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All Journal Linguistika JURNAL PENDIDIKAN TAMBUSAI Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris International Journal of Linguistics and Discourse Analytics (ijolida) Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Jurnal Ilmiah Wahana Pendidikan Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Elysian Journal : English Literature, Linguistics, and Translation Studies Morfologi : Jurnal Ilmu Pendidikan, Bahasa, Sastra dan Budaya Litera : Jurnal Bahasa dan Sastra Ulil Albab Humanis Jurnal Pendidikan dan Sastra Inggris
Putu Weddha Savitri
English Department, Faculty Of Arts, Udayana University Denpasar, Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Compound Words in Andre Aciman's Call Me by Your Name Nirwana Nilam Sari; Putu Weddha Savitri; Ni Luh Sutjiati Beratha
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 8: Juli 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i8.1904

Abstract

This research entitled “Compound Words in André Aciman’s Call Me by Your Name” is interesting to be discussed further since compound word is one of the most productive types of word formation process in English. This research was aimed to find out the types of compound words and to analysed the meaning of the compound words in André Aciman’s novel entitled Call Me by Your Name. The data of this research were taken from the novel Call Me by Your Name written by André Aciman. The documentation method and note-taking technique was used in this research to collect the data. The qualitative method was used in this research to analyse the data that has been collected. The data that has been analysed were presented in formal and informal form. The results of this research explained that there are four types of compound words found in the novel Call Me by Your Name. There were found 198 nominal compounds, 39 verbal compounds, 14 adjectival compounds, and 6 neoclassical compounds. There were found 183 transparent meanings, and 74 opaque meanings. Therefore, there were found 257 compound words.
FIGURATIVE LANGUAGE OF MILK AND HONEY POETRY COLLECTIONS Felisha Firstania Putri Grandi; Putu Weddha Savitri; Ni Luh Sutjiati Beratha
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 11: Oktober 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i11.2348

Abstract

This study aimed to identify the types of figurative language and the use of figurative language to deliver the stages of grief applied in the Milk and Honey poetry collections due to its powerful deliverance by using figurative language inside the poetry which made the exploration of the pain of experiencing unpleasant events in an individual’s life more sophisticated. The data were collected by using documentation methods and note-taking techniques. This undergraduate thesis is aimed to discover the types of figurative language and stages of grief found inside the Milk and Honey poetry collections. The data were analyzed by using descriptive and qualitative method. In addition, the theory of Kennedy (1979) was applied in this study. The analysis of this study shows that seven out of eight types of figurative language are found in the poetry collections. They are metaphor, simile, personification, hyperbole, metonymy, symbol and irony. Furthermore, to identify the use of figurative language to deliver the stages of grief, the theory of Ross (1969) was used to enhance the study. There are five stages of grief proposed by the theory, and all of the stages of grief are found in this study. There are denial, anger, bargaining, depression, and acceptance.
The Meaning of Signs in Shadow and Bone Series Srikandiana, Zulvina Jois; Savitri, Putu Weddha; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/df8t0p37

Abstract

This research entitled “The Meaning of Signs in Shadow and Bone Series” and aimed to identify symbols, icon, and indexes in the series. This research also explained how the visual elements help in representing the meaning of the signs. The data in this research were collected from Shadow and Bone series by using documentation method and note-taking technique. This research applied triadic theory by Peirce and visual elements theory by Dyer to analyze the data. The findings of the research revealed that there were 12 visual signs in the series which in a form of 4 symbols, 1 icon, and 7 indexes. Each of the visual signs is correlated with the series story plot. The most dominant visual elements related to the sign meaning was represented by Alina’s character. It can be concluded that Alina is the main character in the series, and the signs reflected Alina’s journey from discriminated until venerated by people. The signs that related to Mal connects him to Alina, which means he is the supporting character for Alina’s journey. In contrast, the signs that related to General Kirigan indicates that he is the antagonist in Alina’s journey and her character development. According to the signs finding, General Kirigan portrayed as the greedy immortal man who addicted to power. He wanted to use Alina’s power for his purpose. He intended to use the shadow fold as a weapon, so that he could expand his sovereign territory and feared by the enemy of Ravka. Keywords: Icon, Index, Signs, Symbol, Visual Elements
Literary Formula in Novel Mistborn: The Final Empire I Kadek Harly Mahardikza; Putu Weddha Savitri; I Made Sena Darmasetiyawan
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 3 (2025): Desember : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i3.6853

Abstract

This research explores the application of literary formulas in Brandon Sanderson’s novel Mistborn: The Final Empire. The research aims to identify the specific narrative formulas employed within the novel’s structure and to map the pattern by which these formulas are integrated to create its compelling narrative. Using a qualitative approach, the study applies Cawelti’s literary formulas and Vogler’s stages of the journey to analyze key scenes, dialogues, passages, and plot events. Data collection involved close reading and detailed note-taking. The findings show that Mistborn integrates three formulas: adventure, mystery, and romance, into the narrative. By mapping the protagonist’s journey onto Vogler’s twelve stages, the study shows a clear pattern where the adventure formula drives the main plot, the mystery intellectually engages the reader, and the romance provides emotional depth. These findings help explain the narrative appeal of the novel and offer a useful framework for understanding how fantasy stories are structurally composed. The study demonstrates how traditional storytelling formulas can be used to create rich and engaging narratives in modern fantasy literature.
Verbal And Visual Signs In @Jeromepolin Instagram Reels Putri, Ester Margareta; Mulyawan, I Wayan; Savitri, Putu Weddha
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v8i2.15142

Abstract

Jerome Polin, yang biasa dikenal dengan nama Jerome dari akun Instagram @jeromepolin, adalah seorang pengguna selebgram yang terkenal. Penelitian ini berjudul Tanda Verbal dan Visual dalam Gulungan Instagram @jeromepolin. Penelitian ini terutama berfokus pada analisis penanda (signifier) dan petanda (signified) dari tanda verbal dan visual serta komunikasi visual dalam Instagram Reels @jeromepolin. Teori tanda oleh Dyer (1982), teori elemen komunikasi visual oleh Dyer (1993), dan teori makna oleh Leech (1981) digunakan untuk menganalisis makna tanda verbal dan visual serta komunikasi visual dalam Instagram Reel @jeromepolin. Metode kualitatif deskriptif diterapkan dalam analisis penelitian ini. Sumber data diambil dari lima unggahan Instagram @Jeromepolin yang diunggah pada periode Desember 2023 hingga Februari 2024 dengan menggunakan metode dokumentasi. Data disajikan secara deskriptif dalam bentuk tabel dan paragraf. Hasil analisis juga menunjukkan jenis-jenis tanda yang direpresentasikan dan makna yang terkandung di antara tanda-tanda yang diinterpretasikan dalam reel Instagram @Jeromepolin. Tanda-tanda verbal dalam data ini ditunjukkan oleh tulisan atau teks yang ada di dalam reel. Tanda-tanda visual terutama menandakan aksi dan latar objek. Ada juga analisis elemen-elemen komunikasi visual. Aspek-aspek yang paling sering digunakan termasuk usia, jenis kelamin, rambut, tubuh, ekspresi, posisi, pakaian, gerakan tubuh, pengaturan, fokus dan kedalaman penglihatan, pencahayaan dan warna, dan sudut kamera. Makna yang ditemukan dalam skripsi ini adalah makna sosial, makna konseptual/denotatif, dan makna konotatif.
An Analysis of Code Mixing in The Indah G Show Dewi, Ni Putu Irania Iswari; Qomariana, Yana; Savitri, Putu Weddha
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini mengkaji fenomena campur kode dalam video YouTube "Is Mental Illness Now A Trend? S**cide & Medical Assistance in D*ing (MAiD)” yang diunggah oleh The Indah G Show. Analisis difokuskan pada jenis dan alasan di balik penerapan campur kode yang digunakan dalam percakapan antara pewawancara (Indah G, dan Joshua Kenji) dan narasumber (Psikolog Astrid, dan Yolanda). Data dikumpulkan melalui metode observasi dan dokumentasi dengan teknik pencatatan. Penulis menggunakan metode kualitatif. Kerangka teori yang diambil dari Hoffman (1991) memberikan jenis dan alasan campur kode. Hasil analisis menunjukkan tiga jenis campur kode dengan yang paling banyak ditunjukkan yaitu campur kode intra-sentensial dengan 57 data. Selain itu, analisis menunjukkan ada tujuh alasan di balik penerapan campur kode dengan yang paling banyak ditunjukkan adalah berbicara tentang topik tertentu dengan 25 data.
English-French Code Switching Used by The Main Character in The Movie Series Emily in Paris Agustini, Ni Putu Ayu Devi; Savitri, Putu Weddha; Darmasetiyawan, I Made Sena
International Journal of Linguistics and Discourse Analytics Vol 5 No 2 (2024): IJOLIDA Vol. 5 No. 2, March 2024
Publisher : Denpasar Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52232/ijolida.v5i2.123

Abstract

Code-switching, a bilingual phenomenon in linguistics, refers to the practice of transitioning from one language to another, often between sentences. This practice is significant for understanding bilingual communication and identity expression. While code-switching can manifest across different languages, this study specifically focuses on English-French code-switching used by the main character in Emily in Paris. The research aims to categorize the types of code-switching observed and analyze the function of code-switching used by the main character in Emily in Paris. This research employs a qualitative research approach to comprehensively analyze instances of code-switching in the series. The primary method utilized for data collection involves documentation, utilizing note-taking techniques to thoroughly examine Emily in Paris based on both the movie script and subtitles. The collected data is analyzed through the theory of Appel and Muysken (2005), which classifies code-switching into three types: tag switches, intra-sentential switches, and inter-sentential switches. Additionally, the research explores six functions of code-switching: referential, directive, expressive, phatic, metalinguistic, and poetic functions. The analysis shows that Emily utilizes all three types of code-switching in her utterances, as well as various functions of code-switching. However, the predominant type observed is intra-sentential switching, where Emily inserts French terms into her English sentences. Concerning the functions of code-switching, Emily frequently employs the expressive function to emphasize a mixed identity by using English and French within a single conversation. While other functions such as referential, directive, phatic, metalinguistic, and poetic are also present in Emily’s speech, they occur less frequently. However, there are also instances of data that serve two functions of code-switching
REPAIR IN THE DIALOGUE OF FROZEN MOVIE Masyuni, Ni Nyoman Wulan; Savitri, Putu Weddha; Maharani, Sang Ayu Isnu
LITERA : Jurnal Bahasa Dan Sastra Vol. 10 No. 1 (2024): LITERA: Jurnal Bahasa dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v10i1.3167

Abstract

The title of this article is “Repair in The Dialogue of Frozen Movie”. This article aims to identify and analyze the types of repair and repair operations in the dialogue of Frozen movie. The data was taken from the dialogue in Frozen movie which was downloaded from the internet and the data are in the form of utterances. In the data collection, it used a qualitative method. This article used the theory proposed by Schegloff, Jefferson, and Sacks (1977) to classify the types of repairs and Schegloff (2013) to analyze the repair operations. The result of this research shows that all of the four types of repairs found in the dialogue of Frozen movie, namely self-initiated self-repair, self-initiated other-repair, other-initiated self-repair, and other-initiated other-repair. The result also shows that the repair operations found in this research, namely replacing, inserting, aborting, and recycling.
Metaphors of Love in The Tortured Poets Department Album By Taylor Swift Putu Dabrina Cintania Jaya; Putu Lirishati Soethama; Putu Weddha Savitri
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5225

Abstract

This study explores how love metaphors are expressed in three selected songs: Guilty as Sin, The Alchemy, and But Daddy I Love Him, from Taylor Swift's The Tortured Poets Department album. Language plays a crucial role in conveying abstract emotions like love, and metaphor is a powerful tool for articulating complex feelings in song lyrics. Using a qualitative-descriptive approach, the research analyzes the lyrics through Lakoff and Johnson’s conceptual metaphor theory, categorizing metaphors into structural, ontological, and orientational types. Data were collected by closely reading the lyrics and noting metaphorical expressions, which were then interpreted within their emotional and thematic contexts. The findings reveal that ontological and structural metaphors dominate, portraying love as poetic storytelling and an evolving emotional journey, while no orientational metaphors were identified. This study highlights how Taylor Swift employs metaphorical language to capture the multifaceted nature of love, heartbreak, and personal transformation, demonstrating the significant role of metaphor in shaping emotional meaning in contemporary popular music.
Existentialism of Main Characters in the Movie: Final Destination 5 Ni Kadek Wina Valentina; Putu Weddha Savitri; Yana Qomariana
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.5856

Abstract

This study examines the portrayal of existentialist principles and characterization in Final Destination 5 (2011), directed by Steven Quale. The research aims to identify the methods of characterization used for the five main characters and explore how Sartrean existentialism is reflected in their struggles. Using a qualitative approach, the study applies Kenney’s method of characterization and Sartre’s existentialist framework to analyze key scenes, dialogues, and character interactions. Data was collected through repeated viewings of the film, with critical moments transcribed and categorized based on characterization methods and existential principles. The findings reveal that Final Destination 5 employs a mixed method, with the dramatic method being the most dominant, supplemented by character on other characters and contextual methods to develop psychologically complex main characters. Existentialist principles emerge strongly, particularly the idea that "existence precedes essence," as characters are stripped of predefined roles and forced to define themselves through desperate actions. The burden of freedom and responsibility is evident in moral dilemmas, while the confrontation between anguish and authenticity shapes their responses to impending death. Sam’s journey from fear to acceptance exemplifies Sartrean authenticity, whereas Nathan’s ethical crisis highlights the paradox of human freedom.
Co-Authors A.A. Sg. Shanti Sari Dewi Adi Wira Laksana, I Made Agustini, Ni Putu Ayu Devi Anak Agung Sagung Shanti Sari Dewi Anak Agung Sagung Shanti Sari Dewi Anissa Nanda Puri Kurniasih Arie Susanti, Ni Kadek Darmasetiyawan, I Made Sena Dea Eka Pratiwi Desak Putu Bella Prabasari Dewa Ayu Rengganis Wijayanti Dewi, Ni Putu Irania Iswari Felisha Firstania Putri Grandi I Dewa Ayu Ika Fransiska I Dewa Ayu Satria Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Budiasa I Gede Budiasa I Gusti Agung Istri Aryani I Gusti Agung Mahadipa I Gusti Ayu Gede Sosiowati I Kadek Harly Mahardikza I Made Hartadi Jaya Nugraha I Made Sena Darmasetiyawan I Nengah Sudipa I Nyoman Rauh Artana I Wayan Eka Suarmita I Wayan Mulyawan Ida Bagus Gede Dwitya Dharma Suputra Lina Yuni Lestari Masyuni, Ni Nyoman Wulan Mile Adhelia, Refina Ni Kadek Eni Dharmayanti Ni Kadek Wina Valentina Ni Luh Ketut Mas Indrawati Ni Luh Sutjiati Beratha Ni Made Ari Supini Ni Made Ayu Widiastuti Ni Made Devi Sudiarta Putri Ni Made Prana Diansari Artawan Ni Putu Desi Ramayanti Ni Wayan Sukarini Nirwana Nilam Sari Putri, Ester Margareta Putu Anggita Novarianti Putu Dabrina Cintania Jaya Putu Lirishati Soetama Putu Lirishati Soethama Putu Rosalina Adnyani Sang Ayu Isnu Maharani Sintia, Intan Srikandiana, Zulvina Jois Wayan Mulyawan, I Yana Qomariana