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TRANSFORMATION OF THE IDEOLOGY IN CINDERELLA BY CHARLES PERRAULT INTO THE MOVIE BY KAY CANNON Vincentia Sekar Arum; Supiastutik Supiastutik; Imam Basuki; Eko Suwargono
JEELL (Journal of English Education, Linguistics and Literature) Vol. 12 No. 2 (2025): JEELL Volume 12 Number 2 June 2025
Publisher : LPPM Universitas PGRI Jombang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32682/jeell.v12i2.62

Abstract

All literary creations are engaged with ideology because a literary creator always comes with an ideology. This research aims to identify the shift of ideology of patriarchy in the Cinderella fairy tale by Charles Perrault into feminism in the movie by Kay Cannon. The research method utilized is descriptive qualitative, and the data consists of narrative text from the fairy tale and visual scenes from the movie adaptation. The data is then compared and analyzed using Barthes' semiotics theory. In addition, through the shift of the ideologies, the motives of the adaptation are uncovered based on Hutcheon's theory of adaptation. The novelty of this research lies in the theory of adaptation utilized in the study. The findings show the ideology portrayed in the fairy tale is patriarchy, which is displayed in the characterization of Cinderella's subservience and the plot's resolution, which emphasizes male primogeniture. Conversely, the movie adaptation shows liberal feminism depicted by Cinderella and Gwen, the original characters of the movie, portraying their respective endeavor to achieve equality in economic and political spheres. The movie's resolution depicts liberal feminist ideals, in which the king acknowledges and appoints Gwen to rule the kingdom. The motives concluded from the ideologies include cultural capital and personal and political motives. The cultural capital motive highlights the value of adaptation work that utilizes patriarchy and feminism as cultural phenomena ingrained in society. The second motive, personal and political, emphasizes the adaptor, Kay Cannon's agenda on female empowerment, represented by Cinderella and Gwen.
Representasi Konflik Masyarakat Jawa Bagian Timur dalam Babad Blambangan Dwi Rahmawanto; Titik Pudjiastuti; Mamlahatun Buduroh; Turita Indah Setyani; Rias Antho Rahmi Raharjo; Mu’jizah Mu’jizah; Eko Suwargono
JENTERA: Jurnal Kajian Sastra Vol 13, No 1 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v13i1.7283

Abstract

The opposition between community members that gave rise to the conflict was recorded in the Babad Blambangan (BB), an East Javanese manuscript from the 19th century. The text narrated the causes of the succession of the kings in Blambangan and the conflict situations that accompanied the change of power for every king in Blambangan, from Prabu Tawangalun until Raden Tumenggung Pringgakusuma. The conflicts that are represented indicate the existence of ideas in the minds of the people of East Java about building and maintaining social relations between communities. In this regard, this research aims to understand the perspective of the East Java society towards the phenomenon of conflict in social relations as represented in BB. To find this perspective, qualitative methods were used. This research was also carried out using a multidisciplinary approach through language analysis and socio-cultural conflict approaches. With this approach, various phenomena are classified, identified, analyzed, and interpreted. Theories used to understand the conflict phenomenon are semantics preference and conflict situations. The results of this research show that the conflict in the BB is dominated by issues of power and retaliation. This results reflects the community's perspective on social relations in eastern Java at that time, namely that the existence of personal ambition for power was something that needed to be controlled. If this desire is left uncontrolled, it can damage social relations in society. The findings also strengthen and add to the ideas of previous research regarding the concept of harmony in Javanese society, especially in eastern Javanese society. AbstrakSituasi pertentangan antaranggota masyarakat yang menimbulkan konflik tersebut tercatat dalam Babad Blambangan (BB), naskah Jawa Timur yang berasal dari abad ke-19. Dalam naskah itu dikisahkan penyebab suksesi raja-raja di Blambangan dan situasi konflik yang mengiringi pergantian kekuasaan setiap raja-raja di Blambangan mulai dari Prabu Tawangalun hingga Raden Tumenggung Pringgakusuma. Konflik-konflik yang direpresentasikan tersebut menandai adanya gagasan dalam pemikiran masyarakat Jawa Timur tentang membangun dan mempertahankan hubungan sosial antarmasyarakat. Berkaitan dengan hal tersebut, penelitian ini bertujuan untuk memahami cara pandang masyarakat Jawa bagian timur terhadap fenomena konflik dalam hubungan sosial yang direpresentasikan dalam BB. Upaya untuk menemukan cara pandang tersebut dilakukan dengan metode kualitatif. Penelitian ini juga dilakukan dengan pendekatan multidisiplin melalui analisis bahasa dan pendekatan konflik sosio-kultural. Dengan pendekatan tersebut, fenomena konflik diklasifikasi, diidentifikasi, dianalisis dan diinterpretasi. Teori yang dimanfaatkan untuk memahami fenomena konflik tersebut adalah preferensi semantik dan konsep conflict situation. Hasil penelitian ini memperlihatkan bahwa konflik dalam kisah BB didominasi oleh isu kekuasaan dan pembalasan. Hal tersebut mencerminkan cara pandang masyarakat tentang hubungan sosial masyarakat di Jawa bagian timur di masa  itu yakni keberadaan ambisi pribadi atas kekuasaan merupakan suatu hal yang perlu dikendalikan. Apabila kehendak tersebut dibiarkan tanpa kendali maka dapat merusak hubungan sosial di masyarakat. Temuan dalam penelitian ini memperkuat dan menambahkan gagasan penelitian terdahulu tentang  konsep kerukunan masyarakat Jawa,  terutama pada masyarakat Jawa bagian timur.