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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Jurnal Sekolah Dasar JOGED Harmonia: Journal of Research and Education Journal of Urban Society´s Arts ANDHARUPA Jurnal Pendidikan dan Kajian Seni JADECS (Journal of Art, Design, Art Education and Culture Studies) MUDRA Jurnal Seni Budaya Jurnal Istiqro' Semiotika Jurnal Sitakara CARADDE: Jurnal Pengabdian Kepada Masyarakat Gelar : Jurnal Seni Budaya Journal of Education, Humaniora and Social Sciences (JEHSS) Journal of Leadership in Organizations PERSPEKTIF GETER : Jurnal Seni Drama, Tari dan Musik Journal of Music Science, Technology, and Industry (JOMSTI) Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Varia Humanika Jurnal Nuansa Akademik: Jurnal Pembangunan Masyarakat Jurnal Pendidikan dan Penciptaan Seni Journal of Language, Literature, and Arts (JoLLA) Abdimas Indonesian Journal Jurnal Antropologi Sumatera Eduvest - Journal of Universal Studies Prosiding Seminar Nasional Pascasarjana Gayatri : Jurnal Pengabdian Seni dan Budaya
Robby Hidajat
Universitas Negeri Malang
Religion Aerospace Engineering Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Neuroscience Public Health Social Sciences Other

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Journal : Harmonia: Journal of Research and Education

 1 
The Popularity of Waranggana Tayub Malang through Body Exploitation Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): (EBSCO, DOAJ & DOI Indexed, December 2014)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3288

Abstract

Tayub is a ronggeng type of dance performance. It is widely performed in Javanese regions.Originally, Tayub functioned as a fertility ritual; then it developed as entertainment. The growth of Tayub in Malang in the 1950s was intended for identity and the main dancer called tandak was changed to Waranggana. As a result, there was a transformation in the form of the dancer’s body: (1) exploring body-initiating identity, (2) manipulating the body through magical effect, and (3) body consumptive economization and love ruse. The qualitative method was used with an art phenomenological model in this study. The data were collected using interview and observation methods and was analyzed interpretatively. The result of the research was that female body interpretation is politicized to survive creatively, in order to maintain popularity and to support the lifestyle of the artist.
The Character Adaptation of Masked Puppet Figures in Ruwatan Ritual Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): (Nationally Accredited, December 2016)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.8770

Abstract

One myth that is believed by people living in Duwet village is distress that threatens human beings from when they are born till the day they die. As one way to overcome the distress, people, especially those who are living in Duwet village, hold ritual called as tolak bala. One step in the ritual is self-cleaning oneself from distress or sukerta. In addition to the ritual is a masked puppet as a means of the ritual execution. Thus, this study aims at finding out the functions of the Ruwatan masked puppet. Functional-structural perspective was adopted in the study by implementing observation, interview, and documentation study techniques. Results show that masked puppet has a special function which is to serve as a means of Ruwatan that is specifically to obtain society participation in order to give spiritual support to the process of ritual as a whole tolak bala or distress expulsion process.
The Character Adaptation of Masked Puppet Figures in Ruwatan Ritual Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): December 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.8770

Abstract

One myth that is believed by people living in Duwet village is distress that threatens human beings from when they are born till the day they die. As one way to overcome the distress, people, especially those who are living in Duwet village, hold ritual called as tolak bala. One step in the ritual is self-cleaning oneself from distress or sukerta. In addition to the ritual is a masked puppet as a means of the ritual execution. Thus, this study aims at finding out the functions of the Ruwatan masked puppet. Functional-structural perspective was adopted in the study by implementing observation, interview, and documentation study techniques. Results show that masked puppet has a special function which is to serve as a means of Ruwatan that is specifically to obtain society participation in order to give spiritual support to the process of ritual as a whole tolak bala or distress expulsion process.
The Popularity of Waranggana Tayub Malang through Body Exploitation Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): December 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3288

Abstract

Tayub is a ronggeng type of dance performance. It is widely performed in Javanese regions.Originally, Tayub functioned as a fertility ritual; then it developed as entertainment. The growth of Tayub in Malang in the 1950s was intended for identity and the main dancer called tandak was changed to Waranggana. As a result, there was a transformation in the form of the dancer’s body: (1) exploring body-initiating identity, (2) manipulating the body through magical effect, and (3) body consumptive economization and love ruse. The qualitative method was used with an art phenomenological model in this study. The data were collected using interview and observation methods and was analyzed interpretatively. The result of the research was that female body interpretation is politicized to survive creatively, in order to maintain popularity and to support the lifestyle of the artist.
The Character Adaptation of Masked Puppet Figures in Ruwatan Ritual Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 16, No 2 (2016): December 2016
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v16i2.8770

Abstract

One myth that is believed by people living in Duwet village is distress that threatens human beings from when they are born till the day they die. As one way to overcome the distress, people, especially those who are living in Duwet village, hold ritual called as tolak bala. One step in the ritual is self-cleaning oneself from distress or sukerta. In addition to the ritual is a masked puppet as a means of the ritual execution. Thus, this study aims at finding out the functions of the Ruwatan masked puppet. Functional-structural perspective was adopted in the study by implementing observation, interview, and documentation study techniques. Results show that masked puppet has a special function which is to serve as a means of Ruwatan that is specifically to obtain society participation in order to give spiritual support to the process of ritual as a whole tolak bala or distress expulsion process.
The Popularity of Waranggana Tayub Malang through Body Exploitation Hidajat, Robby
Harmonia: Journal of Arts Research and Education Vol 14, No 2 (2014): December 2014
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v14i2.3288

Abstract

Tayub is a ronggeng type of dance performance. It is widely performed in Javanese regions.Originally, Tayub functioned as a fertility ritual; then it developed as entertainment. The growth of Tayub in Malang in the 1950s was intended for identity and the main dancer called tandak was changed to Waranggana. As a result, there was a transformation in the form of the dancer’s body: (1) exploring body-initiating identity, (2) manipulating the body through magical effect, and (3) body consumptive economization and love ruse. The qualitative method was used with an art phenomenological model in this study. The data were collected using interview and observation methods and was analyzed interpretatively. The result of the research was that female body interpretation is politicized to survive creatively, in order to maintain popularity and to support the lifestyle of the artist.
Co-Authors A, Allfa Andranica Devya Adinda Nur Ramadhani Haris Agung Suharyanto Agus Cahyono Ahamad Tarmizi Bin Azizan Aini Nurul Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Amir Razak Andy Pramono Arief Ardiansyah Astuti, Yuyun Nur Baiq Widya Rahmasari Bazur, Rizkyatul Citra Kurniawan Desy Ratna Syahputri Desyandri Desyandri Dewi Jasmine DP. Muhammad Affaf Hasiymy DP., E. W. Suprihatin E. Wara Suprihatin DP E.W. Suprihatin Diah Pratamawati Endang Wara Suprihatin EW Suprihatin Gesang Bayu Pamungkas Hadiantika, Reza Adinda Hartono Hartono Hartono Hartono Hasiymy, Muhammad Affaf Hasyimy, Muhammad 'Afaf Hasyimy, Muhammad Afaf Heriyati Yatim Heriyati Yatim Ika Ratnawati, Ika ika wahyu widyawati Ike Ratnawati Imam Tri Laksono Iziq Eafifi Bin Ismail Joko Sayono Martiarto, Janri Setyo Muhammad 'Afaf Hasyimy Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad afaf hasyimy Muhammad Afaf Hasyimy Muhammad Affaf Hasiymi Muhammad Jazuli Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muklis Muklis Muniir, Muhammad Sirojul Mutiara Ramadhani Putri Supriadi Ni Wayan Mudiasih Norliza Bt Mohd Isa Ocha Denta Wijaya Pamungkas, Gesang Bayu Panji Suroso Ponimin Pristiati, Tutut Pujiyanto Pujiyanto Pujiyanto Pujiyanto Purwadita, Fika Ardelia Candra Rahman, Amalia Arifah Ratna Tri Maharani Retno Tri Wulandari Rully Aprilia Zandra Setyo Yanuartuti Shaari, Nazlina Siti Kholifatul Umaami Sri Linda Oktavia Sri Wulandari Sri Wulandari Sumarwahyudi Suprihatin DP, EW Suprihatin Dyah Pratamawati, Endang Wara Suprihatin, E. Wara Suprihatin, Endang Wara Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn, Surasak Suyono Suyono Swastika Dhesti Anggriani Syamsul Hirdi Bin Muhid Syed Ahmad Iskandar Tri Wahyuningtyas Tri Wahyuningtyas, Tri Wathanan Srinin Wida Rahayuningtyas Wiflihani Wiflihani Yudha Prihantanto Yuyun Nur Astuti Yuyun Nur Astuti Zuhkhriyan Zakaria