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All Journal Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Musica: Journal of Music Scoring: Journal of Film Music Jurnal Sipil Terapan Education Specialist Rekayasa : Jurnal Ilmiah Fakultas Teknik Universitas Lampung
Nora Anggraini
Institut Seni Indonesia Padang Panjang
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Education Languange, Linguistic, Communication & Media

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Bentuk Pertunjukan Gandang Lasuang Grup Nyiur Melambai Dalam Upacara Pernikahan di Kecamatan Sasak Ranah Pasisia, Kabupaten Pasaman Barat Aulia, Meydina; Emridawati, Emridawati; Kumala, Ofa Yutri; Surayya, Yade; Anggraini, Nora
Musica: Journal of Music Vol 4, No 2 (2024): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v4i2.4675

Abstract

Pertunjukan Gandang Lasuang oleh grup Nyiur Melambai dalam upacara pernikahan di Kecamatan Sasak Ranah Pasisia, Kabupaten Pasaman Barat, memiliki bentuk pertunjukan yang unik dan menarik. Penelitian ini bertujuan untuk mengidentifikasi bentuk pertunjukan tersebut serta mengungkapkan elemen musiknya dengan fokus pada interaksi antara seniman dan audiens dalam masyarakat. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif-analisis, didukung oleh pendekatan musikologis. Teknik pengumpulan data mencakup studi pustaka dan studi lapangan, sedangkan analisis data meliputi pengumpulan, reduksi, penyajian, serta verifikasi data. Hasil penelitian mengungkapkan unsur-unsur penunjang pertunjukan yang meliputi pemain, instrumen, lagu, kostum dan rias, tempat, waktu, serta audiens. Pada aspek komposisi musik, ditemukan struktur yang terdiri dari pendahuluan (intro), bagian utama berupa lagu, dan penutup (coda). Studi ini menegaskan bahwa Gandang Lasuang tidak hanya berperan sebagai hiburan, tetapi juga sebagai elemen budaya yang mencerminkan nilai-nilai adat dan identitas masyarakat setempat.
Analysis of Differences in Graph Interpretation Understanding of Grade X Students of Madrasah Aliyah Negeri (MAN) 1 Malang on Kinematics Topic Based on Gender Nora Anggraini; Muhammad Reyza Arief Taqwa; Chusnana Insjaf Yogihati; Grace Djan
Education Specialist Vol. 2 No. 1 (2024): January-June
Publisher : Tinta Emas Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59535/es.v2i1.294

Abstract

This study aims to analyze the conception profile of MAN 1 Malang students on the subject matter of kinematics based on gender using multiple choice tests. The type of research used is quantitative descriptive research. This research was conducted on 94 students (47 male and 47 female students) of MAN 1 Malang. Quantitative data was obtained from the score of correct answers from students when answering questions. The method used was survey method. After the validation test and reliability test, there were 20 questions categorized as valid and could be used for research. The questions that passed the test were then given to students to do in the form of a written test. The results showed that students' understanding of the concept of kinematics was categorized as very low. This is due to the average student concept understanding score of 24.04. Based on the data analysis that has been done, it is concluded that there is no difference in concept understanding between male students and female students.
Pertunjukan Solis Saxophone dengan Repertoar In a Sentimental Mood, Wrapped Up in Your Smile, dan Babendi-Bendi. Putra, Angga Dwi; Kustilo, Anton; Yusnelli, Yusnelli; Anggraini, Nora; Nofridayati, Nofridayati
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5309

Abstract

Pertunjukan musik merupakan salah satu cara untuk mempresentasikan sebuah karya seni kepada penonton. Tulisan ini bertujuan untuk mendeskripsikan pertunjukan solis saxophone yang menampilkan tiga repertoar, yaitu In a Sentimental Mood, Wrapped Up in Your Smile, dan Babendi-Bendi. Penampilan solis saxophone tidak hanya menjadi ajang unjuk keterampilan teknik, tetapi juga media ekspresi dan interpretasi musical yang unik. Dalam pertunjukan ini, solis saxophone mengeksplorasi nuansa, karakter, dan feeling masing-masing karya melalui analisis dan penerapan teknik, sliding, altissimo dan staccato ke dalam pertunjukan. Teknik-teknik yang diterapkan merupakan bagian esensial untuk menguasai permainan solis saxophone sehingga mencapai interpretasi musikal secara optimal dari berbagai aliran dan gendre musik yang dimainkan. In a Sentimental Mood dibawakan dengan nuansa melankolis dan lembut, Wrapped Up in Your Smile menonjolkan nuansa romantis dan ekspresif, sedangkan Babendi-Bendi memberikan kesan riang, energik, dan folkloristik. Penyaji menggunakan pendekatan kualitatif dan deskriptif, yaitu mengamati, menganalisa, dan mendeskripsikan aspek interpretasi dan teknik permainan yang diterapkan solis saxophone. Hasil penyajian menunjukkan bahwa interpretasi dan teknik yang diterapkan dapat menghadirkan karakter dan nuansa yang sesuai, sehingga pertunjukan solis saxophone mampu menyampaikan makna emosional dan estetika masing-masing repertoar kepada pendengar
Babunyi: Recomposition of Materak Art in Minimalist Music Concept Al Mubaraq, M. Habib; Panggabean, Della Rosa; Anggraini, Nora; Putra, Vindo Alhamda
Scoring: Journal of Film Music Vol 3, No 1 (2025): Scoring Jurnal of Film Music
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i1.5547

Abstract

The musical composition “Babunyi” (a recomposition of Materak art in the minimalist music concept) is inspired by one of the kompang patterns found in Materak art, specifically the Kurang 1 pattern, which consists of the Induk (parent), Anak 2 (second child), and Anak 3 (third child) patterns. The concept of "Babunyi" utilizes a minimalist music approach, processed using the harmonic minor scale, and will be realized in a mixed ensemble format. The creation method for this work consists of three stages: exploration, experimentation, and realization. There are three structural processes in this composition: I (restricted pitch and rhythm materials), II (phasing), and III (long duration). The conclusion drawn is the use of minimal patterns followed by gradual changes until a complete musical composition is achieved.  Keywords : Materak, Kompang, Kurang 1, Minimalist Music, Mixed Ensamble.
Penanganan rembesan dan perkuatan tanah menggunakan metode insitu test (pressure meter test) studi kasus : proyek Bendungan Margatig Anggraini, Nora; Wahono, Endro Prasetyo; Kusumastuti, Dyah Indriana
REKAYASA: Jurnal Ilmiah Fakultas Teknik Universitas Lampung Vol. 28 No. 3 (2024): Desember 2024
Publisher : Jurusan Teknik Sipil Universitas Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/rekrjits.v28i3.116

Abstract

The purpose of this writing is to determine the handling of seepage and soil reinforcement required in the case study of the Margatiga Dam Project, East Lampung. Based on the results of geological investigations, the Margatiga Dam is composed of quarter-old rock layers with a fragment composition in the form of fine sand - gravel, with a hardness level of soft - hard and the need for foundation repairs. Based on the lithological conditions of the Margatiga Dam Extraction Gate foundation and the Spillway building which are composed of relatively deep and quite porous alluvial sand deposits, this causes the curtain grouting results to be ineffective, therefore it is necessary to change the design to control seepage from the Grouting Curtain to the boundary wall. Based on the simulation checks in the Plaxis Software for Seepage and Excavation Staging, processing was carried out using Secant Pile and Soldier Pile with a depth of 30 meters with a stretch of 140 m and overlapping with the left side of the Embankment Curtain Goruting. and the right side 5 m. PMT results in the field show that the maximum stress in the rock layer under the spillway foundation is 0.016 MPa and 0.630 MPa.
Co-Authors aby rahman Ahlan, Wahyudi Al Mubaraq, M. Habib Angelica Febrianti Br Haloho Aulia, Meydina Chusnana Insyaf Yogiyanti Della Rosa Panggabean Dyah Indriana Kusumastuti Emridawati Emridawati Endro Prasetyo Wahono Fikratul, Nesa Ulya Grace Djan HERDIANTO, FERRY Kumala, Ofa Yutri KUSTILO, ANTON Murniati Murniati NOFRIDAYATI, NOFRIDAYATI Nurbaiti, Eliza Nursyirwan Nursyirwan Pane, Wulan Puriani Batman Sitorus Panggabean, Della Rosa Putra, Angga Dwi Putra, Vindo Alhamda Reyza Arief Taqwa, Muhammad Sastra Munafri, Sastra Seprizal Seprizal Sidik, Hadaci Surayya, Yade Yade Surayya Yon Hendri Yusnelli, Yusnelli