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All Journal DIMENSIA: Jurnal Kajian Sosiologi Jurnal Pendidikan Sosiologi dan Humaniora Paradigma Jurnal Pengembangan Kota JSSH (Jurnal Sains Sosial dan Humaniora) Jurnal Ilmiah Peuradeun Jurnal Analisa Sosiologi Ganaya: Jurnal Ilmu Sosial dan Humaniora Semiotika: Jurnal Komunikasi Cakrawala: Jurnal Litbang Kebijakan Jurnal IDAMAN (Induk Pemberdayaan Masyarakat Pedesaan) Jurnal Perspektif Jurnal Ilmiah Keperawatan Indonesia (JIKI) The Journal of Society and Media Jurnal Kajian Gender dan Anak Metafora: Education, Social Sciences and Humanities Journal Jurnal Partisipatoris Journal La Bisecoman Jurnal Wanita dan Keluarga SPECTRUM: Journal of Gender and Children Studies HUMANISMA : Journal of Gender Studies Jurnal Sosial dan Sains Al'Adalah Society JURNAL KELUARGA SEHAT SEJAHTERA Jurnal INKREDIBEL International Journal of Social Sciences and Humanities Journal of Southern Sociological Studies
REFTI HANDINI LISTYANI
Universitas Negeri Surabaya
Religion Arts Humanities Astronomy Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Nursing Physics Public Health Social Sciences Other

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The Power of Transportation that Perpetuates Structural Poverty : A Study of Pedicab Drivers at Bratang Terminal, Surabaya Faris Dwi Febrianto; Dania Afro Humairo; Pambudi Handoyo; Refti Handini Listyani
Journal of Southern Sociological Studies Vol. 1 No. 1 (2025): Voices from The South (First Edition)
Publisher : Master's Program in Sociology, Faculty of Social and Political Sciences, Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jsss.v1i1.40798

Abstract

Globalization brings changes in various fields, one of which is the transportation sector. Currently, there is a massive change in the transportation system in urban areas such as Surabaya. Modernization of transportation in Surabaya has occurred since 2021 through the policy of providing modern transportation such as Suroboyo Bus and Trans Semanggi. Both transportations have a big impact on the lives of pedicab drivers in Bratang Terminal. This research aims to analyze the form of transportation progress and how the power relations between the government and becak drivers in the context of structural poverty. Using a qualitative approach with observation, interview, and documentation techniques, as well as analysis of Michel Foucault's power relations theory, this study found that non-inclusive transportation policies have created a new form of domination that marginalizes informal worker groups, in this case becak drivers. The modernization has caused them to experience a significant decrease in income, loss of participation space, and increased socio-economic vulnerability of pedicab drivers. These findings suggest that efficiency-based policies without considering social sustainability can exacerbate inequality. Therefore, transportation policies that are not only environmentally friendly and efficient, but also socially just and participatory are needed to ensure that no group is excluded from the urban development process.
Fenomena Cancel Culture Industri Hiburan Indonesia: Studi Kualitatif Perspektif Sosiologi Budaya Putri, Syafira Wyldania Aisya; Listyani, Refti Handini
Jurnal sosial dan sains Vol. 5 No. 11 (2025): Jurnal Sosial dan Sains
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/jurnalsosains.v5i11.32589

Abstract

Dalam industri hiburan Indonesia, fenomena pembatalan budaya menjadi masalah sosial yang kompleks. Ini terjadi di era digital, di mana pembatalan kolektif artis dan figur publik terjadi secara cepat dan massif melalui media sosial. Tujuan penelitian ini adalah untuk menyelidiki bagaimana cancel culture dibentuk dan dipengaruhi oleh struktur sosial, nilai kolektif, dan dinamika kekuasaan di industri hiburan. Penelitian ini menggunakan pendekatan kualitatif dari sudut pandang sosiologi budaya dengan metode wawancara mendalam terhadap 15 informan (5 artis, 5 audiens, 5 pengamat industri), observasi partisipan di media sosial, dan analisis konten dokumen sekunder selama 6-12 bulan. Analisis tematik mengidentifikasi empat tema utama: (1) cancel culture sebagai kontrol sosial informal, (2) media sosial sebagai arena pertarungan simbolik, (3) dinamika identitas kolektif dan representasi budaya, dan (4) implikasi psikologis bagi pelaku industri. Hasil penelitian menunjukkan bahwa cancel culture berfungsi sebagai cara informal untuk mengontrol sosial dan memperkuat norma budaya yang dominan. Selain itu, ia menjadi tempat pertempuran simbolik di ruang publik digital. Media sosial telah berkembang menjadi sumber penting untuk mobilisasi massa dan pembentukan opini, yang berdampak pada identitas budaya dan reputasi artis. Fenomena ini juga memiliki efek sosial dan psikologis yang signifikan bagi pelaku, seperti stres, isolasi sosial, dan ketidakpastian karir. Studi ini menekankan bahwa untuk mempertahankan industri hiburan Indonesia di era global, regulasi etis media sosial, literasi digital, dan diskusi konstruktif antara pemangku kepentingan sangat penting untuk mengelola cancel culture secara lebih manusiawi dan konstruktif.
Pengalaman Sosial Perempuan Berwirausaha di Bidang perdagangan Teknologi: Studi Kasus Pedagang di Hitech Mall Surabaya Jaelani, Abdul Qodir; Listyani, Refti Handini; Ridwan, Ahmad
SPECTRUM: Journal of Gender and Children Studies Vol 5 No 2 (2025): December
Publisher : The Center for Gender and Children Studies, the Institute for Research and Communing Service, State Islamic Institute of Manado (IAIN) Manado, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30984/spectrum.v5i2.1714

Abstract

This study aims to describe the social experiences of women entrepreneurs in the technology trade sector, particularly in facing social interactions influenced by gender bias, domestic stereotypes, ethnic discrimination, and environmental stigma. Using Alfred Schutz's phenomenological qualitative approach, this study explores the subjective meanings of the actions of female traders through in-depth interviews with five informants whose identities have been concealed. The results show that female traders face structural inequality in the form of professional belittlement, social exclusion, price injustice, and the spread of slander that affects business continuity. These findings also confirm that women's actions are shaped by because motives that stem from previous discriminatory experiences, and in-order-to motives that reflect their goals in maintaining professional identity and business stability. Overall, this study concludes that the technology trading space is not only an economic arena, but also a social arena where women negotiate meaning, develop survival strategies, and fight for self-legitimacy in an environment that is not yet fully gender-equal.
Smoking Hijabers Among Surabaya Teenagers from a Radical Feminist Perspective Emylia, Najwa; Ridwan, Ahmad; Harianto, Sugeng; Listyani, Refti Handini
Jurnal Pendidikan Sosiologi dan Humaniora Vol 17, No 1 (2026): Edisi April 2026
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v17i1.102325

Abstract

The phenomenon of teenage girls wearing hijabs who smoke in Surabaya shows tension between religious identity, society's moral demands, and social dynamics that shape teen behavior. The hijab, seen as a symbol of piety, often puts women's bodies under strict moral scrutiny, while at the same time teens face pressure to fit in with their friends and digital culture. This study aims to understand the motivations, identity meanings, and the possibility that smoking is seen as a form of resistance to patriarchal norms. Using a descriptive qualitative approach, data were obtained through in-depth interviews and non-participatory observations of hijab-wearing adolescents aged 14–18 years, supplemented by a literature review on the social construction of women and radical feminist theory. The results show that motivation for smoking is the need for social acceptance, which is influenced by FOMO, peer pressure, and digital culture. This is reinforced by the ideological motive that this behavior reflects adolescents’ efforts to negotiate their sense of self. However, in certain contexts, smoking also serves as a form of symbolic resistance against patriarchal control over women’s bodies. This study concludedes that the identity of women who wear the hijab is not singular. It is shaped through complex interactions between social structures, popular culture, and personal experiences. These findings open up space for further research on the representation of women who wear the hijab in digital culture and its implications for the negotiation of gender identity in urban Muslim communities.
Cinta, “Perjuangan Kelas”, dan Kekerasan: Analisis Framing Ideologi di Balik Film Televisi (FTv) di Indonesia Refti Handini Listyani; Fransiscus Xaverius Sri Sadewo; Rachmah Ida; Emy Susanti
Society Vol 10 No 2 (2022): Society
Publisher : Laboratorium Rekayasa Sosial, Jurusan Sosiologi, FISIP Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/society.v10i2.319

Abstract

This research examines what ideologies Film Television (FTv) offered during the COVID-19 pandemic and how these ideologies developed in the FTv using framing analysis and a gender perspective approach. Results indicate that there are two hidden ideologies as follows. First, the FTv production house carries a patriarchal ideology by raising themes that discriminate against women through stereotypes against women that appear in the story. Second, the FTv production house carries the ideology of feminism, with themes that position women as superordinate. Women occupy a higher social class than men. Women determine their own lives; even women have power over men. Academically, these findings are expected to add to the theoretical study in the sociology of communication and media research on how the power of knowledge in FTv affects the audience and contributes information, and enriches the development of research on gender relations and violence.
Semiotic Analysis in the Film Barbie (2023): Representation of Patriarchal Culture Della Setya Anggraini; Sugeng Harianto; Refti Handini Listyani
International Journal of Social Sciences and Humanities Vol. 4 No. 2 (2026): International Journal of Social Sciences and Humanities
Publisher : LPPM Sekolah Tinggi Ilmu Ekonomi 45 Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55681/ijssh.v4i2.2096

Abstract

The research aims to meticulously explore and analyze the manifestation of patriarchal culture depicted in the film "Barbie Live Action 2023". It employs a qualitative approach, focusing on scenes that vividly and deeply illustrate how patriarchal norms reflect within the presented gender context. Through meticulous data analysis, the identification of symbols, dialogues, and character interactions becomes the spotlight, highlighting and illustrating the reinforcement of strong patriarchal gender norms portrayed in the film. The study yields a profound understanding of how the film reinforces and portrays gender stereotypes both visually and narratively, unmistakably showcasing the conflict between two worlds, each reinforcing established gender paradigms.Within the framework of liberal feminism theory, this analysis provides clear insights into the construction of gender in visual media and the urgency for a shift in evolving gender perspectives within society. From the perspective of gender equality, "Barbie Live Action" serves not only as a complex elucidation of patriarchal culture but also as a call for a change in gender perspectives within society. The semiotic analysis and application of liberal feminist theory in this study offer profound insights into the messages of gender equality conveyed by the film and its broader impact on gender awareness within society.
Platform-Driven Misrepresentation of Muslim Women on Instagram: Religious Commodification in Indonesia’s Beauty Industry Refti Handini Listyani; Yuniar Galuh Larasati; Najah Nadiah Amran; Annisa Dwi Lestari
Jurnal Ilmiah Peuradeun Vol. 14 No. 2 (2026): Jurnal Ilmiah Peuradeun
Publisher : SCAD Independent

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26811/peuradeun.v14i2.2434

Abstract

Instagram has become a major platform shaping the visibility of Muslim women in Indonesia’s beauty industry, where aesthetic appeal, religious symbolism, and commercial promotion are closely connected. Existing studies have discussed Muslim women’s identity performance, modest fashion, and influencer culture, but limited attention has been given to how misrepresentation is systematically produced through visual and discursive practices. This study aims to analyse how Muslim women are represented through the intersection of objectification and religious commodification within Instagram’s influencer economy. Using qualitative Critical Discourse Analysis, this study examines Instagram posts from five Indonesian Muslim women influencers, including images, captions, and audience interactions. The analysis reveals that physical appearance and religious identity function simultaneously as marketable resources, positioning Muslim women as aesthetic objects and symbolic carriers of religiosity in promotional practices. Beauty, modest fashion, luxury consumption, and domestic roles dominate representation, while intellectual and socio-cultural contributions receive limited visibility. This pattern indicates that misrepresentation is driven by platform visibility regimes, algorithmic selection, and commercial imperatives that transform religiosity into digital labour and reinforce gender inequality in digital environments.
The Meaning of “Ideal Dating” in Gender Role Construction: A Phenomenological Study of Student Experiences in Surabaya Diandra Wahzu Hairina Putri; Ahmad Ridwan; Refti Handini Listyani; M. Jacky
Jurnal Partisipatoris Vol. 8 No. 1.5 (2026): Special Issue: Sociology of Feminism
Publisher : University of Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/jp.v8i1.5.43294

Abstract

This study explores the meaning of “ideal dating” and gender role constructions in the experiences of students in Surabaya. Dating as a social phenomenon among students is a complex space where various values, norms, and societal expectations meet and negotiate. Using a qualitative approach with descriptive phenomenology, this study involved five students in Surabaya through purposive sampling and snowball sampling. Data were collected through semi-structured in-depth interviews and analyzed using qualitative descriptive methods. The results show that “ideal dating” for Surabaya students is a dynamic social construct that emphasizes open communication, mutual emotional support, mutual understanding, and a commitment to growing together. Four main pillars were identified: communication and openness, mutual understanding and ego management, support as a manifestation of love, and role balance. Masculinity is still associated with financial responsibility and decision-making, while femininity is linked to emotional sensitivity and a supportive role. However, there is a strong tendency toward egalitarian relationship patterns, reflected in respondents' consistent rejection of the view that “men's love must be greater.” Social pressures such as academic demands, organizational commitments, and the influence of social media are negotiated through intense communication, ego management skills, and emotional adaptation. The study concludes that the meaning of ideal dating is shaped by the interaction between traditional values, modern demands, and evolving subjective experiences. This suggests that ideal dating is not fixed, but continuously negotiated by students within their social and personal contexts
Perspektif Independent Woman dalam Menegosiasikan Kesetaraan Pernikahan: Analisis Hegemoni Maskulinitas di Kelurahan Gondangdia Jakarta Pusat Almira Aulia Azzahra; Refti Handini Listyani
Ganaya : Jurnal Ilmu Sosial dan Humaniora Vol 9 No 1 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ganaya.v9i1.5257

Abstract

The rise of women's independence, or the phenomenon of the Independent Woman in various contexts, such as education, finances, and self-control, has created new expectations for partners and marriage. This study contributes to social and gender studies with the aim of subjectively analyzing how independent women negotiate forms of equality in marriage, examined from several aspects, including education, finances, decision-making, domestic roles, and emotional support. This study uses qualitative methods with a phenomenological approach and R.W. Connell's theory of masculine hegemony as an analytical tool. Subjects were determined using purposive sampling and snowball sampling techniques involving single and married women. The results show that there are differences in negotiation experiences based on the actual and prospective practices of independent women. These findings also confirm that independent women do not passively accept the hegemony of masculinity that still prevails in the realm of marriage, but rather apply it more flexibly according to their individual lives. By comparing the experiences of single and married independent women, which have rarely been studied empirically, this study is expected to reflect on the importance of real husband-wife partnerships in reducing the likelihood of inequality.
SMUT MANHWA AS A SAFE SPACE: WOMEN'S AGENCY IN CONSTRUCTING IMAGES OF DESIRE AND GENDER RELATIONS Citra Farahma Devi; Ahmad Ridwan; Refti Handini Listyani; M. Jacky; Muhammad Faruki B
Jurnal Analisa Sosiologi Vol 14, No 4 (2025)
Publisher : UNIVERSITAS SEBELAS MARET (UNS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jas.v14i4.112768

Abstract

This study examines how women in Indonesia construct smut manhwa as a safe space, and how this practice illustrates their agency in shaping sexual desire and gender relations within patriarchal structures. Using a phenomenological approach with four informants and three rounds of thematic coding, this study analyses data from online interviews. The findings reveal that women's agency operates ambivalently, simultaneously establishing hidden normative boundaries and negotiating alternatives to patriarchal norms. Women utilize digital resources to access restricted desires, continuously sorting and interpreting content reflectively. A comparison with China highlights how different forms of structural control (social stigma vs. state censorship) shape distinct forms of women's agency. This research contributes to the understanding of women not as passive consumers, but as reflective actors who continuously negotiate the meanings of desire, gender relations, and bodily autonomy within structural constraints.
Co-Authors Abdul Qodir Jaelani Aditya Tantra Jaya Wisnu Wardana Afandi, Muhammad Arif AGUSTINA KOESMARIADI, FRANSISKA Ahmad Ridwan Ahmad Ridwan Ahmad Ridwan Almira Aulia Azzahra Amarul Ilham Rizky Ana Umar Istighfari ANDALLA, TIGOR Anggaunita Kiranantika Annisa Dwi Lestari Atriska, Fresky Edo BETHARI THURSVIERA, KLEANTHA Bustami, Mohammad Reevany Cherry Surya Pratama Ciddan, Harrel Citra Farahma Devi Dama Putri, Syahqi Nadiva Damayanti, Febriana Firstra Dania Afro Humairo Deby Febriyan Eprilianto Della Setya Anggraini DEVI ORLITA SARI, INTAN Diah Ariani Arimbi Diandra Wahzu Hairina Putri Dinar Ryzky Listyaputri Dita Perwita Sari DIYAH UTAMI DWI RAHAYU, AMELIA Elina Nurrohmah Emy Susanti Emylia, Najwa Erfina Dwi Rosidah Fadhilah Kusuma Wardani Faris Dwi Febrianto Fatimah, Nurma Sri Mudhiana Firdaus, Silvia Syifanaya Fransiscus Xaverius Sri Sadewo FX Sri Sadewo FX Sri Sadewo FX. Sri Sadewo Hadiwana, Venencia Elvara Putri Hanifah, Nabilah Rahmadieni Ika Kharisma Ika Kharisma Imma Latifa Istighfari, Ana Umar JAMEELA, MERYAM Jasmiarto, Dicky K Khuzaimah Khaerunnisa, Handini Putri Khoirum, Isa Khuzaimah, Khuzaimah Kumalasari, Elrisa Diana LUSITANINGTYAS, MULAT M. Jacky M. Jacky Marizha Syalasatul Aini MARTINUS LEGOWO MAULINA, FERNANDA Melpin Simaremare Milan, Sayekti Moch. Egar Makmur Tedjo Moh Syamsi Dhuha Moh. Mudzakkir MOH. MUDZAKKIR Mohammad Reevany Bustami Muhammad Faruki B Muhammad Jacky Muhammad Radics Jihad Imaduddin Al Jamaludin Najah Nadiah Amran Natasya, Yurike Nova Azzahra Ramadhani Nur Fadillah Sebti Sulistiana Nur Shabrina Atsarina Ramadhini Pambudi Handoyo PAMBUDI HANDOYO Pratama, Bima Handi Pratiwi, Yunita PUDJI ASTUTI Putra Santoso, Mazia Duta Sadelfan Putri, Syafira Wyldania Aisya QOMARIA, CHUSNUL R. Sapto Hendri Boedi Soesatyo Rachmah Ida Ramadhani, Nova Azzahra Ramadhani, Nur Shabrina Atsarina Rifai Nur Hidayat Rif’a Izza Sailurroqma Ririn Aminarsih Riyadi Riyadi ROHMAWATI, RATIH Salim, Hisyamuddin Sari, Devi Melati Setyowati, Niken Ayu SUGENG HARIANTO Sugeng Harianto Suhari, Zuhanidz Larasati Susmita Suharjo Syafira Wyldania Aisya Putri THAMESVITA, NURNADIA WAHYU KUSWANTI, HENI WAHYU P, ALDIAN Yeni Puspitasari Yuniar Galuh Larasati Yuyun Eka Kartika Sari ZDURHOTHUL FHAHIRIYAH, NABBILLAH Zuhanidz Larasati Suhari ZULFIANA DEWI, ANISTA