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E-Journal of Linguistics

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Published by Universitas Udayana

ISSN : - EISSN : 24427586 DOI : -

Core Subject : Education,

Languange, Linguistic, Communication & Media

E-JURNAL LINGUISTIK adalah jurnal ilmiah linguistik yang terbit dua kali setahun, yaitu bulan Maret dan September yang dimulai pada awal bulan September. Jurnal ini memuat artikel yang mengkaji aspek-aspek kebahasaan, baik mikrolinguistik maupun makrolinguistik. Penerbitan jurnal ini bertujuan untuk mewadahi pemublikasian karya tulis ilmiah mahasiswa Program Magister (S2) Linguistik) Program Pascasarjana Universitas Udayana.

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Articles 292 Documents

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TRANSLITERATION FROM LATIN INTO BALINESE SCRIPT (AKSARABALI)USING COMPUTERIZED PROGRAM OF BALI SIMBAR I Ketut Paramarta; Aron Meko Mbete; Ida Bagus Putra Yadnya; A.A. Putu Putra
e-Journal of Linguistics Vol. 9 Januari 2015 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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The process of transliteration(Latin-Balinese script) by using a computerized program of Bali Simbar is a noble step to preserve the existence of Balinese script from the domination of the written tradition with Latin letters. The utilization of Bali Simbar program in transliteration process has proved to have many advantages. First, the result of transliteration is not just a paper printout but canbe stored in digital soft copy form that does not require a large space, can be duplicated, and persist for a long time. Second, the process ofLatin-Balinese text transliteration by utilizing BaliSimbar program is much faster than manual transliteration. Third, the cost needed in the process of Latin-Balinese transliteration of satua is very little because it only requires a software program of Bali Simbar and computer (personal computer/PC, laptop, or notebook). This study was focused on the transliteration of ten satua text from Gedong Kirtya Singaraja Museum collection performed by 4th semester students of Balinese Language Education Department of Undiksha.

English – Indonesian Passive Sentences in Cookbook Kadek Ayu Ekasani; Ni Luh Ketut Mas Indrawati
e-Journal of Linguistics Vol 14 No 1 (2020): e-jl January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

This research focuses on the English-Indonesian passive sentence in cookbook. The aim of this research is to find out how the English passive sentence translated into Indonesian passive one cookbook. The data source was taken from English cookbook entitled The Essential Book of Sauces & Dressings written by Lowery, et.al and published by Periplus, Singapore and the translation into Indonesian entitled “Saus dan Dressing yang esensial” translated by Hadyana P. and published by Periplus, Indonesia. The methods of collecting data are observation and documentation. Scintific article tends to use passive sentence rather than active one. This is intended to show the product and disappear the doer. In doing the works, the translator translated English passive voice into Indonesian passive voice in several ways. The results show in English cookbook found some passive constructions which are translated also into passive construction in TL. The passive construction in English cookbook are in the form of present tense (is/are + V past participle), modal passive (modal + be + V past participle), present perfect tense (has + been + V past participle). The translation in Indonesian are translated into passive construction by using verbs added by prefix di-, active construction with active verbs, and verbs added by prefix ter-.

THE PICTURE AND CULTURAL STRUGGLE OF THE BALINESE WOMEN IN THE NOVELS WRITTEN BY PANJI TISNA, PUTU WIJAYA, AND OKA RUSMINI Gde Artawan; I Nyoman Kutha Ratna; I Nyoman Weda Kusuma; I Nyoman Suarka
e-Journal of Linguistics Vol. 5. Januari 2011 No. 2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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This study aims at revealing the picture and cultural struggle of the Balinesewomen in the novels written by Panji Tisna, Putu Wijaya, and Oka Rusmini, identifyingthe intertextuality of their works and the women’s attitude towards sociopoliticaldiscourse and the discourse of equality in gender. The texts investigated are the novelswritten by Panji Tisna entitled Ni Rawit Ceti Penjual Orang (1935) and Sukreni GadisBali (1936); the novel written by Putu Wijaya entitled Putri published in two books(2004); and the novels entitled by Tarian Bumi (2000) and Kenanga (2003).The theories such as the sociological theory of literature, the theory of feminismand the theory of intertextuality were adopted for investigating the novels. The resultsof the study show the real situation undergone by the women such as the strongconfinement of tradition, the manifestation of the situation undergone by themarginalized and subordinated women, suppression, taming (cooptation), the role ashard workers (double-burden), the role as single parents, the victims of violence and thetaming process (cooptation). Based on such a real situation, the female characters in thenovels showed their cultural struggle by accentuating concepts/the framework ofthinking, reinterpreting and behaving towards tradition. From the intertextuality point ofview, the female characters in the novels were consistent in their vision towardstradition. This was shown by implementing ideas/insights, reinterpreting and behavingtowards the space in the texts. However, as far as sociopolitical discourse and thediscourse of equality in gender are concerned, they behaved differently. Somecompromised on sociopolitical reality and equality in gender and the others were highlyreactive and tended to show struggles through their ways of thinking and behaving.This is the only study which has investigated the novels written by Panji Tisna,Putu Wijaya and Oka Rusmini at the same time. The novelty is that there isintertextuality among the novels. Such intertextuality is in the form of thematicelements which include sociopolitical discourse and the discourse of equality in gender.

10.24843 Indonesian Derivative Verb Affixes: a Study of Typological Linguistics Lien Darlina; Ketut Artawa; I Nyoman Sedeng; Made Sri Satyawati
e-Journal of Linguistics Vol 12 No 2 (2018): eJL-July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Based on the typology of the morphological point of view, Indonesian is an agglutinative language. Affixation plays an important role in its morphological processes, meaning that prefixes, suffixes and affixes are added to the word stems to form new words. From the syntactical point of view, its basic word order adheres to SVO. The predicate, which is in the form of verb, has the ability to bind arguments to create a clausal structure. Therefore, it is possible that one verb binds one argument, two arguments and three arguments, highly depending on the type of the verb. As a case study of typological linguistics, this present study is an initial one which explores the Indonesian derivative verbs. The theory of typological linguistics is used to analyze the system through which how the Indonesian derivative verbs are morphologically formed is analyzed. In this case, the verb functioning as the predicate, can bind arguments in order to create a clausal structure. The result of the analysis shows that, from the perspective of the typological linguistics, the Indonesian derivative verbs can be derived from the stems under the categories of 1) noun, 2) adjective, 3) precategory, and 4) verb. It also shows that there are six types of derivational affixes which can be used to form derivative verbs from the four stems mentioned above; they are (1) ber-, (2) ber-an, (3) ter-, (4) meng-, (5) –kan, and (6) –i. The ones which can be attached to nouns to form derivative verbs are ber-, ter-, meng-, -kan , and –i ; the ones which can be attached to adjectives to form derivative verbs are ber-, ter-, meng-, -kan and –i; the ones which can be attached to precategory to form derivative verbs are ber-, ber-an, ter-, meng-, -kan, and –i; and the ones which can be attached to verbs are –kan and –i. The derivational affixes ber-, ter-, and meng- are used to form intransitive derivative verbs, and the derivational affixes meng-, -kan, and –i are used to form transitive derivative verbs.

SOCIAL CRITICISM IN THE POEMS AND DRAMAS CREATED BY W.S. RENDRA FROM NINETEEN SEVENTIES TO NINETEEN NINETIES I Ketut Sudewa; I Nyoman Darma Putra; I Nyoman Kutha Ratna
e-Journal of Linguistics Vol.7. Januari 2013 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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This study analyzed the poems and dramas created by W.S. Rendra which were published from nineteen seventies to nineteen nineties. Such an era was a period of time during which Rendra creatively created his literary works. Politically, the decade from nineteen seventies to nineteen nineties was an era during which the Authoritative New Order held the power and did not hesitate to take action against those, including artists, who bravely expressed their criticisms. It was in that repressive period of time that Rendra appeared as a poet who so bravely used the poems and dramas he created to articularize his social criticisms. This study aims at revealing the themes and consistency of the social criticisms expressed by Rendra in the poems and dramas he created. This study was importantly conducted as the social criticisms the literary works Rendra created were not only strong but are still currently factual as well. Many researchers have analyzed the social criticisms the poems and dramas created by Rendra contained but none had analyzed such a topic comprehensively and consistently. This present study attempted to complete the studies previously conducted so that the ideas, thoughts and concepts expressed by him through his literary works can be more comprehensively understood and exceed the era when they were created. The theory of sociology of literature and the theory of semiotics were used to analyze the social criticisms expressed by Rendra through his literary works. The theory of literature was used to analyze the social criticisms by contextualizing the themes and era when he created his poems and dramas, and the theory of semiotics was used to analyze the meanings of the sign systems the two genres contained. These two theories were used at the same time and were supported by the other relevant theories such as the theory of politics, the theory of capitalism, and the theory of feminism. His dramas were analyzed before his poems so that the consistency of the social criticisms he expressed in the two genres could be described. The result showed that the social criticisms expressed by Rendra in his poems included four great themes; they were values of feminism, education, capitalism and poverty, politics and law. His dramas also contained such social criticisms, as exemplified by the poems “Sajak Sebotol Bir” and “Sajak Pulau Bali” and the drama “Kisah Perjuangan Naga”, which contained the theme of how vicious capitalism was. The language styles used to articulate his social criticisms were also identical, indicated by the use of metaphors, repetitions, paradoxes, rhetorical questions, ironies, and cynicisms. His consistency in expressing social criticisms through his poems and dramas made him successful in becoming the most talkative man of letters during the Indonesia’s history of literature.

Speaking for Academic Purposes Course: An Analysis of Language Functions Sebastianus Menggo; I Made Suastra; Made Budiarsa; Ni Nyoman Padmadewi
e-Journal of Linguistics Vol 13 No 2 (2019): e-jl-July
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Speaking as the most demanding skill to be mastered in the ESL/EFL teaching context. This is caused by the prime priority of students who want to study English in order to be able to use English for communicative purposes. Knowledge of language functions has a vital role in supporting a speaker to be more involved in the real interaction. The aim of this study is to analyze the use of language functions in the speaking for academic purposes course. This study conducted at the English department students which altogether 33 persons in STKIP Santu Paulus Ruteng, Indonesia. Then data were collected through observation, field note and natural recorded when the respondents were doing the English speaking exercises at the speaking for academic purposes course. Data collection were done during eight meetings and only language functions utterances of those respondents were analyzed. The utterances recorded are expected to be representative of the whole the language functions. Utterances produced by respondents were recorded precisely by the researchers. The result showed that there are five types of language functions found, namely interactive function, informative function, manipulative function, motivative function and directive functions. Those functions are reciprocal. Speaking practitioners are suggested to provide the knowledge of language functions in the speaking learning process.

THE AESTHETICS, RELIGIOSITY, AND RESPONSE OF THE READERS OF GEGURITAN SUCITA I Wayan Suka Yasa; I Wayan Cika; Tjokorda Rai Sudharta; I Nyoman Suarka
e-Journal of Linguistics Vol. 4. Januari 2010 No. 1
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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The object of this research is the text of Geguritan Sucita having total versesof 1,877. The problem observed is that the structure, esthetic rule applied andsource of text transformation into GS as religion literature. The main objective ofthis research is to answer the three problems concerned. In addition, it has theobjective to preserve and develop geguritan literature. The benefit can be as oneof sources of knowledge in literary science, especially concerning geguritanliterature; as the consideration in making policy related to religion and Balineseculture; and also as reading material, especially for readers of geguritan literature.The theory applied in reviewing the three problems is structural, semiotic,intertext, rasa (mode) and literature reception. The data source obtained byconducting literature study, observation and interview. The data is the analyzedfrom literature and religion point of view. The research novelties are as follows :GS is gita puja of Ida Ketut Jlantik (1905-1961) which is offered to GodAlmighty. As worshipped song, GS is sekar. The materials are quoted fromclassical works of prior Hindu which is then arranged in accordance with idealismof writers kawi-wiku by considering rule of k?vya.GS is established using Balinese language Kepara enriched withvocabularies of Old Javanese so it has Hindu esthetic. Formal structure of GS isestablished according to geguritan : padalingsa matrix. The text consists of 1,877rhythm, 11 rhyme and 57 melodies. Sinom rhythm as the idol one to lead otherrhythm in order to s?nta rasa. Verses of GS can be grouped into two parts: 4rhythm manggala and) 1,873 narrative rhythm. Totally, formal structure of GSfulfills alamkara principle. the text has melody and euphony religious melody.Narrative structure GS is established following norm of tattwa purarbh?wa‘reborn cycle’, in addition it is the leader of rhythm as well as function as epilog.In term of contemplative reading level bhakti yoga, manggala is finally known asthe center text of GS.GS narration is developed according to aguron-guron rule‘having the teacher from spiritual and nyastra tradition. From matrix aguronguron,it is proposed two plots in paradox one: k?ma and tirtayatra. Plot sourceof k?ma is narrated by the existence of Sang Sucita. On the other hand, plot sourceof tirtayatra is narrated by the existence of Sang Subudi. K?ma (desire) and dilemma. Its message, if someone wish to succeed in reaching life objective, thetwo obstacles must firstly be defeated through learning process of mulat sarira byyoga : bhakti-karma-jnana- and yoga. After completion of narrating plot source oftirtayatra, it is also narrated k?ma which is developed into ahangkara. For thisreason, it is presented bad figure I Pataka to spread disaster which is in contrastwith the common rule of geguritan literature. GS narration can be understood asreading model according to narrative structure rule of k?vya. In every part ofstructure called sandhi is expressed rasa. There are nine rasa that can be enjoyedin GS. The nine rasa is inter-related and function collectively to strength the mainrasa of GS, namely s?nta rasa.Discourse of GS is established structurally like a diamond necklace: acarasusila-tatwa-yoga by narrating religious concept of syncretism idea of Siwa-Buddha. The philosophic thought is the three big schools of Hindu: dwaitawisisth?dwaita-adwaita. The source text is having a discourse of declarativeimperativeobjective. The hypogram is much read in term of searching and then tobee expanded. It can finally be said that GS is a literature of Hindu that fulfills therequisite of mah?k?vya in the domain of Sekar Alit bali.

Loose Network, Dense Network, and The Shift of Joseigo Usage Kadek Eva Krishna Adnyani
e-Journal of Linguistics Vol 12 No 1 (2018): eJL-January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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This research aims to analyze the relationship between social network (including loose network and dense network) and the shift in the use of joseigo by Japanese women in Ubud, Bali. This research uses qualitative research method. Japanese women who settled in Ubud were used as the subject of this research. The results showed that involvement in loose social networks has more shifting in using joseigo by Japanese women in Ubud compared to the involvement in dense social networks. The involvement of subject using joseigo in a dense social networks relatively has higher frequencies as well as more varied. On the contrary, in loose social networks, the involvement of subject using joseigo has lower frequency and less variable. Loose social networks make individuals to be more open with changes.

THE FUNCTIONING OF IRONIES FOR AESTHETIC EFFECT IN ROALD DAHL’S SHORT STORY THE LANDLADY I Wayan Resen; Nyoman Kutha Ratna; I Nyoman Darma Putra; Aron Meko Mbete
e-Journal of Linguistics Vol. 8. Juli 2014 No.2
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

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Artikel ini membicarakan tentang efek estetis yang dicapai melalui berfungsinya ironi yang hadir secara dominan pada cerita pendek The Landlady karya Roald Dahl. Ironi dalam berbagai tipe dan penggunaannya dalam cerita pendek ini berhasil membangun efek ketegangan yang intens pada pembaca sehingga pembaca menjadi penasaran mengenai apa yang akan terjadi selanjutnya. Ketegangan terjadi karena tatkala pembaca dengan jelas melihat keterancaman Billy Weaver sebagai calon korban pembunuhan oleh nyonya rumahnya, Billy Weaver sendiri yang langsung berhadapan dengan nyonya rumahnya justru tidak menyadari niat buruk di balik keramahtamahan nyonya rumahnya itu. Dengan demikian, Billy Weaver pun tidak mengambil kesimpulan seperti yang diharapkan pembaca tentang niat negatif nyonya rumahnya walaupun sinyal-sinyal keterancamannya sudah semakin berakumulasi dari sikap dan prilaku nyonya rumahnya yang jelas terbaca dari balik sikap manis yang dihadirkan di permukaan. Estetika ironi ini terbangun bukan saja melalui sikap dan prilaku serba ironis nyonya rumah tersebut, tetapi juga melalui kesenjangan kesadaran yang ada antara Billy Weaver dan pembaca. Kondisi ironis ini bersumber pada kehidupan bermuka dua nyonya rumah, yakni prilaku yang seolah-olah sangat baik di permukaan namun sesungguhnya sadistik di balik itu. Ketakterdugaan sikap dan prilaku nyonya rumah ini mengejutkan dan menegangkan pembaca. Sesungguhnya, ketegangan pembaca bertambah intens ketika mendapati Billy Weaver tetap lugu-lugu (‘innocent’) saja di hadapan nyonya rumahnya yang semakin mencengkeramkan muslihatnya. Pada keterkejutan dan ketegangan akibat prilaku serba ironis nyonya rumah ini dan pada ketidaksabaran pembaca terhadap kepolosan Billy Weaver inilah terletak estetika cerita pendek ini.

The Core Contradictions Elements in the Mob of Papua: A Dialectical Ecolinguistics Analysis Maryanti E. Mokoagouw; Aron Meko Mbete; Ida Bagus Putra Yadnya; Made Sri Satyawati
e-Journal of Linguistics Vol 13 No 1 (2019): e-jl-January
Publisher : Doctoral Studies Program of Linguistics of Udayana University Postgraduate Program

Quite a lot of approaches have been utilized to study humor texts; yet, none has been from an ecolinguistics’ perspective. This article specifically intends to scrutinize a particular humor text from Papua called mob on the ground of dialectical ecolinguistics as developed by Bang, Door, et al. (1993). The main purpose of this article is to describe the elements of core contradictions (i.e. race, age, sex, class, authority, ideology, town-country, private-public, and culture-nature) found in mob. The result of the analysis shows that all the nine elements of the core contradictions in mob are found in the bio-logics dimension indicating that the bio-logics dimension is the most dominant dimension in the world of the mob owners (i.e. the people of Papua).

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