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Budaya Pesantren dan Tradisi Pengajian Kitab Fadlil Munawwar Manshur
Humaniora No 8 (1998)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1083.463 KB) | DOI: 10.22146/jh.2449

Abstract

Eksistensi pesantren ditandai oleh lima unsur pesantren, yaitu pondok atau asrama, masjid, santri, kiai, dan kitab yang satu sama lain saling mengisi dan saling berkaitan. Eksistensi pesantren ini sering disebut budaya pesantren atau dapat juga disebut masyarakat pesantren yang memiliki budaya khas masyarakat tradisional di pedesaan.
The Connection between Arabic and Western Culture in the Rise of Populism Fadlil Munawwar Manshur
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (672.755 KB) | DOI: 10.22146/jh.44770

Abstract

This article discusses the rise of populism in Arabic and Western cultures as well as the connection between them. This study shows that populism in the Arab and Western world have several common characteristics: resistance against the mainstream, xenophobia, isolation, intolerance, hostility towards strangers, extremism, radicalism, anti-multiculturalism, and anti-globalization. The rise of populism has affected Arabic and Western cultures, as well as their interactions. Because of populism, Western culture’s views of the outside world, strangers, immigrants, and Islam has changed significantly. Western culture, influenced by populism, tend to be intolerant, isolated, xenophobic, and lack trust in multiculturalism. Meanwhile, populism in Arabic culture tends to be more anti-Western, anti-capitalist, and anti-liberalist. With the rise of populism, relations between these two cultural entities have become colored by tension, distrust, suspicion, and xenophobia.
The Political Language of Disaster: Indonesian Government Communication for Handling the Covid-19 Pandemic Fariz Alnizar; Fadlil Munawwar Manshur
Jurnal Ilmu Sosial dan Ilmu Politik Vol 25, No 3 (2022): March
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jsp.66443

Abstract

Indonesia is one of the most populous countries exposed to Covid-19 with a high mortality rate. The pandemic has been in Indonesia since March 2020, but before the Covid-19 virus was officially declared to enter Indonesia, the Indonesian government previously took this threat lightly. It showed that the Indonesian government was using political language such as disaster communication. Some disparaging comments left public officials. This research uses a qualitative approach with content analysis techniques. The primary data is derived from President Joko Widodo’s speech at Bogor Palace and the tweets of @kemenkes @BNPB and @Jokowi’s Twitter accounts related to Covid-19. This research examines how the Indonesian government communicates its policies in overcoming the Covid-19 pandemic. Furthermore, this research is intended to reveal the narrative developed by the Indonesian government in campaigning for policies to overcome the Covid-19 pandemic. The results show that there are doubts from the government in determining the policies to be taken to overcome the spread of Covid-19. The narrative developed by the government—like the phrase “new normal” and “enggak mudik” phrase—is a narrative that is intended to create calm, even though it can endanger public health.
TEORI SASTRA MARXIS DAN APLIKASINYA PADA PENELITIAN KARYA SASTRA ARAB MODERN Fadlil Munawwar Manshur
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol 40, No 1 (2012)
Publisher : Fakultas Sastra Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (112.486 KB)

Abstract

Many works of the modern Arabic literary contain the class struggle themes, especially the struggle of the oppressed versus the oppressors. Indeed, the theme of class struggle in the works of Arabic literary is moral and social mirror of Arab society itself. By reviewing the works of Arabic literature from the perspectiveof Marxist literary theory in mind that the works of modern Arabic literature is the representation of violent social class conflict within the Arab society, so the use of this theory can further the work of Arabic literature presents a more meaningful, authentic, and can avoid the marginalization of the Arab literary works of construction of cultural and ideological society.
Bridging Conservative and Modern Approaches: Muhammad’s ‘Abduh’s Interpretation of al-Fatihah Najmah Sayuti; Fadlil Munawwar Manshur
Sunan Kalijaga: International Journal of Islamic Civilization Vol 3, No 2 (2020)
Publisher : Universitas Islam Negeri Sunan Kalijaga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/skijic.v3i2.1953

Abstract

Muḥammad ‘Abduh (1849-1905) is a modern Moslem scholar of Egypt. He was known as a reformist and an architect of Islamic modernism. Through his modernism, he introduced a synthesis of Islamic teachings and modern thought in order to bridge between conservative and modern approaches. This present paper is analysis of his tafsīr on al-Fātiḥah to understand his mix approches. The author found that ‘Abduh’s tafsir applied conservative language to reflect his radical ideas. However, ‘Abduh also introduced modern approaches in his tafsīr. Finally, it is found that al-Fātiḥah in ‘Abduh tafsir contains the substantial messages of the Qur’an.
POLEMIK PEMAKNAAN KASIDAH BURDAH AL-BUSIRY: KAJIAN ESTETIKA NEGATIF Fadlil Munawwar Manshur
Adabiyyāt: Jurnal Bahasa dan Sastra Vol 11, No 2 (2012)
Publisher : Sunan Kalijaga State Islamic University Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (255.326 KB) | DOI: 10.14421/ajbs.2012.11201

Abstract

Kasidah Burdah is the work of al-Bu>s}i>ry, an Arab Egyptian writer, which was created in the 13th century AD. It contains poems of praise to the Prophet. Its birth has made poems of praise to the Prophet grow rapidly in the Arab-Islamic world of literature. This Arabic literary work has a major impact on the development of Sufi literature. This research on Kasidah Burdah uses negative aesthetic theory developed by Hans Robert Jauss. This theory considers that a literary work cannot be separated from the history of its creation and speech. This theory also states that a literary work can only be said to achieve beauty when it is negated. It means that it is able to get out of the initial reality of its reference. The material object of this study is the Arabic text of al-Bus}īry’s Kasidah Burdah, and its translation in Indonesian. The formal object is the polemic of the interpretation of some verses in Kasidah Burdah concerning the position of the Prophet as a creature, love, maulid of the Prophet, intercession, and tawassul. The method used in this study is defamiliarization method. This method works based on the assumption that readers must change their way of reading a literary work. They cannot read similarly to what the previous readers did. Readers should not be fixated on the previous readings, but they have to produce new meanings which may not be the same as the primary ones.
TEORI DIALOGISME BAKHTIN DAN KONSEP-KONSEP METODOLOGISNYA Fadlil Munawwar Manshur
SASDAYA: Gadjah Mada Journal of Humanities Vol 1, No 2 (2017): MEI
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdayajournal.27785

Abstract

This paper discusses the theory advanced by Bakhtin about dialogism and methodological concepts. This theory to formulate the concept of human existence on the other, which is based on the idea that humans judge him from the viewpoint of others. Humans understand the moments of consciousness and take it into account through the eyes of others. According to this theory, the essence of human life is a dialogue. The Method of heteroglossia talks about signs in the universe of individuals because of the word "heteros" means "other" or different, while "glossia" means the tongue or language. In this method mentioned that people are saying needs to be heard, and the author also has the same rights that words need to be heard. A word is born from dialogue to address the problems of life. On the other hand, Bakhtin sees carnival method has spawned a new literary genre, the polyphonic novel. The polyphonic novel is a novel that is characterized by a plurality of voice or consciousness, and the voices or the overall awareness dialogical. Polyphonic essentially a "new theory of authorial viewpoint". Polyphonic appear in fiction when the position of the author freely allowed to interact with the characters. The characters in the novel are freely polyphonic appear to argue with each other and even with the author.
KAJIAN TEORI FORMALISME DAN STRUKTURALISME Fadlil Munawwar Manshur
SASDAYA: Gadjah Mada Journal of Humanities Vol 3, No 1 (2019): February
Publisher : Unit Penelitian dan Publikasi Fakultas Ilmu Budaya Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (430.296 KB) | DOI: 10.22146/sasdayajournal.43888

Abstract

From the perspective of formalism theory, this study aims to reveal that a research on literary texts does not only pay attention to textual facts existing in literary works, but also needs to pay attention to what exists outside the text. In the literary works, the element of defamiliarization holds that literary language is able to express facts of stories using unfamiliar languages. From the perspective of structuralism theory, this study aims to reveal that structuralism is conceptually a continuation of formalism which largely depends on language. Structuralism theory has a close relationship with linguistics, especially in analyzing the functions of the language used. The analysis of language function can help understanding language semiotics that views literature as a sign that then led to literary semiotics. Therefore, functioning to examine a phenomenon, the concept of semiotic structuralism emerged as a social fact.  Critical approach was deemed suitable to be used in this study because formalism theory and structuralism theory are part of a social construction and part of a discursive formation in the formation of subject and reality. As a result, it could be seen the position of formalism theory and structuralism theory in literary research of which raw material is language. The findings in this study are that the formalism theory in its development is dynamic and its language construction stimulates readers to respond. In principle, literary work is not autonomous because it contains author’s feelings and society’s mind. Literary research should exceed the boundaries of formalism and be able to create new vocabularies in writing novels. In the novel, there is intertextual polyvalence, which is a series and intensive dialogic linkages that are capable of giving birth to new novels. Another finding is that structuralism theory has a close relationship with linguistics, for example phonological elements in linguistics which can help literary theory in analyzing sound levels in oral literary works. This theory has also developed a study of poetry to the aesthetic level so that this study has shifted from its original aspects of verbal art only to all art and artistic aesthetics in the present time. This shift distinguishes the views between formalism and structuralism in relation to norms and values inherent in language.
PROPHET KHIDIR IN KUNTOWIJOYO’S NOVEL WASRIPIN DAN SATINAH: WOLFGANG ISER’S AESTHETIC RESPONSE ANALYSIS Inung Setyami; Faruk Faruk; Fadlil Munawwar Manshur
POETIKA Vol 10, No 1 (2022): Issue 1
Publisher : Literary Studies, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/poetika.v10i1.64730

Abstract

This study aims to describe and reveal the meaning of the figure of the Prophet Khidir as a repertoire in Kuntowijoyo's Wasripin dan Satinah novel in terms of Wolfgang Iser's Aesthetic Response theory. This study is qualitative descriptive, and the data source is the novel Wasripin dan Satinah published by Kompas Publisher in 2003. Using a note-taking technique of all novels related to the Prophet Khidir’s repertoire, it obtained the data. The technique was through 1) identification, 2) classification, 3) interpretation, and 4) inference. The results showed that 1) the figure of the Prophet Khidir in the novel Wasripin dan Satinah was an earlier reference in the text used by Kuntowijoyo as the basis or background for creating his novel. The transformed story of the Prophet Khidir in the Al-Qur'an has a different storyline. 1) In the Al-Qur'an, Prophet Khidir was approached by Prophet Musa to learn. Meanwhile, in the novel Wasripin and Satinah, the Prophet Khidir came to Wasripin to give his knowledge. 2) The novel Wasripin dan Satinah which represents the figure of Prophet Khidir, has given rise to myths in the lives of Javanese people. 3)  an intention conveyed by Kuntowijoyo in presenting the figure of the Prophet Khidir in his work, namely a lesson not to be shirk by glorifying or deifying someone who has superior abilities.
Following the Global Rejection: The Motives of Majelis Ulama Indonesia's Fatwas on Ahmadiyah Fariz Alnizar; Fadlil Munawwar Manshur; Amir Ma'ruf
Studia Islamika Vol 29, No 3 (2022): Studia Islamika
Publisher : Center for Study of Islam and Society (PPIM) Syarif Hidayatullah State Islamic University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36712/sdi.v29i3.15349

Abstract

This article examines the motives behind the decisions of the Majelis Ulama Indonesia (MUI), in 1980 and 2005, to issue fatwas condemning the Ahmadiyah. Using critical discourse analysis, this study reveals MUI’s motives behind its fatwas on the Ahmadiyah by drawing on the text and the context of the issuance of the fatwas. Underpinning MUI’s issuance of its fatwa on the Ahmadiyah Qadiyan in 1980 was the global rejection of the Ahmadiyah, particularly in Pakistan and Saudi Arabia. Meanwhile, MUI’s fatwa on the Ahmadiyah in 2005 was informed by an increased rejection of the Ahmadiyah in Indonesia, which was based on the Jalsa Salana Ahmadiyah meeting in 2005, in Parung, Bogor. In the fatwa’s dictum, MUI positions itself as the guardian of the Islamic creed. MUI’s choice of wording and language style in its fatwas demonstrates its desire to display its authority as a quasi-non-governmental organization.