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All Journal Corak : Jurnal Seni Kriya Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya Jurnal Sejarah dan Budaya Panggung Jurnal Ilmiah Universitas Batanghari Jambi Sorai: Jurnal Pengkajian dan Penciptaan Musik Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi International Journal of Visual and Performing Arts PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Gestalt : Jurnal Desain Komunikasi Visual Human Narratives Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Panggung Proceeding of International Conference on Art, Media, and Culture (ICAMAC) Harmonia: Journal of Arts Research and Education Jurnal bahasa, sastra, seni, dan pengajarannya
Bambang Sunarto
Institut Seni Indonesia Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Journal : Panggung

 1 
Konsepsi Filosofis di Balik Musik Sholawat Campur ngaji Bambang Sunarto
PANGGUNG Vol 23 No 2 (2013): Eksplorasi Gagasan, Identitas, dam Keberdayaan Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v23i2.92

Abstract

ABSTRACT The problems discussed in this study is philosophical conceptions behind the phenomenon of Cam­ purngaji Sholawat music. This research has been intended to reveal the ideas which is underlying the existence of the music and the spirit of the periferal Muslim community which is utilizing music as a symbol of its existence. Descriptive and analytical methods as well as interpretive methods are used to reveal and unravel the hidden conceptual thoughts. Philosophical conception in the form of practical assumption and working principle is useful as a performance benchmark of musical cre­ ativity. The understanding of the philosophical conception is useful to help any stakeholder to better understand the human intensity of a Muslim community through its musical culture expression. Keywords: philosophical conceptions, Campurngaji Sholawat music  ABSTRAK Permasalahan yang dibahas dalam penelitian ini adalah konsepsi filosofis di balik fenom- ena musik Sholawat Campurngaji. Penelitian ini dimaksudkan untuk mengungkap ide-ide yang mendasari eksistensi musik dan semangat komunitas muslim pinggiran yang me- manfaatkan musik sebagai simbol eksistensi. Metode deskriptif analitik disertai metode interpretif digunakan untuk mengungkap dan mengurai pemikiran-pemikiran konseptual yang tersembunyi.  Konsepsi filosofis yang berupa asumsi praktis dan prinsip berkarya bermanfaat sebagai acuan kinerja kreativitas bermusik. Pemahaman terhadap konsepsi filosofis itu berguna untuk membantu berbagai pihak untuk lebih memahami intensitas kemanusiaan suatu komunitas muslim melalui ekspresi budaya musiknya. Kata kunci: konsepsi filosofis, musik sholawat Campurngaji 
“BE YOURSELF” (The Creation of a Music Composition) Asep Saepul Haris; Rahayu Supanggah; Pande Made Sukerta; Bambang Sunarto
PANGGUNG Vol 27 No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Con
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i4.287

Abstract

AbstractAn artistic workmanship is a creative work process of an artist in creating artworks. Artwork meant by the writer is "Be Yourself", which is related to the establishment of his self-characters that grown up in Sundanese culture. Life journey was a dynamic process and became the will of the Almighty. God's destiny and life journey made the writer as “urangsumando” (people related by marriage) in Minangkabau. Cross-cultural was a life journey to be (yourself) and the destiny he should do – being in two different culture positions. Such differences did not automatically make the writer soluble in integration – he existed in two conceptions. In the realization, how the concepts are able to deliver other offers which have contribution to the development of artistic creation. The discussion in this article is the artistic forms as the exploration, working material, and forms of performance.Keywords: artistic, workmanship, music work 
Co-Authors Abdul Ghofar Ade Kurniawan Suhardi Ahmad Faiz Muntazori Albayan , Amris Andhika Putra Herwanto Andika Agung Sutrisno Arif Suharson Ario Wibisono Asep Saepul Haris, Asep Saepul Budi Setiyono Catur Nugroho Dharsono Dharsono Dharsono, Dharsono Febri Yulika Harun Isma'il Indra Gunara Rochyat Irawati Kusumorasri Joko Daryanto Joko Daryanto Joko Suranto Kiswanto Kiswanto Kiswanto Kiswanto Kusumorasri, Irawati Midhang Langgeng Sembodo Mistortoify , Zulkarnain Mistortoify, Zulkarnaen Nanang Bayu Aji Nanik Sri Prihatin Nanik Sri Prihatini Ni Nyoman Srayamurtikanti Nugroho, Mukhlis Anton Pande Made Sukerta Pande Made Sukerta, Pande Made Prihatini, Nanik Sri Primamona, Dea Lunny Pujiyanto Pujiyanto Pujiyanto Pujiyanto Puri Kurniasih Rahayu Supanggah Rahayu Supanggah, Rahayu Rustopo Rustopo Rustopo Rustopo Rustopo Rustopo Santosa Santosa Santosa Soewarlan Santoso, Iwan Budi Sembiring, Kristina Sembodo, Midhang Langgeng Siswanto, Silo Soewarlan , Santosa Sugeng Nugroho Sunarmi Sunarmi Sunarto, Budi Setiyono Sutrisno, Andika Agung Taufik Murtono Tommy Christomy Tommy Christomy Wibawa, Mahendra Widyastutieningrum, Sri Rochana Zwingli Tarigan