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All Journal Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) Jurnal Pendidikan Sosiologi dan Humaniora Catharsis Jurnal Pengabdian kepada Masyarakat Nusantara Wahana Dedikasi : Jurnal PkM Ilmu Kependidikan Prima Abdika: Jurnal Pengabdian Masyarakat Jurnal Ilmu Sosial, Humaniora dan Seni GEMBIRA (Pengabdian Kepada Masyarakat) TACET Jurnal Pendidikan dan Kajian Seni
Asfar Muniir, Asfar
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KOMPARASI POLA TABUHAN MUSIK IRINGAN PAWAI TATUNG TIONGHOA DAN DAYAK DI KOTA SINGKAWANG Letisia, Bernike; Fretisari, Imma; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 8 (2018): AGUSTUS 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract

 AbstractThe background of this research is to record the accompaniment of Tatung parade of Tionghoa and Dayak tribe, especially in Cap Go Meh ceremony in Singkawang city. Descriptive reaserch method and musical approach is used in this reasearch. The data is analyzed in qualitative. The interviewees that take part in the data is Eko Ladan, Simson Mihai, Eddyhlius sean, Chie Jun Fo and some artists who take part actively in accompiment of Tatung parade. This research is hoped be the guidence to study traditional music especially accompaniment of Tatung parade of Tionghoa ad Dayak tribes in Cap Go Meh ceremony in Singkawang city. Keywords: Comparison, beating tone, accompanimant, Tatung, Tionghoa tribe, Dayak tribe, Singkawang city.Bernike Letisia, Imma Fretisari, M.Pd, Asfar Muniir, M.PdProdi Pendidikan Seni Tari dan Musik, FKIP, UNTAN PontianakEmail: Bernike_Letisia@yahoo.com 
ANALISIS POLA TABUHAN MUSIK IRINGAN TARI SIGAL DALAM PERAYAAN GAWAI DAYAK BIDAYUH KABUPATEN BENGKAYANG Firdaus, Firdaus; Fretisari, Imma; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 11 (2019): Nopember 2019
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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AbstractThis research based to knowPunch Pettern in Sigal Dance Accompaniment Music on Gawai DayakBidayuh Celebration at Bengkayang.This research used descriptive analysis method, qualitative research and etnomusicology approach. Sources of data in this study the from of interviews with relevant sources. Data collection techniques such as observation, interviews, study literature and documentation. Technique validity of data used was source triangulation, triangulation technique and lengthen observation. Data analysis techniques in this study, that was transcribe Punch Pettern in Sigal Danceinto music notation.Based on data analysis wasSigal dance accompaniment it?s music punch structure in the accompaniment of dancebased on punch pettern.It was instrumentOguang, Sanang, Klutang, Kitaak dan Pidabat which is played out used a wooden stick but especially for Pidabat instrument used palms and wooden sticks. Sigal  start fromKlutang instrument proceed with Sanang instrument followed next Oguang and Kitaak instrument then the last Pidabat instrument. The Sigal dance accompaniment music comes from Jagoi Babang. Punch pettern the Sigal dance accompaniment music have the quality Ostinanto from beginning punch unchanged to the end. The result expected to be implented in the learning design of eighth grade first semester about Punch Pettern in Sigal Dance.Key Words: Pidabat, Punch Pattern, Sigal Dance Accompaniment
LAWANG FENOMENA INTERKULTURAL PADA PROSES KRATIF PENCIPTAAN KARYA MUSIK BARU Gunawan, Arisko; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 10 (2019): Oktober 2019
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AbstractThe creation of this work aims to allow individuals or groups of different cultures and comprehensionto open minds for a renewal for groups or individuals who will develop their knowledge, especially in the creative process of creating musical works.Lawang is a music program that includes extra musical objects that are realized into a work of musical composition. In the context of the musical aspect of this work is more dominated by occidental instrumentation (European-American) which is integrated into local cultural understanding in concept, technique, and philosophy. Lawang's works will be presented to the mixed musical ensembles. The steps used in the creation of this work include: preparation, incubation, illumination and verification with transferen and syncretic approaches. The Lawang music composition is a response to the intercultural phenomena which has the effects to the process of evolution of music science, especially, the creation of the music composition in Pontianak. The intercultural phenomena is the perspective that has been adopting as the framework of thinking in the creation of music which includes several characteristics such as open mindset and response to the coming and the development of the new knowledges which then realized.  Keywords:       Intercultural, Pontianak, Music Composition
PENGARUH MODEL STAD TERHADAP DAYA SERAP SISWA PADA PEMBELAJARAN ANSAMBEL PIANIKA KELAS VIII SMP Atida, Icha Asih; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 9 (2018): September 2018
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstract This research aimed to determine the effect of cooperative learning model on STAD type on students’ absortion in learning pianika ensemble Grade VIII of SMPN 1 Ledo.This research was an experimental study using research design of one group pretest-posttes design. The independent variable in this research was the cooperative learning model of STAD type while the dependent variable was students’ absorption. The subjects of this research were students of Grade VIII A as many as 33 students. The data collection techniques used were interviews and tests. The data analysis techniques consisted of three stages. Those were  the stage of data description, the stage of analysis requirement test and the stage of hypothesis test. The stage of data description included the distribution of students’ absorption data. The stage of analysis requirement test included normality test. While the stage of hypothesis testing used Paired T-test with a significance level of 5%. The calculation process used the computer of SPSS program version 17.0 for windows. The results showed that the application of the cooperative learning model of STAD type had a better performance towards increasing the students’ absorption in the learning of pianika ensembles in Grade VIII A of SMPN 1 Ledo.Keywords: model of STAD, absorption, pianic ansemble.
BENTUK PENYAJIAN TARI BETAJA PADA ADAT PERNIKAHAN SUKU DAYAK KANCIKNG DI KECAMATAN MELIAU KABUPATEN SANGGAU Wilhilmina Tanema, Sesilia Wynni; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 3 (2019): Maret 2019
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AbstractThis study analyzed the form of Betaja dance presentation in the community of dayak kancikng in Meliau, district Sanggau, which is based on the desire of researchers to make complete documentation about betaja dance. the problems in this study were, 1)what is the form presentation of the dayak betaja dance kancikng, 2)what is the betaja dance teaching material about art and culture lessons skills at the level of the class x senior high school. the purpose of this study was 1)describe the form of presentation of the betaja dance of the Dayak Kancikng tribe, 2)describe betaja teaching material for art and culture lessons and skills at class x senior high school. This research used descriptive method with qualitative research as well as used the choreographic approach. sources of data in this study and use choreographic approach. the data source in this study was Yohanes Aben male dancer male and musician, Tang S. Sos as a historian and male musician, Omba Latin dancer women. the data in this study were the results of interviews and observations in the form of notebooks, photographs and videos about Betaja dance in meliau, sanggau regency. data collection techniques using observation techniques, interviews and documentation. Keywords: Betaja District Form Kancikng Meliau Of Presentation.
FUNGSI MUSIK SRAKALAN PADA ACARA RESEPSI PERNIKAHAN DI KABUPATEN BENGKAYANG Apriani, Rina; Sanulita, Henny; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 6 (2018): Juni 2018
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AbstractThe background of this research is the function of srakalan music at wedding reception event at Sungai Raya Village Sungai Raya District of Bengkayang Regency. The reason researchers choose art Srakalan in Sungai Raya Village because the function of srakalan music as a means of da'wah and entertainment. The method used is descriptive method with qualitative research form. The approach used is the ethnographic approach.The results of research are: (1) music function Srakalan is as a means of entertainment and religious. (2) Srakalan music in Sungai Raya Village originated from the 70s until now and still maintained its existence. (3) this research can be implemented to school on cultural arts subjects or in extracurricular activities in school. Given the function of music Srakalan play an important role in the wedding reception is expected art of music Srakalan no future generation.Keywords: use, music, srakalan, wedding reception.
MAKNA SYAIR ASYROQOL PADA TRADISI SERAKALAN DIACAR PESTA PERNIKAHAN yarso, Varulian; Ismunandar, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 8, No 9 (2019): September 2019
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AbstractThis research analyzing about Meaning of lyrics the Serakalan in Sungai Jaga B village at Sungai Raya sub-district, Bengkayang District. The problem of research in this research is 1). Meaning of the lyrics the Serakalan in Sungai Jaga B village at Sungai Raya sub-district, Bengkayang District. 2). How were implementation of result the research done the Meaning of the lyrics to the Serakalan for learning in the school. This research used descriptive methods and a research reom used was qualitative research. In this research used sosiology approach. The source of data in this research is Darmawan and Muaiyat. The data in this research is interview results, observation results, sound recording, notebook, foto and video about Meaning of lyrics the serakalan at Sungai Jaga B village in Sungai Raya sub-district, Bengkayang District. Data collection techniques such as observation, interviews, and documentation. Technique to test the validity of data used was source an extension of observatioin and data analysis tecniques. The result of this study is lyrics of serakalan, lyrics navigate is Asyroqol. Meaning of lyrics Asyroqol is worshiped for Nabi Muhamad Saw, excrescent Nabi Muhamad Saw, and praise Nabi Muhamad Saw. perfomance (the presentation will be sempa mask, betel leaf, areca nut and others). This result implementation as learning meterials about meaning of lyrics Serakalan, teach about understanding meaning of lyrics Serakalan in class eight grade, first semester, in 2013 curriculum. Key word : Meaning Of Lyrics, Serakalan
EKSISTENSI GRUP MUSIK TANJIDOR NADA IRAMA DESA SEKUDUK KECAMATAN SEJANGKUNG KABUPATEN SAMBAS Sari, Nurdini Hanum; Mering, Aloysius; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 5, No 12 (2016): Desember 2016
Publisher : Jurnal Pendidikan dan Pembelajaran Khatulistiwa

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Abstrak : Penelitian ini bertujuan untuk mendeskripsikan eksistensi, faktor yang mempengaruhi eksistensi, dan upaya mempertahankan eksistensi Grup Nada Irama. Metode yang digunakan adalah metode deskriptif. Mendeskripsikan eksistensi Grup Nada Irama didapat melalui observasi dan wawancara terhadap narasumber, mendokumentasikan partitur, prestasi, kegiatan dan pemain musik Grup Nada Irama. Hasil penelitian menunjukkan bahwa Grup Nada Irama masih eksis sampai sekarang (2016), namun mengalami penurunan dikarenakan beberapa faktor. Faktor yang mempengaruhi eksistensi diantaranya kebutuhan masyarakat akan musik tanjidor, kebudayaan turun temurun, faktor ekonomi, kurangnya minat generasi muda dan belum pernah ada bantuan dari pemerintah setempat. Upaya mempertahankan eksistensi dengan mengajarkan notasi balok kepada generasi muda, mencari anggota arisan, menyisihkan uang hasil tampil dan menggunakan tanjidor sebagai sarana hiburan pada acara yang diselenggarakan. Hasil penelitian ini diharapkan dapat diimplementasikan dipelajaran Seni Budaya SMP kelas VII semester I serta dapat menjadi referensi bagi penelitian lanjutan mengenai musik tanjidor.   Kata kunci : Eksistensi, Grup Musik, Tanjidor. Abstract : This research aims to describe the existence, factors affecting the existence and effort to maintain the existence of the Nada Irama Group. Researcher used descriptive method in this research. Describing the existence of the Nada Irama Group obtained through observation and interviews with informants, documenting scores, achievements, activities and music player. The results showed that the Nada Irama Group still exist until now, but declined due to several factors. Factors affecting the existence of which community needs tanjidor music, cultures heredity, economic factors, the lack of interest of the younger generation and unprecedented support from lokal government. Efforts to maintain existence by teaching notation to the younger generation, looking for members of social gathering, set aside the money to appear, and use tanjidor as a means of entertaiment for the event. The result of this research are expected to be implemented in a cultural art lesson on senior high school 7 th grade one semester and it can be refrences further analysis about for tanjidor music. Keywords : Existance, Music Group, Tanjidor.
PROSES PEMBUATAN ALAT MUSIK SAPE DI DESA CAPKALA KABUPATEN BENGKAYANG Karlina, Ani; Muniir, Ismunandar; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 8 (2018): AGUSTUS 2018
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Abstract The background of this research was the researcher desire to ducomentation process of making sape to keep it sustainable and growing.  Sape is a traditional dayak musical instrument in Kalimantan Indonesia and Sarawak Malaysia made from wood, in addtiion, sape music instrument also has a unique music and melodious. The problem research was the tools used and the process of making sape.This research aimed to described the tools used and the process of making sape instruments in the capkala village. The research method was descriptive qualitative with organological approach. Data collected used was observation, interview with speakers was Dominikus Uyub, and documentation technique. Based on the data results of research, the tools used of making sape is sinso, ax, ketam, chisel, hammer, meter, electric drill, saw, sandpaper, carving tool, and knife. The process of making sape includes the formation of the wooden beam, the drying of the wooden beam, the formation sape body, smoothing, the making of resonation hole, carving        Keywords: Process, Sape Making, Capkala Village
PENGEMBANGAN MEDIA AUDIO-VISUAL MATERI NOTASI BALOK DI EKSTRAKURIKULER SENI MUSIK SMA NEGERI 2 MEMPAWAH HILIR Sulistio, Agus; Fretisari, Imma; Muniir, Asfar
Jurnal Pendidikan dan Pembelajaran Khatulistiwa Vol 7, No 3 (2018): Maret 2018
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Abstract

 AbstactThe type of research is Research and Development (R & D) in stage 2  in which the researcher did not make product design through research but only made or tested the effectiveness, efficiency and practicality of the use of existing products. The steps used in developing this instructional media use the steps of Borg and Gaal (2003) that have been simplified by Tim Pusjaliktnov (2008). This media had been validated by the material and media experts and small-scale field testing phase. Material and media experts stated that this media was suitable to be applied as a medium of learning material of beam notation. The average score of the material experts is 3, which is in the category of "very good" and the average score of the media experts is 2.78 which is included in the "very good" category. The results obtained from this small field trial stage are divided into two namely, the average score of the learners and the extracurricular builder of the art of music. The average score of the learners is 2.26, which is included in the "good" category and the average score of the extracurricular musical art coach is 2.6 which is in the "excellent" category.Keywords: media learning, audio-visual media, beam Notation
Co-Authors . Rahmat . Ruslan, . Aditya, Mega Cantik Putri Afsari, Regina Ripa Agus Pratiwi Agus Syahrani Alfioderi, Ridho ALINE RIZKY OKTAVIARI SATRIANINGSIH aloysius mering Alrinaldi, Alrinaldi Anggara, Rama Ardiansyah, Rikky Arif Dermawan Arry, Cornelius Asri, Multi Jum Atida, Icha Asih Bumadius, Bumadius Cantik Putri Aditya, Mega Dalamus, Renny Basajo Dazulli, M. Delta, Juliana Dennis Hoogendyk, Fian Welliem Dita Amelia, Dita Djau, Nurmila Djau, Nurmila Sari Djau, Nurmilasari Dwi Oktariani Edita, . Egi Putri Grandena Ela, Leonila Ella, Serafina Firdaus Firdaus Grandena, Egi Putri Gunawan, Arisko Halim, Idris Hasibuan, Herindra Hawari, Yusran Henny Sanulita Herdianti, Erni IMAM GHOZALI Imam Ghozali Imma Fretisari Irawan, Purna Aji Ismunandar Ismunandar . Jelita, Bela Anggun jian, Julianus Junita, Ellmy Lia Kalba, Milda Putri Karlina, Ani Kudun, Oktavanus Kusumayanti, Regina Laksmi, Nadya Ayu Letisia, Bernike Marselius, Marselius Marvella, Agnes Mastri Dihita Sagala Mawarni, Rizka Rina Muniir, Ismunandar Muslim, Agus Nanda, Gilang Ocktantrio Nugroho, Muhammad Arvin Nur Rahman, Nur Nurmansyah Nurmansyah, Nurmansyah Nurmila Sari Djau Oktavianus, Riksi Pangestu, Steven Hasan Panjaitan, Derry Rulita Pratiwi, Devi Putri, Meitika Kaping Ranto M, M Aristo Regaria Tindarika rina Apriani Sanjaya, Ridho Novreza Sari, Elisa Tresna Sari, Nurdini Hanum Sari, Purmini Mayang Satria, Bayu Satrianingsih, Aline rizky Septia Widya, Upik Riska Silaban, Chiristianly Yerry Silaban, Chiristianly Yery Sinaga, Limjon Parasian Subadrun, . Sulistio, Agus Suryani, Maulidya Okta Taufan E. P, Muhammad Wanda, Apriyanti Wilhilmina Tanema, Sesilia Wynni Winda Istiandini Yahya, Akhmed YANTO YANTO yarso, Rizal yarso, Varulian Yery Silaban, Chiristianly Yohanes, Beni Yudhistira Oscar Olendo Zakarias Aria Widyatama Putra