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Penerapan Akulturasi Budaya Pada Desain Mesjid Agung Serang-Banten Andiyan, Andiyan; Shyabina Rahma Fasha
Archvisual: Jurnal Arsitektur dan Perencanaan Vol. 5 No. 2 (2026): Archvisual JAP, Februari 2026
Publisher : Program Studi Arsitektur Fakultas Teknik Universitas Sriwijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55300/53cj3622

Abstract

Before becoming a sturdy, standing, and attractive building, every mosque must go through a construction and building process. One example is the construction of the Grand Mosque of Serang, Banten. In mosque design, Indonesian architecture often combines various cultures. In the design of the Grand Mosque of Serang, Banten, various architectural styles are integrated. The interior design of the mosque, as well as the design of the existing building, resembles the roof design of the mosque. Since the Grand Mosque of Serang, Banten, is an ancient religious building that has survived to this day, there is cultural assimilation within it. The fact that this relic dates back to ancient times indicates that the architects who designed this mosque must have been involved in this process. The Serang, Banten Grand Mosque has distinctive Javanese, Chinese, and Dutch characteristics. This mosque has strong ties to all three cultures. This study aims to determine the acculturation of the Grand Mosque of Serang, Banten. This study applies a quantitative methodology. It investigates how the elements in the architectural design of this mosque show a fusion of cultural elements originating from various religious and cultural traditions around the world, primarily Javanese, Chinese, and Dutch cultures. The researcher emphasises the importance of cultural acculturation in understanding and appreciating the complex local cultural heritage. Additionally, it highlights the harmony among various traditions and cultures within the local community. The objective of this study is to enhance our understanding of cultural acculturation in the architecture of the Serang, Banten Grand Mosque. Furthermore, it explores how these cultural elements can be applied to its architectural design.
Co-Authors Abdul Gani Alfarizi Abdullah, Syahrul Mubarak Adriadi, Adriadi Affandi, Kemal Agung Prabowo Sulistiawan agus rachmat Agus Rachmat Agus Rachmat Aldi Fadilah Alif Nurrahiim Senawianto Amelya Rahmadani Putri Andri Nurjaman Arief Perdana Putra Ariostar, Ariostar As'ad, Ihwana Budianto, Eddy Denny Heriyanto Dian Kusbandiah Egha Fauzia Natasya Eliyana Firmansyah Esti Wulandari Excya Tiaratanto Fahmi Fahmi Fajar Ikhwan Harnomo Fenita Purnama Sari Indah Firmansyah Firmansyah Handayani, Tri Wahyu Hanie Teki Tjendani, Hanie Teki Hariani M. Pakka Harnomo, Fajar Ikhwan Husna Izzati Husna Izzati Husna Izzati Ika Rohmawati Ika Rohmawati Irawan, Shendy Irfan Aldyanto Irfan Aldyanto Irwan Sudarisman Izzati, Husna kemal affandi Malini, Risma MI Ekatrina Wijayanti Minaryo, Kris Mohamad Aghust Kurniawan Muhammad Aflah Fernanda Muttaqin, Ahmad Wildan Nangkula Utaberta Natasya, Egha Fauzia Nurjaman, Andri Nutrian Galupamudia Okki Nurrisman Omanwar, Shreeniwas Putri, Amelya Rahmadani Rachmaniah, Dini Rahmad Junaidi, Rahmad Rahmatullah, Andi Muhammad Rina Kartikasari Rina Kartikasari, Rina RIRIS ANDRIATI Risma Viantara Rofiqul Umam Senawianto, Alif Nurrahiim Shendy Irawan Shyabina Rahma Fasha Siti Maryam Fauziah Sumarni, Tita Cardiah Tita Cardiah Tri Wahyu Handayani Wanda Yovita Wibowo, Tandean Arif Widia Wati, Widia Wima Alkad Albadira Wirani, Ayu Puspa Wowo Adizar Darwin Yoslin, Tricia Margaretha yushar kadir