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KONSTRUKSI MULTIDIMENSIONAL PADA TEATER KEPAHLAWANAN SULTAN HASANUDDIN (AYAM JANTAN DARI TIMUR): SEBUAH TINJAUAN ANALISIS SEMIOTIKA PADA PERTUNJUKAN TEATER Saputra, Andi Taslim; Suyudi, Muhammad
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 12, No 2 (2025): Mei - Agustus
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v12i2.70450

Abstract

This research aims to explore the semiotic markers created in the performance of Sultan Hasanuddin (The Rooster from the East). This performance becomes a medium that not only entertains but also produces symbols from multidimensional constructs in theater performances. In this research, a qualitative research method is used with an in-depth study of the performance facts and field facts constructively. The research findings reveal two aspects related to the creative process and multidimensional construction. In the creative process, it is described in the context of ideas, research, and the concretization of performance. In the context of multidimensional construction through the triadic semiotic description of icon, index, and symbol. The Sultan Hasanuddin performance (Rooster from the East) makes us feel as if there is an audio and visual space that communicates with each other and transcends boundaries. This is what is later referred to as a multidimensional construction in the Sultan Hasanuddin Theater performance (Rooster from the East).
Peningkatan Pengetahuan dan Keterampilan Berkarya Seni Budaya Lokal Untuk Meningkatkan Wawasan Kebudayaan Nasional Pada PPG Prajabatan Seni Budaya Jayadi, Karta; M, Rahma; Akmal, Muhammad Syafruddin; Saputra, Andi Taslim; Suyudi, Muhammad
Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Vol 4, No 2 (2025): Juli-Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/srq.v4i2.74795

Abstract

As aspiring educators, pre-service students in the PPG Arts and Culture Program play a pivotal role in sustaining and innovating local artistic traditions. Yet, gaps in both theoretical and practical mastery remain evident. To bridge this divide, a specialized training program was implemented to elevate the professional expertise of PPG UNM students in local artistic creation—spanning dance, theater, and two- and three-dimensional visual arts. Post-intervention assessments revealed marked advancements in participants’ conceptual grasp and technical execution across diverse local art forms. Notably, the trainees exhibited an enhanced ability to produce works deeply rooted in local aesthetics, whether through visual compositions or performative expressions in dance and theater. This initiative underscores the transformative potential of structured pedagogy in fostering culturally anchored artistic proficiency among future arts educators.
Pelatihan Kitoka bagi Siswa SMPN 2 Pangsid Kabupaten Sidrap Ihsan, Andi; Saputra, Andi Taslim; Hasbi, Hasbi; Rasul, Rasul; Ramli, Asia
Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Vol 4, No 2 (2025): Juli-Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/srq.v4i2.76784

Abstract

Access to authentic lutes is often a barrier for schools in this region. To address this issue, using Kitoka can be a learning alternative. Kitoka is a musical instrument that can simulate sound and musical playing techniques interactively, making it easier and more engaging for students to learn the kecapi. The use of Kitoka at SMP Negeri 2 Pangsid, Sidrap Regency, is expected to provide a solution for the preservation of local culture by utilizing a new learning model to support the curiosity of school students, serving as a new tool in music art learning with boring teaching methods. This training is intended for students of State Junior High School 2 Pangsid, Sidrap Regency. With the training on using Kitoka thru interactive methods, including demonstration and drill methods, the above problems can be overcome in a more innovative and effective way. Students participate in training activities using the upward and downward picking techniques repeatedly. This plucking technique was then demonstrated to the students so they could practice both techniques. The plucking pattern was taught using the drill method, or by repeatedly playing this technique. Next, the students practiced playing musical notes by performing the song "Ana Ma'Buramali," one of Daeng Masikki's compositions. The students played the song smoothly and well.
TRANSFORMING KINATAH NAGASASRA AS A BATIK MOTIFS FOR CASUAL CLOTHES mellynada putri, casi; saputra, andi taslim
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4816

Abstract

This work creation was inspired by the shape of Kinatah Nagasasra, a name of dhapur (physical form) of a Kris. Such a dapur is characterized by the presence of decoration in the form of dragon as a Kinatah on the surface of the Kris blade. The characteristics of Nagasasra are having a kinatah in the form of crowned dragon, having a thousand scales on its body, and having a jamang (head ornament worn on the forehead). This Kris blade has visual meaning in the form of symbols representing characteristics of a leader. This study aims at exploring and stylizing the shape of Kinatah Nagasasra and using it in creating handmade batik on the casual wear. The creation of this work employed the   art creation method by collecting data from literature as well as previous designs and embodiments.  Handmade batiks technique was used in the creation process by using   primissima cotton fabric and remasol (coloring matter) as raw materials. Handmade batik technique that is used is dipping technique. The color chosen is the color preferred by consumers aged 18-35 years.  The resulting work consists of four dresses and is entitled UPANGGA RADMILA. Each of dress has also its own title, namely PANDITA, PARAHITA, PRABALA, PRASANTI. The designers hope that this work can help to socialize good characteristics of leader through symbols in it.  The characteristics consists of prioritizing the welfare of members, the awareness that power is a trust, being able to protect and prosper members, and being a role model to the members.