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All Journal ANDHARUPA Ultimart: Jurnal Komunikasi Visual Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Unram Journal of Community Service (UJCS) Jurnal Dimensi Seni Rupa dan Desain JURNAL ABDI MASYARAKAT INDONESIA (JAMIN) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Prosiding Seminar Nasional Pendidikan FKIP Universitas Lampung Dinamika Kerajinan dan Batik: Majalah Ilmiah
Wardoyo, Bambang Tri
Universitas Trisakti
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Materials Science & Nanotechnology Social Sciences Other

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Kekuatan Genggaman : Golok Ciomas Simbol Kehormatan dan Tradisi Haryadi, Ekananda; Wardoyo, Bambang Tri; Riyanti, Menul Teguh; Murwonugroho, Wegig; Haura, Nazzalla Izzabelle; Azizan, Ahamad Tarmizi
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 2 (2025): Oktober: Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i2.6792

Abstract

The Ciomas Golok is one of Banten’s intangible cultural heritage items, carrying profound historical, philosophical, and social meaning. More than a traditional weapon, it represents identity, honor, and the spirit of resistance against colonial rule. This study explores the origins and genealogy of the Ciomas Golok, analyzes the philosophy of “grip strength” encompassing physical, mental, and spiritual dimensions, and explains its role as a symbol of honor within Banten society. The research also examines its transformation in the modern era and compares it with other traditional weapons in the Nusantara and abroad. A qualitative method with a cultural ethnographic framework was applied. The research took place in Ciomas District, Serang Regency, as well as in museums, traditional markets, and cultural festivals. Data collection involved participant observation, in-depth interviews with blacksmith masters, community leaders, cultural figures, and youth, supported by literature documentation. Data analysis employed semiotics and symbolic anthropology, with validity maintained through triangulation of sources, methods, and theories. Findings show that the Ciomas Golok dates back to the Banten Sultanate era, evolving from an agricultural tool and weapon of resistance into a cultural artifact and creative economic commodity. The philosophy of “grip strength” highlights holistic values the golok as a symbol of honor, responsibility, and solidarity. Its continuing presence underscores the urgency of preservation. The study concludes that safeguarding the Ciomas Golok requires collaboration among blacksmiths, local communities, government, and academics to ensure its ongoing relevance as both a cultural emblem and an expression of Indonesian national identity.
Jejak - Jejak Dinamika Industri Batik Yogyakarta1920-1930 Abdullah, Farid; Wardoyo, Bambang Tri
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 37 No. 1 (2020): Dinamika Kerajinan dan Batik : Majalah Ilmiah
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v37i1.4856

Abstract

Tulisan ini membahas dinamika industri batik di Yogyakarta pada kurun waktu 1920-1930. Tujuan penulisan ini adalah untuk mencermati kegiatan industri batik Yogyakarta masa lampau dan diperoleh gambaran sosio-ekonomi masyarakat pada masa itu. Metode yang dipakai dalam tulisan ini adalah deskriptif-kuantitatif dan sejarah. Sumber primer terkait kegiatan industri batik dalam tulisan ini diperoleh dari buku History of Java, T.S. Raffles (1913), Batikrapport, Midden Java, P. de Kat Angelino (1930), dan De Kleine Nijverheid in Imheemsche Sfeer en hare Expansiemogelijkheden op Java P.H.W. Sitsen (1937). Industri batik di Yogyakarta pada kurun 1920-1930 juga didukung oleh keberadaan Textile Inrichting en Batik Proefstation yang didirikan pada tahun 1922 di Bandung. Kegiatan membatik melibatkan berbagai suku bangsa seperti Jawa, Cina, Jepang, Eropa, dan Arab. Menelusuri kegiatan industri batik di Yogyakarta mampu memberi gambaran produktifitas serta sejumlah permasalahan industri batik Yogyakarta pada awal abad ke-19. Melalui tulisan ini diharapkan dapat diperoleh gambaran serta perubahan-perubahan apa saja yang telah terjadi pada industri batik Yogyakarta. Hasil kajian tulisan ini menjelaskan dinamika industri batik Yogyakarta yang sangat tinggi.
Krustasea Arafura sebagai Ide Penciptaan Batik Abdullah, Farid; Widiastuti, Theresia; Sobandi, Bandi; Wardoyo, Bambang Tri
Dinamika Kerajinan dan Batik: Majalah Ilmiah Vol. 37 No. 2 (2020): DINAMIKA KERAJINAN DAN BATIK : MAJALAH ILMIAH
Publisher : Balai Besar Standardisasi dan Pelayanan Jasa Industri Kerajinan dan Batik

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22322/dkb.v37i2.5948

Abstract

ABSTRAKPotensi sumber daya alam perikanan saat ini terus digali, namun mengubah potensi sumber daya alam menjadi penciptaan kreasi batik masih sangat terbatas. Tujuan tulisan ini adalah menghasilkan eksperimentasi berdasarkan sumber ide krustasea Arafura yang dikembangkan menjadi desain busana batik. Metode yang dipergunakan adalah deskriptif-eksperimentatif, memakai model 4-D Thiagarajan (1974) yaitu (1) Definisi; (2) Desain; (3) Pengembangan; dan (4) Diseminasi. Dimulai dengan mengidentifikasi potensi lokal Arafura, seleksi, merumuskan ide-ide, eksperimentasi, hingga penciptaan desain. Hasil dari eksperimen ini adalah purwarupa busana batik berdasarkan ide krustasea yang melimpah di Arafura. Kesimpulan berupa potensi ekonomi kreatif bersumber ide lokal sumber daya alam laut Arafura, dapat menambah nilai ekonomi bagi masyarakat setempat. Rekomendasi yang diberikan adalah terus menggali potensi-potensi alam lainnya yang terkait dengan sumber daya alam kelautan untuk diubah menjadi produk ekonomi kreatif.ABSTRACTThe potential of fisheries resources has been explored continuously, but transforming the resources into creative idea of batik creation is still limited. This study aims to conduct experiment based on Arafura crustaceans, as an idea for batik fashion designs. The method used is descriptive-experimental method, using Thiagarajan 4D model (1974), namely (1) Definition; (2) Design, (3) Development; and (4) Dissemination. The study was started by identifying the local potential of Arafura, selection, formulating ideas, experiments, and creating the design. The result of this experiment is a prototype of batik clothes using design based on the idea of crustacean which is abundant in Arafura. The conclusion from this experiment is creative economic potential comes from local ideas of crustacean Arafura natural resources. The recommendation is to continue the exploration of other marine natural potentials resources as ideas for creative economic products.
Perancangan Media Infografis SOP Keselamatan Kerja (K3) Pada Lingkungan Industri Manufaktur Daniel M Simbolon; Bambang Tri Wardoyo; Meily Cristina; Ekananda Haryadi; Menul Teguh Riyanti; Wegig Murwonugroho; Yosua Reydo Respati; Dikdik Adikara Rachman; Tommy Hari Prihatanto; Leonardus Aryo Gitoprakoso Widyarto
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 5 No. 1 (2026): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v5i1.8640

Abstract

Occupational Health and Safety (OHS) is a crucial aspect in manufacturing industries due to the high risk of workplace accidents caused by heavy machinery, chemical substances, and intensive production activities. Companies usually provide Standard Operating Procedures (SOP) as safety guidelines; however, SOPs are often delivered in long textual formats that are less engaging, making workers reluctant to read or difficult to understand quickly. This study aims to design an infographic-based SOP media as an effective visual communication tool to improve workers’ understanding of safety procedures. The research applies a qualitative method with a design approach through workplace observation, interviews with HSE personnel, literature review, and design validation using questionnaires. The results produce infographic media in the form of posters and signage presenting PPE usage procedures, hazard warnings, and evacuation steps using safety color codes, icons, and readable typography. The conclusion indicates that infographic SOP media is more effective than text-based SOP because it improves readability, comprehension, and workers’ memory of safety procedures.
Co-Authors Abdullah, Farid Abdullah Adnan, Aneeza Mohd Akkapurlaura Akkapurlaura Azizan, Ahamad Tarmizi Bakar, Muhammad Helmi bin Abu Bandi Sobandi Bandi Sobandi Cecep Kusmana Daniel M Simbolon Dewi M. Sya’bani Dian Rinjani Dikdik Adikara Rachman Farid Abdullah Farid Abdullah, Farid Hambawan, Tulus HARYADI, Ekananda Haura, Nazzalla Izzabelle Indralaksemi Indralaksemi Leonardus Aryo Gitoprakoso Widyarto Meily Cristina Menul Teguh Riyanti Menul Teguh Riyanti, Menul Teguh Mohammed Iqbal Badaruddin Nasir, Roziani Binti Mat Nashir @ Mohd Setiadi, Virginia Suryani Sya'bany, Dewi Munnawarah Theresia Widiastuti Theresia Widiastuti, Theresia Tommy Hari Prihatanto Utomo, R. Drajatno Widi Virginia Suryani Setiadi Wegig Murwonugroho Yosua Reydo Respati, Yosua Reydo