Claim Missing Document
Check
Articles

Pergeseran Nilai Perayaan Hinamatsuri Di Jepang Dewasa Ini Ni Komang Nanik Purnami; Ni Wayan Meidariani
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 1 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Hinamatsuri is a Japanese festival held every 3rd of March to pray for the health and happiness of girls. Japanese people celebrate Hinamatsuri by throwing paper dolls into the river, but with the development of the times and the influx of outside cultures, Hinamatsuri(ひな祭り) festivities take place with great fanfare today. The purpose of this study is to describe and analyze the shifting values of the Hinamatsuri(ひな祭り) festival in Japan. The theory used in this research is social change according to Piotr Sztompka. The method used by the author is library research method and field study by sending questionnaires to 30 Japanese women as supporting data. The results show that there are two causes that make the shift in the value of the Hinamatsuri festival (ひな祭り), namely: 1. The revolution of the times, 2. The situation and condition of Japanese women
MAKNA VERBA NERAU DAN MEZASU DALAM SINONIM BAHASA JEPANG Ni Wayan Meidariani; Wahyu; I Gusti Ayu Regina Dhira
Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 5 No. 2 (2025): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang
Publisher : Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Japanese is a foreign language with a wide variety of words. One such variation is in the verb class. This article discusses the meaning and use of the verbs "nerau" and "mezau" in Japanese ruigigo. This research focuses on sentences used by native Japanese speakers. Data collection was conducted through interviews and the recording technique. The author conducted direct interviews with Japanese speakers while recording sentences containing synonyms for the verbs "nerau" and "mezau" in Japanese. The data were analyzed using a contextual meaning approach (Pateda, 2010) with their presentation in Japanese sentences. The data found that in Japanese, the verb "nerau" has the following meanings: aiming for position/status, attacking with words, wanting a scholarship, wanting to win an election, seeking a large profit, pushing an enemy's head, shooting and seducing a bottle, fishing and seducing fish, and wanting a salary increase. Meanwhile, the verb 'mezasu' has the following meanings: focusing on customer satisfaction, aiming to pass an exam, aiming for a promotion, aiming for economic stability, aiming for a higher level, and aiming for the best service. The data shows that the verbs 'narau' and 'mezasu' have different meanings and usages depending on the context.
Semiotika Riffaterre: Signifikansi Puisi Shirayuri Jima Karya Kaneko Misuzu Mentari Nur Addinda Raharjo; Anak Agung Ayu Dian Andriyani; Ni Wayan Meidariani
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 12 No. 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v12i2.5312

Abstract

This article aims to determine the significance of the poem Shirayuri Jima by Kaneko Misuzu. The theory used in this research is Riffaterre's semiotic theory. Sources of data used in this study is primary data sources obtained from data collection using non-interactive methods. The data obtained were analyzed using a qualitative descriptive method, then presented with an informal method, namely the data is presented in the form of sentences that are good and can be understood easily. Based on the results of data analysis that has been obtained, it can be seen that the significance of Shirayuri Jima's poem is about someone with a closed personality who prefers to spend his time painting the imaginary world he creates.
Analisis Ketidaksadaran Kolektif Tokoh Tooru dalam Film Ai Uta: Yakusoku no Nakuhitokarya Taisuke Kawamura Bedriany Yedesilva Hadiah; Anak Agung Ayu Dian Andriyani; Ni Wayan Meidariani
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 13 No. 1 (2024): Mei 2024
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v13i1.7814

Abstract

Abstract This article aims to explain the personality-forming factors of Tooru’s character based on one of the personality structures, namely collective unconscious containing two archetypes in the film Ai Uta: Yakusoku no Nakuhito. the data collection technique was done by listening and rcording the dialogue between characters. The data analysis technique is done by classifying the data in the form of dialogue and expressions between characters. Informal methods are used to present the results of data analysis. The theory used is Carl Gustav Jung’s psychoanalytic theory. From the results of the study through the two data found, it describes that Tooru character experiences shadow archetypes when scolding Tatsuya, and persona archetypes whwn trying to calm his mother and himself. Keywords: Personality; collective unconscious; film Abstrak Penelitian ini, bertujuan untuk menjelaskan faktor pembentuk kepribadian tokoh Tooru berdasarkan struktur kepribadian ketidaksadaran kolektif yang memuat dua arketip yang terdapat dalam film Ai Uta: Yakusoku no Nakuhito. Teknik pengumpulan data dilakukan dengan cara menyimak dan mencatat dialog antar tokoh. Teknik analisis data dilakukan dengan mengklasifikasikan data berupa dialog dan ekspresi antar tokoh. Metode informal digunakan untuk menyajikan hasil analisis data. Teori yang digunakan adalah psiko analitik milik Carl Gustav Jung. Dari hasil penelitian melalui dua data yang ditemukan, mendeskripsikan bahwa tokoh Tooru mengalami arketip shadow (bayangan) ketika memarahi Tatsuya, dan arketip persona ketika berusaha menenangkan ibunya dan dirinya sendiri. Kata Kunci: Film; kepribadian;ketidaksadaran kolektif
Sinonim Katachi dan Sugata dalam Bahasa Jepang Pada Novel Madogiwa no Totto-chan Karya Tetsuko Kuroyanagi Ida Ayu Ngurah Yurika Puteri; Ni Wayan Meidariani
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 14 No. 1 (2025): Mei 2025
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v14i1.8244

Abstract

Abstract This paper aims to analyze the meaning, differences and similarities of the synonyms of katachi and sugata in Japanese.  The data were collected from the Japanese novel entitled Madogiwa no Totto-chan by Tetsuko Kuroyanagi using the listening, tapping and follow-up methods.  Data analysis used descriptive qualitative method.  The theory used in this paper is the theory of collocative meaning according to Hilman Padede (2016: 22).  The results of this paper show that the synonyms of katachi and sugata in Japanese have similarities in the Indonesian translation, namely the form but the use of the two synonyms is different.  Synonyms of katachi in Japanese can be used to describe the shape of a spatial shape (2-dimensional), a flat shape (3-dimensional), and to describe the incomplete shape of an object or object.  While the synonym sugata in Japanese can be used to describe the overall form of a person or thing. Keywords:   synonym, novel, collocative meaning   Abstrak Tulisan ini bertujuan untuk menganalisis makna, perbedaan dan persamaan sinonim katachi dan sugata dalam bahasa Jepang. Data dikumpulkan dari novel bahasa Jepang yang berjudul Madogiwa no Totto-chan karya Tetsuko Kuroyanagi dengan menggunakan metode simak,sadap dan lanjutan catat. Analisis data menggunakan metode deskriptif kualitatif. Teori yang digunakan dalam tulisan ini yaitu teori makna kolokatif menurut Hilman Padede (2016:22). Hasil dari tulisan ini menunjukan bahwa sinonim katachi dan sugata dalam bahasa Jepang memiliki persamaan dalam terjemahan bahasa Indonesia yaitu bentuk tetapi penggunaan dari kedua sinonim tersebut berbeda. Sinonim katachi dalam bahasa Jepang dapat digunakan untuk menjelaskan bentuk dari bangun ruang(2 dimensi), bangun datar (3 dimensi), dan menjelaskan bentuk tidak keseluruhan dari sebuah benda atau objek. Sedangkan sinonim sugata dalam bahasa Jepang dapat digunakan untuk menjelaskan bentuk keseluruhan dari wujud seseorang ataupun benda. Kata Kunci: sinonim, novel, makna kontekstual   
MAKNA PUISI HARU NO UTA KARYA SHINPEI KUSANO: KAJIAN SEMIOTIKA RIFFATERRE Ni Putu Diah Tirta Ningsih; Ni Wayan Meidariani
Janaru Saja Jurnal Program Studi Sastra Jepang Vol. 14 No. 1 (2025): Mei 2025
Publisher : Program Studi Sastra Jepang, Universitas Komputer Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/js.v14i1.8669

Abstract

Abstract   This study aims to determine the meaning contained in the poem "Haru no Uta" by Shinpei Kusano by using Riffaterre's Semiotics theory. Michael Riffaterre is an expert who develops semiotic theory in the field of the meaning of poetry, this theory is outlined in his book entitled Semiotic of Poetry. The stages of analysis in this theory are (1) heuristic reading, (2) hermeneutic reading with the addition of indirect expressions, (3) searching matrices, models and variants, (4) hypograms. The data source used in this study is a primary data source, namely a poem entitled "Haru no Uta" obtained from a YouTube video "ondoku chaneru". The research method used in this study is a qualitative research method, and uses data collection techniques in the form of listening techniques and library techniques. Based on the stages of analysis, the results found in the poem "Haru no Uta" are that the poem means happiness and joy because it has managed to survive through life's obstacles.   Keywords: Meaning, Poetry, Riffaterre Semiotics   Abstrak   Penelitian ini bertujuan untuk mengetahui makna yang terkandung dalam puisi “Haru no Uta” karya Shinpei Kusano dengan menggunakan teori Semiotika Riffaterre. Michael Riffaterre merupakan seorang ahli yang mengembangkan teori semiotika di bidang makna puisi, teori tersebut dituangkan dalam bukunya yang berjudul Semiotic of Poetry. Tahapan analisis dalam teori tersebut berupa (1) pembacaan heuristik, (2) pembacaan hermeneutik dengan tambahan ketidaklangsungan ekspresi, (3) pencarian matriks, model dan varian, (4) hipogram. Sumber data yang digunakan dalam penelitian ini berupa sumber data primer yaitu berupa sebuah puisi yang berjudul “Haru no Uta” yang diperoleh dari sebuah video youtube “ondoku chaneru”. Metode penelitian yang digunakan dalam penelitian ini adalah metode penelitian kualitatif, serta menggunakan teknik pengumpulan data berupa teknik simak dan teknik pustaka. Berdasarkan tahapan-tahapan analisis, hasil yang ditemukan pada puisi “Haru no Uta” yaitu puisi tersebut bermakna kebahagiaan dan sukacita karena telah berhasil bertahan hidup dalam melewati rintangan hidup.   Kata kunci: Makna, Puisi, Semiotika Riffaterre
Distinguishing Hattatsu, Shinpo, and Jotatsu: A Semantic Component and Contextual Usage Analysis of Japanese Synonymous Verbs I Wayan Wahyu Cipta Widiastika; Ni Wayan Meidariani; Made Henra Dwikarmawan Sudipa
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 6 No. 2 (2026): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v6i2.3468

Abstract

This study investigates the semantic distinctions and contextual usage of three Japanese verbs associated with the concept of development, namely hattatsu, shinpo, and joutatsu, from the perspective of lexical semantics. Although these verbs are often translated into English as “development,” “progress,” or “improvement,” each carries distinct semantic characteristics and is used in different contexts. The data consist of example sentences illustrating various types of development, including physical, cognitive, technological, and skill-related development. The findings indicate that hattatsu primarily denotes natural and gradual development, commonly associated with physical growth, biological processes, or functional advancement. In contrast, shinpo refers to progressive advancement or positive change on a broader scale, particularly in fields such as science, technology, and society, often implying innovation and significant achievement. Meanwhile, joutatsu specifically describes the improvement of an individual’s abilities through continuous practice, learning, and experience, emphasizing a deliberate and effort-driven process.The analysis demonstrates that, despite sharing a general meaning related to development, these verbs differ substantially in their semantic components and contextual distributions. Understanding these distinctions is essential for the accurate and appropriate use of Japanese in academic, educational, and everyday communication. Furthermore, this study contributes to lexical semantic research by clarifying subtle meaning differences among near-synonymous verbs and offers practical insights for Japanese language learners, educators, translators, and lexicographers. The findings may also help reduce the misuse of semantically related expressions and support more precise language instruction and dictionary descriptions.
Co-Authors A.A.Ayu Dian Andriyani Adiana, Putu Septia Anak Agung Ayu Dian Andriyani Anak Agung Dian Andriyani Andriyani, Anak Agung Dian Anggrahini, Vita Yulia Aris, Ni Nyoman Bedriany Yedesilva Hadiah Betty Aritonang Betty Aritonang Betty Debora Aritonang Darmawan, I Wayan Andi Dewi, Ni Kadek Annora Dharma, Wilyem Gede Timika Wijaya Geta, Bertolomeus I Dewa Ayu Devi Maharani Santika I Gede Arya Lanang I Gusti Ayu Regina Dhira I Gusti Ayu Vina Widiadnya Putri I Ketut Adi Putra Bonitu I Made Indra Kusuma, Pangestu I Made Vikananda Satrya Wibawa I Made Yawara Sumi Putra I Nyoman Rifno Riyadi I Putu Gede Parameswara I Putu Wipayana I Wayan Arip Kertanegara I Wayan Ferdy Chandra Palguna I Wayan Saka Adi Permana I Wayan Wahyu Cipta , Widiastika I Wayan Wahyu Cipta Widiastika I Wayan Wahyu Cipta Widiastika Ichi Rosalia Artha Ida Ayu Ngurah Yurika Puteri Ida Ayu Putri Gita Ardiantari Ida Ayu, Putri Gita Ardiantari Imelda Wahyuning Tyas Kemala Dewi, Ni Luh Gede Diah Komang Ayu Nuriasih Ladycia Sundayra Made Henra Dwikarmawan Sudipa Made Henra Dwikarmawan Sudipa magnolia magnolia Maretya, Gex Nitya Dwi Megawati Dewi Ni Ketut Mentari Nur Addinda Raharjo Mertha, Ni Putu Bella Ayuni Ni Kadek Annora Dewi Ni Kadek Nennytha Armayanthi Ni Komang Nanik Purnami Ni Luh Ayu Aprilita Ni Luh Gede Meilantari Ni Luh Gede Meilantari Ni Luh Gede Meilantarii Ni Nengah Megayanti Ni Nyoman Sariyanti Ni Putu Ayu Gita Septeadianti Ni Putu Diah Tirta Ningsih Ni Putu Pradnyasumita Nakami Ayu Pranadila, Rosana Putu Apriani Putu Diah Purnami Sari Rifaldo Antonio Nicholas Vianey Rina Devi Wijayanthi Risma Shelsha Dilha SANG AYU ADE ARIE DEWAYANTI Siagian, Elizabeth Siahaan, Bastian Wiryo Prakoso System, Administrator Titisari Puspa Indrati Wahyu Wahyu, I Wayan Wahyu Cipta Widiastika Wahyuni, Ni Luh Putu Rai Wayan Nurita Wayan Nurita Wayan Nurita Widiastika, I Wayan Wahyu Cipta