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Journal : ARISTO

New Media 3.0: Merancang Model Pemberdayaan Komunikasi Politik yang Interaktif Anang Sujoko
ARISTO Vol 8, No 1 (2020): Januari
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (589.615 KB) | DOI: 10.24269/ars.v8i1.2261

Abstract

The use of new media in Indonesia significanty grows, especially among the youth generation. Unfortunately, it does not happen in the youth community organization. This study aims to determine the factors that become obstacles for youth community organizations in managing new media for the benefit of the organization. This research is a mixed method by using survey data collection techniques to identify the level of use of new media in each organization and focus group discussion (FGD) to obtain more in-depth data about the problems that become obstacles in its management. This study succeeded in digging data from 15 youth community organizations in the City of Kediri. This research succeeded in mapping the problems experienced by CSOs in utilizing the internet and its interactive platforms. Based on a survey conducted on 15 CSOs, it was found that the main problem faced was the unavailability of qualified human resources in CSOs that were specifically tasked with managing CSO social media accounts. This is also due to the low awareness of CSOs about the potential of the internet and new media 3.0 to treat their political audience. Furthermore, another obstacle faced is the difficulty in producing content. Based on the focus group discussion conducted to follow up on the results, the researcher concluded the two conditions above because CSOs do not have sufficient awareness and knowledge of the potential of the use of the internet and all its interactive platforms for political communication. The conclusion of this study is that the management of new media for organizations has not been taken seriously because of the low level of awareness of the importance of new media for organizational development. However, the design of the digital storytelling concept in order to create a sanse of belongings for the political audience of each community organization is seen as an alternative management solution after the appointment of manager responsibility.
The Role of Media Framing as Watchdog for Forest and Land Fires in Indonesia Anang Sujoko; Nabila Aulia Fahira
ARISTO Vol 10, No 1 (2022): January
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v10i1.3702

Abstract

Media surveillance in forest and land fires in Riau during 2019 is essential in protecting the environment and enforcing environmental crimes perpetrators. Online media coverage, apart from having a vital obligation to disseminate information to the public and a form of control over the government. The purpose of this study was to determine how the framing used by Tirto.id was related to the coverage of forest and land fires in Riau in 2019. The news was analyzed using Robert Entman's framing analysis method. There are four elements used in this research, namely, define problems, diagnose causes, make moral judgments, and treatment recommendation. The results found were that Tirto.id tended to frame the arrest of suspects who caused forest and land fires in Riau in 2019 as defining problems. Then, Tirto.id framed that the forest and land fires in Riau in 2019 were a deliberate mistake by humans, that it was an easy and cheap method to extend the farm. The assessment given by Tirto.id is that the government has been negligent in overcoming environmental problems. Therefore, Tirto.id provides a solution in providing fair laws to the suspects of forest and land fires in Riau in 2019.
Watching Cultural Hybridity in Hinduism Myth on The PRISMA Series Road to Baliphex 2022 Sandra Tri Oktaviana; Anang Sujoko; Dicky Wahyudi
ARISTO Vol 11, No 2 (2023): July
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v11i2.6834

Abstract

The Indonesian Philatelic Association (PFI) collaborated with PT. Pos Indonesia launched a special edition of PRISMA stamps to welcome Baliphex 2022, uniquely on PRISMA stamps there are symbols of ‘Wayang Kamasan’ painting (Balinese) and Mahabharata story (Indian) initiated by PFI. Researchers view that the special edition PRISMA series road to Baliphex 2022 is not just proof of payment and an event promotion tool, but as has meaning in each of the symbols that reflected Balinese and Indian culture. This study aims to reveal the representation of Balinese and Indian cultures in the PRISMA series Road to Baliphex 2022. We use Roland Barthes' semiotic method with units of analysis of denotation, connotation, and mythology. The results show that Balinese culture in PRISMA's Road to Baliphex 2022 series is structured through Mahabharata in Wayang Kamasan symbols, Baliphex events, and stamp elements that have denotative and connotative meanings. The mythology that appears in the PRISMA series Road to Baliphex 2022 is the myth of Hinduism, which is the belief of the majority of Balinese people. Hinduism mythology is structured through the symbolization Saput Poleng, Flags of Kober, Merdah and Tualen, Horse Carts, Big Trees, Ornaments, and Temples. The Hinduism mythology in the PRISMA series Road to Baliphex 2022 is not assembled through a single cultural representation, but with cultural hybrids from Mahabharata (Indian) and Wayang Kamasan (Balinese). This research contributes to the thesis statement that postage stamps can be used by the community as communication media to represent a certain ideology through a series of symbols with cultural hybridity.
The Role of Media Framing as Watchdog for Forest and Land Fires in Indonesia Sujoko, Anang; Fahira, Nabila Aulia
ARISTO Vol 10 No 1 (2022): January
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v10i1.3702

Abstract

Media surveillance in forest and land fires in Riau during 2019 is essential in protecting the environment and enforcing environmental crimes perpetrators. Online media coverage, apart from having a vital obligation to disseminate information to the public and a form of control over the government. The purpose of this study was to determine how the framing used by Tirto.id was related to the coverage of forest and land fires in Riau in 2019. The news was analyzed using Robert Entman's framing analysis method. There are four elements used in this research, namely, define problems, diagnose causes, make moral judgments, and treatment recommendation. The results found were that Tirto.id tended to frame the arrest of suspects who caused forest and land fires in Riau in 2019 as defining problems. Then, Tirto.id framed that the forest and land fires in Riau in 2019 were a deliberate mistake by humans, that it was an easy and cheap method to extend the farm. The assessment given by Tirto.id is that the government has been negligent in overcoming environmental problems. Therefore, Tirto.id provides a solution in providing fair laws to the suspects of forest and land fires in Riau in 2019.
Watching Cultural Hybridity in Hinduism Myth on The PRISMA Series Road to Baliphex 2022 Oktaviana, Sandra Tri; Sujoko, Anang; Wahyudi, Dicky
ARISTO Vol 11 No 2 (2023): July
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v11i2.6834

Abstract

The Indonesian Philatelic Association (PFI) collaborated with PT. Pos Indonesia launched a special edition of PRISMA stamps to welcome Baliphex 2022, uniquely on PRISMA stamps there are symbols of ‘Wayang Kamasan’ painting (Balinese) and Mahabharata story (Indian) initiated by PFI. Researchers view that the special edition PRISMA series road to Baliphex 2022 is not just proof of payment and an event promotion tool, but as has meaning in each of the symbols that reflected Balinese and Indian culture. This study aims to reveal the representation of Balinese and Indian cultures in the PRISMA series Road to Baliphex 2022. We use Roland Barthes' semiotic method with units of analysis of denotation, connotation, and mythology. The results show that Balinese culture in PRISMA's Road to Baliphex 2022 series is structured through Mahabharata in Wayang Kamasan symbols, Baliphex events, and stamp elements that have denotative and connotative meanings. The mythology that appears in the PRISMA series Road to Baliphex 2022 is the myth of Hinduism, which is the belief of the majority of Balinese people. Hinduism mythology is structured through the symbolization Saput Poleng, Flags of Kober, Merdah and Tualen, Horse Carts, Big Trees, Ornaments, and Temples. The Hinduism mythology in the PRISMA series Road to Baliphex 2022 is not assembled through a single cultural representation, but with cultural hybrids from Mahabharata (Indian) and Wayang Kamasan (Balinese). This research contributes to the thesis statement that postage stamps can be used by the community as communication media to represent a certain ideology through a series of symbols with cultural hybridity.
Co-Authors A.A. Ketut Agung Cahyawan W Adi, Kun Muhammad Agus Wahyudi Agus Wahyudi Ainun Qisthi Rosydah Akhmad Muwafik Saleh Amalia Dewi Masyitah Andhyka Muttaqin Antoni Antoni Antoni Antoni Antoni Antoni Antoni arianto, oni dwi Ayub, Zainal Amin Aziz, Nana Abdul Bambang Dwi Prasetyo Benni Indo Candra Apriliani Deka, Feiza Salsabila Desi Dwi Prianti Desi Prianti Dewi Liesnoor Setyowati Dicky Wahyudi Dicky Wahyudi Dicky Wahyudi Dicky Wahyudi Domini, Fransiscus Xaverius Dwi Anisa Febrianti Eko Widodo Fahira, Nabila Aulia Fariza Yuniar Rakhmawati Fatanti, Megasari N. Fathur Rahman Febrianti, Dwi Anisa Fidelis Aggiornamento Saintio Fidelis Anggiornamento Saintio Fikri A.R Firmantoro, Verdy halim, sahril Hattu, Neysa Feralda Huda, Mega Annisa Nuril Hurriyah, Nur Khulailatul Intan Septiana Tanjung Irwan Irwan Khadijah, Nur Sitti Khusnul Khatimah Kun Muhammad Adi Larasati, Galuh Pandu Maharina Novia Zahro Mashita Putri Hatama Maulina Pia Wulandari Misbahuddin Azzuhri Muhamad Firdaus Muhammad Firdaus Muhammad Syukri Mutiara Rahmadini Satya Lestari Muzakky Abdillah Nabila Aulia Fahira Nikmatus Sholikah Noer Rahmi Ardiarini, Noer Rahmi Oktaviana, Sandra Tri Oktaviani, Fitri Hariana oni dwi arianto Pinaraswati, Sandra Oktaviana Rachmat Kriyantono Rachmat Kriyantono Rania Pramesthi Putri Reza Safitri Ridy Sulhana Sahawi Rilo Pambudi Rosalina Bilqisth Rosalina Bilqisth Rosyidah, Ainun Qisthi Sahawi, Ridy Sulhana sahril halim Sari, Fadila Rahma Stefanny Lasmanogi Simanjuntak Sudarsono, Meryana Deasy Karina Tanjung, Intan Septiana Tri Astoto Kurniawan, Tri Astoto Wawan Sobari Winartono Winartono Winartono, Winartono Yudha Prakasa Zahro, Maharina Novia Zidna Al Izzah Zulfaidah Penata Gama