Article Per Year (5 Year)
p-Index From 2021 - 2026
5.398
P-Index
This Author published in this journals
All Journal BAHASA DAN SASTRA KEMBARA ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Pendidikan: Teori, Penelitian, dan Pengembangan Diksa : Jurnal Pendidikan Bahasa dan Sastra Indonesia Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Gelar : Jurnal Seni Budaya ESTETIK : Jurnal Bahasa Indonesia Metahumaniora Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Jurnal Karinov Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Randwick International of Education and Linguistics ABSYARA: Jurnal Pengabdian Pada Masyarakat Kawruh : Journal of Language Education, Literature and Local Culture Jurnal Riset dan Inovasi Pembelajaran Jurnal bahasa, sastra, seni, dan pengajarannya Journal of Language, Literature, and Arts (JoLLA) Eduvest - Journal of Universal Studies Prawara: Jurnal Pendidikan Bahasa dan Sastra Indonesia Manis : Jurnal Manajemen dan Bisnis Jurnal Sastra Indonesia WIDYANTARA Disastra: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal bahasa, sastra, seni, dan pengajarannya
Karkono Karkono
Universitas Negeri Malang
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Library & Information Science Mathematics Neuroscience Social Sciences Other

Published : 44 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 44 Documents
Search

 1   2   3   4   5 
Pembelajaran Drama Berbasis GAHAR di Perguruan Tinggi Karim, Ahmad Abdul; Saryono, Djoko; Karkono, Karkono; Rofiuddin, Ah.; Widyartono, Didin
Jurnal Riset dan Inovasi Pembelajaran Vol. 5 No. 3 (2025): September-December 2025
Publisher : Education and Talent Development Center Indonesia (ETDC Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51574/jrip.v5i3.4136

Abstract

Penelitian ini mendiskusikan rancangan strategi GAHAR dalam pembelajaran drama di perguruan tinggi. Strategi GAHAR dirancang untuk menciptakan pembelajaran yang sistematis, kolaboratif, dan kreatif sehingga mampu meningkatkan keterampilan mahasiswa dalam memahami, menginterpretasi, dan menampilkan drama. Penelitian ini menggunakan pendekatan konseptual dengan mengintegrasikan teori pembelajaran kreatif, seni pertunjukan, dan teknologi. Fokus utama penelitian ini menggambarkan langkah-langkah implementasi strategi GAHAR, mulai dari perencanaan, pembagian tugas, latihan, evaluasi, hingga pementasan. Hasil penelitian menunjukkan strategi GAHAR mampu menciptakan pengalaman belajar yang holistik dengan melibatkan berbagai dimensi keterampilan, seperti penguasaan bahasa tubuh, ekspresi emosi, pengelolaan dialog, dan penguatan kerja sama tim. Selain itu, penggunaan teknologi Virtual Reality (VR), pada tahap latihan dan pementasan memberikan pengalaman imersif yang mendukung proses pembelajaran. Oleh karena itu, strategi ini relevan dengan kebutuhan era digital, sekaligus mengatasi tantangan dalam pembelajaran seni di perguruan tinggi.
Myth of Masculinity in Novels Seperti Dendam, Rindu Harus Dibayar Tuntas by Eka Kurniawan Afifah Fitri Wahyuningtyas; Karkono
Jurnal Sastra Indonesia Vol. 14 No. 3 (2025): November
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v14i3.33949

Abstract

This research aims to investigate the myth of masculinity in novels such as Dendam, Rindu Harus Dibayar Tuntas, and its influence on the characters' personalities, as well as the implications of the characters' personalities formed by the myth of masculinity on the conflict in the novel. This research employs a qualitative approach, utilizing a literature study and document study method. This study employs Roland Barthes' theory of semiotics to analyze myths in novels, John Beynon's theory of masculinity to categorize the myth of masculinity in novels, and Sigmund Freud's theory of personality structure to examine the impact of the myth of masculinity on the character's personality. Furthermore, conflict theory in literary works is used to analyze the implications of the myth of masculinity on conflict in novels. The results of the study reveal that the novel encompasses six aspects of masculinity that influence the id, ego, and superego. Such personality structures trigger internal and external conflicts. Based on the analysis results, it is concluded that Uttas untangles the myth of masculinity in the novel Seperti Dendam, Rindu Harus Dibayar, examining its psychological, social, and political aspects. This novel also addresses the issue of toxic masculinity, a topic that deserves attention and action in society. Such complexity is evident in the novel Seperti Dendam, Rindu Harus Dibayar Tuntas. It is a work that can serve as inspiration and a means of human reflection on community issues that have been considered ordinary and commonplace, prompting a re-examination of their relevance to the current situation. 
The commodification of polygamy through the ecranization of the novel Air Mata Tuhan into the film Air Mata Surga Karkono, Karkono
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 50, No. 2
Publisher : citeus

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study explored the commodification of polygamy in the Air Mata Surga (AMS) movie, adapted from the Air Mata Tuhan novel. The movie was selected for a number of reasons. Firstly, it is an effective transformation medium to reach people with distinctive back­grounds, including their age, social status, domicile, education, culture, language, and even religion. Secondly, polygamy is considered sacred as it is correlated with religion. However, in the industrial sector, polygamy becomes a profane commodity once it is taken as a theme in a movie. Therefore, this study investigated the commodification types of polygamy in the AMS movie and society’s reception of those commodification. The researcher used the obser­vation technique on material objects in a novel and film and also created a questionnaire using Google Form. The research participants came from Malang, Surakarta, and Jakarta, Indo­nesia. The results show that the commodification observed in the AMS movies consists of both content and audience commodification. Meanwhile, polygamy was used by the pro­duction house as a means to gain revenue and to transform ideology, both in the novel and in the movie. The findings also suggest that 78 percent of participants mentioned that their viewpoint toward polygamy shifted after watching the movie.
Konstruksi Identitas Kuliner Jawa Timur dalam Kumpulan Cerpen Festival Sastra Kota Malang 2024 Karim, Ahmad Abdul; Saryono, Djoko; Karkono, Karkono; Vidyanita, Nissa; Potabuga, Tia Istiana
DISASTRA: PENDIDIKAN BAHASA DAN SASTRA INDONESIA Vol 8, No 1 (2026): JANUARI
Publisher : Universitas Islam Negeri Fatmawati Sukarno Bengkulu

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29300/disastra.v8i1.8294

Abstract

Penelitian ini bertujuan mengungkap konstruksi identitas kuliner Jawa Timur dalam Kumpulan Cerpen Festival Sastra Kota Malang 2024. Kajian ini dilatarbelakangi oleh terbatasnya penelitian yang secara spesifik menempatkan kuliner sebagai konstruksi identitas regional dalam teks sastra kontemporer. Penelitian menggunakan metode kualitatif dengan pendekatan gastrokritik yang memandang makanan sebagai simbol kultural. Sumber data berupa empat cerpen terpilih dalam antologi Jelajah Cita Rasa. Teknik analisis data melalui pembacaan kritis-hermeneutik dengan tahapan identifikasi, kategorisasi, interpretasi, dan penarikan simpulan. Hasil penelitian menunjukkan nasi gegog, nasi golong, rajamangsa atau petis, rujak cingur, dan jamu tradisional dikonstruksi bukan sekadar sebagai elemen latar, melainkan sebagai perangkat naratif yang membentuk karakter, menggerakkan konflik, dan merepresentasikan nilai ketahanan, spiritualitas, solidaritas komunal, serta transformasi sosial masyarakat Jawa Timur. Kuliner dalam empat cerpen Jelajah Cita Rasa berfungsi sebagai arena negosiasi identitas regional yang dinamis, tempat memori historis, relasi kuasa, dan praktik budaya direpresentasikan serta direinterpretasikan dalam konteks kontemporer. Oleh karena itu, penelitian ini menegaskan bahwa sastra berperan sebagai medium produksi dan reproduksi identitas kultural melalui representasi kuliner lokal.
Co-Authors Addarani, Jihan Sabilla Adiningsih, Aisyah Adlina, Adlina Afifah Fitri Wahyuningtyas Ahmad Abdul Karim, Ahmad Abdul Alifian, Muhammad Afnani Ananda Farah Salsabila Andika Bagus Nur Rahma Putra, Andika Bagus Nur Rahma Anita Dwi Rahmawati Anna Maghfiroh Azizatul Qolbi Azizatuz Zahro Azizatuz Zahro’ Bunga Almia Gane Sari Cindi, Dinda Triana Dermawan, Taufik Didin Widyartono Djoko Saryono Evynurul Laily Zen Fahriani, Dita Karisma Fahrus Refendi Heny Kusdiyanti, Heny Hidayat, Faruq Holy Fikriya Luqis Holy Fikriya Luqis Indra Febrianto Justitia Maulida Khisbiyah, Nurul Lafif Ahmad Rofid Al Azmi Lafif Ahmad Rofid Al Azmi Luthfi Farihatun Nisa’ Maghfiroh, Anna MARIA BINTANG Maulida, Justitia Moh. Safii Mu'tashim, Yohan Fikri Naimah, Alinnatun Nita Widiatai Nita Widiatai Nur Fadila, Fitra Nurhalima Nurhalima Nurhalima, Nurhalima Potabuga, Tia Istiana Putra, Natanael Ricky Putri Salma Rahmadiyanti Rahmadiyanti, Putri Salma Rahman, Norhayati Ab. Rofiuddin, Ah. Rully Aprilia Zandra Shofiyah Al Idrus Sopingi Sopingi, Sopingi Sumandari, Sumandari Sutrisno Gustiraja Alfarizi Syaiful Rahman Vidyanita, Nissa Widia Tamara Wijaya, M. Isnaini Wijaya, Robby Yohanes Orong Yosy Kusuma Wardani Yuni Pratiwi