Article Per Year (5 Year)
p-Index From 2021 - 2026
7.039
P-Index
This Author published in this journals
All Journal JKMS : Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora KOM & REALITAS SOSIAL Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Jurnal Dakwah Risalah Menara Riau: Jurnal Ilmu Pengetahuan dan Pengembangan Masyarakat Islam Mozaik Humaniora Jurnal Studi Komunikasi PRofesi Humas Syntax Literate: Jurnal Ilmiah Indonesia Jurnal Pengabdian Pada Masyarakat Dinamisia: Jurnal Pengabdian Kepada Masyarakat Pendas : Jurnah Ilmiah Pendidikan Dasar JURNAL PENDIDIKAN TAMBUSAI Jurnal Riset Komunikasi Jurnal Manajemen Komunikasi Jurnal Pendidikan dan Konseling Jurnal Riset Mahasiswa Dakwah dan Komunikasi (JRMDK) Komunikasiana: Journal of Communication Studies Nakhoda: Jurnal Ilmu Pemerintahan Journal of English Language and Education Dinamika Lingkungan Indonesia International Journal of Media and Communication Research Jurnal Signal Jurnal Ilmu Administrasi Negara Prosiding University Research Colloquium Jurnal Kawistara Journal of Humanities Research Sustainability
Efni Noor Salam
Fakultas Ilmu Sosial Dan Ilmu Politik Universitas Riau
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Medicine & Pharmacology Nursing Physics Public Health Social Sciences Transportation Other

Published : 145 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 145 Documents
Search

 11   12   13   14   15 
MAKNA SIMBOLIK “KEMBAR MAYANG” DALAM PERNIKAHAN ADAT JAWA DI KECAMATAN BAGAN SINEMBAH KABUPATEN ROKAN HILIR Wati, Anggri Juwita; Salam, Noor Efni
Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Vol. 11: Edisi II Juli - Desember 2024
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kembar mayang are one of the main requirements in the manten meeting procession in holding a traditional Javanese wedding, where kembar mayang themselves are neatly arranged flowers and leaves neatly and beautifully resembling a bouquet. In kembar mayang there are symbolic aspects that have certain meanings that are represented through the attributes used and human behavior in the use of kembar mayang. The purpose of this study is to determine the meaning of symbolic situations, the meaning of social interaction products, the meaning of interpretation on kembar mayang in traditional Javanese weddings in Bagan Sinembah District, Rokan Hilir Regency. This research uses descriptive qualitative method with interpretive paradigm. The informants in this study amounted to 10 people, namely, 2 traditional leaders, 2 kembar mayang makers, 2 masterminds of meeting manten, 2 parents of brides, and 2 brides by using purposive techniques. The results of this study show that the meaning of the symbolic situation of kembar mayang in Javanese traditional weddings in Bagan Sinembah District, Rokan Hilir Regency consists of physical objects and social objects, the meaning of social interaction products includes the meaning of each informant, the meaning of kembar mayang interpretations includes open actions and closed actions.
MAKNA SIMBOLIK SESAJEN DALAM KESENIAN TRADISIONAL KUDA LUMPING SANGGAR KARYA BUDAYA DI DESA KEMUNING MUDA KECAMATAN BUNGA RAYA KABUPATEN SIAK Susanti, Ria Putri; Salam, Noor Efni
Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Vol. 5: Edisi I Januari - Juni 2018
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Kuda lumping is one of local cultural assets that owned by the Indonesian people and must preserved. In this art sesajen is one of the elements that can not be separated. In the sesajen in kuda lumping by Karya Budaya group, there are some symbolic aspects that have certain meaning is represented from the attributes and sesajen activities performed by the handler and kuda lumping toward sesajen. The purpose of this study is to know the meaning of physical symbols, social situation and social interaction of sesajen in the traditional art kuda lumping by Karya Budaya group at Kemuning Muda Village. This research uses qualitative research method with Symbolic Interaction approach. The informants in this research are the kuda lumping masterpiece of Karya Budaya, the trainer of kuda lumping of Karya Budaya, the senior and junior players of kuda lumping of Karya Budaya also the kuda lumping audiences which are selected purposively. Data collection techniques are conduted through in-depth interviews, observation and documentation. The results of this study indicate that the symbolic meaning of sesajen in the kuda lumping art of Karya Budaya at Kemuning Muda Village Bunga Raya Subdistrict Siak Regency consists of physical symbols that include people offer in the sesajen it self such as incense, chicken ingkung, pisang raja, snacks, rice pulut, egg, cassava flower, drink, rice, crackers, peyek, lalaban, tubers, pencok bakal, white rice and tempe bacem, comb, powder, mirror and lipstick, yellow rice, ketupat, dadap leaf, mermaid and young coconut with certain meanings every part. The social situation of the offerings in the art of the kuda lumping of Culture consists of the chants of prayer (mantra) read by the handler, incense burning by the handler, sow yellow rice by the handler and eat the offerings by the kuda lumping players of Karya Budaya which also have a certain meaning. The meaning of social interaction products include the meaning of sesajen from the handler's, from the coach, from the side of the kuda lumping by Karya Budaya group and from the viewer art of kuda lumping art show.
ETNOGRAFI KOMUNIKASI UPACARA HARI RAYA GALUNGAN DI KEPENGHULUAN PASIR PUTIH KECAMATAN BALAI JAYA KABUPATEN ROKAN HILIR PROVINSI RIAU Oktavia, Frida; Salam, Noor Efni
Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Vol. 5: Edisi I Januari - Juni 2018
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

ceremony is one of the rituals performed to celebrate the dharma victory (goodness) against adharma (evil) and as a form of gratitude to God Almighty. Ceremony of this galungan feast is also done by presenting banten that has been prepared by the people of bali villages and held this ceremony also to keep the rope silahturahmi between the people of Bali tribe in Kepenghuluan Pasir Putih with other communities. The purpose of this study to know the communicative situation, communicative events, and communicative acts in ceremonies Galungan feast in Kepenghuluan PasirPutih.The research method used is qualitative method by using ethnographic approach of communication. Informants in this study were 5 persons consisting of one person with adat stakeholder status, one person with status of community leader, one person with status of temple chairman, and two people with community status. And data collection technique using snowball sampling technique after that done participant observation, depth interview, and documentation.Based on the results of this study obtained shows that the communicative situation occurred in Pura Ganathana Kepenghuluan Pasir Putih and attended by the people of Bali and other communities. Communicative events in galungan ceremony consists of the type of event that is the opening greetings from the adat and community stakeholders and accompanied by the sound of bells. Topics in the form of a sign of gratitude. Purpose and function to request a prayer to Hyang Widhi. Setting is a ceremony held on the day around 10:00 pm until finished. Participants are family and society. The forms of messages are verbal and nonverbal. The contents of his message was begging for purgation and thankfulness. The sequence of action is to prepare a sitting posture, praying prayer, praying, mentirtha.The rules of interaction are found when the adat stakeholders begin the ceremony, at the mentirtha, discourse, and visit. The norms of interpretation there are values of decency, solidarity, and values of obedience and obedience to religion and custom. Communicative acts in the ceremony of Galungan festivities in the form of people who know the norms and have the skills in undergoing a series of ceremonies of Galungan.
KONSTRUKSI MAKNA KREDIT SYARIAH BAGI KONSUMEN IBNU AUF DI KOTA PEKANBARU Sari, Ranny Puspita; Salam, Noor Efni
Jurnal Online Mahasiswa (JOM) Bidang Ilmu Sosial dan Ilmu Politik Vol. 5: Edisi I Januari - Juni 2018
Publisher : Fakultas Ilmu Sosial dan Ilmu Politik Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Shari’a credit as a phenomenon becomes an interesting study for research. Shari’a credit is a usury-free credit that has not yet existed in Pekanbaru City, considering that the credit system in Indonesian is still dominated by conventional credit containing usury. One of shari’a credit that exist in Pekanbaru City is Shari’a Credits Ibn Auf. The rise of Shari’a Credits Ibn Auf in Pekanbaru City affects consumers in interpreting shari’a credit. This study aims to determine how the Ibn Auf consumer’s motive in doing shari’a credit and how they interpret the shari’a credit they are living. This research uses qualitative methods with phenomenological approach. Subject of this research consists of ten consumers of Shari’a CreditsIbn Auf in Pekanbaru City, selected by purposive technique. Data collected byobservation, in-depth interviews, and documentation. To test the validity of the data the author uses an extension of participation and triangulation. The results of this research indicate the Ibn Auf consumer’s motivein doing shari’a credit consists of past motive (because motive) and future motive (in order to motive). Because motive of Ibn Auf consumer’s in doing shari’a credit are(1) chased by debt collector, (2) Discomfort in the household, (3) knowing about usury, (4) following sunnah study, and (5) join the usuryfree community. In order to motive Ibn Auf consumer’s in doing shari’a credit are(1) want to avoid sin, (2) preach, (3) enforce shari’a of Islam, (4) hijrah overall, (5) live peacefully, and (6) follow the trend of Islamic Economy. Ibn Auf consumer’s interpret the shari’a credit they are livingas (1) credit according to the shari’a, (2) da’wah media, (3) usury-free credit, and (4) credit solution for moslem.
Tourism Communication Model in Developing Heritage City Tourism in Siak Sri Indrapura Regency, Riau, Indonesia Efni Salam, Noor; Yasir, Yasir; Firdaus, Muhammad; Azwa, Rusmadi; Lubis, Evawani Elysa
Journal of Humanities Research Sustainability Vol. 1 No. 1 (2024)
Publisher : Yayasan Adra Karima Hubbi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70177/jhrs.v1i1.876

Abstract

Background. Siak Sri Indrapura in Riau is one of the heritage city areas in Indonesia. Its main pillars include historical and cultural heritage such as the kingdom with its artifacts, traditional halls, mosques, traditional arts and crafts, and culinary. With this potential, Siak Sri Indrapura Regency has become a destination that many tourists visit to improve the economy of its community. Purpose. This study aims to explain communication patterns in developing heritage cities as tourist destinations in Siak Regency. Method. This research uses stakeholder theory with a tourism and heritage tourism communication approach, and uses qualitative methods. Results. The results of the study show that local governments supported by the private sector/entrepreneurs, academics, media, and local communities implement communication patterns in developing heritage tourism. Local governments play an active role in developing heritage tourism by taking formal legal protection for various heritage sites; the private sector/entrepreneurs have encouraged and accelerated government programs through capital assistance; academics have supported the government through research activities; the media has distributed information related to heritage tourism; and the local community is the axis and actor in the development of heritage tourism in Siak. Conclusion. The pattern of tourism communication in developing heritage cities as tourist destinations begins with a balanced relationship between the government and related parties, expanding private and academic functions, increasing the role of the media, and strengthening local communities as actors in the development of Siak as a heritage city. Therefore, this tourism communication pattern can be a role model for other regions to develop sustainable heritage tourism.
Co-Authors ", Muryantono ", Noviandri Abdul Rahman Sayopi Abrar, Siti Zakiyatul Ade Irawan Ade Irda Savitri Aditiya Tri Mahfudi Adrian Eko Desrilianto Adriani Rahmida Hayati Albert Donatius Sirait Alfarabi Almasdi Syahza Alqorni, Rahmat Wais Amita Raharjo Anaomi " Annisa Afriani Anter Venus Aprilianti, Welly Arfryani Lolyna, Arfryani Arimbi, Dwinsa Atiqah Atiqah Atiqah, Atiqah Azwa, Rusmadi Belli Nasution Benny Heltonika Bimantara, Rota Dang Syaras Ahmad, Dang Syaras Deria Pradana Putri, Deria Pradana Desi Maryanti Devi Ariyani Dewantoro, Taufik Ilham Dinanty, Aditta Riska Dira Rawina Windasari Egi Rugeri Elsa Dwi Clarita Elsa Dwi Clarita Elsarena, Mai Sela Rosa Evawani Elysa Lubis Fani Aprilia Napitupulu Febrianisa, Winne Firdaus, Jia’an Sin Fitri Irma Susanti Frida Oktavia Fritta Faulina Simatupang Genny Gustina Sari Gusra Rianti harahap, marajoki Harianti, Ririn Indah Henny Herfianti Isfia Herawati, Helda Hidayah Fadillah Hikmah, Samsiatul I Gusti Ngurah Antaryama Ihdina Rahmadhani Hararap Ike Ireztyawan Iskandar, Dahrial Ismandianto Iswanti, Desi Jais, Ahmad Jelly Dwi Putri Juli Asri Kurnia Romi Latifah Nur Aini Liandi, Oksas Lingga Saputra Maduma Yanti Sari Manurung, Yuni Sri Ningsih Mardiatul Aulia Martgaretta Elisabet Sihombing, Martgaretta Elisabet Maryanti, Desi Medio Aprima Mega Ceisilia Mega Silvia Monica Restama Muammar Revnu Ohara Muchid Muhammad Firdaus Muhammad Firdaus Mulia Putri Dana, Mulia Putri Mutia Anggraini N. Nurjanah Nadya Asyafina Neno Lestari Nia Ramadhani Nova Yohana Novita Sari Novyandi, Ilham Nur Asarani Nurjanah Nurjanah ' ' Nurjanah Nurjanah Nurrahmi Nurrahmi Nurul Asra Hadi Nuryah Asri Sjafirah Oktavia, Frida Permana, Muhammad Iqbal Pratiwi, Rosi Prayoga, Dimas Priadi, Rizal Putri Anggraini Putri Elza Putri, Nadia Safirna Qolby, Aqsha Qhairatul QURRATA AINI Rachmad Ramadha Rahmad Fauzi Saputra Rahmadi Rahmadi Rahmat Alpian. R Rani Ardina Ranny Puspita Sari Retno Sari Retno Windyarti, Retno Ria Putri Susanti Rianty Ellsa Ridar Hendri Riko Muriono Rinaldi, Ricki Eka Ringgo Eldapi Yozani Ringgo Eldapi Yozani Riska Marselina, Riska Rofina Istiqamah Nasution, Rofina Istiqamah Romi, Kurnia Rusmadi Awza Saipudin Ikhwan Sari, Mutia Novela Sari, Ranny Puspita Sefti Hariyani Selviana Utami Septa Alviana Septyani Adiyan Putri Siswanto, Abdul Hakim Siti Zakiyatul Abrar Suprianto " Suryan, Restu Susanti, Ria Putri Suwira Putra Syam, Siti Rohayani Syamsiar, Syamsiar TATI NURHAYATI Taufiq, Ghina Shabrina Tiffani Kumala Tri Riska Rahmadilla Umroh Isradana Usfatun Zannah Vina Dwiyanti Wahidah, Resti Wan Vabella Adrilianza Wardyan Ihzan Wati, Anggri Juwita Wenny Anggraini Widyawati " Yasir Yasir Yasir Yasir Yasir Yazid, Tantri Yondhi Darmawan Zulkarnain Zulkarnain