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All Journal English Review: Journal of English Education Indonesian EFL Journal Linguistic, English Education and Art (LEEA) Journal Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Darma Agung Ethical Lingua: Journal of Language Teaching and Literature Budapest International Research and Critics in Linguistics and Education Journal (Birle Journal) Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences International Journal of English Linguistics, Literature, and Education (IJELLE) Jurnal Sinestesia Jurnal Abdimas Bina Bangsa Jurnal Inovasi Masyarakat English Journal Literacy Utama
Ervina CM Simatupang
Universitas Widyatama
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Social Sciences Other

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SATIR ON THE POLITICAL MEME OF PRESIDENT DONALD TRUMP: A SEMANTIC Brigitta Vidya Salsabila; Ervina CM Simatupang
English Journal Literacy Utama Vol. 5 No. 2 (2021): English Journal Literacy UTama
Publisher : Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (263.615 KB) | DOI: 10.33197/ejlutama.vol5.iss2.2021.137

Abstract

The title of this research is “ Satir Pada Meme Politik Presiden Donald Trump : Kajian Semantis.” This study aims to identify types of satire and the elements of satire in meme of Presiden Donald Trump which contain critism. The method used in this study is the Descriptive Analysys method, which is method is collect the data then processed and analyzing the data and drawing the conclusion. Theory of satire used in this study is based on Abraham (2013 : 175) and Griffin (1994: 1). Theory of types of satire is based on Quintero (2007: 104) theory and the element of satire used Robert Harris (2004) theory. The result of this research from 30 data, there is 2 types of satire, that is Horatian Satire found consist 16 (53,3%) data and Juvenalian Found consist 14 (46,7%) data. Based types of satire, is consist of elements of satire. From Horatatian satire is consist element of Sarcasm 5 data (16,7%), Irony 4 data (13,3%), Hyperbole 2 data (6,6%), and Parody 5 data (16,7%). From Juvenalian satire, is consist element of Sarcasm 7 data (23,4%), Irony 5 data (16,7%), and Hyperbole 2 data (6,6%). The conclusion of this research is the Horatian satire are mostly found, that is 16 data and the Sarcasm is mostly found in the element of satire, that is 12 data.
PRAGMATIC ANALYSIS OF DEIXIS IN THE NOVEL FANGIRL BY RAINBOW ROWELL Ervina CM Simatupang; Najmah Nur Fadhilah; Rezky Afiahtul Barokah
English Journal Literacy Utama Vol. 6 No. 1 (2021): English Journal Literacy UTama
Publisher : Universitas Widyatama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (351.014 KB)

Abstract

The purposes of this study are to analyze the types of deixis, the functions of deixis, and the factors of deixis in the novel Fangirl. The writer used qualitative descriptive method with the theory from Nazir (2013). In analyzing the data, the writer used the theories about pragmatics from Mey (1993), Leech (1983), and Yule (1996). The writer also used the theories about deixis from Cruse (2000), Levinson (1983), and Kreidler (1998). The results show (1) there are 30 data of five deixis types found in the novel Fangirl consisting: 6 data (20%) of person deixis, 4 data (13,3%) of place deixis, 7 data (23,3%) of time deixis, 7 data (23,3%) of discourse deixis, and 6 data (20%) of social deixis. (2) Deixis have different functions according to each types of deixis. They are to explain the participant role in speech acts (person deixis), to explain the relative location to the location of speaker and addressee (spatial deixis), to show the time when the speech occurs (time deixis), to show references contained in discourse of the speech acts (discourse deixis), and to show aspects of social relationship between the speaker and the addressee (social deixis). (3) The deixis factors found in the data analysis consisted of 5 factors: participant role (28.3%), usage function (51.7%), social status (3.3%), formality/informality (3.3%), and intimacy (13,3%).
Positive and Negative Face Analysis in Big Hero 6 Movie: A Pragmatics Study Jengsen Siagian; Ervina CM Simatupang
Ethical Lingua: Journal of Language Teaching and Literature Vol. 9 No. 1 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/25409190.414

Abstract

The research purposes to describe the functions and types of positive and negative faces found in Big Hero 6 movie. In this study, Big Hero 6 is a movie which has positive and negative face approaches; thus, it has been analysed by the appropriate instruments and methods. The research approach used is qualitative with descriptive methods from direct observations of each scene in the Big Hero 6 movie. The data was taken from the Big Hero 6 movie. The theories used to analyse the data were from Brown and Levinson (1978). The research resulted that the positive and negative face features in this movie are closely related to their value in anti-violence. The negative face in Big Hero 6, on the one hand, is closely related to how then one of the characters in this movie tends to want to solve problems quickly through violence and individually. While the positive side of this movie is shown by how the other characters in this movie also try to prevent acts of violence by solving problems as much as possible. The research findings show that there are 26 conversational data showing positive and negative faces, in this study the researchers only showed 7 data of evidence showing positive face 4 and negative face 3.
Implications and Presupositions in Michelle Obama's Speech: A Pragmatics Study Dezsa Fauzah Maharanti Suryana; Ervina CM Simatupang
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.5988

Abstract

This study purposes to describe and observe the types of implicatures found in speech of Michelle Obama within the Democratic National Convention in 2020. Based on analytical methods and procedures the data, this study uses a qualitative method and descriptive approach, since the production of described data is in the form of written or spoken words by using the transcription. The data in this study are implicature utterances of Michelle Obama in 2020 aired in national media. The main theory of this research is Yule (2006) regarding to implicature categories and presupposition. The data were collected using the manual method of listening and note taking. This method is realized by using basic techniques and advanced techniques. The basic technique used is tapping technique as the video may be replayed several times. While the advanced technique used is the free-involvement listening technique, recording technique and note-taking technique. Based on the results of the analysis found 4 types of implicatures used in speech, yet the whole data analyzed shows only two categorizes; generalized and particularized conversational implicature. Based on the data analysis, there are 78% data show the generalized conversational implicature, while the rest 22% leads to particularized conversational implicature. It can be inferred that Michelle Obama speech in Democratic National Convention in 2020 applied generalized conversational implicature.
Implementation of Code Switching in Titan Tyra’s Youtube Videos (A Sociolinguistics Study) Clara Olivia Triverani Shantya Putri; Ervina CM Simatupang
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6322

Abstract

This research entitled “Implementation of Code Switching in Titan Tyra’s YouTube Videos”. The researcher choose four videos from Titan Tyra’s YouTube channel as the data sources. The purposes of this research are:(1) to identify types of code-switching that appeared on Titan Tyra’s YouTube video, (2) to identify several factors that influence Titan Tyra to use code-switching. This research used qualitative method according to Strauss and Corbin (2007). The theories use to analyze the data were taken from Poplack (1980), Holmes (2013), and Myers (2006). The results of this research are 30 data and this is divided into 18 data of Inter-Sentential (60%), 6 data of Intra-Sentential (20%), and 6 data of Tag Switching (20%), while for the factor devided into 5 data of social context (12.5%), 5 data of the setting (12.5%), 8 data of the function (35%), 4 data of the topic (11%), 6 data of the participant (20%), and 3 data of cultural borders (9%). The most dominant type that appeared on Titan Tyra’s YouTube video is Inter-Sentential Switching, while the most dominant factor is the function because the language switch used by Titan Tyra only serve to explain and complete the meaning of her speech.
Illocutionary Acts in the Film Cruella by Craig Gillespie: A Pragmatics Study Tazkia Isnaeni Nur; Ervina CM Simatupang
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.5987

Abstract

Speech acts are utterance that functions to say or inform something and do something. This utterance also emerges in film transcription. This research is focused on analyzing the illocutionary speech acts in Cruella the movie produced in 2021. Several theories are applied in this research, especially Searle (1997) which focusing on the illocutionary acts and Leech (1998) about relationship between the meaning spoken by the individual and situations of pronunciation or referred to as (speech situations). The method used in this research is qualitative method by implementing several procedures to obtain data. There are five types of illocutionary speechlessness in the Cruella film. First, there are 5 data assertive speech acts (16.67%); Second, directives speech acts as much as 7 data (23.33%); Third, commissive speech acts are 6 data (20%); Fourth, there are 8 data expressive speech acts (26.67%); Fifth, the illocutionary speech acts of declarations are 4 data (13.33%). The dominant type of tutor act in the film Cruella (2021) is the illocutionary commissive speech act, which is 8 data (26.67%). Based on analysis, there are 30 whole scenes, the first function, namely competitive, was found quite a lot with 9 utterances (30%). In the second function, namely the convivial function, the authors found 6 (20%). In the third function, namely collaborative, researchers found 8 (26.67%). In the last function, namely conflictive function, the researcher found 7 (23.33%). The function of most illocutionary speech acts in the film Cruella (2021) is the competitive function, namely with 9 utterances (30%).
Using Conceptual Metaphor To Help Children in Understanding Corona Virus Pandemic : Cognitive Semantic Approach Susiyanti Rusyan; Ervina CM Simatupang; Dianita Dianita; Atri Nadia
Ethical Lingua: Journal of Language Teaching and Literature Vol. 9 No. 2 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/25409190.458

Abstract

The Coronavirus (COVID-19) has brought suffering to almost people around the world. These situations lead people of all ages to take steps to protect themselves from the virus, including children. They need to learn about the virus that affects them and their community. Among the learning resources of Coronavirus to be learned by children, the researchers find the use of conceptual metaphors depicting the virus. Using the descriptive qualitative analysis and cognitive semantics approach, this article aims to analyze how Coronavirus is depicted through the conceptual metaphors. The data is taken from learning resources which are electronic books (e-book) and video published on Social Media. In analyzing the data, the researchers use the Conceptual Metaphor Theory (CMT) proposed by Lakoff and Johnson (1980) and the mapping theory by Langacker (1987). The research results show that (1) the Coronavirus is mainly depicted as A HUMAN, and (2) COVID-19 Pandemic is also depicted as A WAR. The use of conceptual metaphor is helpful to help children understand the complex ideas about Coronaviruses in simple terms and to help them understand what is happening. The use of conceptual metaphors also will help the parents and caregivers explain the Coronavirus to children.
Reference of Discourse Analysis in “Thor: Ragnarok” Movie Mandela Putri Salsabila; Ervina CM Simatupang
Ethical Lingua: Journal of Language Teaching and Literature Vol. 9 No. 2 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/25409190.466

Abstract

The purposes of this study are to analyze the function of reference and find which reference occurs the most in “Thor: Ragnarok” movie. The research used qualitative descriptive method, the data was obtained from the Script Slug website and the official streaming platform Disney+. In analyzing the data, this research uses discourse analysis theory from Wodak and Krzyzanowski (2008). As the results this research shows there are 30 references found in “Thor: Ragnarok” movie. The data that contains references are categorized into 3 types of reference. All the references that have been found are as the following distribution: 16 (53,3%) data for exophoric reference, 9 (30%) anaphoric reference, and 5 (16,6%) data for cataphoric. In conclusion, the most reference occurs in the “Thor: Ragnarok” movie is exophoric reference. Reference has different function based on the topic and the use of reference in sentences. On the other hand, reference can give more explanation for the topic, and replace the word without changing its meaning.
Bataknese Women’s Language Attitude in Movie Lamaran : A Sociolingustics Study Sekar Arum Garnasih; Ervina CM Simatupang
Ethical Lingua: Journal of Language Teaching and Literature Vol. 9 No. 2 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/25409190.468

Abstract

The purpose of this study are to analyze The Use Of Bataknese women’s language attitudes occurs in the movie Lamaran and the type of meaning from the source taken from the official movie script. The method is used in this study is descriptive analysis method. By using Holmes (1992:317) says that some researchers report that women use fences up to three times more often than men, while others have no difference between the sexes, and from the sociolinguistic perspective, language attitude in multilingual society is an interesting phenomenon to study, Speaking activities will be more successful if they are supported by other factors that also determine, such as a good attitude and situation (Jabeen, 2011). The research reveals of two findings. The use woman’s language and language attitude. A diglossia consists of a high and low language. The high language is used for specific purposes such as business transactions, ceremonies, and religious rites. The low language is used for everyday conversation. Language attitudes are evaluative reactions to different language varieties. They reflect, at least in part, two sequential cognitive processes: social categorization and stereotyping. the results of the study reveal that the tradition and culture of the Batak is still strong. The culture of the Batak people still believes that the Marga is one that must be owned by the Batak people because it shows their descendants. Batak people always speak loudly because they have strong, wise and familial personalities.
Compound Words in Evermore Album by Taylor Swift: A Morphology Study Nabila Rachman; Ervina CM Simatupang
Ethical Lingua: Journal of Language Teaching and Literature Vol. 9 No. 2 (2022)
Publisher : Universitas Cokroaminoto Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30605/25409190.474

Abstract

The aims of this study are (1) to explain the types of compound words and (2) to explain the meanings of compound word found in the ninth studio album titled “evermore” by Taylor Swift. The method for this research was conducted using a descriptive analytic method with the theory from Sugiyono (2010). In analyzing the data, this analysis used the theory of compound words with compounding method of Delahunty and Garvey’s statement (2010), and Falk’s (1978: 43). The data used were taken from the international music platform named Apple Music. This research shows that there are 35 data of compound word found in the ninth studio album titled “evermore” by Taylor Swift. The results demonstrated that there are three types of compound word found, namely 26 (74%) of compound nouns, 1 (2,8%) of compound verbs, and 8 (22%) of compound adjectives. The finding of this research is that compound nouns are the most common types of compound words that appear in this album with a percentage of 74%, while the compound verbs show with a percentage of 1,8% and compound adjective show with a percentage of 22%.
Co-Authors Alifya Muhamad Alvii Timothy Bungaran Siregar Amalin Solihat Lestari Amira Bellita Runadi Anne Merialfianti Atri Nadia Ayu Yunita Bagas Rezka Ginanjar Bambang Ruby Sugiarto Brigitta Vidya Salsabila Clara Olivia Triverani Shantya Putri Deden Novan Setiawan Nugraha Dezsa Fauzah Maharanti Suryana Dhiya Zhafira Phrasajid Putri Dianita Dianita Edwin Pradinata Samuel Eka x Eka Nur Ariesta Erin Bella Andini Evita Nasution Fury Intan Noor Almi Hafsha Fauzia Ramadhan Hana Maria Simanjuntak Hana Maria Simanjuntak Hani Rahmah Hani Rahmah Hani Wani Purnama Aji Harfianto Martha Mustaqiem Harry Setiawan Hendar Heri Heryono Heri Hidayat Hero Gunawan Hero Gunawan Hero Gunawan Ida Zuraida Supri Ida Zuraida Supri, Ida Zuraida Jengsen Siagian Jordan Angga Kusuma Kintan Utari Juanda Kistina Aulia Lilies Youlia Friatin Lukman Adila Rakhmatullah Luthfiah Ammar Mufid Mandela Putri Salsabila Masri Adelina P. Tarigan Meidina Sinrang Sjamsu Djohan Muhamad Fajar Ibrahim Muhammad Azmi Bahari Nabila Rachman Najmah Nur Fadhilah Nodea Dwi Suhatati Nur Fadila Rahmanita Pratiwi Nurul Fathonah Puspita Sari Puspita Sari Rachel Christiara Rafif Syauqi Firdaus Rendy Gunawan Restu Wibisana Rezky Afiahtul Barokah Ridho Wasisto Rima Desrifianti Rudy Setiadi Salma Nurmala Ayu Salsabila Shafa Azzahra Samuel Samuel Sapta Eky Abdillah Sekar Arum Garnasih Shafira Maya Juliana Putri Sherly Tiffany Simanjorang La Veccia Signora Sri Nirwana Hermapratiwi Sundari Mayang Albarusyi Sihaloho Susiyanti Rusyan Susiyanti Rusyan Susiyanti Susiyanti Syafira Hasya Putri Rezkian Tazkia Isnaeni Nur Tengku Khalifalah S Vannya Choirunnisa Vika Octavia Larasati Wia Handayani Yanthy Mardiana Yumardila, Virlistyanti Dwi Zani Hernawati