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All Journal Jurnal Studi Pemerintahan Jurnal Imajinasi Al-Ulum Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Panggung Nuansa Journal of Arts and Design Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Journal of Media and Communication Science (JcommSci) Jurnal SASAK : Desain Visual dan Komunikasi Indonesian Journal of Research and Educational Review (IJRER) Seminar Nasional Pengabdian Kepada Masyarakat Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Journal of Innovation and Research in Primary Education Seminar Nasional Hasil Penelitian LP2M UNM Prosiding Seminar Nasional Dies Natalis Universitas Negeri Makassar Panggung Journal of Arts Education and Design
Pangeran Paita Yunus
Pendidikan Seni Rupa Fakultas Seni Dan Desain Universitas Negeri Makassar
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Journal : Panggung

 1 
MAKNA SIMBOL BENTUK DAN SENI HIAS PADA RUMAH BUGIS SULAWESI SELATAN Pangeran Paita Yunus
PANGGUNG Vol 22 No 3 (2012): Manifestasi Konsep, Estetika, dan Makna Seni dalam Keberbagaian Ekspresi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v22i3.76

Abstract

The cosmologic view of the Buginese tribe assumes that this macrocosmos (the universe) is arranged into three levels: Boting langi’ (the upper world), Ale kawa (the middle world), Uri’ Li’yu’ (the Under world). As the centre from the three parts of this universe is Boting Langi (the highest sky), the place of Dewata SeuwaE (God) to lie down. This view is represented in the King’s Palace/traditional house building seen as the microcosmos. So, the King’s palace of the Buginese is devided also into three levels (stacks), those are: Rekkeang (top floor) viewed as the head of the human being, Alle bola (the body of the house) viewed as the body, and Awa bola (space underneath of the house) viewed as the leg of the human being. The three parts are centered at Posi’ bola or the house navel. This research tries to answer the problems: 1) whether the meaning form of the King’s Palace of the Buginese based on cosmology, and 2) how the symbol meaning of decorative art at the King’s Palace of the Buginese is. To identify and comprehend the meaning of decorative art on the King’s Palace of the Buginese, it is done through hermeneutic theory by Gadamer and the symbol meaning theory by Victor Turner. This research gives description that the happening of structural change and the style of decorated art at the kings’ palace of the Buginese of South Sulawesi, beside having much influence from the art of Dong-son and Chou Tua style, the decorated art at the Buginese tribe also got influence from Hinduism and Islam. In addition, the change of the art style is decided also by the one who has power in the society, either in the politic side or in the religion or culture. In this case, the existence of art style variation is caused by the existence of the levelling and groupping of the society.Keyword: Decorated art, Buginese tribe.
Co-Authors -, Sp. Gustami Abd Aziz Ahmad Abd Aziz Ahmad Abd. Aziz Ahmad Ahmad, Abd Aziz Ali Ahmad Muhdy B, Sukarman Bahar, Jubaedah Bin Benny Subiantoro Dewi, Nurul Fitrah Fadhil Maulana Faizal Erlangga Makawi Fatimah, Andi Fauziyah Hijrina Febrian, Muh Farrel GUSTAMI GUSTAMI GUSTAMI, GUSTAMI Harmin Hatta Hasnawati Hasnawati, Hasnawati Inayah, Faidhul Indah Wahyuni Syamsu Wahyuni Syamsu Irfan Irfan Irwan Irwan Izmi, Siti Asmaulul Jamilah Jamilah Jayadi Jayadi Jayadi, Karta Lugis, M. Muhlis Maulana, Fadhil MMSI Irfan ,S. Kom Muhammad Muhaemin Muhammad Saleh Husain Muhammad Syafruddin Akmal Mukadas, Andi Baetal Padillah, Rezki Pattaufi, Pattaufi R.M. Soedarsono Ramadhan, Fachri Rasul, Rasul Samsuddin, Yati Bt. Satriadi Satriadi Siti Aisyah Soedarsono Soedarsono Soedarsono Soedarsono SOEDARSONO SOEDARSONO SOEDARSONO, SOEDARSONO Sofyan Salam SP Gustami SP Gustami Sukarman B, S B Yabu Malabasa Zubair, Ahmad