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Neologia: Jurnal Bahasa dan Sastra Indonesia
Published by Universitas Negeri Makassar
ISSN : 20872496     EISSN : 28299612     DOI : -
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
NEOLOGIA: Jurnal Bahasa dan Sastra Indonesia is a peer-reviewed scientific open access journal, with e-ISSN 2829-9612 and p-ISSN 2087-2496. It has been published by the Department of Indonesian Language and Literature, Faculty of Language and Literature, Universitas Negeri Makassar. NEOLOGIA is published since 2010. NEOLOGIA is issued semiannually: in February and Auguts. NEOLOGIA publishes manuscripts on research in linguistics and literature. NEOLOGIA features research novelties and significance for scientific advancement in one of the fields of the published manuscripts. This journal welcomes submissions from around the world as well as from Indonesia. Manuscripts published include but are not limited to the following. Linguistics; phonology, morphology, syntax, discourse analysis, psycholinguistics, sociolinguistics, and critical discourse analysis. Literature: local literature studies, Indonesian literature, foreign literature studies, children literature, literature studies for character education, and other literary studies. The editorial board would like to receive manuscripts submitted via the online submission system. Make sure that the manuscripts meet the scope and submission guidelines of the journal. For more detailed information, please refer to the terms and conditions of NEOLOGIA.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 105 Documents
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HIERARKI STATUS SOSIAL KOLONIAL DALAM NOVEL PANGERAN DARI TIMUR: PERSPEKTIF PASCAKOLONIAL ANIA LOOMBA Matta, Angellika; Abidin, Aslan; Ridwan, Ridwan
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82452

Abstract

This study aims to examine the differences in social status between the natives and the colonizers in the novel Pangeran dari Timur (Prince of the East) by Iksaka Banu and Kurnia Effendi using Ania Loomba's postcolonial perspective. This study uses a qualitative method with a descriptive-analytical approach. The data sources are quotations from the novel that represent colonial relations, including dialogues, narratives, and scene descriptions. The data were collected through reading and note-taking techniques, then analyzed using the concepts of racial hierarchy, social class, education, and modernity. The results of the study show that colonialism constructed a social status hierarchy that placed European colonizers as the superior group and indigenous people as the inferior group. Education and modernity functioned as means of ideological domination that limited social mobility. The conclusion of the study confirms that colonialism normalized the domination of the colonizers and degraded the dignity of the indigenous people.
TINDAK TUTUR ILOKUSI DALAM NOVEL HOME SWEET LOAN KARYA ALMIRA BASTARI Ramadani, Suci; Mayong, Mayong; Asri, Aswati
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.76139

Abstract

This study aims to describe the forms and functions of illocutionary speech acts found in the dialogues of Almira Bastari’s novel Home Sweet Loan. The objectives of the study are to describe the forms of illocutionary speech acts in Almira Bastari’s novel Home Sweet Loan, and to describe the functions of illocutionary speech acts in Almira Bastari’s novel Home Sweet Loan. This study employs a qualitative descriptive method, with data sourced from the dialogues in Almira Bastari’s novel Home Sweet Loan. The data collection techniques used are reading, note-taking, and documentation. The results of this study indicate that five forms of illocutionary speech acts were identified in Almira Bastari’s novel Home Sweet Loan, namely assertive, directive, expressive, commissive, and declarative. Twenty functions of illocutionary acts were identified. Four functions of the assertive illocutionary act were found: stating, suggesting, complaining, and affirming. Eight functions of the directive illocutionary act were found: commanding, requesting, advising, recommending, prohibiting, asking, warning, and questioning. Five functions were identified in the expressive speech act category: expressing gratitude, offering congratulations, apologising, blaming, and praising. Twenty functions were identified in the commissive speech act category: offering something and refusing. One function was identified in the declarative speech act category: resigning oneself.
REALITAS SOSIAL DALAM NASKAH DRAMA RT NOL RW NOL KARYA IWAN SIMATUPANG (KAJIAN REALISME SOSIALIS GEORG LUKACS) Sam, Nurfatmawati; Hajrah, Hajrah; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77877

Abstract

This study aims to describe the forms of social reality in Iwan Simatupang’s drama RT Nol RW Nol based on Georg Lukacs’s theory of Socialist Realism. Using a qualitative descriptive method with a sociology of literature approach, the research focuses on four main aspects: objective reality, dialectical movement, artistic reflection, and emancipatory critical expression. The findings show that the drama reflects social inequality, poverty, and marginalization, while also portraying human awareness and resistance against oppression. Iwan Simatupang’s work illustrates the dialectical relation between individuals and society, emphasizing the human struggle for dignity and freedom.This study aims to describe the forms of social reality in Iwan Simatupang’s drama RT Nol RW Nol based on Georg Lukacs’s theory of Socialist Realism. Using a qualitative descriptive method with a sociology of literature approach, the research focuses on four main aspects: objective reality, dialectical movement, artistic reflection, and emancipatory critical expression. The findings show that the drama reflects social inequality, poverty, and marginalization, while also portraying human awareness and resistance against oppression. Iwan Simatupang’s work illustrates the dialectical relation between individuals and society, emphasizing the human struggle for dignity and freedom.
Pergerseran Dialek Mesolect ke Dialek Acrolect dalam Penggunaan Bahasa Indonesia Artis Ibu Kota Asal Makassar Wulandari, Putri; Nensilianti, Nensilianti; Jahrir, Andi Sahtiani
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82460

Abstract

This research aims to describe the forms of dialectal shift and identify its contributing factors. Employing a qualitative descriptive approach, data were collected from social media content, podcasts, films, and television programs featuring Makassar artists such as Arief Brata, Denny Sumargo, Indah Permatasari, Eca Aura, Maizura, and Musdalifah. The analysis was conducted using Joshua A. Fishman’s domain theory of language use. The findings reveal three forms of shift: functional, domain, and identity shifts. The main driving factors include urbanization, globalization, and the professional demands of the entertainment industry. The study concludes that this dialect shift is both a sociolinguistic and sociocultural phenomenon, reflecting the marginalization of local dialects in modern public communication.
PENGGUNAAN METAFORA VISUAL DALAM FILM “TENGGELAMNYA KAPAL VAN DER WIJCK”: ANALISIS SEMIOTIKA Agung, Muhammad; Usman, Usman; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82530

Abstract

This study aims to describe the use of visual metaphors in the film Tenggelamnya Kapal Van Der Wijck through the semiotic approach of Charles Sanders Peirce, revealing the messages embedded within these metaphors while classifying them into five categories as proposed by Noël Carroll: Potrait Komposit, composite construction, Fotomontase, animation category, and superimposition. The research method used is qualitative, with data consisting of visual elements from the film Tenggelamnya Kapal Van Der Wijck, directed by Sunil Soraya and adapted from the novel by Buya Hamka. Data analysis follows the Miles and Huberman model: data reduction, data display, and conclusion drawing. The findings consist of visual metaphors analyzed using Peirce's triadic sign model (representamen, object, interpretant), uncovering symbolic meanings that enrich the film’s narrative while also identifying the type of visual metaphor. The results show that four out of the five types of visual metaphors appear in the film. This research contributes to a deeper understanding of cinema’s power to convey messages and emotions through visual storytelling

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