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Journal : transform journal of english language teaching and learning

ABRIDGING SENTENCES OF PRÉCIS WRITING IN AESOP FABLES Muhammad Luthfi Shandy; Muhammad Natsir
TRANSFORM : Journal of English Language Teaching and Learning Vol 2, No 4 (2013)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (501.691 KB) | DOI: 10.24114/tj.v2i4.952

Abstract

ABSTRACTThis study is concerned with writing, focusing on the abridging sentences ofprécis writing used in Aesop Fables. This study was conducted by using descriptivequalitative design. There are ten fables of Aesop in this study taken from The Book ofAesop (Townsend: 1869). There were 103 forms. The result of data analysis showed thetotal number in types of abridging were: by reducing a clause to a phrase 55.34 %, byreducing a phrase to a word 10.68 %, change the direct speech to indirect speech 16.5%, and by reducing a clause to a word 17.48 %. It means that by reducing a clause to aphrase is the dominant types of abridging sentences used in Aesop fables. It is 52.7 %.The reason why abridging sentences by reducing a clause to a phrase is dominantbecause in all ten of the fables use many long clauses that can be reducing to phrases.There are many clauses which can be reducing to a simpler term of phrases. And theresult based on the context of the form were: human 9.2 %, animal 73.55 %, thing 5.75%, and situation 11.5 %. It means that the context of animal is the most dominantcontext. Then it is found that the ten fables are dominantly use the type of abridging byreducing a clause to a phrase in the context of animal.Keywords: Writing, Précis writing, Abridging Sentences*Graduate
ABRIDGING SENTENCES OF PRÉCIS WRITING IN AESOP FABLES Shandy, Muhammad Luthfi; Natsir, Muhammad
TRANSFORM: Journal of English Language Teaching and Learning Vol. 2 No. 4 (2013): December, 2013
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/tj.v2i4.952

Abstract

ABSTRACTThis study is concerned with writing, focusing on the abridging sentences ofprécis writing used in Aesop Fables. This study was conducted by using descriptivequalitative design. There are ten fables of Aesop in this study taken from The Book ofAesop (Townsend: 1869). There were 103 forms. The result of data analysis showed thetotal number in types of abridging were: by reducing a clause to a phrase 55.34 %, byreducing a phrase to a word 10.68 %, change the direct speech to indirect speech 16.5%, and by reducing a clause to a word 17.48 %. It means that by reducing a clause to aphrase is the dominant types of abridging sentences used in Aesop fables. It is 52.7 %.The reason why abridging sentences by reducing a clause to a phrase is dominantbecause in all ten of the fables use many long clauses that can be reducing to phrases.There are many clauses which can be reducing to a simpler term of phrases. And theresult based on the context of the form were: human 9.2 %, animal 73.55 %, thing 5.75%, and situation 11.5 %. It means that the context of animal is the most dominantcontext. Then it is found that the ten fables are dominantly use the type of abridging byreducing a clause to a phrase in the context of animal.Keywords: Writing, Précis writing, Abridging Sentences*Graduate
Co-Authors -, Irmayanti Adhi Syahbani Ahmidi, Ahmidi Akbar Cita Aldo Yanuarto, Aldo Yanuarto Alfananda, Rizqi Alfarizi, Muhammad Imam Alfiati Silfi Alhamdani, Alhamdani Ali Akbar Amie Kusumawardhani, Amie Andi Asadul Islam Anita, Nur Anugrah Aditya Budiarsa, Anugrah Azhari, Jihan Dzakiyyah Bachtiar, Rini R Bachtiar, Rini R Budu - Bukhari, Agussalim Claudianty, Grandita Satira Daud, Numan AS Delyara, Dea Ayu Dian Novita Eva Farhah Fajar Nugraha Fardah Akil Fatman, Yenni Fionasari, Dwi Fitriani Agustin, Fitriani Gun Gun Gunawan, Gun Gun Himmawan, Gathot Ibrahim Labeda Ilhamjaya Patellongi Inge Triguri Iwan Satriyo Nugroho Khairul Umam Kusuma, Susanto H Laili, Aizzatul Luqman Hakim, Luqman Hakim Marcellus Simadibrata K Masita, Tuti Syaima Maylana, Aninda Nisa Mochammad Hatta Mochammad Rafi, Mochammad Rafi Moh.Ibnu Sholeh Muh. Nasrum Massi Muhammad Alfikri Muhammad Dhiyaurrahman Hanafi Muhammad Iqbal Arrasid Muhammad Natsir Muhammad Natsir Muhammad Sahdan Siregar, Muhammad Sahdan Siregar Musyrifa, Furaida Ayu Najwan Al-Ghifari Nasir, Yazid Qomar Abdul Nur Azlina Nur Ila Ifawati NUR, siti Popy Yuliarty, Popy Prastowo, Dwi Ady Prihantono Prihantono Putra, Rudi Syaf Putri, Annie Mustika Rafika Ratik Srimurni Rantiyo, Rantiyo Regia Dwi Umbara Reza Sukma Nugraha Rifai, Amelia Rina Masadah Rinda Nariswati Rizqia, Asa Qubaila Sitta Zidna Rohman Rosdiana Natzir Roseptry, Ricky Samad, Ibrahim Abd. Siti Nur Suci, Rama Gita Suhadah Suhadah, Suhadah Susilo Toto Raharjo Syahnaz Khairunnisa Tjahjadi Robert Tedjasaputra Uleng Bahrun, Uleng Wahyuda, Muhammad Wibowo, Ragantar Nur Widji Indahing Tyas Wildana Wargadinata Yuliana Fatmawati, Yuliana Fatmawati Zamzami Dhiyaul Ulum