Article Per Year (5 Year)
p-Index From 2021 - 2026
2.42
P-Index
This Author published in this journals
All Journal Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya PROSIDING SEMINAR NASIONAL Dinamika Bahasa dan Budaya JEES (Journal of English Educators Society) EDULITE: Journal of English Education, Literature and Culture Lire journal (journal of linguistics and literature English Language and Literature International Conference (ELLiC) Proceedings Jurnal Pengabdian Dharma Laksana Sasando : Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya Community Empowerment SIGEH ELT : Journal of Literature and Linguistics Prosiding Seminar Nasional Unimus Lire Journal (Journal of Linguistics and Literature)
Heri Dwi Santoso, Heri Dwi
Universitas Muhammadiyah Semarang
Arts Humanities Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Nursing Public Health Social Sciences Other

Published : 30 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 30 Documents
Search

 1   2   3 
Tinjauan Psikologi Humanistik Abraham Maslow dalam Naskah Drama "Sorry Wrong Number" (1943) karya Lucille Fletcher Muiz Yusron Hamdi; Heri Dwi Santoso
Prosiding Seminar Nasional Unimus Vol 4 (2021): Inovasi Riset dan Pengabdian Masyarakat Post Pandemi Covid-19 Menuju Indonesia Tangguh
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Objek penelitian analisis drama ini mendeskripsikan psikologi humanistik Abraham Maslow dalam drama Sorry Wrong Number karya Lucille Fletcher. Penelitian ini merupakan ranah psikologi sastra yang mana psikologi sastra lebih membahas tentang aspek psikologis dan kejiwaan terhadap pengarang atau tokoh-tokoh didalam karya sastra dilihat dari aktivitas dan karakter yang berperan dalam karya sastra tersebut. Penelitian ini menganalisis perilaku tokoh utama menurut aspek psikologis seperti aktivitas kejiwaan serta mengulas sosok Nyonya  Elbert Stevenson alias Agnes yang merupakan tokoh utama wanita berdasarkan faktor kebutuhan.Penelitian ini mengambil data utama berupa beberapa deskriptif naratif yang diambil dari naskah drama Sorry Wrong Number karya Lucille Fletcher (1943) dan dianalisis melalui pendekatan psikologi humanistik yang dicetuskan oleh Abraham Maslow tentang teori hierarki kebutuhan yang membaginya kedalam beberapa aspek diantaranya kebutuhan fisologis,kebutuhan akan rasa aman,kebutuhan akan kasih sayang dan rasa memiliki serta kebutuhan akan harga diri. Metode penelitian yang digunakan adalah deskriptif kualitatif yaitu prosedur penelitian yang berfokus pada data deskirptif berupa tulisan atau teks. Teknik analisis yang digunakan berdasarkan metode analisis data kualitatif yaitu pengumpulan data dengan membaca dan mencermati narasi teks didalam naskah, mereduksi data yang dianggap relevan dengan isu yang diangkat,menyajikan data secara sistematis dan menjelaskannya berdasarkan kajian psikologi humanistik Abraham Maslow serta menarik kesimpulan dari data yang telah dijelaskan secara keseluruhan.
Eksistensi Magis pada Cerita Rakyat dan Budaya di Daerah Jawa Cahyani Fajrin; Mega Putri Aulia; Heri Dwi Santoso
Prosiding Seminar Nasional Unimus Vol 6 (2023): Membangun Tatanan Sosial di Era Revolusi Industri 4.0 dalam Menunjang Pencapaian Susta
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Mayoritas masyarakat di Jawa mempercayai sesuatu hal yang mistis dan berkaitan dengan hal gaib. Mistis  adalah hal yang melampaui batas naluri duniawi manusia, yang membangun sistem spekulasi dan praktis dan menemukan arti dari inti mistisme, yang dianggap sebagai sumber keberadaan makhluk gaib pada mitos masyarakat. Mitos adalah sebuah cerita warisan turun-temurun yang berbentuk sastra lisan, suatu cerita yang tidak masuk akal yang hadir karena latar belakang pemikiran manusia. Teori realisme magis dari Wendy B. Faris akan menjadi salah satu jalan untuk meneliti cerita rakyat dan upacara adat yang memiliki unsur realisme magis. Dalam cerita rakyat Nyi Roro Kidul dan upacara adat Kalang Obong mengangkat sebuah kepercayaanmasyarakat tentang hal-hal gaib yang berdampingan dalam hidup masyarakat Jawa.Kata Kunci : mitos, mistis, budaya, upacara adat, cerita rakyat, dan realisme magis..
Analisis Tokoh Utama dalam Naskah Drama "All About Janet" karya Dustin Bowcott dengan Teori Psikoanalisis Sigmund Freud Devy Maharja Pristya; Heri Dwi Santoso
Prosiding Seminar Nasional Unimus Vol 4 (2021): Inovasi Riset dan Pengabdian Masyarakat Post Pandemi Covid-19 Menuju Indonesia Tangguh
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Sasaran utama penelitian ini mengulas kajian psikologi sastra dalam sebuah drama. Analisis ini menggunakan  objek data primer berupa naskah drama All About Janet dalam perspektif psikoanalisis Sigmund Freud tentang kepribadian mengenai Id, Ego, dan Super Ego. Dalam kehidupan manusia dalam menentukan kepribadian dan perilaku dengan menggunakan naluri atau insting yaitu naluri alam sadar dan naluri alam bawah sadar. Manusia tidak bisa dijauhkan dari naluri tersebut, dimana setiap aktivitasnya pasti akan ada naluri alam sadar dan naluri alam bawah sadar. Adanya naluri tersebut dapat menentukan kepribadian dan perilaku yang kemudian akan menjadi sebuah pilihan manusia akan melakukan hal baik atau pun hal buruk. Penelitian ini menganalisis Tokoh Utama yaitu Jannet yang awalnya masih memiliki rasa sayang terhadap suaminya namun beberapa tahun kemudian sudah merasa lelah dengan suaminya karena harus mengurusnya yang sedang terbaring sakit dan pada akhirnya Jannet yang dipengaruhi oleh temannya untuk membunuh suaminya, ia lakukan agar ia dapat terbebas tidak merawat suaminya lagi. Dalam analisis ini menggunakan metode deskriptif analisis, Metode penelitian ini berupa deskriptif kualitatif yaitu penelitian berdasarkan teks dengan mengkaji  dan menganalisis setiap teks narasi lalu menghubungkan dengan isu yang  diangkat serta teori yang digunakam sehingga dapat menarik kesimpulan dari analisis isu dan kajian teori tersebut.
Baroness von Hellman’s Dark Personality Gillespie’s Cruella (2021) Shalicha, Awalia Nur; Santoso, Heri Dwi; Nugraheni, Yunita
Dinamika Bahasa dan Budaya Vol 19 No 1 (2024): DINAMIKA BAHASA DAN BUDAYA
Publisher : Universitas Stikubank (UNISBANK) Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35315/bb.v19i1.9690

Abstract

The film Cruella is a comedy-crime film directed by Craig Gillespie in 2021. This film tells the story of a beautiful and creative woman named Estella who dreams of becoming a designer. On a circuitous journey, Estella met a famous designer of that time named Baroness von Hellman. They eventually achieved very good cooperation, until it reached a point where they were enemies with each other. The focus of this research is Baroness von Hellman's personality as the antagonist in the film. Researchers are interested in studying the representation of Baroness von Hellman's dark personality and how this personality can dominate her. This research uses the dark triad personality theory to examine Baroness von Hellman's actions which represent her dark personality. In the dark triad of personality, there are three categories of behavior that reflect a dark personality, namely Machiavellianism, narcissism, and psychopathy. The research method used is descriptive qualitative with data sourced from the film Cruella. The results of this research are that Baroness von Hellman's dark triad personality type which has the strongest influence is narcissism. This personality encourages acts of Machiavellianism and psychopathy to fulfill his obsessions. Meanwhile, the factors that cause a dark personality to be more dominant include physical, intelligence, family social strata, and environment. Keywords: Machiavellianism, narcissism, psychopathy, personality development
COMPARISON OF THE MEANING OF “LOSS” IN BISHOP’S “ONE ART” (1976) AND JUNAEDHIE’S POEM “TAK ADA YANG HILANG” (2009): DERRIDA’S PERSPECTIVE OF DECONSTRUCTION Raissabita, Nadia Ukhi; Santoso, Heri Dwi; Prihantono, Kahar Dwi
Lire Journal (Journal of Linguistics and Literature) Vol. 9 No. 1: Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v9i1.389

Abstract

Loss is a universal experience, yet its interpretation varies across cultures. This study aims to provide a comparative analysis of the meaning of loss in Elizabeth Bishop’s poem “One Art” (1976) and Kurniawan Junaedhie’s poem “Tak Ada Yang Hilang” (2009) using Jacques Derrida’s perspective of deconstruction. This study explores how these poems reflect and deconstruct the meaning of loss through logocentrism, binary opposition, and difference. The findings indicate that while Bishop presents loss as an art to be mastered, reflecting Western pragmatism and individualism, Junaedhie portrays loss as a transformation rather than an absence, rooted in Eastern perspectives on continuity and presence. This research contributes to the field of comparative literature and poetry analysis by highlighting the cultural and philosophical dimensions of loss.
Class Struggle in Ralph Hosea Chaplin’s Poetry: A Marxist Perspective Hanifah, Sekar; Santoso, Heri Dwi; Mulyadi, Dodi; Hardiyanti, Diana
SIGEH ELT : Journal of Literature and Linguistics Vol 5, No 1 (2025): SIGEH ELT : Journal of Literature and Linguistics
Publisher : Universitas Muhammadiyah Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36269/sigeh.v5i1.3116

Abstract

Class struggle emerges due to the gap between two conflicting classes: the bourgeoisie (capital owners) and the proletariat (workers). The oppression and unjust distribution of rights lead the working class to fight for equality. This condition has been immortalized in poetry by poets as a reflection of social realities. This research aims to examine the application of Marxist theory in literature by analyzing class struggle in Ralph Hosea Chaplin’s poems, "The Commonwealth of Toil," "Sabotage," and "Solidarity Forever" (1917). The study employs a qualitative descriptive method using Marxist theory to analyze the representation of power relations and the struggle of the exploited class. The findings reveal that power is in the hands of the bourgeoisie, who exploit and oppress the proletariat without granting their rights. Moreover, the proletariat responds with resistance, starting from ideological awareness to verbal and physical confrontation against the bourgeoisie.
HABITUS AND SYMBOLIC VIOLENCE ANALYSIS DEPICTED BY VIC VAN ALLEN IN THE FILM DEEP WATER (2022) Alfaridzi, Javier Rayhan Ahmad; Santoso, Heri Dwi; Mutmainnah, Yulia
SIGEH ELT : Journal of Literature and Linguistics Vol 5, No 2 (2025)
Publisher : Universitas Muhammadiyah Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36269/sigeh.v5i2.3828

Abstract

Abstract This study examines the portrayal of habitus and symbolic violence in the character of Vic Van Allen in the film Deep Water (2022), directed by Adrian Lyne. The research method used is descriptive qualitative, analyzing the film's narrative and semiotics to identify key scenes, dialogues, and non-verbal expressions that reflect the concepts of habitus and symbolic violence. The findings of this study indicate that Vic Van Allen's habitus is shaped by the accumulation of economic capital and a strong socio-cultural class, making him a calm and manipulative individual with significant control over his environment. This study highlights that symbolic violence, although invisible, has a profoundly destructive impact on victims and can perpetuate power imbalances in interpersonal relationships among the elite. Keywords: Habitus, Symbolic Violance, Vic Van Allen
An Actantial and Functional Structure Analysis on Mildred Taylor’s Roll of Thunder Hear My Cry: Analisis Struktur Aktansial dan Fungsional pada Mildred Taylor's Roll of Thunder Hear My Cry Santoso, Heri Dwi
JEES (Journal of English Educators Society) Vol 2 No 2 (2017): October
Publisher : Universitas Muhammadiyah Sidoarjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21070/jees.v2i2.985

Abstract

To a certain extent, a structural study is good enough to comprehend the very substance of a literary work. Given the above thesis, the researcher attempted to conduct a structural research on Roll of Thunder Hear My Cry (ROTHMC), an African-American novel, using actantial and functional structure analysis. This study aimed at comprehending the basic framework of the story that leads to the revelation of the plot and relations between characters, which indicated the African-American protagonist’s struggle to challenge white supremacy. Method used in the research was descriptive qualitative. Results found that the protagonist was David Logan, an African-American independent farmer that had an ambition to free African-American community from white people’s repressions. It was also found that the ambition and dream of David Logan about African-American freedom and independence and his awareness on the repression toward African-American people (Sender) has made him struggled to make African-American or African-American become a free race with dignity in the United States, where land and other things at the time was dominated by White people. Meanwhile, the functional analysis showed the plot structure of ROTHMC, which was centered on the struggles of David Logan and the family to challenge white supremacy.
GREG HEFFLEY’S ROLE CONFUSION IN THE DIARY OF A WIMPY KID (2007): A PSYCHOSOCIAL ANALYSIS Santoso, Heri Dwi; Fajar, Dwi Ario
Lire Journal (Journal of Linguistics and Literature) Vol. 7 No. 1 (2023): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v7i1.189

Abstract

Literary psychological scholars see psychological problems faced by a fictional character in a literary work as a reflection of the author’s awareness of similar phenomena that happen to a real person in real life. It becomes a trigger to why this research is conducted. This research aims to analyze the psychological condition of Greg Heffley, the protagonist in the Diary of a Wimpy Kid (2007), in his early teenage year. The theory used in this research is Erik Erikson’s theory of psychosocial development. This research method is qualitative descriptive, where data is analyzed and presented in the discussion in detailed descriptions. Meanwhile, the primary data is text in the novel. The results show that Greg Heffley, as the protagonist, experiences role confusion due to the transition from childhood to teenage. He does not adapt well with his new environment. The situation is worsened by his unsupportive best friend, who still acts like a child when interacting with him. It is also found that Greg Heffley, at this stage, begins to be aware of his sexual and occupational identity. It is concluded that Greg Heffley finds it challenging and difficult to migrate from childhood to teenage with all his situation.
Identitas Kultural dan Nasionalisme Jarak Jauh Kaum Diaspora dalam Novel Rojak dan Bricklane Nugraheni, Heri Dwi Santoso dan Yunita
Sasando Vol 3 No 1 (2020): April 2020
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat Universitas Pancasakti Tegal

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24905/sasando.v3i1.102

Abstract

People leaving their countries to become permanent residents of other countries and/or change their nationaliites are often seen unpatriotic and having not nationalistic spirits. However, facts show that many of them still show nationalism towards their homelands. This kind of nationalism is called long distance nationalism. Considering literature as a mirror of society, such an issue is found in several literary works. This study was conducted on Rojak (an Indonesian novel) and Bricklane (and English novel), in which diaspora characters were found. The research aimed at finding out if long-distance nationalistic spirits could be found, and how these characters shared their views on their homelands. Method used was comparative literary studies with eclectic approach (combination of structural and postcolonial approaches). Results showed that such diaspora figures, with different personalities and migration motives, represent different cultural identities. Besides, the differences of the migration motives also made impacts on their long distance nationalisms. It is concluded that we cannot generalize diaspora peoples qualities of long distance nationalism for they deal with various aspects, including ambivalences to certain extents.
Co-Authors Adha, Zakiyah Apriliana Alfaridzi, Javier Rayhan Ahmad Apriliana Dian Fadilla Bambang Purwanto Budi Tri Santosa Cahyani Fajrin Della Chamelia Sari Devy Maharja Pristya Dewi Liesnoor Setyowati Diana Hardiyanti Diana Puspita Sari Dodi Mulyadi Dwi Ario Fajar Faidah Fitri Utami Fitria Pangesti Rahayu Hanifah, Sekar Hirda, Meilita Ivana Inkarani Inkarani Indrastuti Jayawarsa, A.A. Ketut Khoirunnisak, Tiarani Mega Putri Aulia Muhimatul Ifadah Muiz Yusron Hamdi Murdiana, Sesi Niken Khusnul Nibiya Niken Putri Sya'bani Prihantono, Kahar Dwi Puji Astutik Raissabita, Nadia Ukhi Reza Noviana Cahyani Shalicha, Awalia Nur Sri Winda Utami Tyas Wulandari Windari, Amalia Ayu Yesika Maya Ocktarani Yulia Mutmainnah Yunita Nugraheni Yunita Nugraheni