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All Journal Journal on English as a Foreign Language (JEFL) Language Literacy: Journal of Linguistics, Literature, and Language Teaching Dinamika Ilmu Tawarikh : Journal of Historical Studies ELS Journal on Interdisciplinary Studies in Humanities Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat CALL Paradigm: Journal of Language and Literary Studies Jurnal Pembelajaran Sastra DINAMIKA ILMU: Jurnal Pendidikan Saksama: Jurnal Sastra Journal of English Language Teaching and Literature (JELITA)
Dian Nurrachman, Dian
UIN Sunan Gunung Djati Bandung
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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DEFAMILIARISING SUFISM IN THE ISLAMIC-MALAY TRADITION OF POETRY: A TEXTUAL AND HISTORICAL ANALYSIS ON SYAIR BURUNG PUNGGUK THROUGH ISLAMIC REGIONAL STUDIES Nurrachman, Dian; Hidayat, Asep Achmad
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol. 22 No. 2 (2025): Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v22i2.52688

Abstract

Syair Burung Pungguk is one of the classical Malay poems depicting the spiritual and existential struggle of humanity through the symbolism of longing and solitude. Through the lens of Islamic World Area Studies, this text can be read as a representation of the transformation of Islamic values rooted in the local experiences of the Malay society in Southeast Asia. This study applies a hermeneutic-cultural approach with the principle of defamiliarization to reinterpret the poem within the Islamic cultural context of the region. The analysis was conducted on the translated version Syair Burung Pungguk by Arief Rahman and Didik Purwanto (2021, National Library Press) by considering the textual side through the concept of defamiliarization combined with the perspective of Islamic Regional Studies. The findings suggest that the symbolism of the owl and the moon reflects the unique Malay-Islamic religiosity centered on mystical longing for the Divine, reaffirming that literature serves as an arena where universal Islamic teachings are aesthetically and culturally localized. Thus, this poem is not merely a literary artifact but a site of encounter between the universal principles of Islam and the cultural expressions of the Malay world rooted in Sufi sensibility.
RACE, RELIGION, AND THE MORAL OF WHITENESS: A POSTCOLONIAL READING OF NADINE GORDIMER’S COUNTRY LOVERS Nurrachman, Dian; Dody S. Truna; Ilim Abdul Halim; Mohammad Ziaul Haq
Saksama: Jurnal Sastra Vol. 4 No. 2 (2025): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v4i2.52685

Abstract

This article examines Nadine Gordimer’s Country Lovers through an integrated framework drawn from postcolonial criticism, critical race theory, and the genealogy of religion. It argues that Gordimer’s short story offers a concentrated narrative archive of how race and religion function as co-constitutive systems of colonial power. Using a mimetic method of literary criticism, the study treats the narrative as a representational site where social, legal, and moral structures of apartheid South Africa are reproduced and contested. The analysis is grounded in the contemporary understanding of race as a sociohistorical construct whose apparent naturalness conceals political and institutional production. The study also draws on Talal Asad’s formulation of religion as a historically contingent category shaped by European intellectual and colonial histories, as well as Malory Nye’s and Theodore Vial’s arguments that race and religion are inseparable “conjoined twins” of modernity. Within this theoretical constellation, Country Lovers emerges as a text that discloses how Christian-inflected moral orders and secular legal practices jointly uphold racial hierarchies. Close readings of key narrative scenes—Paulus and Thebedi’s secret encounters, the description of the mixed-race infant, the court proceedings, and Thebedi’s coerced silence—demonstrate the ways in which whiteness operates as moral purity while blackness is aligned with sin, transgression, and disposability. By analyzing these narrative elements as mimetic representations of structural power, the article argues that Gordimer’s work illuminates the afterlives of colonial religio-racial discourse in modernity. Ultimately, the study contends that Country Lovers not only critiques apartheid but also exposes the deeper moral and epistemic architectures through which colonialism continues to shape postcolonial consciousness. The article contributes to broader scholarly conversations about decolonization by foregrounding literature as a site where racialized religious imaginaries are produced, contested, and potentially transformed.
Co-Authors Abd Hannan EF Agus Salim Mansyur Aisyah Putri, Aisyah Assiddiqi, Hasbi Assidiqi, Hasbi Bachron, Alfa Sebastian derasta, mia ananda Dody S. Truna Erfina Nuryusticia Erlan Aditya Ardiansyah Faisal, Bunyamin Hannah, Neng Hasbi Assiddiqi Hidayat, Asep Achmad Ilim Abdul Halim Kamil, Syahrianu Syahidatul Lutfi Fachrulrozi MAHI MAMAT HKIKMAT Maritzsa Wahyudin, Nazwa Maula, Jechan Shofwatul Mohammad Ziaul Haq Nashruddin, Wakhid Nurul Rahmawati Nurul'aen, Yuyun Permanaludin, Udayani pramita, agry Priyawan, Pepen Putri, Tharissa Adila Rahmah, Tsaqila Idzhan Nur Rahmawati, Aprilia Ratnaningsih, Sri Rosyana Rohanda Rohanda Sri Rosyana Ratnaningsih Suyatman, Ujang Syamsidar Syamsidar Yatmikasari, Ika Yoga Sudarisman Yuyun Nurulaen, Yuyun