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Lobat Pakpak: Kajian Organologi, Ritual, dan Teknik Permainan Pasaribu, Andika pranata; Fadlin, Fadlin; Ginting, Yoe Anto
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.991

Abstract

This study explores the ritual of making and the playing techniques of the Lobat Pakpak in Sukaramai Village, Kerajaan District, Pakpak Bharat Regency. The background of the research lies in the significance of the Lobat, which functions not only as a musical instrument but also as a medium of spirituality and cultural identity for the Pakpak community. The objectives are to describe the ritual process of crafting the Lobat, explain its playing techniques, and analyze the musical structure of its repertoire. The fieldwork was conducted over a one-week period starting on June 12 until completion, involving six key informants, including instrument makers, traditional players, and cultural leaders. The data were collected through participant observation, in-depth interviews, audio-visual recordings, and musical transcription. A qualitative method with an ethnographic approach was applied. Dhavamony’s theory was employed to examine ritual aspects, Kashima Susumu’s theory for organological study, and Malm and Prier’s theories for musical analysis. The findings reveal that the making of the Lobat combines technical craftsmanship with sacred rituals, while its performance emphasizes breath control, simple fingering, and pentatonic melodic patterns. Thus, the Lobat represents an intangible cultural heritage reflecting spirituality, local wisdom, and the identity of the Pakpak people.
Makna Lagu Populer Batak Toba Saat Penyerahaan Ulos Hela Pada Upacara Pernikahan Batak Toba di Kota Medan G. Siagian, Fibri; Fadlin, Fadlin; Sitopu, Sapna
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.997

Abstract

This Research is Entitled Analysis of the Meaning of Populer Batak Toba Songs During the Handover of Ulos Hela at Batak Toba Wedding Ceremonines in Medan City.” These three songs are always chosen to be sung before the Ulos Hela is presented to the bride and groom. To analyze the textual meaning in this study, the author uses Ferdinand de Saussure’s semiotic theory, focusing on denotative and connotative meanings. In addition, the songs Burju Marsimatua, Gabe Maho Boru, and Borhat Ma Dainang contain advice and prayers with connotative meanings that reflect the social values of the Batak Toba community. The research techniques used are fieldwork and desk work as introduced by Bruno Nettl. The author applies a qualitative method through observation, interviews, and audio-video recording. The findings of this study indicate that the Ulos Hela ceremony is a crucial highlight of the Batak Toba wedding tradition, symbolizing parental love, blessings, and the transfer of responsibility from the bride’s parents to the groom’s family.
Representasi Iman dan Budaya dalam Jalan Salib dan Jumat Agung di GKPA Sibadoar Sinaga, Ester; Fadlin, Fadlin; Gulo, Hubari
Jurnal Pendidikan dan Penciptaan Seni Vol 5, No 2 (2025): Jurnal Pendidikan dan Penciptaan Seni - November
Publisher : Mahesa Research Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34007/jipsi.v5i2.933

Abstract

This study examines the representation of faith and culture in the celebration of the Stations of the Cross and Good Friday at GKPA Sibadoar, Sipirok District, South Tapanuli Regency. Good Friday is an important day for Christians to commemorate the crucifixion and death of Jesus Christ. This research aims to describe the manifestation of faith and culture in the Good Friday worship and the Stations of the Cross performance at GKPA Sibadoar. The study uses a qualitative approach with Koentjaraningrat’s Religious Ceremony Theory to analyze the worship, and Milton Singer’s Theory to describe the cultural performance. Data collection techniques were carried out through observation, interviews, and audio-video documentation. The results show that the Good Friday service at GKPA Sibadoar is conducted solemnly and simply, emphasizing Scripture readings, prayers, and reflections on Christ’s suffering, thus strengthening the congregation’s solidarity. The theatrical performance of the Stations of the Cross involving church youth serves as a medium for transmitting faith and expressing local culture. Furthermore, the hymns sung during worship feature strophic melodic patterns, predominantly stepwise intervals, and hanging contours that support the contemplative atmosphere. This study reveals a harmonious integration between religious and cultural values in the celebration of the Stations of the Cross and Good Friday at GKPA Sibadoar, which strengthens the congregation’s faith while preserving local culture
The The First Occurrence of Mafic Alkaline Rock (Lamproite) in The Mamuju District, West Sulawesi, Indonesia: Implications for The REE and Critical Elements Enrichment Fadlin Fadlin; Shaban Godang; Arifudin Idrus; Hill Gendoet Hartono; Januar Aziz Zaenurrohman; Raden Muhammad Asfaro; Wildan Nur Hamzah; Hernani Vitorino Nhatinombe
Indonesian Journal on Geoscience Vol. 13 No. 2 (2026)
Publisher : Geological Agency

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17014/ijog.13.2.199-219

Abstract

Mafic alkaline igneous rocks, along with their weathering products, are a significant source of Rare Earth Elements (REEs) and critical elements. One of the mafic alkaline rock-related REE and critical element sources is lamproite. Various methods were utilized in this study, including optical microscopy, X-ray diffraction (XRD), and scanning electron microscopy with Energy Dispersive Spectroscopy (SEM-EDS), as well as whole-rock geochemical analyses using X-ray fluorescence (XRF) and Inductively Coupled Plasma Mass Spectrometry/Optical Emission Spectroscopy (ICP-MS/OES). Based on mineralogical observations, it has been confirmed that the dykes from West Sulawesi are orendite-type lamproite rocks. Sanidine, phlogopite, diopside, and aegirine are the main minerals found in these rocks, including apatite and oxide minerals as accessory minerals. The dykes' whole-rock geochemistry indicates an ultrapotassic nature with a K₂O/Na₂O ratio > 3. Lamproite dykes display an increase in the large ion lithophile elements (LILEs) and a decrease in Ti, Sr, and P, with minimal Eu anomalies. They also show an increase in the light rare earth elements (LREEs), ranging from 901 to 1558 ppm, and a significantly higher content of Zr (968-3083 ppm), Th (152-408 ppm), and U (30-37 ppm). The dykes are related to an orogenic lamproite that formed during post-collisional tectonic continental extension. It contained a significant amount of REE-Zr-Th-bearing minerals, such as apatite (La-Ce-Nd), zirconosilicate (Zr-Ce), and Ba-perovskite (Zr-Th-Ce-Tb). The enrichment of light rare earth elements (LREEs), thorium (Th), and zirconium (Zr) in these dykes can be attributed to both primary and secondary enrichment processes, such as metasomatism and hydrothermal alteration. This phenomenon is evidenced by mineral replacement textures or pseudomorphs, as well as a skeletal texture resulting from rapid cooling in a hydrothermal fluid environment. Therefore, understanding the formation of mafic alkaline rocks, especially lamproite, and their role in enriching REEs and critical elements is a crucial future scientific goal.
Co-Authors Adi Candra Adi Prasetyo, Luthfi Aditama, Maulana Rizki Arifudin Idrus Ariyanti, Nita Asriaty R Purba Aulia R, Astika Baharuddin Baharuddin Bambang Priadi Candra, Adi Dedi Kusnadi Dedi Kusnadi Ernowo Ernowo Fajar Rizki Widiatmoko Flansius Tampubolon Franklin Franklin Franz Michael Meyer, Franz Michael G. Siagian, Fibri Gentur Waluyo Gibran, Akhmad Khahlil Ginting, Yoe Anto Godang Shaban Godang, Shaban Godang, Shaban Godang, Shaban Godang, Shaban Gulo, Hubari Hadi, Mochammad Nur Hajar Sulystiawan, Isnu Hamzah, Wildan Nur Hamzah, Wildan Nur Herlina Herlina Hernani Vitorino Nhatinombe Hill Gendoet Hartono Hill Gendoet Hartono I Gde Sukadana I Wayan Warmada I. Nur Indra Sanjaya Irzal Nur, Irzal Isnu Hajar Sulystiawan Iwan Setiawan Januar Aziz Zaenurrohman Jekmen Sinulingga Juan Pandu GNR Leeuwen, Theo Van Luthfi Adi Prasetyo Manalu, Widiarso Pria Hasoloan Mochammad Nur Hadi Moetamar Moetamar Muhammad Amril Asy’ari, Muhammad Amril Nanda Ajeng Nurwantari Nur Hamzah, Wildan Pasaribu, Andika pranata Prasetya, Yogi Adi Priadi, Bambang Priadi, Bambang Raden Muhammad Asfaro Ramlan Damanik Rohaya Langkoke Rozanna Mulyani Sachrul Iswahyudi Sebayang, Vanesia Amelia Sembiring, Sugihana Shaban Godang Shaban Godang Shaban Godang Shaban Godang Shaban Godang Shaban, Godang Shaban, Godang Simamora, Samaria Sinaga, Ester Sitopu, Sapna Sufriadin, Sufriadin Sukadana, I Gde Sukmandaru Prihatmoko Theo Van Leeuwen Tomson Sibarani Torang Naiborhu Warisman Sinaga Widiatmoko, Fajar Rizki Wildan Nur Hamzah Wildan Nur Hamzah Wildan Nur Hamzah Yohanes Iwan