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Journal : PERSPEKTIF

Communication Presentation of Indonesian Identity Figures at the Ramayana Ballet at Prambanan Robby Hidajat; Pujiyanto Pujiyanto; EW Suprihatin; DP. Muhammad Affaf Hasiymy; Surasak Jamnongsarn
PERSPEKTIF Vol. 11 No. 4 (2022): PERSPEKTIF, October
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v11i4.7883

Abstract

This study focuses on the performing arts of tourism by examining the identity of performing arts that communicate local culture. Remembering the identity of a country becomes very quickly and easily captured through the performing arts of tourism. This article examines the identity of performing arts that tell the story of the Ramayana, which is characterized by Indonesia. In this communication process, there are two interactive paths, namely from the side of the performing arts as a carrier of information, and the audience or tourists who receive information. The process of interaction that is conveyed and received, is identity and culture. Thus, the interaction that occurs, can produce imaging through aesthetic transmission. In order to approach this problem, non-verbal communication theory is used as a reference. The data were collected through observation at the Ramayana tourist show center at Pangung open Prambanan. The data were analyzed through non-verbal communication theory aimed at the Yogyakarta style Ramayana ballet performance in the Hanoman Obong story as a local Indonesian cultural identity. Hanoman is an icon of the struggle that contains the ideology of heroism.
Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali Robby Hidajat; Pujiyanto; EW. Suprihatin DP; Muhammad ‘Afaf Hasyimy; Allfa Andranica Devya Aprilyawati; Adinda Nur Ramadhani Haris; Syamsul Hirdi Bin Muhid
PERSPEKTIF Vol. 12 No. 4 (2023): PERSPEKTIF, October
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v12i4.9700

Abstract

This article is the result of research on the transcendental communication of traditional leader in the Kecak Ramayana performance art in Uluwatu Bali. Traditional Custodian are Hindu religious leaders who are included in the presentation of the Kecak Ramayana. This customary leader does not exist in the new play of the Ramayana story. But his role is very important because he works outside and backstage. The purpose of this study is to reveal spiritual communication carried out by Traditional Custodian in the performance of the Kecak Ramayana dance in Uluwatu. This research method uses qualitative discrete. Data collection techniques used interviews with 4 sources, direct observation when the show was in progress, and retrieval of documentation to strengthen verbal data. The theories used in this research are ritual communication theory, non-verbal communication theory, and transcendental communication theory. The results of the study show patterns of spiritual communication that are customary stakeholders, namely (1) customary stakeholders as a link between the dimensions of the outer (profane) and inner (sacred) stages, (2) stakeholders carry out a reciprocal ritual, and (3) Traditional Custodian as a symbol of transcendental communication between the players, the audience, and Sang Hyang Widiwasa.
Strategi Integrasi Pendidikan Nilai Budaya Lokal Sandur Manduro di Dusun Gesing, Kabupaten Jombang Jawa Timur Hidajat, Robby; Ponimin, Ponimin; Rahayuningtyas, Wida; Muniir, Muhammad Sirojul
PERSPEKTIF Vol. 14 No. 3 (2025): Perspektif Juli
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v14i3.14502

Abstract

This article describes a strategy for preserving local cultural values through the Sandur Manduro performing art in Gesing Hamlet, Manduro Village, Jombang, East Java. The research subject is the Sandur Panji Arum association, led by Rifain, which consistently strives to preserve and develop this traditional performing art. The study aims to recommend the integration of Sandur Manduro into both formal and informal art education as a sustainable effort to maintain local cultural values. Sandur Manduro holds significant potential as an effective dance art education material to strengthen the identity and local cultural values among students in Jombang. Using a qualitative case study approach, this research analyzes the strategies employed by the Sandur Panji Arum association in transmitting knowledge and practices of Sandur performing art to the community, especially school-aged children and adolescents. Data were collected through participant observation, in-depth interviews with Rifa'in and association members, and analysis of related documents. The findings indicate the active role of the Sandur Manduro performing art's revitalization in instilling noble values, including togetherness, cooperation, and local wisdom, embedded within Sandur Manduro performances.
Co-Authors A, Allfa Andranica Devya Adinda Nur Ramadhani Haris Afaf, Muhammad 'Afaf Hasyimy Agung Suharyanto Agus Cahyono Ahamad Tarmizi Bin Azizan Aini Nurul Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Amir Razak Andy Pramono Arief Ardiansyah Astuti, Yuyun Nur Baiq Widya Rahmasari Bazur, Rizkyatul Citra Kurniawan Desy Ratna Syahputri Desyandri Desyandri Dewi Jasmine DP. Muhammad Affaf Hasiymy DP., E. W. Suprihatin E. Wara Suprihatin DP E.W. Suprihatin Diah Pratamawati Endang Wara Suprihatin EW Suprihatin Gesang Bayu Pamungkas Hadiantika, Reza Adinda Hartono Hartono Hartono Hartono Hasiymy, Muhammad Affaf Hasyimy, Muhammad 'Afaf Hasyimy, Muhammad Afaf Heriyati Yatim Heriyati Yatim Ika Ratnawati, Ika ika wahyu widyawati Ike Ratnawati Imam Tri Laksono Iziq Eafifi Bin Ismail Iziq, Iziq Eafifi Ismail Joko Sayono Martiarto, Janri Setyo Muhammad 'Afaf Hasyimy Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad afaf hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Affaf Hasiymi Muhammad Jazuli Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muhammad ‘Afaf Hasyimy Muklis Muklis Muniir, Muhammad Sirojul Mutiara Ramadhani Putri Supriadi Ni Wayan Mudiasih Norliza Bt Mohd Isa Ocha Denta Wijaya Pamungkas, Gesang Bayu Panji Suroso Ponimin Prasetyo, Yunanto Adi Pristiati, Tutut Pujiyanto Pujiyanto Pujiyanto Pujiyanto Purwadita, Fika Ardelia Candra Rahman, Amalia Arifah Retno Tri Wulandari Rully Aprilia Zandra Setyo Yanuartuti Shaari, Nazlina Siti Kholifatul Umaami Sri Linda Oktavia Sri Wulandari Sri Wulandari Sumarwahyudi Suprihatin DP, EW Suprihatin Dyah Pratamawati, Endang Wara Suprihatin, E. Wara Suprihatin, Endang Wara Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn Surasak Jamnongsarn, Surasak Surasak, Surasak Jamnongsarn Suyono Suyono Swastika Dhesti Anggriani Syamsul Hirdi Bin Muhid Syed Ahmad Iskandar Tri Maharani, Ratna Tri Wahyuningtyas Tri Wahyuningtyas, Tri Wathanan Srinin Wida Rahayuningtyas Wiflihani Wiflihani Yudha Prihantanto Yuyun Nur Astuti Yuyun Nur Astuti Zuhkhriyan Zakaria