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All Journal Buletin Udayana Mengabdi E-Journal Of Cultural Studies Linguistika LINGUAL: Journal of Language and Culture JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Jurnal Review Pendidikan dan Pengajaran (JRPP) LANGUA: Journal of Linguistics, Literature, and Language Education Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Eduvest - Journal of Universal Studies Loquēla Litera : Jurnal Bahasa dan Sastra J-CEKI Ulil Albab Langua: Journal of Linguistics, Literature, and Language Education
Putu Lirishati Soethama
Universitas Udayana
Religion Aerospace Engineering Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Neuroscience Social Sciences Other

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The Analysis of the Main Character Through Three-Dimensional Aspect and Characterization in the Novel “The Namesake” by Jhumpa Lahiri Ni Kadek Sarinata Dewi; Putu Lirishati Soethama; I Wayan Mulyawan
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5202

Abstract

This study is conducted to examine the three-dimensional aspects and characterization methods in The Namesake by Jhumpa Lahiri. The primary focus is placed on identifying how the main character, Gogol, is portrayed through these dimensions and what methods of characterization are applied to reflect his development. A qualitative descriptive method is used in this research, applying Lajos’s theory of three-dimensional aspects along with Burroway’s concepts of direct and indirect characterization to analyze the narrative data from the novel. Through the analysis, it is revealed that Gogol is portrayed as a character who undergoes a significant transformation throughout the story. In the early stage, he is shown as a 14-year-old who struggles with his identity and feels detached from himself. As the narrative progresses, a rebellious attitude is displayed by Gogol as he distances himself from his Bengali background. In the final stage of his life, after experiencing personal loss and emotional challenges, he undergoes a more profound reflection, leading to a greater appreciation for his cultural heritage. This transformation is portrayed through the use of both direct and indirect characterization methods, by which the emotional and cultural journey of an immigrant character is effectively conveyed.
Metaphors of Love in The Tortured Poets Department Album By Taylor Swift Putu Dabrina Cintania Jaya; Putu Lirishati Soethama; Putu Weddha Savitri
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5225

Abstract

This study explores how love metaphors are expressed in three selected songs: Guilty as Sin, The Alchemy, and But Daddy I Love Him, from Taylor Swift's The Tortured Poets Department album. Language plays a crucial role in conveying abstract emotions like love, and metaphor is a powerful tool for articulating complex feelings in song lyrics. Using a qualitative-descriptive approach, the research analyzes the lyrics through Lakoff and Johnson’s conceptual metaphor theory, categorizing metaphors into structural, ontological, and orientational types. Data were collected by closely reading the lyrics and noting metaphorical expressions, which were then interpreted within their emotional and thematic contexts. The findings reveal that ontological and structural metaphors dominate, portraying love as poetic storytelling and an evolving emotional journey, while no orientational metaphors were identified. This study highlights how Taylor Swift employs metaphorical language to capture the multifaceted nature of love, heartbreak, and personal transformation, demonstrating the significant role of metaphor in shaping emotional meaning in contemporary popular music.
The Morphological Analysis of Compound Words in Kendrick Lamar's Song Lyrics on The Gnx Album Ni Putu Lila Angelina Asmara; Yana Qomariana; Putu Lirishati Soethama
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5858

Abstract

This research is carried out to study the types and meanings of compound words found in Kendrick Lamar’s song lyrics on the GNX album. The main goal is to identify how the compound words are formed and to understand their meanings. This study uses a qualitative descriptive method. The theory from McCarthy (2002) is used to group the compound words into three types: noun compounds, verb compounds, and adjective compounds. To analyze the meanings, the study uses Booij’s (2007) theory, which explains two kinds of meaning in compounds: endocentric and exocentric. The data for this research are taken from all twelve songs on the album. The results show that the lyrics include all three types of compound words. The meanings found in the compounds include both endocentric and exocentric types. These findings are explained using simple written descriptions to give a clear understanding of the compounds found in the lyrics. The analysis shows that the lyrics contain many uncommon compound words, which shows the use of creative and modern language.
ANALYSIS OF ILLOCUTIONARY ACTS IN DONALD TRUMP’S STATE OF THE UNION ADDRESS Hannytiananda, I Gusti Agung; Soethama, Putu Lirishati
Jurnal Review Pendidikan dan Pengajaran Vol. 7 No. 4 (2024): Special Issue Vol. 7 No. 4 Tahun 2024
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jrpp.v7i4.37499

Abstract

The analysis discusses the illocutionary acts and forces in Donald Trump’s 4th of February, 2024 State of the Union address. Based on the analysis that has been conducted, it aimed to interpret and describe the illocutionary acts and forces in Donald Trump’s State of the Union address. A qualitative method was used toanalyze this research. The research also applied Searle and Bach and Harnish’s theory. Searle’s theory is used to interpret the illocutionary acts, whereas Bach and Harnish’s theory was used as an indicator of the illocutionary forces. The results of the analysis found all five of the classifications of illocutionary act, which consisted of a total of twenty-two samples, namely, assertives, directives, commissives, expressives, and declarations. In the analysis results, assertives were predominantly found in Donald Trump’s State of the Union address with the total of 266 data, which dominantly described how important the act of assertive is in political discourse as it is used as a way to persuade the hearer. The remaining acts that were found are directives with the total of twenty-eight data, commissives with the total of fourteen data, expressives with the total of twenty-two data, and declrations with the total of two data. The statements of Donald Trump that were analyzed did not include all of the classifications of illocutionary forces by Bach and Harnish, with assert as the dominant force in assertive act, requesting in the directive act, promising in commissive act, and thanking in expressive act. The act of declaration does not have illocutionary force.
The English Translation of French Negation in Amour Film Mukti, Gabriella Anggun Yunita; Matradewi, Ni Ketut Widhiarcani; Soethama, Putu Lirishati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/jdftnj29

Abstract

This study is entitled The English Translations of French Negation in Amour Film. This study aims to find out the distinctions between French and English negation through the types of negation sentence forms and how French negation, as the source language, is translated into English in the subtitle. The data source was taken from the Amour film. The method used in collecting data is documentation with note-taking techniques. Qualitative descriptive method is used in analyzing the data that has been collected. The theory used to identify the data is the theory of translation equivalence by Nida. Meanwhile, the negation of French and English is determined using the theories of Hawkins (2001) and Huddleston (2005). Based on the theory of translation by Nida, there are two kinds of equivalence: formal equivalence and dynamic equivalence. The results of this study showed that there were 91 data points from French negation in the Amour film; 70 were identified as formal equivalence, and 21 were identified as dynamic equivalence. Based on the two problems of the study, there were six types of French negation and four types of English negation. Keywords: Translation, French negation, English negation
Co-Authors Ayu Nur Fitriyani Das, Giridaridhari Gayatri, Ida Ayu Tri Hannytiananda, I Gusti Agung I Gst. Ayu Gde Sosiowati I Gusti Agung Istri Aryani I Gusti Agung Ngurah Agung Yudha Pratama Arnawa Putra I Gusti Ayu Gede Sosiowati I Gusti Ngurah Agung Yustina I Gusti Ngurah Parthama I Ketut Wandia I Nyoman Sedeng I Nyoman Tri Ediwan I Nyoman Udayana I Wayan Mulyawan Ida Ayu Made Puspani Komang Ayu Rosmala Dewi Krisnawati, Ni Luh Putu Kristian Bayu Cahyadi Luh Putu Laksminy Malini, Ni Luh Nyoman Seri Malini Matradewi, Ni Ketut Widhiarcani Mukti, Gabriella Anggun Yunita Ni Kadek Sarinata Dewi Ni Ketut Alit Ida Setianingsih Ni Ketut Widhiarcani Matradewi Ni Luh Ketut Mas Indrawati Ni Made Utari Handayani Ni Putu Devi Septirahyuni Ni Putu Khetrina Adi Ni Putu Lila Angelina Asmara Ni Wayan Dessrimama Putra Danan Jaya Putra, Pinandita Agung Bagus Wedavunam Putu Ayu Diah Damayanti Putu Dabrina Cintania Jaya Putu Ismaya Syafitri Putu Owen Purusa Arta Putu Weddha Savitri Qomaria, Yana Sakilla Kurnia Sang Ayu Isnu Maharani Surbakti, Dea Evelyn Vanesa Liu Yana Qomariana Yanti, Eka Juni Zawranisa Meigasuri