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LAGU-LAGU DALAM KEGIATAN BINSIK SIANG SEBAGAI PENANAMAN NILAI-NILAI KEMILITERAN KEPADA SISWA SKADIK 405 PRATAMA, AMOR SETA GILANG
Harmoni: Jurnal Pemikiran Pendidikan, Penelitian Ilmu-ilmu Seni, Budaya dan Pengajarannya Vol 6 No 1 (2016): HARMONI
Publisher : Program Studi Pendidikan Seni Rupa Fakultas Keguruan dan Ilmu Pendidikan Universitas Muham

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26618/jh.v6i1.11657

Abstract

Binsik siang di Skadik 405 merupakan suatu kegiatan fisik militer yang di dalamnya mengandung proses penanaman nilai-nilai kemiliteran bagi para siswa Skadik 405. Penulisan dalam naskah ini dilakukan dalam bentuk studi literatur dan pengamatan lapangan. Pada hasilnya menunjukkan bahwa kegiatan fisik yang disertai dengan lagu-lagu kemiliteran terdapat proses pengulangan ingatan yang dalam hal ini berperan untuk menguatkan ingatan para siswa mengenai nilai-nilai heroisme dan nasionalisme. Melalui teks lagu yang dinyanyikan dalam kegiatan Binsik siang, nilai-nilai tersebut di manifestasikan pada pola-pola pembinaan dan kedisiplinan. Nilai-nilai kemiliteran merupakan suatu kode etik atau norma yang harus selalu dijalankan, dipatuhi, serta dihayati oleh setiap lapisan militer, tak terkecuali siswa Skadik 405.
GONG BETINO DAN GONG JANTAN: KONSTRUKSI GENDER PADA ALAT MUSIK GONG BULUH KERINCI Amor Seta Gilang Pratama; Masvil Tomi; Dwi Rahariyoso
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 22 No. 2 (2022)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i2.4673

Abstract

This research focuses on the relationship between the cultural structure of Kerinci, and the Gong Buluh traditional music. What is being explored is how material culture is, also seen in treating the reed gong as a traditional musical instrument in Kerinci. The method used in this research is a qualitative method with a case study approach. The process of collecting data is by conducting ethnographic interviews. Ethnographic interview is a type of interview that is not too formal, friendly, but inserts ethnographic questions, such as questions that are descriptive, structural, and contrast. There are two stages of data analysis technique. The first stage is to codify the data that has been obtained. The second stage is to carry out an analysis between data, to see the relationship between the structure of the kerinci culture and Gong Buluh, using the theory or concept that has been referred to. The results of the study show that epistemologically, the structure of the reed gong is divided into two parts, namely the gong betina and the gong jantan. Gong betina have a higher sound intensity than gong jantan. The terms betina and jantan in the context of the gong become a duality related to the structure of the Kerinci culture. The Kerinci tribe adheres to a materiallineal system, in which women (ninik mamak, inner child) are the highest customary authority holders. The structure of the gong reed thus has a similarity to the construction of the Kerinci culture which is the basis and convention in rituals traditions, especially Kenduri Sko.