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Soni Sadono
Universitas Telkom
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Journal : Jurnal Rupa

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Pewarisan Kesenian Wayang Golek di Jawa Barat Soni Sadono; Catur Nugroho; Kharisma Nasionalita
JURNAL RUPA Vol 3 No 2 (2018): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v3i2.1822

Abstract

As the improvement of increasingly sophisticated technology and the variety of modern communication media, such as television, radio, magazines, and the internet, the communities experienced a change of communication and entertainment media. So diverse regional arts and culture in Indonesia provides opportunities for various parties to be able to pass on to the younger generation and use it as a medium of communication. One of the local cultural arts passed down from generation to generation is Golek Puppets (Wayang Golek). Wayang Golek indeed been utilized by leaders and government in conveying information, knowledge and teachings to the community. Dissemination of information that is still centred on the urban areas, led to information gap between the people who live in urban areas with the people who live in the countryside. Meanwhile, the condition of people in West Java is still largely residing in rural areas. This is one of the reasons why this medium of Golek Puppet folk art is still used in guarding cultural and values heritage, also as dissemination of information media. This research is related to guarding of cultural heritage and development communication strategy. The theory used in this paper is Heriter La Culture Theory which describes the concept of cultural inheritance. While the method used is the method of phenomenology, where research focused on phenomena or events that are unique and special. In this research, the use of wayang golek folk art as a communication medium is something unique because while technology is more modern, some parties in West Java still maintain the traditional communication media that is, the art of wayang golek show. In the development of wayang golek in West Java, almost all stakeholders involved using the conservation, reinterpretation, and revitalization system.
Co-Authors Abdurrachman, Arazak Adrian Permana Zen Adzani, Qaisya Afti, Sevilla Naufal Agus Dody Purnomo Alam, Samsul Alfath, Muhammad Amal, Hanif Hasanul Ambari, Muhamad Wildan Amelia Pasha, Dea Arrafi, Ananda Dhaffa Arsyafitri, Yasmin Annisaa Asep Sufyan Muhakik Ayuningtyas, Ester Dyah Bagus Nur Rochman, Bagus Nur Brilindra Pandanwangi Brillian, Rayhan Muhammad Catur Nugroho Cucu Retno Yuningsih Didit Endriawan Donny Trihanondo Dwitama, Muhamad Rizki Dyah Ayu Wiwid Sintowoko Epri Diningrum, Anisa Ersyad, Firdauz Azwar Fahrez, Arsyi Muhammad Fahreza, Rayhan Fauzan, Emir Ahmad Fiallco, Yoppyndra Firdaus Azwar Ersyad, Firdaus Azwar Firdaus, Ivan Fauzy Firdaus, Mahadika Fuadi, Rizka Aulia Putri Giri R, Vega Harrie Lutfie Hening Laksani Hibatullah, Fikri Nabil Huriyah, Hanin Husna, Safaratul Hutabarat, Tiurma Rotua Iqbal Prabawa Wiguna Ivana, Jenifer Janitra, Azarinnabila Kasputra, Danil Kharisma Nasionalita Kusumanugraha, Sigit Leni Cahyani Mahendra, Rengga Nadif Miftahussurur, Giat Agus Muyassar, Muhamad Ihsan Nastiti, Tiara Khaliza Nazori, Futrawan Nurwidhi, Dwiannisa Shafira Pamungkas, Ridho Putra Pandanwangi, Brilindra Paramitha Pebrianti2 Pebrianti2, Paramitha Putri, Jade Elisa Rachmawanti, Ran3 Rafli, Muhammad Rahmat Hidayat Ranti Rachmawanti Ridwan, Marsha Nabila Rohadiyat, Vega Giri Rustandi, Aprilia Putri Sakinah, Alma Raissa Sampurno Wibowo Sarita, Sandrina Rahma Setiadi, Mochamad Rizal Setiawan, Rheza Putra Suprayogi, Bambang Melga Teddy Ageng Maulana Topik Mulyana Tri Haryotedjo Vega Giri Rohadiat Yudhistira, Laurensius Zahira, Pocut Aisha