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All Journal El-HARAKAH : Jurnal Budaya Islam ATAVISME JURNAL ILMIAH KAJIAN SASTRA Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) Dinamisia: Jurnal Pengabdian Kepada Masyarakat Journal of Dedicators Community Journal on Education Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia RESLAJ: RELIGION EDUCATION SOCIAL LAA ROIBA JOURNAL Budapest International Research and Critics Institute-Journal (BIRCI-Journal): Humanities and Social Sciences JISABDA: Jurnal Ilmiah Sastra dan Bahasa Daerah, Serta Pengajarannya Jurnal Ilmiah Pengabdian dan Inovasi Kaloka: Jurnal Pendidikan Bahasa dan Sastra Daerah Jurnal Pengabdian Widya Dharma Indonesian Journal of Humanities and Social Sciences Piwulang : Jurnal Pendidikan Bahasa Jawa
Yuli Kurniati Werdiningsih, Yuli Kurniati
Universitas PGRI Semarang
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Bentuk, fungsi, dan makna budaya dalam cerita rakyat Asrah Batin di Kabupaten Grobogan Rahayu, Eka Puspita; Werdiningsih, Yuli Kurniati; Sunarya, Sunarya
JISABDA: Jurnal Ilmiah Sastra dan Bahasa Daerah, Serta Pengajarannya Vol 6, No 2: Desember 2025
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/jisabda.v6i2.16048

Abstract

The Asrah Batin tradition is a regional tradition that is still ongoing today. The Asrah Batin tradition is a social phenomenon that needs attention from the community. Therefore, it is necessary to examine to find out the form, function, and meaning of this tradition. The problems studied are related to the Asrah Batin tradition, namely (1) how is the form, function and meaning of the Asrah Batin tradition for the supporting community. The aims of this study are (1) to describe the form, function and meaning of the Asrah Batin tradition. The method used in this study is a qualitative descriptive method using a folklore approach. The results of the research are (1) The forms in the Asrah Batin tradition are divided into three stages, namely the preparation stage, the highlight of the event, and the closing event. In the preparation stage, the Gebyuk, Tuba, and Nyekar events were carried out. At the peak of the event there is a procession of sasrahan, panggih, wisuhan, reading of the history of Asrah Batin, Selametan (Kembul Bujana), Munggut, and srah-srahan. Meanwhile, the closing ceremony was performed with a tayub dance performance. (2) the functions of the existence of the Asrah Batin tradition for the supporting community are religious functions, educational functions, social and cultural functions, economic functions, and entertainment functions. (3) The symbolic meaning contained in the Asrah Batin tradition is the symbols in ubarampe. The symbols contained in ubarampe generally contain the meaning of hope and prayer to God, mutual forgiveness, advice to maintain kinship, maintain self-purity and ask for safety and blessings. The conclusions in this study are (1) The forms in the Asrah Batin tradition are divided into three stages, namely the preparation stage, the highlight of the event, and the closing event. (2) the functions of the existence of the Asrah Batin tradition for the supporting community are religious functions, educational functions, social and cultural functions, economic functions, and entertainment functions. (3) the meaning of the Asrah Batin tradition is in the form of symbolic meaning contained in the ubarampe used in the Asrah Batin tradition. The segatumpeng symbol has the meaning of three stages of human life, namely starting from still in the womb, life in the world, and death. These three stages must always be remembered by humans, because everything will return to Allah, ingkung means human submission to God and asking for forgiveness and being given safety, wedhak boreh ix has the meaning that people who hold salvation or ceremonial rituals are given safety and blessings.
Dominasi Perempuan dalam Proses Produksi Batik (Studi Kasus 2 Produsen Batik di Kabupaten Pekalongan) Kajian Dekontruksi Febriane, Alifat -; Werdiningsih, Yuli Kurniati; Sulanjari, Bambang
Kaloka Jurnal Pendidikan Bahasa dan Sastra Daerah Vol 4, No 2 (2025)
Publisher : Program Studi Pendidikan Bahasa dan Sastra Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/kaloka.v4i2.24718

Abstract

 Penelitian ini bertujuan untuk mengungkap dominasi peran perempuan dalam produksi batik, dengan menggunakan metode deskriptif kualitatif. Teori yang digunakan untuk membedah konstruksi ini adalah dekontruksi Derrida. Gagasan Derrida dianggap mampu memahami konstruksi masyarakat secara kritis dan mendalam. Dominasi perempuan dalam produksi batik memiliki peran serta pada posisi penting dan kuasa didalamnya. Dengan menggunakan teknik pengumpulan data melalui wawancara bersamaowner dan pekerja, dalam proses produksi batik diperoleh hasil, hampir seluruh proses produksi batik dilakukan oleh kaum perempuan. Meskipun, dalam proses pewarnaan masih memerlukan tenaga laki – laki. Hal ini, menunjukan bahwa dominasi perempuan dalam proses produksi batik, memberikan peran sosial dan ekonomi yang tinggi di masyarakat. Dibuktikan dengan dokumentasi saat observasi langsung yang dilakukan oleh peneliti di tempat produksi batik di Desa Wiradesa, Kecamatan Wiradesa dan Desa Babalan, Kecamatan Wonopringgo, Kabupaten Pekalongan. Kata kunci : Dominasi perempuan, produksi batik, Kabupaten Pekalongan, dekonstruksi Derrida 
Co-Authors alfiah alfiah Andi Priyolistiyanto Ariani, Eva Bambang Agus Herlambang, Bambang Bambang Sulanjari Dewi Lestari Dyah Nugrahani Fadilah, Muhamad Rizkiyono Febriane, Alifat - Fitri Yulianti Hidayati, Dyah Ayu Ikaning Ibnu Fatkhu Royana Indradewi, Marlisa Jati, Purbo Asmoro Kusuma, Shella Nada Mahakarti, Dewi Chandra Mardiyansyah, Mardiyansyah Mulyanti, Lisa Dewi Nazla Maharani Umaya Ngasbun Egar Ningrum, Andriana Dwi Ningsih, Rendy Wraspati Nuning Zaidah, Nuning Nurkhayatun, Umi Oktaviana, Gesy Lutfiah Rosidah Pinasthika, Lintang Jayanti Prastawa, Muhammad Rizki Tri Purwanti, Fhita Naurma Rahayu, Eka Puspita Ramadani, Desta Putri Refa Widia Pratiwi Rinnjani, Wahyu Tia Ristama, Langlang Tegar Bayu Rofiqoh, Rieskie Ari Safarina, Reny Anindhita Sasanti, Ani Senowarsito Senowarsito* Setia Naka Andrian Siti Musarokah Solihatun, Iha Sri Suciati Sulasmi Sulasmi Sunarya Sunarya Sunarya Sunarya Wati, Susi Guntari Widodo, Santri Wijaya, Faris Rahmadhiyaa