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All Journal Kiryoku: Jurnal Studi Kejepangan JURNAL PENDIDIKAN TAMBUSAI AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra Jurnal Abdi Masyarakat Multidisiplin Educalitra: English Education, Linguistics, and Literature Journal Madani: Multidisciplinary Scientific Journal SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Jurnal Ilmiah Multidisiplin Amsir Gudang Jurnal Multidisiplin Ilmu Socius: Social Sciences Research Journal Metathesis: Journal of English Language, Literature, and Teaching Gudang Jurnal Pengabdian Masyarakat EJI (English Journal of Indragiri) : Studies in Education, Literature, and Linguistics ELite Journal: International Journal of Education, Language and Literature Masyarakat: Jurnal Pengabdian Salience: English Language, Literature, And Education Journal JEELL (Journal of English Education, Linguistics and Literature) Jurnal Citra Multidisiplin
Kartiningsih, Rindrah
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REPRESENTATIVENESS BIAS IN SYLVIA TOWNSEND WARNER’S THE PHOENIX Pasopati, Rommel Utungga; Aulia, Annisa Deby; Kartiningsih, Rindrah; Andharu, Devito; Fadillah, Muhammad Reza Ishadi
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.51

Abstract

Representativeness bias occurs when possible similarity of an object shadows the real condition. This mental shortcut, as accentuated by Amos Tversky and Daniel Kahneman, is affiliated with Gambler’s Fallacy. The Phoenix is Sylvia Townsend Warner’s short story released in 1940. This story tells about a phoenix set on a display to the audience. The owner wanted to kill it since its death would show amusement of fire. The phoenix died as the fire came out and burned the place including the owner and the spectators. Then, how is representative bias illustrated on Sylvia Townsend Warner’s The Phoenix? Through qualitative methods on psychological and literary studies, this article asserts the owner’s misconception of the phoenix. The bird’s specialty was its rare exoticness and myth about being immortal. The owner was shadowed with greed by opposing the true state of nature. He then had to accept the bitter truth of death as the pyre burned all out including himself and other persons. In conclusion, the story shows how representative bias accompanied with greedy thought may ignore otherness by accentuating mere profit.
Mrs. Kearney’s Motherhood in James Joyce’s Dubliners: A Mother Short Story W, Yasmine Azzah Adillah; Hariyono, Hariyono; Kartiningsih, Rindrah
Jurnal Pendidikan Tambusai Vol. 10 No. 1 (2026)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jptam.v10i1.37222

Abstract

Studi ini menganalisis penggambaran peran ibu dalam cerita "A Mother" dari Dubliners karya James Joyce. Penelitian ini bertujuan untuk mengkaji bagaimana peran ibu dikonstruksikan sebagai peran yang dibentuk secara sosial dan untuk mengidentifikasi pengaruhnya terhadap karakter-karakter dalam narasi tersebut. Studi ini menerapkan metode deskriptif kualitatif menggunakan teori peran ibu O’Reilly, yang mengkonseptualisasikan peran ibu sebagai institusi yang dikonstruksi secara sosial yang dibentuk oleh pengasuhan, kekuasaan dan otoritas, kerja emosional, ideologi gender, tanggung jawab sosial dan moral, pengorbanan dan penghapusan diri, transmisi, dan pengaruh peran ibu. Temuan menunjukkan bahwa peran ibu dalam cerita-cerita yang dipilih tidak hanya digambarkan sebagai ekspresi kasih sayang tetapi juga sebagai peran sosial yang kompleks yang tertanam dalam kontrol, regulasi moral, dan ambisi sosial. Mrs. Kearney menunjukkan berbagai dimensi identitas keibuan yang mencerminkan pengaruh harapan sosial dan nilai-nilai patriarki dalam masyarakat Irlandia awal abad ke-20. Lebih lanjut, studi ini menemukan bahwa peran ibu secara signifikan memengaruhi perkembangan dan keamanan emosional, pembentukan identitas dan sosialisasi gender, serta pembentukan moral dan otoritas internal di antara para karakter. Pada akhirnya, penelitian ini menyimpulkan bahwa peran ibu dalam Dubliners berfungsi sebagai kekuatan pengasuhan sekaligus mekanisme kontrol sosial, memperkuat norma-norma masyarakat sekaligus membentuk pengalaman psikologis individu.
APPROACHING THE VALUES OF THE MAJAPAHIT KINGDOM: A STUDY OF GANESHA STATUES IN TROWULAN MUSEUM Soenarko, Zahra Pramatatya; Mikail, Izzaditya Dharmaputra; Kartiningsih, Rindrah; Rahmadianti, Happy Julia; Pasopati, Rommel Utungga
Jurnal Citra Multidisiplin Vol. 1 No. 4 (2026): Jurnal Citra Multidisiplin
Publisher : STKIP Citra Bakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38048/jcm.v1i4.6861

Abstract

This study addresses the tendency to interpret Majapahit artifacts through fixed symbolic meanings without examining how value is constructed through social experience. The research focuses on the Ganesha statue in Trowulan Museum as a cultural artifact situated within a specific historical context. A qualitative interpretive design is employed, using literature-based analysis and symbolic examination guided by the framework of John Dewey’s theory of value. The findings indicate that the Ganesha statue functions not only as a religious representation but as a medium through which values related to knowledge, authority, and social order are organized. Its symbolic attributes are shown to reflect practical concerns within Majapahit society rather than fixed doctrinal meanings. Comparative analysis reveals that differences between Indian and Majapahit representations result from contextual adaptation rather than variation in form alone. The study also demonstrates that the relocation of the statue into a museum context produces a shift in valuation, where its function changes from ritual practice to educational and cultural interpretation. These findings support the view that value emerges through interaction, use, and changing conditions. The study contributes to cultural and educational research by positioning artifacts as active participants in value formation rather than passive carriers of meaning.
Spotlighting Plot Twists Within the Brevity of Flash Fiction Hakim, Novanda Lukwita; Rahmadianti, Happy Julia; Ramadhani, Nasywa Nuzula; Kartiningsih, Rindrah; Pasopati, Rommel Utungga; Yuliastuti, Anicleta
Jurnal Ilmiah Multidisiplin Amsir Vol. 4 No. 2 (2026): Juni
Publisher : AhInstitute of Research and Community Service (LP2M) Institute of Social Sciences and Business Andi Sapada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62861/jimat.v4i2.916

Abstract

This study examines how plot twists operate effectively within the constraints of flash fiction. Flash fiction, commonly defined as narratives under 1,000 words, has developed into a distinctive literary form characterized by extreme brevity and narrative economy. Despite its compressed structure, flash fiction can produce strong emotional and intellectual effects, often through the use of plot twists. These twists function as a crucial narrative strategy that subverts reader expectations and intensifies the impact of the story’s ending. In a genre where extensive characterization and detailed exposition are limited, plot twists become a central mechanism for creating narrative depth and maintaining reader engagement. The research aims to analyze narrative techniques that allow authors to construct impactful twists despite strict word limits. Using a qualitative textual analysis approach, the study analyzes selected flash fiction works that feature notable plot reversals. The analysis focuses on key narrative elements, including the structural placement of twists, foreshadowing, misdirection, and the strategic use of minimal detail. The findings indicate that successful plot twists in flash fiction depend on narrative compression, the manipulation of reader expectations, and the creation of cognitive surprise that encourages readers to reinterpret earlier elements of the story. In conclusion, it is proven that these strategies demonstrate how brevity can enhance, rather than limit, narrative complexity in micro-narratives.
Co-Authors Agil, Agischa Putri Ananta, Bintang Ryan Andharu, Devito Annasai, Axlinabila Annisa Aprilla, Evania Nur Aulia, Annisa Deby Ayu Rengganis, Dewi Camila, Myrilla Shafa Dermawan, Zahwa Amelia Putri Fadhelah Aulia Hamidah, Galuh Fadillah, Muhammad Reza Ishadi Fiona Smith, Marion H, Hariyono Hakim, Novanda Lukwita Hamidah, Galuh Fadhelah Aulia Hariyono Hariyono Hariyono Kurniawati, Wiwin Anggraeni Kusuma, Albert Wijaya Mikail, Izzaditya Dharmaputra Napitupulu, Johanes Claudio Perdana Ni Nyoman Sarmi, Ni Nyoman Noviyanti, Anisa Dinda Pangestu, Imelza Novia Rakhmadani Pasopati, Rommel Utungga Putriana, Kadek Olivia Novi Rahmadianti, Happy Julia Ramadhani, Nasywa Nuzula Reku, Angelina Merici Wua Rengganis, Dewi Ayu Salsabila, Shafa Santoso, Liora Samantha Valent Sasmita, Dimas Rakhmat Siadari, Yoshua Veron Handika Putra siti wulandari Soenarko, Zahra Pramatatya Tobing, Victor Maruli Tua L. W, Yasmine Azzah Adillah Wicaksono, Anggoro Cahyo Wijaya, Kusuma Wijaya, Silvia Marta Wirnoto, Yasmine Azzah Adillah Yuliastuti, Anicleta Zhafirah, Muthiah Qalbu