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All Journal Corak : Jurnal Seni Kriya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Jurnal Sejarah dan Budaya Panggung Sorai: Jurnal Pengkajian dan Penciptaan Musik Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Gestalt : Jurnal Desain Komunikasi Visual Human Narratives Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC)
Bambang Sunarto
Institut Seni Indonesia Surakarta
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Journal : International Journal of Visual and Performing Arts

 1 
Taksu and Shackle of the Aesthetic Regimes in the Literation of Laksita Jati Music Yeni Amara Joko Suranto; Rustopo Rustopo; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.131

Abstract

This article examines the problem of the literary composition of Laksita Jati music as a script for the final assignment of postgraduate students in the art creation program of the Institut Seni Indonesia (ISI) Surakarta. The focus of the study is centered on whether the final project text is part of the aesthetic practices of the co-operative aesthetic or adds weight to the music created? As intellectual property, the manuscript is one of the graduation conditions whose values are parallel to the work itself. With such importance, ideally, the music creation script should be able to describe the entire process until its production is comprehensive. In other words, this art creation script must be able to reflect the quality or weight of the work presented. However, if judging from the standardized system and format of writing, the text may be a fetter of creativity (cooperative regime) for creators who have a personal aesthetic orientation and vision. The assumption is that by referring to a systematic writing format often traps the writer to get absorbed in formalistic writing rules rather than writing the substance of his work itself. The author, in this case, is more concerned with the structure of writing than on content. Another argument is that if we look at the contents of the script, which is a reflection of overall performance, it is not impossible to be used to see the quality of music that students create. This study uses Bartes' synchronous and semiotic acceptance method, "Death of the author." to analyze and overcome the problems in this study. The result, besides showing how the values (taksu) of Laksita Jati music, also revealed the existence of a little aesthetic regime practices in writing scripts for the creation of art.
The Musicality of Campursari Music in the Islamic Ritual Context Bambang Sunarto
International Journal of Visual and Performing Arts Vol 2, No 1 (2020)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v2i1.130

Abstract

This article discusses campursari’s music, which has an increasingly broad role, from profane to sacrilegious Islamic areas. Since its birth, this music serves as entertainment music. In the era of the 1990s and its peak in the 2000s, this music entered and interacted with the Islamic community. The entry of campursari music into the Islamic religious community is the embodiment of expectations and demands for environmental situations and conditions. Hopes and needs give birth to musical syncretism, which gives birth to adaptation strategies. Verstehen are appropriate methods for recognizing forms of adaptation and syncretism. The choice of the verstehen method is because this article does not merely highlight the problem of music, but also tries to understand the social actions of campursari musicians in serving the muslim community via campursari music. The choice of this approach is because musical adaptation stems from the idea that the birth of musicality has the support of a socially developed network of meanings. The benefit is to recognize the principles and rules of adaptive value and productive syncretism that occur behind music phenomena. The results of this study indicate that campursari's performance is sufficient to prove that campursari's musical musicality in the context of Islamic rituals is productive syncretism. Adaptation and syncretism are thus two methods and ways of building products, both of which must co-exist.
Kelong in the context of the gandrang bulo dance in Makassar Ade Kurniawan Suhardi; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.960

Abstract

Kelong is a Makassar term meaning 'song,' which is one of the main elements in the Gandrang Bulo dance. Kelong, in this case, is presented simultaneously with elements of Pakakkala' (funny) dance and satirical drama or acting. Kelong is meant to educate, while pakakkala' and satire are humorous to entertain. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of kelong. This paper aims to reveal the description of the portion of the presentation of kelong in the phenomenon of the Gandrang Bulo dance. This article also tries to articulate the meaning of education and motivation to raise awareness that teaches that life is not in vain. Using a descriptive qualitative methodology, this study. Textual and musical data were specially extracted from poetry using the kelong method, including audio and visual perception. One of the achievements of this research is to provide information that there is an educational meaning tucked into the kelong. The research implementation used a descriptive qualitative method by prioritizing the collection of music data and verbal data as the unit of analysis. The finding of this research is to get the educational value tucked inside the kelong behind disproportionately contrasting elements. The significance of this research is that it really contributes as a driving force for the enthusiasm of artists in educating through the arts, especially kelong.
Lampah: expression canvas of Java’s spirituality in the new media art Ario Wibisono; Bambang Sunarto; Santosa Soewarlan
International Journal of Visual and Performing Arts Vol 4, No 2 (2022)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v4i2.795

Abstract

Malioboro is an integral part of the architectural artwork of the city of Yogyakarta, which is full of meaning, philosophy, and noble values of Javanese culture. Currently, Malioboro has developed into a tourist area and a quite existing public cultural space. However, along with the times, the philosophical meaning and noble values embedded in the architecture of the city of Yogyakarta by HB I as the founder of Ngayogyakarta Hadiningrat seem to be unclear and increasingly difficult to read. The video art installation Lampah is a form of creative response to the existence of contemporary Malioboro as a public space as well as a meaningful piece of architectural art. By using interpretative-subjective approaches and artistic methods, the creator reads this phenomenon and represents it in the form of Lampah artwork. As a contemplative space, 'Lampah' also offers an alternative way to transform Javanese noble values and spirituality by using idioms and ways of speaking in Javanese culture. Models in architecture are used to complete the design of this work. It is hoped that this concept can provide new insights and discourses in art, especially new media art
The representation of qurban in muslim designer community da’wah posters eid-al-adha theme Ahmad Faiz Muntazori; Bambang Sunarto; Tommy Christomy
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.1267

Abstract

Muslim Designer Community (MDC) is a forum for Muslim designers to actively conduct da’wah activities through visual media, especially in the form of posters. In this article, however, the theme that was chosen to be discussed is da’wah posters on Eid al-Adha. Eid al-Adha has an important value in Muslims because it concerns many things in Muslim life, both the vertical relationship between servants and their God, and the horizontal relationship between humans and humans and the social environment. This research focuses on the initial step in understanding MDC's da'wah posters, especially the posters related to Eid-Al-Adha as a multifaceted ritual in Islamic celebratory holy day, by dissecting the structure of da'wah posters posted by MDC through their social media account. This research uses a qualitative method. Data analysis was carried out using Roland Barthes' semiotics, namely by revealing visual markers as signifiers in da'wah posters. The result shows that the Eid al-Adha theme posters discussed above represent Qurban as the main message conveyed in the da'wah media using design elements in the form of artwork, visualizing the commands in the Qur'an and Hadith. Title and Image have a dominant role in conveying the message in the da'wah poster. The implication of this study shows that Da'wah posters are the implementation of religious values into the field of visual communication design, resulting in a new strategy of preaching using visual media. The combination of visual communication design and religious ideology has an important role in providing stimulus about religious messages to the audience.
Collective memory in traditional bèsèk packaging: impact on buyer perception at Omah Jenang Blitar Andika Agung Sutrisno; Bambang Sunarto; Pujiyanto Pujiyanto
International Journal of Visual and Performing Arts Vol 6, No 1 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i1.922

Abstract

This research examines the design of basic packaging for traditional culinary products at Omah Jênang Kêtan Kelapa Sari Blitar, using it as a case study. It critically evaluates the relationship between traditional culinary products, effective packaging, and labels. Bèsèk packaging not only protects culinary products from damage but also enhances their appeal with a natural and traditional look. The packaging label provides essential information about the product, including composition, expiration date, and storage instructions. The aim is to evaluate how traditional packaging influences consumer perceptions and to understand the relationship between traditional culinary products and their packaging and labels. This study offers insights into the significance of preserving traditional elements in packaging design and how these elements can inform more effective marketing strategies. A qualitative data analysis method is employed to assess the packaging design used by Omah Jênang Kêtan Kelapa Sari Blitar, focusing on visual stimuli and their impact on consumer memory. The research found that good packaging design fosters emotional bonds between traders and buyers, rooted in traditional collective memories, which enhances the durability and sustainability of the packaging. Additionally, Bèsèk's packaging design connects with collective memory, associated with romance and stories of past events, increasing consumer interest in recalling these experiences. The findings provide insights into how various packaging designs influence consumer perceptions and feelings toward traditional culinary products. This research underscores the importance of visual attributes in packaging design, highlighting their ability to stimulate consumer perceptions of collective memory and create meaningful, memorable packaging experiences.
Visual symbolism and the art design nexus in madness: A critical discourse analysis of Penahitam’s subcultural artzine in Indonesia Wibawa, Mahendra; Sunarto, Bambang; Murtono, Taufik
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1806

Abstract

This study examines how hybrid visual practices in subcultural contexts challenge the binary between art and design. It addresses the theoretical division proposed by Tsion Avital, who posits a strict dichotomy between symbolic art and functional design. Using this framework, the visual discourse of the Indonesian collective Penahitam is critically analyzed. The 9th edition of Penahitam's artzine, Madness, is selected as a case study due to its thematic depth and ideological complexity. The research applies Norman Fairclough’s Critical Discourse Analysis (CDA) to integrate textual, visual, and contextual elements, exploring how meaning is constructed through the interplay of image, text, layout, and cultural production. Avital’s symbolic-functional theory serves as a lens to assess how Penahitam negotiates between expressive freedom and visual functionality. Findings indicate that Madness reconfigures the relationship between artistic and design elements into a hybrid visual discourse. The artzine's layout, poetic writing, dark-art illustrations, and socio-political content work cohesively to communicate ideological resistance while remaining accessible. This integration disrupts Avital’s dichotomy, showing how hybridity becomes a strategic tool for expression and subcultural authorship. Furthermore, the production and dissemination of the artzine across 29 Indonesian cities underscore Penahitam’s commitment to collective authorship, independence, and decentralized cultural activism. This study contributes to the discourse on art-design hybridity by offering a concrete analytical model for understanding how independent collectives use visual media to challenge dominant narratives and assert creative autonomy.
Co-Authors Ade Kurniawan Suhardi Ahmad Faiz Muntazori Andhika Putra Herwanto Andika Agung Sutrisno Arif Suharson Ario Wibisono Asep Saepul Haris, Asep Saepul Catur Nugroho Dharsono Dharsono Dharsono, Dharsono Harun Isma'il Indra Gunara Rochyat Irawati Kusumorasri Joko Daryanto Joko Daryanto Joko Suranto Kiswanto Kiswanto Kiswanto Kiswanto Kusumorasri, Irawati Midhang Langgeng Sembodo Mistortoify, Zulkarnaen Nanang Bayu Aji Nanik Sri Prihatin Nanik Sri Prihatini Ni Nyoman Srayamurtikanti Pande Made Sukerta Pande Made Sukerta, Pande Made Prihatini, Nanik Sri Pujiyanto Pujiyanto Pujiyanto Pujiyanto Puri Kurniasih Rahayu Supanggah Rahayu Supanggah, Rahayu Rustopo Rustopo Rustopo Rustopo Rustopo Rustopo Santosa Santosa Santosa Soewarlan Santoso, Iwan Budi Siswanto, Silo Sugeng Nugroho Sunarmi Sunarmi Sunarto, Budi Setiyono Sutrisno, Andika Agung Taufik Murtono Tommy Christomy Tommy Christomy Wibawa, Mahendra Widyastutieningrum, Sri Rochana Zwingli Tarigan