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Aktivitas Petani Sayur di Nagari Padang Laweh Dalam Seni Grafis Ahmad Jamil Illahi; Irwan Irwan
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 1 (2026): Januari: Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.522

Abstract

This research aims to visualize the activities of vegetable farmers in Nagari Padang Laweh in graphic art, this explains the daily activities of vegetable farmers which have become a community habit and become the livelihood of the people in the author's environment, therefore the author raises the work with the title Activities of vegetable farmers in Nagari Padang Laweh in graphic art and a form of depiction of people's daily lives in planting vegetables and other activities in the fields starting from the beginning of the planting process through several processes until harvesting the field results. The creation method used is the art consortium method through five stages of work, namely: (1) preparation, including observation and exploration: (2) elaboration, including collecting references: (3) synthetic, namely the application of the main idea: (4) realization of the concept through creation work: and (5) the completion stage in the form of preparing a report and exhibition of the final work. The results of this research are ten works of graphic art measuring 50cm x 60 cm, the works of which are entitled: Clearing Land, Planting, Transporting Fertilizer, Fertilizing, Regret in the Midst of Harvest, Toiling in the Fields, Making a Living, Farmer's Life, Generation of Farmers, Human Harmony and Natural,
MOTIF RAGAM HIAS KERINCI DAN POHON TEH SEBAGAI IDE PENCIPTAAN KRIYA UKIR MEJA HIAS Subhan Nuredi Hariman; Irwan Irwan
Jurnal Pendidikan Seni Rupa Undiksha Vol. 16 No. 2: Agustus 2026
Publisher : Universitas Pendidikan Ganesha

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jjpsp.v16i2.119773

Abstract

Penciptaan karya akhir ini bertujuan untuk mewujudkan kriya ukir meja hias yang mengangkat motif ragam hias Kerinci serta memanfaatkan kayu pohon teh. Karya ini diharapkan mampu meningkatkan kesadaran masyarakat terhadap pelestarian budaya Kerinci, sekaligus mendorong pengolahan limbah kayu teh menjadi produk seni yang kreatif, fungsional, dan bernilai jual. Proses penciptaan dilakukan melalui tiga tahap, yaitu: 1) Eksplorasi, tahap pengumpulan informasi dan pengetahuan yang diperlukan, mencakup ide, gagasan, dan referensi karya; 2) Perancangan, tahap pengembangan ide hasil analisis ke dalam desain dua dimensi dan tiga dimensi; 3) Perwujudan, tahap realisasi ide, konsep, landasan, dan rancangan menjadi tujuh karya kriya ukir meja hias. Ketujuh karya tersebut adalah Duo Selampit, Si Matoharai, Kacan Balimbon, Naguri Lahaek, Empak Tampok Nio, Patah Tumbuh, dan Kluk Pakau. Seluruh karya dipamerkan dan didokumentasikan dalam bentuk laporan karya akhir.