Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Law Development Journal

Copyright Protection of Cinematographic Works Due to Piracy of Spoiler Films Through the TikTok Application Amrullah, Muchlis; Wahyuni, Ridha
Law Development Journal Vol 6, No 4 (2024): December 2024
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/ldj.6.4.539-552

Abstract

This study aims to analyze legal protection and legal remedies due to spoiler film piracy through the Tiktok application, referring to Law No. 28 of 2014 concerning Copyright. The phenomenon of violations of film spoiler practices in the form of content through the TikTok platform has a negative impact on creators or copyright holders. Both morally and economically. In this case, of course, legal protection of cinematographic works must be enforced. Although legal regulations related to copyright of cinematographic works are available, in reality many people pirate spoiler films. This study uses a normative juridical method by reviewing theories, concepts, legal principles and related laws and regulations. The results of this study conclude that the protection and enforcement of copyright law for cinematographic works in the form of preventive and repressive, by providing licenses, supervision and law enforcement based on the perspective of Law No. 28 of 2014 concerning Copyright. The study shows that film spoilers in the form of content on the Tiktok application are very easy to use and the government is not firm in supervising electronic system providers, in this case Tiktok. Therefore, more effective supervision and law enforcement are needed to combat future film spoilers.
Implementation of “Direct vs Indirect License”: A Comparative Study of Music Licensing Systems between Indonesia and the United States of America Fattah, Ade Syaifullah; Wahyuni, Ridha
Law Development Journal Vol 7, No 2 (2025): June 2025
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30659/ldj.7.2.284-301

Abstract

This study examines the implementation of direct and indirect license systems in copyright royalty management, particularly in the music sector, by comparing the regulatory frameworks of Indonesia and the United States. In Indonesia, copyright royalties are predominantly managed through a collective licensing system via LMK (Collective Management Organizations) and LMKN (National Collective Management Organization). Although the legal framework permits licensing directly between creators and users, the lack of explicit regulation on direct licenses creates legal uncertainty and risks overlapping claims. In contrast, the United States recognizes and regulates direct licenses under the Copyright Act of 1976, allowing copyright owners to manage their economic rights independently or through Performing Rights Organizations such as ASCAP, BMI, and SESAC. This legal certainty enables greater flexibility, negotiation power, and transparency for creators and industry stakeholders. The study employs a normative-empirical legal method, combining statutory analysis with interviews, to explore how Indonesia might benefit from clearer legal provisions to support a dual licensing approach. Strengthening legal clarity on direct licensingcould ensure fairness, legal certainty, and adaptability for both creators and music industry actors in Indonesia’s growing creative economy.
Co-Authors ., Arbayah Abidin, Fikri Rafi Musyaffa Agustina, Salma Ahmad, Gaffar Ahsan Ridho Faturahman Alamsyah, Fiqih Dien ALYA, FARAH Amrullah, Muchlis Anni Alvionita Simanjuntak Astri, Andi Asyafa, Taris Atmajani, Era Try Auliya Zulfa, Azkiya Azzahra, Marcella Batubara, Ghifari Vioga Bonde, Elsa Chalid, Maisuri Tadjuddin Dwi Desi Yayi Tarina Fadhilah Fadhilah Fadilah, Fatma Putri Fakhriya Kemal, Anurra Fattah, Ade Syaifullah Faudiah, Nurul Febriani, Dwi Bahagia Fitriana Fitriana Frefy, Fyo Akbar Putra Gunawan, Celine Hadinigsih, Eka Frenty Hakim, Moh. Akmal Taris Handayani, Nanik Herlianto, Fahrian Ichwana P, Fareta Angelica Indradewa, Rhian KHOIRUL ANAM Lestari, Erika Lutfiananda Salsabila, Dea Mahvira, Mahvira Manurung, Citra Bintang Maranatha Maria, isda Masdiana, Ismail Masyita, Gita Maulida, Zahratul Monika, Arinda Muh. Nasrum Massi Murni Deborah Hutabarat, Sylvana Nazhip, Windra Hilmi Noerman, Chiquita Thefirstly Nopalia, Peni Novyana, Hilda Nugraha, Setyo Nurhayati Peggyanita, Wynne Prananda, Mayang Talentasari Purwanti, Heni Putri, Syifadilla Subagyo Rabbani, Radiyya Alvaro Achmad Raden Tina Dewi Judistiani Rahmadani, Tasya Aulia Rahmah, Dian Dwi Nur Rahman, Nadya Novia Ramadhani, Dwi Aryanti Rasyed, Muhammad Al Rina Masadah Ritha, Aniah Ritha, Aniah Sari, Risky Tara Nabita Sifana, Firdha Simanjuntak, Max Doan Sulistyorini, Chandra Syahril, Rizalinda Tanjilatin, Tanjilatin Teluma, Theresia Roselyn Amabilis Sarbiti Tripertiwi, Sucita Turyadi Turyadi, Turyadi Valentina, Widya Wananti, Atik Zahroh, Nasywa Kamiilah