the community in Trangsan Village, Sukoharjo Regency. However, small-scale rattan industry producers still have many limitations in developing product design in their companies. Most of the rattan industry in Trangsan Village still produces its products based on the demand of global market buyers, and the quality is determined by the buyer. This research focuses on the analysis of furniture design for the export market in Trangsan Village. The purpose of the research is to determine the impact of the post-Covid-19 Pandemic on the design development process for export rattan furniture products and how design plays a role in product innovation. This research uses the method of literature study and field observation with a qualitative descriptive approach. The results of the research show that rattan furniture manufacturers still have obstacles in developing designs. This research is expected to open opportunities for further research, contributing to the development of design innovation.
ETNOMATEMATIKA DALAM PENCIPTAAN WAYANG GUNUNGAN JAWA: ETHNOMATHEMATICS IN THE CREATION OF JAVANESE GUNUNGAN WAYANG Pandu Pramudita; Ismail Bambang Subianto
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.18146

Abstract

Wayang gunungan is a figure that is always there and needed in every puppet show. However, the shape and size of wayang gunungan knowledge is still limited by the adaptation. Therefore, this study seeks to explain the basis for measuring wayang gunungan. The theory used to explain the measurement technique of wayang gunungan is ethnomathematics. The method used in this study is qualitative with an experimental approach. This study resulted that wayang gunungan has three size variations, that are small with high of three spawns more than one palm and width of two spawns, medium with high of four spawns and width of two spawns more than one palm, and large with height of five spawns and width of three feet. The results of this research are expected to be used as a reference in the process of creating mountain puppets, especially in determining their size.
PERANCANGAN DISPLAY PERHIASAN UNTUK MENINGKATKAN KEMUDAHAN MEMBAWA DAN MENATA PRODUK DALAM PERSIAPAN PAMERAN: JEWELRY DISPLAY DESIGN TO INCREASE THE EASE OF CARRYING AND ARRANGING PRODUCTS IN PREPARATION FOR AN EXHIBITION Daniel Agung Kristiawan; Tri Putro, R. Tosan; Koniherawati
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.19094

Abstract

Product exhibitions are a very effective strategy in helping Small and Medium Enterprises (SMEs). Data from the Ministry of Tourism and Creative Economy in 2019 shows the significant role of jewelry in the economy, reaching 31.5%. Design goals involved portability, dual function as storage, modularity, and aesthetics. The research method used is qualitative with data triangulation techniques from observation, interviews and documentation. Data analysis was carried out by considering the needs of jewelry exhibition displays. The design uses the SCAMPER method and design thinking with a focus on practical and creative solutions. The research results showed obstacles such as a less sturdy structure, display weight, difficulty in arranging, and long preparation time. Design recommendations involving portable, product storage, collapsible and modular displays aim to increase the ease of preparing exhibitions and attract consumer attention.
PERANCANGAN BUSANA SIAP PAKAI DENGAN MATERIAL UTAMA TENUN SUMBA LAU PAHIKUNG BERDASARKAN ANALISIS KEBUTUHAN PASAR URBAN: DESIGNING READY-TO-WEAR CLOTHING WITH SUMBA LAU PAHIKUNG WOVEN MAIN MATERIAL BASED ON URBAN MARKET NEEDS ANALYSIS Grace Carolline Sahertian; Sri Ningsih, Yosepin; Bahaduri, Berti Alia
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.19737

Abstract

Indonesia's diverse handicrafts include Lau Pahikung woven cloth from Sumba Island, East Nusa Tenggara. Lau means sarong in the local language, and Pahikung is a weaving technique for fabric patterns. This cloth, made using ikat and Pahikung dyeing, is crafted into sarongs for Sumba women. The research partners with the Sekar Kawung Foundation, supported by weavers in East Sumba, who use sustainable methods to create Lau Pahikung fabrics. These fabrics are transformed into urban product displays through market analysis. The analysis, incorporating Maslow's needs theory and Indonesia Trend Forecasting, leads to ready-to-wear fashion designs that cater to specific formal clothing needs, offering versatile contemporary styles.
PERBANDINGAN PENDEKATAN KOMUNIKASI VISUAL POSTER KAMPANYE PASANGAN CALON PRESIDEN DAN WAKIL PRESIDEN PEMILU TAHUN 2024: COMPARISON OF VISUAL COMMUNICATION APPROACHES IN CAMPAIGN POSTERS OF PRESIDENTIAL AND VICE PRESIDENTIAL CANDIDATES FOR THE 2024 ELECTION Elda Franzia Jasjfi; Ariani, Ariani; Tahalea, Silvia Amanda Aurelia; Rizali, Awang Eka Novia; Kurniawan, Izzabilla Rahma Putri
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.20035

Abstract

For the 2024 General Election (Pemilu) which will take place on February 14, 2024, the three pairs of President and Vice President Candidates for the 2024 Election are carrying out a campaign by distributing posters in various locations and media. These posters use various visual communication approaches, which can be examined in more depth in how the visual aspects and visual communication in them reproduce to form an image representing the identity of candidate pairs, and how the visual approaches used by the three pairs of President and Vice President Candidates in the 2024 Election compare. This research aims to describe the visual variety of posters for candidate pairs and to describe a comparison of the visual communication approaches for the posters of the three pairs of President and Vice President Candidates in the 2024 Election. This research uses qualitative methods. The data collection method was direct visual observation in Jakarta, documented using photography methods, while visual observation via the internet and social media was then documented using screenshot techniques. The visual objects used as poster model samples were selected using purposive sampling, namely with the aim of the diversity of visual communication approaches used on posters. The analysis was carried out in 2 (two) stages, the first was an analysis of the visual elements of each poster model based on the sequence of President and Vice President Candidate Numbers that had been determined by the General Election Commission of the Republic of Indonesia, and the second was a comparative analysis of the visual communication approaches carried out by each -each candidate. The results of this research are a comparative description of the visual communication approaches for the posters of the three President and Vice President Candidates which represent the figure of the candidate pair in the 2024 Election.
KAJIAN VISUAL JAHITAN UTTU PADA TENUN HINGGI DARI KAMBERA, KANATANG, MELOLO DAN RINDI: VISUAL STUDIES OF UTTU STITCHES ON HINGGI WOVEN FROM KAMBERA, KANATANG, MELOLO DAN RINDI Wahyu Perdana Saputra; Achmad Haldani Destiarmand
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.20228

Abstract

Hinggi is a cultural heritage that come from East Sumba and is one of the woven textiles that can be easily recognized from its distinctive character and ornamentation. In general, hinggi is produced with a warp ikat weaving technique and woven using a backstrap loom. The making hinggi itself requires at least 7 main stages of production, with 42 complicated work steps, including sewing two narrow pieces of fabric to produce a wider sheet of fabric. Besides its major purpose as a jointing stitch, stitches or in the Kambera language referred to as uttu, can be found on a hinggi in a various characteristic and also possess an aesthetic function, However, the presence of uttu stitches often ignored and not noticed because of its tiny size. In fact, the presence of uttu stitches plays an important role in the wholeness of a hinggi fabric and becomes one of the most prominent aspect that highly required in the making of hinggi fabric.
SIMBOL MASKULINITAS DALAM ORNAMEN BUDAYA BUGIS DI FILM TARUNG SARUNG: ANTARA TRADISI DAN MODERNITAS: SYMBOLS OF MASCULINITY IN BUGIS CULTURAL ORNAMENTS IN THE FILM TARUNG SARUNG: BETWEEN TRADITION AND MODERNITY Ahmad Auliya Zul Hazmi; Acep Iwan Saidi
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.20659

Abstract

The film Tarung Sarung is a cinematic work that highlights the richness of Bugis culture in Makassar, Indonesia. This film depicts the masculinity of Bugis men through characters and settings that highlight the attributes of courage, strength and honor. The main character in this film is depicted as an ordinary young man from the city who develops over the course of the story into a warrior skilled in martial arts. This research aims to analyze the symbols of masculinity in Bugis cultural ornaments in the film Tarung Sarung and find out the meaning of the symbols of masculinity represented. This research uses a descriptive qualitative approach with Charles Sanders Peirce's semiotic analysis method. This research identifies and analyzes the meaning of symbols of masculinity represented in Bugis cultural ornaments in the film Tarung Sarung. The research results show that the symbols of masculinity in the film Tarung Sarung are closely related to the cultural and social values that are highly upheld by the Bugis community. These symbols emphasize the role of men in various aspects of life, from the family to the wider community. Strength, resilience, leadership, authority, wisdom, and discipline are central themes in this representation, showing that masculinity in Bugis culture is closely related to the ability to protect, defend, lead, and maintain cultural values. This research provides several suggestions for developing further studies by exploring the representation of symbols of masculinity in other cultures, combining various analytical methods for a more comprehensive understanding, and examining audience acceptance of representations of masculinity in films.
KAJIAN ESTETIKA PENERANGAN JALAN UMUM DI KAWASAN JALAN SENOPATI, JALAN SURYO, JALAN WOLTER MONGINSIDI, DAN JALAN GUNAWARMAN, JAKARTA SELATAN: AESTHETIC STUDY OF PUBLIC STREET LIGHTINGIN THE AREA OF ​​JALAN SENOPATI, JALAN SURYO,JALAN WOLTER MONGINSIDI, AND JALAN GUNAWARMAN, SOUTH JAKARTA Awang Eka Novia Rizali; Ariani, Ariani; Jasfi, Elda Franzia; Damayanti , Resky Annisa; Ali, Raphael Jordan
Jurnal Dimensi Seni Rupa dan Desain Vol. 21 No. 1 (2024): Jurnal Dimensi Seni Rupa dan Desain
Publisher : Fakultas Seni Rupa dan Desain, Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25105/dim.v21.i1.21325

Abstract

Street Lighting is a public facility that is used to improve road safety by lighting the road at night and helping road users to see the road they are on more clearly at night.  The areas around Jalan Senopati, South Jakarta, are residential and commercial areas where people are busy carrying out their daily activities.  These three road areas are equipped with pedestrians and supporting facilities in the form of revitalized street lighting.  The objects of this research are street lighting located in the areas of Jalan Senopati, Jalan Suryo, Jalan Wolter Monginsidi, and Jalan Gunawarman, South Jakarta.  The focus of the research problem is the various forms and aesthetic elements of street lighting in the areas of Jalan Senopati, Jalan Suryo, Jalan Wolter Monginsidi, and Jalan Gunawarman, South Jakarta, and how aesthetics are applied to street lighting ornaments in these areas.  The research method used is descriptive qualitative, to identify and describe the application of aesthetics to street lighting ornaments in the areas of Jalan Senopati, Jalan Suryo, Jalan Wolter Monginsidi, and Jalan Gunawarman, South Jakarta.  The results of this research are that there is a diversity of aesthetic elements used in street lighting, namely in the form of the development of geometric shapes, local wisdom cultural ornaments, and forms of narrative depiction of urban activities in the area.  Application of ornamental aesthetics to areas and empty spaces that does not interfere with the functional purpose and benefits of the product as street lighting in the area.

Page 33 of 38 | Total Record : 376

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