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LEGENDA LIANG SIPEGE DI DESA SIMARMAR PEATALUN HUTAGAOL KECAMATAN BALIGE KABUPATEN TOBA : KAJIAN SOSIOLOGI SASTRA Silaen, Batara Gomal; Sinaga, Warisman
SABANA: Jurnal Sosiologi, Antropologi, dan Budaya Nusantara Vol. 1 No. 2 (2022): Agustus 2022
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (561.836 KB) | DOI: 10.55123/sabana.v1i2.949

Abstract

This article discusses the Legend of Liang Sipege. The problem in this research is the Intrinsic Element  The Legend of Liang Sipege, The Sociological Values ​​of Literature contained in the Legend of Liang Sipege  and Community Views on the Legend of Liang Sipege. The legend of Liang Sipege is  one form of story that belongs to the Toba Batak community, which is precisely located in the village of  Simarmar Peatalun Hutagaol, Balige District, Toba Regency. This research aims to  knowing the structure of the story and knowing the Sociological Values ​​of Liang Sipege's Literary Legend.  The arrangement of stories and events that occur in the Legend of Liang Sipege story is structured and organized  translate it into a story and explore the cultural values ​​in it. The method used  used to analyze this research problem is the qualitative method with the  field. This study uses structural theory and the theory of the Sociology of Literature. The intrinsic elements in this story include: theme, plot or plot, background or setting, and  character or characterization
REKONSTRUKSI TEKS DAN ANALISIS FILOLOGIS NASKAH PAGAR TAWAR SITAHAN RASUN (NO.INV.1226/07.135): KOLEKSI MUSEUM NEGERI SUMATERA UTARA Intan P. Siallagan; Warisman Sinaga; Ramlan Damanik
Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 2 (2025): September
Publisher : Universitas Batanghari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/aksara.v9i2.1276

Abstract

Ancient manuscripts are cultural heritage assets that record past civilizations, knowledge systems, and beliefs of earlier societies. In Indonesia, several ethnic groups still preserve traditional manuscripts written in various indigenous scripts such as Bugis, Balinese, Javanese, Sundanese, Lampung, and Batak scripts. Batak manuscripts are known to contain traditional knowledge, including medicinal formulas, mystical practices, calendrical calculations, and prophecies. This study focuses on identifying the manuscript Pagar Tawar Sitahan Rasun (Inventory No. 1226/07.135), a collection housed at the North Sumatra Provincial Museum. The research applies a philological approach using a qualitative descriptive method to identify the manuscript’s physical and textual characteristics. The findings reveal eighteen essential elements of manuscript identity, including: (1) title, (2) inventory number, (3) storage location, (4) origin, (5) physical condition, (6) dimensions, (7) thickness, (8) number of lines per page, (9) script and writing type, (10) writing technique, (11) writing material, (12) text format, (13) estimated age, (14) language, (15) author (if known), (16) historical background, (17) social function, and (18) content summary. These findings contribute to the initial effort in preserving Batak manuscripts and provide a foundation for further studies on the cultural values contained within them
KAJIAN FILOLOGIS TERHADAP IDENTITAS DAN EDISI TEKS STANDAR NASKAH PODA NI HATA-HATA NI PAGAR PAMUHUNAN (NO. INV. 3052/07.237) KOLEKSI MUSEUM NEGERI PROVINSI SUMATERA UTARA Mery Grace Jenita Saragi; Herlina Herlina; Warisman Sinaga
Aksara: Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Vol 9, No 2 (2025): September
Publisher : Universitas Batanghari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33087/aksara.v9i2.1283

Abstract

This study aims to examine the identity and produce a standard text edition of the manuscript Poda ni Hata-Hata ni Pagar Pamunuhan (Inventory No. 3052/07.237), which is part of the collection of the North Sumatra Provincial State Museum. The research employs a philological approach to uncover the manuscript’s physical characteristics, cultural background, and content. The methodology includes inventorying, physical description, transliteration, and the preparation of a standard edition based on textual criticism principles. The findings reveal that the manuscript is written on bark material using Batak script and contains traditional teachings and moral advice passed down through generations in Batak society. The text editing process resulted in a valid standard edition, complete with critical apparatus and restored readings. This study highlights the importance of preserving traditional manuscripts as intangible cultural heritage rich in historical, linguistic, and educational values. The resulting edition is expected to serve as a foundational reference for further studies in philology, regional literature, and Batak cultural heritage.
Lanskap Linguistik Kawasan Istana Sisingamangaraja Di Kabupaten Humbang Hasundutan Simamora, Mei Lisriani; Sibarani, Robert; Sinulingga, Jekmen; Sinaga, Warisman; Damanik, Ramlan
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 20, No 2: November 2025
Publisher : Indonesian literature Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.20.2.163-177

Abstract

This study analyzes the linguistic landscape of the Sisingamangaraja Palace area in Humbang Hasundutan Regency as a representation of cultural identity, language ideology, and strategies for preserving cultural heritage in public space. The study is grounded in Landry and Bourhis’s linguistic landscape theory and Stuart Hall’s perspective of cultural representation. A descriptive qualitative method was employed through visual observation, photographic documentation, and interviews with key informants. Data were interpretively analyzed to examine the use of Indonesian, Batak Toba language, English, and Batak script across various visual media. The findings indicate that the linguistic landscape functions not only informationally but also symbolically, representing historical legitimacy, cultural authority, and spirituality, while serving as a site of negotiation between locality, nationality, and globality in strengthening the collective memory of the Batak community.
Taur-Taur of the Simalungun Batak Ethnic Group: A Pragmatic Study Giawa, Puji Syukur; Sinaga, Warisman; Sibarani, Tomson
Jurnal Pembelajaran Bahasa dan Sastra Vol. 5 No. 2 (2026): Maret 2026
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v5i2.1344

Abstract

This study discusses the Taur-taur of the Batak Simalungun ethnic group from a pragmatic perspective as part of an oral cultural expression rich in meaning. Taur-taur is a chant-like or humming speech act that serves to convey emotional feelings, such as sadness, longing, and hope, which are greatly influenced by the social context and the situation in which it is presented. This study aims to identify the form of speech and analyze the types, functions, and meanings of speech acts contained in Taur-taur. The method used is descriptive qualitative with data collection techniques through in-depth interviews and recordings of Taur-taur performances. The data obtained were then transcribed, reduced, and classified based on John Searle's speech act theory. The results of the analysis show that the most dominant types of assertive speech acts include suggesting (1), telling (2), explaining (9), stating (35), and blessing (2). Directive types include inviting (1), requesting (3), ordering (9), begging (1), and asking (2). Expressive speech acts are found in the form of condolences (3) and complaining (6), while commissives only appear in the form of promising (1). The dominance of assertive speech acts indicates that Taur-taur speakers tend to convey information, experiences, and feelings directly and reflectively. This finding confirms that Taur-taur functions not only as an aesthetic expression but also as a medium of cultural communication that represents values, emotions, and social relationships in Simalungun society.