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All Journal Litera Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Buletin Al-Turas Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Patanjala : Jurnal Penelitian Sejarah dan Budaya METASASTRA: Jurnal Penelitian Sastra SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Suar Betang Metahumaniora JATI EMAS (Jurnal Aplikasi Teknik dan Pengabdian Masyarakat) J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Midang
Mega Subekti
Fakultas Ilmu Budaya, Universitas Padjadjaran
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Nursing Public Health Social Sciences Other

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Écriture Féminine in Ken Bugul’s De L’Autre Côté du Regard Subekti, Mega; Maulana, Sandya; Sarathan, Indra
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 4 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i4.1279

Abstract

The article analyzes the representation of écriture féminine in Ken Bugul's De L’Autre Côté du Regard (DLCR) and its connection to feminist ideology and the narrator’s hybrid cultural identity. This research applies a close reading technique, utilizing the framework of feminist narratology by Lanser (1986) and écriture féminine by Cixous (1976) and Brahimi (2000). Through data analysis, it is found that the narrative structure of DLCR, which represents the concept of écriture féminine, appears very fluid and non-linear, similar to writing pattern of memoirs. Repetitive phrases are found that represent the narrator’s deepest emotions regarding her maternal relationship and her in-between identity within postcolonial context. The results indicate that the structure of écriture féminine in DLCR appears to represent the narrator’s process of reconciliation, not only related to the maternal relationship with her biological mother but also to her motherland, Senegal. By incorporating the voice of other women, the text opens up a collective space of solidarity emblematic of African feminism. DLCR's narrative is argued to offer a distinctly African reinterpretation of feminism where bodily experience, ancestral tradition, and political resistance converge, ultimately presenting writing as an aesthetic and emancipatory act of postcolonial female self-definition.
From Survival to Solidarity: Sisterhood in the Cinematic Narrative of Pop Star Academy: KATSEYE Dhia Anaulva Putri; Aquarini Priyatna; Mega Subekti
Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Vol 19, No 1 (2025)
Publisher : English Department FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ld.v19i1.134613

Abstract

In popular media, women are often portrayed in antagonistic rivalries, reinforcing the narrative that female relationships are inherently competitive. This research explores how Pop Star Academy: KATSEYE, a docu-series documenting the journey of female contestants vying for a spot in a global K-pop girl group, challenges and complicates that narrative by presenting a more nuanced interplay of rivalry and solidarity. While existing scholarship on the Korean Wave (Hallyu) and K-pop has addressed gendered representations and the structural dynamics of the entertainment industry, limited attention has been given to how documentary storytelling mediates these gendered tensions. To address this gap, this study investigates how documentary film can shape, reflect, and potentially disrupt dominant gender ideologies. Employing feminist film analysis, documentary narratology, and close analysis of cinematic techniques, the study demonstrates how Pop Star Academy: KATSEYE constructs a cinematic language of sisterhood that both navigates and subverts the masculine logic of survival shows. Importantly, the study also engages with the cultural and linguistic dimensions of K-pop’s transnational reach, emphasizing how language, performance, and cross-cultural communication inform representations of identity and gender. This intersection of media, language, and culture offers critical insights into the global resonance of female solidarity in contemporary popular culture.
Co-Authors Aksa, Yati Amaliatun Saleha Aquarini Priyatna Ari Jogaiswara Adipurwawidjana Baban Banita Dhia Anaulva Putri Ferli Hasanah Hasanah, Ferli Hilda Septriani Hilman Fauzia Khoeruman Indra Sarathan Indriyani Rachman Lestari Manggong Lina Meilinawati Malik, Muhammad Zulfi Abdul Muhamad Adji Prima Agustina Mariamurti Ramadhani, Muthia Anggita Rasus Budhyono Rijati, Sri Rizal, Mohamad Noor Sandya Maulana Sri Rijati Wardiani Tania Intan Tania Intan Taufik Ampera Tisna Prabasmoro Trisna Gumilar Vincentia Tri Handayani