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All Journal Jurnal Pendidikan Teknologi dan Kejuruan Gorga : Jurnal Seni Rupa Edutech Teknobuga : Jurnal Teknologi Busana dan Boga Journal of Educational Science and Technology Fashion and Fashion Education Journal Pendas : Jurnah Ilmiah Pendidikan Dasar SELAPARANG: Jurnal Pengabdian Masyarakat Berkemajuan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Ilmiah Dikdaya International Journal of Educational Dynamics (IJEDS) JRTI (Jurnal Riset Tindakan Indonesia) Jurnal Pendidikan dan Keluarga Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Riset dan Inovasi Pembelajaran Journal for Lesson and Learning Studies JURNAL SOCIA AKADEMIKA Indo-MathEdu Intellectuals Journal Journal of Community Service Atmosfer: Jurnal Pendidikan, Bahasa, Sastra, Seni, Budaya, Dan Sosial Humaniora Jurnal Penelitian Pendidikan Indonesia

Puji Hujria Suci

Universitas Negeri Padang

Author-ID : 2636238

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Medicine & Pharmacology Nursing Public Health Social Sciences Other

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STUDI KASUS MANAJEMEN PRODUKSI USAHA KONVEKSI PADA MUTHIA KONVEKSI DI TANJUNG BERINGIN PASAMAN Mardatillah, Azzahra Fujiatul; Suci, Puji Hujria
Jurnal Socia Akademika Vol. 10 No. 1 (2024): Edisi Juni 2024
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v10i1.281

One of the industries in the clothing sector is convection. In Nagari Tanjung Beringin, Lubuk Suhuing District, Pasaman Regency, there is a convection, namely Muthia Konveksi. Muthia Konveksi was founded in 2005 in Batam, then in 2020 this convection moved to Tanjung Beringin. Muthia Konveksi produces ready-to-wear products in the form of sports t-shirts, office uniforms, and other men's and women's clothing. This research aims to describe production management in the Muthia Konveksi business in the form of planning, organizing and production processes.The research method used is a qualitative descriptive method. This research was conducted in Nagari Tanjung Beringin, Pasaman Regency, precisely at the Muthia Konveksi business which is located on Pasar Benteng Baru street, No. 67, Tanjung Beringin village, Lubuk Sikaping District, Pasaman Regency. The types of data are primary data and secondary data. Data collection techniques are through observation, interviews and documentation. Data analysis techniques are carried out by collecting data, reducing data, presenting data, and drawing conclusions. The results of the research at Muthia Konveksi include planning before production is carried out, organization at Muthia Konveksi and the production process at Muthia Konveksi

Analysis of student learning outcomes through the task learning approach toward cash pattern construction course Hadiastuti, Hadiastuti; Ernawati, Ernawati; Suci, Puji Hujria
Jurnal Pendidikan Teknologi Kejuruan Vol 7 No 1 (2024): Regular Issue
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jptk.v7i1.30223

The academic success of students can be measured by their aptitude for classroom learning, the role of lecturer as motivator facilitator, and fulfils other responsibilities in the learning process of a specific unit of competency or subject. The teaching presentation of the fashion pattern construction course incorporated many instructional techniques, including lectures, interactive Q&A sessions, practical exercises, and assignments. Such learning should be cultivated to ascertain the cognitive abilities of pupils in comprehending and effectively applying information to attain favourable learning outcomes. One of the techniques that lecturers can utilize to improve student learning outcomes in the Fashion Pattern Construction course is by adopting the Task Learning approach, because this approach incorporates activities for the benefit of students that can raise their interest and interaction in the course, enhance their engagement and participation in the classroom. So, this study aimed at increasing students’ learning outcomes through task learning approach. The employed approach is classroom action research, comprising four distinct stages: planning, activity, observation, and reflection. A total of 34 students, all of whom were D3 fashion design students, were the subjects of this study. The findings demonstrated the efficacy of the Task Learning methodology in enhancing student learning outcomes, as seen by the percentage increase in student learning outcomes observed between cycle 1 and cycle 2.

Peningkatan Keterampilan Guru Dalam Pembuatan Desain Busana 3D Menggunakan Software CLO3D di SMKN 3 Payakumbuh Puji Hujria Suci; Yusmerita Yusmerita; Melda Mahniza
ABDI: Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol 6 No 4 (2024): Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat
Publisher : Labor Jurusan Sosiologi, Fakultas Ilmu Sosial, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/abdi.v6i4.791

Pengabdian kepada masyarakat ini bertujuan untuk meningkatkan keterampilan guru Tata Busana di SMKN 3 Payakumbuh dalam pembuatan desain busana 3D menggunakan software CLO3D. Isu pokok yang diangkat adalah kurangnya pemanfaatan teknologi digital dalam proses desain busana di sekolah-sekolah, terutama dalam hal penggunaan software 3D. Program ini dilaksanakan melalui pelatihan intensif yang melibatkan guru-guru untuk mengenal, memahami, dan menguasai teknik dasar serta penggunaan software CLO3D dalam merancang busana. Metode yang digunakan adalah pelatihan langsung dengan pendekatan tutorial, diskusi, dan praktek langsung. Hasil dari pelatihan ini menunjukkan peningkatan keterampilan guru dalam menggunakan teknologi 3D dalam desain busana, yang akan mempengaruhi kualitas pembelajaran dan pengembangan kompetensi siswa dalam bidang Tata Busana. Implikasi dari kegiatan ini adalah terbangunnya kemampuan guru dalam mengadaptasi teknologi terbaru, yang mendukung pengembangan kurikulum berbasis industri serta menyiapkan lulusan yang lebih siap menghadapi tuntutan dunia kerja yang berbasis digital.

Exploration of Songket Batik: Production Process and Cultural Values at Rumah Batik Tarancak, Solok City Sari, Macita; Suci, Puji Hujria
Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Vol 26, No 2 (2024): Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Publisher : LPPM Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/ekspresi.v26i2.4883

Batik is one of Indonesia’s cultural heritages that holds high artistic value, particularly in its motifs and philosophical meanings. An innovative development in West Sumatra is the creation of batik songket, a fusion of batik art and the traditional Minangkabau songket weaving. This study focuses on the production process of batik songket at Rumah Batik Tarancak in Solok City, a pioneer in producing batik on songket fabrics in the region. This innovation not only enriches local cultural heritage but also supports the local economy by enhancing the quality of products that can compete in the broader market. This research was conducted using a qualitative descriptive method through direct observation, interviews, and documentation at Rumah Batik Tarancak. The findings reveal that the batik songket production process employs traditional manual weaving tools (ATBM) and uses both natural and synthetic dyes. The motifs are inspired by Minangkabau culture, embodying symbolic and aesthetic meanings. This innovation is expected to help preserve the heritage of batik and songket while raising awareness about the importance of maintaining cultural traditions.

AI-Driven Learning: Mediating and Moderating Dynamics in Self-Regulated Learning. Mahniza, Melda; Sari, Resti Elma; Suci, Puji Hujria; Saputra, Indra; Putri, Elviza Yeni
Journal of Educational Science and Technology (EST) Volume 10 Number 3 December 2024
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/est.v10i3.68254

The rapid integration of artificial intelligence (AI) in education has transformed how students learn, particularly in fostering self-regulated learning (SRL). However, understanding the mechanisms and conditions under which AI adoption influences SRL remains underexplored. This study investigates the roles of achievement goals, cognitive load, personalized learning, students' adaptability, and AI competence in shaping SRL within an AI-enhanced educational framework. The research employs Structural Equation Modeling (SEM) with the Partial Least Squares (PLS) approach to analyze direct, mediating, and moderating effects while accounting for demographic controls such as age, gender, internet access, and environment. The findings reveal a complex interplay of factors. Direct effect testing showed that five hypothesized relationships, including the influence of achievement goals, cognitive load, personalized learning, and students’ adaptability on SRL, were unsupported. Mediation analysis confirmed that AI adoption significantly mediates the effects of achievement goals, cognitive load, and personalized learning on SRL, emphasizing the role of technology acceptance in enhancing learning autonomy. Moderation analysis identified that AI competence strengthens the relationship between achievement goals and SRL but does not moderate other interactions, such as those involving AI adoption or cognitive load. These results underscore the nuanced dynamics between cognitive, technological, and motivational factors in AI-enhanced learning. The study contributes to the growing literature on AI-driven education by highlighting the pivotal role of mediating variables like AI adoption and the limited yet strategic influence of AI competence. Future research should explore broader contextual and pedagogical factors to optimize the integration of AI tools in fostering self-regulated learning

PAKAIAN PENGHULU: WARISAN BUDAYA DAN IDENTITAS LOKAL DI KANAGARIAN DURIAN TINGGI, KAPUR IX, LIMA PULUH KOTA Nayla Putri; Puji Hujria Suci; Hadiastuti Hadiastuti
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.52822

The headman's clothes were passed down from generation to generation from the previous headman so that the clothes that exist today are inherited from the elders. All aspects of life in Minangkabau culture have rules, all regulated by customary rules. One of the things regulated in the traditional rules of Minangkabau traditional culture is traditional clothing. Penghulu traditional clothing has its own form, function and meaning, along with the times, the form, function and meaning of traditional penghulu clothing can change. If the shape of a piece of clothing changes, it will also change the function and meaning of the piece of clothing, as is the case with the clothes of the ruler, many people do not know about this. Many people do not know and understand the form, function and meaning of the headman's clothing. The aim of this research is to describe the form, function and meaning of the headman's clothing in Kanagarian Durian Tinggi, Kapur IX district, Lima Puluh Kota regency. This is qualitative research with descriptive methods. The instruments in this research were the researchers themselves with observation guides, interviews, recording devices (cellphones) and writing instruments. The data used comes from observations and informants, namely the headman, village elders, soko and the community. From this research data, the form, function and meaning of the headman's clothing was found in Kanagarian Durian Tinggi, Kapur IX District, Lima Puluh Kota Regency. The headman's clothing in Kanagarian Durian Tinggi is kopiah hitam balilik, baju hitam, sarawa hitam gadang kaki, sisampiang, cawek (ikat pinggang), selendag, keris, dan tarompa. Each form of headman's clothing has a function and meaning. The function of the headman's clothing in Kanagarian Durian Tinggi, Kapur IX District, Lima Puluh Kota Regency, is a symbol of prosperity for the troops and as a marker as a bearer of the title of headman, each part of the headman's clothing has a meaning, the meaning of the headman's clothing as a whole in Kanagarian Durian Tinggi, Kapur IX District, Lima Puluh Kota Regency in each set of headman clothing have a philosophy in the form of the headman's duties, the way the headman behaves, and the taboos for a headman.Keywords : Clothing, Penghulu, Form, Function, MeaningAbstrakPakaian penghulu diwariskan secara turun temurun dari penghulu sebelumnya, pakaian yang ada saat ini, adalah peninggalan para tetua. Segala rangkaian kehidupan dalam kebudayaan Minangkabau mempunyai aturan, seluruhnya diatur dalam aturan adat. Salah yang diatur dalam aturan adat pada budaya adat Minangkabau adalah pakaian adat. Pakaian adat penghulu memiliki bentuk, fungsi dan makna tersendiri, seiring dengan perkembangan zaman bisa mengubah bentuk, fungsi dan makna dari pakaian adat penghulu. Jika bentuk dari sebuah pakaian berubah maka juga akan merubah fungsi dan makna dari sebuah pakaian begitupun dengan pakaian penghulu banyak masyarakat yang tidak megetahui akan hal itu. Banyak masyarakat yang tidak mengetahui dan memahami bentuk, fungsi dan makna pakaian penghulu. Tujuan dari penelitian ini untuk mendeskripsikan bentuk, fungsi dan makna pakaian penghulu di Kanagarian Durian Tinggi Kecamatan Kapur IX Kabupaten Lima Puluh Kota. Ini merupaka penelitian kualitatif dengan metode deskriptif. Instrument dalam penelitian ini adalah peneliti sendiri dengan panduan observasi, wawancara, alat perekam (handphone) dan alat tulis. Data yang digunakan berasal dari hasil observasi dan informan yaitu penghulu, tetua kampung, soko dan masyarakat. Dari data penelitian ini ditemukan bentuk, fungsi dan makna pakaian penghulu di Kanagarian Durian Tinggi Kecamatan Kapur IX Kabupaten Lima Puluh Kota. Pakaian penghulu di Kanagarian Durian Tinggi yaitu kopiah hitam balilik, baju hitam, sarawa hitam gadang kaki, sisampiang, cawek (ikat pinggang), selendag, keris, dan tarompa. Tiap bentuk dari pakaian penghulu memiliki fungsi dan makna. Fungsi pakaian penghulu di Kanagarian Durian Tinggi Kecamatan Kapur IX Kabupaten Lima Puluh Kota yaitu lambang kebeseran bagi pasukuan dan sebagai penanda sebagai pembawa gelar penghulu, setiap bagian-bagian pakaian penghulu memiliki makna, makna pakaian penghulu secara keseluruhan di Kanagarian Durian Tinggi Kecamatan Kapur IX Kabupaten Lima Puluh Kota pada tiap perangkangkat pakaian penghulu memiliki filosofi berupa tugas-tugas penghulu, cara penghulu bersikap, serta pantangan bagi seorang penghulu.Kata kunci: Pakaian, Penghulu, Bentuk, Fungsi, Makna Authors:Nayla Putri : Universitas Negeri PadangPuji Hujria Suci : Universitas Negeri PadangHadiastuti : Universitas Negeri Padang ReferencesBudiwirman, & Syafwandi. (2019). Hermeneutika Songket sebagai Pakaian Adat. Gorga Jurnal Seni Rupa, 08, 1“9.Desmaleni, R., Efi, A., & Yuliarma. (2014). Studi Tentang Desain Ragam Hias Pakaian Pengantin Tradisional Lubuk Begalung Padang. In Journal of Home Economics and Tourism (Vol. 6, Issue 2, pp. 1“16). https://scholar.google.com/scholar?hl=id&as_sdt=0%2C5&q=studi+tentang+desain+ragam+hias+pakaian+pengantin+tradisional+lubuk+begalung+padang&btnG=Elpalina, S., Agustina, A., Azis, A. C. K., & Syukri, A. (2023). Bentuk Pakaian Adat Panghulu Di Batipuah Baruah Tanah Datar. Gorga¯: Jurnal Seni Rupa, 12(1), 167. https://doi.org/10.24114/gr.v12i1.45337Hermalia, C., & Yuliarma. (2021). Perubahan Desain Busana Adat Pengantin Wanita Di Kota Pariaman Sumatera Barat. Gorga¯: Jurnal Seni Rupa, 10(2), 515. https://doi.org/10.24114/gr.v10i2.29093Jacobus, S. I. W., & Sumarauw, J. S. (2018). Analisis Sistem Manajemen Pergudangan Pada Cv. Pasific Indah Manado Warehousing Management System Analysis on Cv. Pasific Indah Manado. Analisis Sistem Manajemen¦¦ 2278 Jurnal EMBA, 6(4), 2278“2287.Muzaiyanah. (2015). Jenis Makna Dan Perubahan Makna. Wardah, 25, 145“152.Putri, R. N. (2023). Perubahan kombinasi warna busana adat pengantin tradisional wanita lintau buo sumatera barat. 1(1), 21“26.Sagala, G., Mesran, M., Sutiksno, D. U., Yuhandri, Y., & Suginam, S. (2017). Perancangan Aplikasi Pembelajaran Pakaian Adat Asli Indonesia Berbasis Multimedia Dan Web Menerapkan Metode Computer Assisted Instruction (Cai). JURIKOM (Jurnal Riset Komputer), 4(4), 12“15. http://www.stmik-budidarma.ac.id/ejurnal/index.php/jurikom/article/view/711Sola, E. (2020). œ BUNDO KANDUAN G MINANGKABAU Vs. KEPEMIMPINAN. 4(1), 346“359.Surasetja, R. I. (2007). Fungsi, ruang, bentuk dan ekspresi dalam arsitektur. Bahan Kuliah, 1“13.Wirandi, R., & B. P., M. M. (2021). Fungsi Musik Dalam Upacara Perayaan Ritual Thaipusam Etnis Hindu Tamil Di Banda Aceh. Gorga¯: Jurnal Seni Rupa, 10(2), 415. https://doi.org/10.24114/gr.v10i2.28379Yuliarma. (2016). Dasar-Dasar Teknik Pembuatan Busana. 1“11. https://scholar.google.com/scholar?hl=id&as_sdt=0%2C5&q=Dasar-Dasar+Teknik+Pembuatan+Busana&btnG=Yunus, R. R., Efi, A., & Yuliarma. (2014). STUDI TENTANG BUSANA PENGANTIN TRADISIONAL KURAI BUKITTINGGI. 1“21. https://scholar.google.com/scholar?hl=id&as_sdt=0%2C5&q=STUDI+TENTANG+BUSANA+PENGANTIN+TRADISIONAL+KURAI+BUKITTINGGI&btnG=

ANALISIS MANAJEMEN PRODUKSI USAHA KONVEKSI DI MUTHIA KONVEKSI TANJUNG BERINGIN PASAMAN Azzahra Fujiatul Mardatillah; Puji Hujria Suci
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.57958

Muthia Convection is a convection business located in Tanjung Beringin, Pasaman Regency. Convection business involves mass production of clothing. In addition, good and proper business management is needed to achieve broader business prospects in the modern era like today. This research aims to describe in detail about production planning, production process, as well as quality supervision and control at Muthia Convection. The research method used is qualitative method with descriptive approach, data obtained by conducting interviews and observations. The data analysis technique used is the interactive model, which includes data reduction, data presentation, and conclusion drawing. The results show that the planning system at Muthia Convection has not been carried out optimally and efficiently, the production process is carried out based on received orders, and the marketing system applied is still traditional by spreading information through word of mouth. Muthia Convection plans production with a focus on received orders, producing various types of clothing such as school uniforms, office uniforms, and sports shirts. They use a piece-rate wage system for employees and have initial capital from bank loans. Production is done around 3-4 months before the year change or new academic year. Muthia Convection conducts supervision during the production process, including supervision of labor, product quality, cleanliness, and timeliness. Quality control is carried out to ensure that the products meet the established standards, through stitch inspections and finishing processes.Keywords: convection, planning, quality controlAbstrakMuthia Konveksi merupakan usaha konveksi yang berada di Tanjung Beringin Kabupaten Pasaman yang memproduksi pakaian secara massal. Selain itu dibutuhkan manajemen usaha yang baik dan benar untuk dapat mencapai prospek bisnis yang lebih luas di era modern seperti saat ini. Penelitian ini bertujuan untuk mendeskripsikan secara detail mengenai perencanaan produksi, proses produksi, serta pengawasan dan pengendalian kualitas pada Muthia Konveksi. Metode penelitian yang digunakan yaitu kualitatif dengan pendekatan deskriptif, data diperoleh dengan melakukan wawancara dan observasi. Teknik analisis data yang digunakan adalah model interaktif, yang mencakup reduksi data, penyajian data, dan penarikan kesimpulan. Hasil penelitian menunjukkan bahwa sistem perencanaan pada Muthia Konveksi belum dilakukan secara optimal dan efisien, proses produksi dilakukan berdasarkan pesanan yang telah diterima, serta sistem pemasaran yang diterapkan masih tradisional dengan menyebarkan informasi melalui mulut ke mulut. Muthia Konveksi melakukan perencanaan produksi dengan fokus pada pesanan yang diterima, menghasilkan berbagai jenis pakaian seperti seragam sekolah, seragam kantor, dan kaos olahraga. Muthia Konveksi melakukan perencanaan produksi dengan fokus pada pesanan yang diterima, menghasilkan berbagai jenis pakaian seperti seragam sekolah, seragam kantor, dan kaos olahraga. Mereka menggunakan sistem upah borongan untuk karyawan dan memiliki modal awal dari pinjaman bank. Produksi dilakukan sekitar 3-4 bulan sebelum masa pergantian tahun atau tahun ajaran baru. Muthia Konveksi melakukan pengawasan selama proses produksi berlangsung, termasuk pengawasan tenaga kerja, mutu produk, kebersihan, dan ketepatan waktu. Pengendalian kualitas dilakukan untuk memastikan produk sesuai dengan standar yang telah ditetapkan, melalui pemeriksaan jahitan dan proses finishing.Kata Kunci: konveksi, perencanaan, pengawasan, pengendalian kualitas Authors:Azzahra Fujiatul Mardatillah : Universitas Negeri PadangPuji Hujria Suci : Universotas Negeri PadangReferencesAssauri, S. (2013). Management marketing. Jakarta: Rajawali Pers.Dariyatmo, D. (2023), œSistem Pemasaran Muthia Konveksi. Hasil Wawancara Pribadi: 15 Mei 2023, Muthia Konveksi.Ernawati, W. N. (2008). Tata Busana SMK Jilid 2. Padang: Direktorat Pembinaan Sekolah Menengah Kejuruan.Gasperz, V. (2005). Total Quality Management. Jakarta: Gramedia Pustaka UtamaHidayah, N., & Yasnidawati, Y. (2019). Penyesuaian Pola Dasar Busana Sistem Indonesia Untuk Wanita Indonesia Dengan Bentuk Badan Gemuk. Gorga: Jurnal Seni Rupa, 8(1), 222-230.Indriastuti, B. (2009). Kajian Tentang Pengelolaan Usaha Pada Industri Kecil Konveksi Di Desa Tempusari Kecamatan Ngawen Kabupaten Klaten. Skripsi Malang: Fakultas Teknik Universitas Negeri Semarang.Nafila, W. (2014). Pengaruh Peletakan Pola Terhadap Hasil Jadi Blus Circular Drape Menggunakan Kain Lycra Metode Pattern Magic Stretch Fabric. Jurnal Tata Busana, 3(3).Sinulingga, S. (2009). Perencanaan & Pengendalian Produksi. Yogyakarta : Graha Ilmu.Sudaryono, S. (2017). Pengantar Manajemen Teori dan Kasus. Yogyakarta: CAPSSuhemi, R. (2016). Manajemen Produksi dan Pemasaran Sirup Markisa (Studi Kasus CV. Citra Sari) Kelurahan N Mangasa Kecamatan Tamalate Kota Makassar. Sosial Ekonomi.Supriyanto, S. (2009). Business Plan Sebagai Langkah Awal Memulai Usaha. Jurnal Ekonomi dan Pendidikan, 6(1), 73-83.Wihandira. N. W. (2023) The Production Process of the Convection Business in Nagari Batu Taba Ampek Angkek District West Sumatera. TEKNOBUGA: Jurnal Teknologi Busana dan Boga, 11(11), 38-49.

PENGETAHUAN MAHASISWA TATA BUSANA TENTANG ZERO WASTE PATTERN Suci Rahmawati; Puji Hujria Suci
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.57998

Textile waste is one of the 2nd largest types of waste in the world. The increasing amount of textile waste will have an impact on the environment. There has not been much development of clothing with Zero Waste techniques in Indonesia, and students as social beings also play an important role in environmental renewal through waste reduction. The purpose of the research is to understand the level of cognitive knowledge of fashion students about Zero Waste Pattern based on indicators of 6 levels of knowledge (C1-C6) namely knowledge, understanding, application, analysis, synthesis and evaluation. The method used in this research is descriptive quantitative with one variable, which is knowledge about Zero Waste Pattern. The research sample was 77 respondents who were active students of the Family Welfare Education Study Program, Padang State University, class of 2019-2022. Data collection uses Google forms with tests in the form of true and false questions or gutman scales that have proven their validity and reliability. The impact of research on fashion students' knowledge of Zero Waste Pattern there are 6 levels of knowledge to be indicators in this study with the percentage of indicators of Knowledge (C1) 57%, Understanding (C2) 62%, Application (C3) 64%, Analysis (C4) 54%, Synthesis (C5) 66% and Evaluation (C6) 76% of Zero Waste Pattern with part of the indicator remembering the terms in Zero Waste Pattern, explaining the understanding of the concept of Zero Waste Pattern, explaining the stages of Zero Waste Pattern, applying the Zero Waste Pattern method, summarizing the material from the Zero Waste Pattern technique, combining concepts about the Zero Waste Pattern approach, assessing designs, concepts and assessing public awareness in the Zero Waste Pattern technique. The research obtained the highest percentage of 80%, followed by a moderate level of knowledge of 15% and a low level of knowledge of 3%. It can be concluded that 62 Fashion Management students have knowledge about Zero Waste Pattern. Suggestions that can be given after this research is obtained so that students can realize the work of services or products in the field of fashion related to the concept of Zero Waste Pattern.Keywords: Knowledge, Fashion, Zero Waste PatternAbstrakLimbah tekstil salah satu jenis limbah terbesar ke-2 di dunia. Meningkatnya jumlah limbah tekstil akan berdampak pada lingkungan. Belum banyak pengembangan pakaian dengan teknik Zero Waste di Indonesia, dan mahasiswa sebagai makhluk sosial juga berperan penting dalam pembaruan lingkungan lewat pengurangan limbah. Tujuan dilaksanakan penelitian adalah untuk memahami tingkat pengetahuan kognitif mahasiswa tata busana mengenai Zero Waste Pattern berdasarkan indikator 6 tingkatan pengetahuan (C1-C6) yaitu pengetahuan, pemahaman, penerapan, analisis, sintesis dan evaluasi. Cara yang dipakai pada penelitian ini adalah deskriptif kuantitatif dengan satu variable, ialah pengetahuan tentang Zero Waste Pattern. Sampel penelitian adalah 77 orang responden yang adalah mahasiswa aktif Tata Busana Prodi Pendidikan Kesejahteraan Keluarga, Universitas Negeri Padang, angkatan 2019-2022. Pengumpulan data memakai Google form dengan tes berupa soal benar salah atau skala gutman yang telah terbukti validitas dan reliabilitasnya. Dampak penelitian pada pengetahuan mahasiswa tata busana tentang Zero Waste Pattern ada 6 tingkatan pengetahuan menjadi indikator pada penelitian ini dengan persentase indikator Pengetahuan (C1) 57%, Pemahaman (C2) 62%, Penerapan (C3) 64%, Analisis (C4) 54%, Sintesis (C5) 66% dan Evaluasi (C6) 76% terhadap Zero Waste Pattern dengan bagian indikator mengingat istilah dalam Zero Waste Pattern, menjelaskan pemahaman tentang konsep Zero Waste Pattern, menjelaskan tahapan Zero Waste Pattern, menerapkan metode Zero Waste Pattern, menyimpulkan materi dari Teknik Zero Waste Pattern, menggabungkan konsep-konsep tentang pendekatan Zero Waste Pattern, menilai desain, konsep dan menilai kesadaran masyarakat dalam teknik Zero Waste Pattern. Penelitian memperoleh persentase tertinggi yaitu 80%, selanjutnya tingkat pengetahuan sedang 15% dan tingkat pengetahuan rendah 3%. Dapat disimpulkan bahwa 62 mahasiswa Tata Busana memiliki pengetahuan tentang Zero Waste Pattern. Saran yang dapat diberikan setelah penelitian ini didapatkan agar mahasiswa dapat untuk mewujudkan karya jasa atau produk bidang busana yang berkaitan dengan konsep Zero Waste Pattern.Kata Kunci: Pengetahuan, Tata Busana, Zero Waste PatternAuthors:Suci Rahmawati : Universitas Negeri PadangPuji Hujria Suci : Universitas Negeri PadangReferences ANITA KURNIAWATI. (2021). PENGETAHUAN MAHASISWA TATA BUSANA TENTANG ZERO WASTE FASHION.Arikunto, S. (2010). Prosedur penelitian: Suatu pendekatan praktik.Arikunto, S. (2013). Prosedur penelitian: Suatu pendekatan praktik.Fisher, E. (2015). Recycled & reclaimed fibers:less waste, less energy.Kementerian, P. P. N., BAPPENAS, P. K. D., & UNDP, I. (2021). Manfaat Ekonomi, Sosial, dan Lingkungan dari Ekonomi Sirkular di Indonesia. Ringkasan Bagi Pembuat Kebijakan.Muttaqien, T. Z., & Adiluhung, H. (2021). USAHA KECIL MENENGAH DI BANDUNG MENDUKUNG SUSTAINABLE DESIGN MELALUI PEMBUATAN FURNITUR BERBAHAN LIMBAH KAYU MENGGUNAKAN KONSEP NIRMANA DWIMATRA. Gorga¯: Jurnal Seni Rupa, 10(1), 01. https://doi.org/10.24114/gr.v10i1.20731Novrita, S. Z. (2007). Peningkatan Motivasi Belajar Melalui Media Pembelajaran Pada Mata Kuliah Busana Pria (Action Research) Di Jurusan Kesejahteraan Keluarga FT UNP.Putri, A. W. A., & Kristi, J. I. (2020). EKSPLORASI ECO PRINTING DAUN LANANG DAN PEWARNAAN ALAM KAYU TEGERAN PADA KAIN RAYON SEBAGAI POTENSI MATERIAL FASHION SUSTAINABLE. Gorga¯: Jurnal Seni Rupa, 9(2), 317. https://doi.org/10.24114/gr.v9i2.20271Rissanen, T., & McQuillan, H. (2023). Zero waste fashion design. Bloomsbury Publishing.Siswoyo, D., Sulistyono, T., & Dardiri, A. (2007). Ilmu pendidikan. Yogyakarta: UNY press.Suardi, M. (2015). Belajar dan pembelajaran. Deepublish.Suci, P. H., Puspaneli, P., & Yupelmi, M. (2023). Tutorial Video Development of 3D Women™s Fashion Design Using CLO3D for Clothing Production Design Courses. Proceedings of Vocational Engineering International Conference, 5, 737“740.Suyedi, S. S., & Idrus, Y. (2019). HAMBATAN-HAMBATAN BELAJAR YANG MEMPENGARUHI HASIL BELAJAR MAHASISWA DALAM PEMBELAJARAN MATA KULIAH DASAR DESAIN JURUSAN IKK FPP UNP. Gorga¯: Jurnal Seni Rupa, 8(1), 120. https://doi.org/10.24114/gr.v8i1.12878Widagdo, A., Pramumijoyo, S., & Harijoko, A. (2018). Tectonostratigraphy-volcanic of Gajah-Ijo-Menoreh Tertiary volcanic formations in Kulon Progo mountain area, Yogyakarta-Indonesia. IOP Conference Series: Earth and Environmental Science, 212, 012052. https://doi.org/10.1088/1755-1315/212/1/012052Zahra, A. (2020). Apa Itu Fesyen Berkelanjutan (Sustainable Fashion).

STUDI TENTANG BUSANA PENGANTIN PRIA ADAT BASANDIANG DUO DI NAGARI AIR BANGIS KABUPATEN PASAMAN BARAT Dini Amira; Puji Hujria Suci
Gorga : Jurnal Seni Rupa Vol. 13 No. 1 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i01.58665

Each region has its own characteristics of bridal clothing which are generally not known to many people. Nagari Air Bangis West Pasaman Regency has the traditional basandiang duo groom™s clothing. The traditional Basandiang Duo wedding attire is unique in men™s clothing designs, with gold sprinkling which has its own meaning. The purpose of the research is to describe the design and meaning of the Basandiang Duo traditional groom™s outfit. The exploration technique is subjective spellbinding strategy. Primary data and secondary data are the two categories of data. Techniques for gathering data through interviews, observation, and documentation. The information investigation procedure utilized is enlightening subjective examination with information decrease steps, information show, check and ends. The results showed that in terms of absolute clothing and complementary traditional groom clothing basandiang duo there are designs and meanings. Absolute clothing such as 1) Batabua suit means that a man is able to provide a living to his wife, 2) White shirt symbolizes a man™s heart that is clean and internally ready to face exposure in the household, 3) Rent a loose Lambuak means that a man™s steps are light in his affairs, 4) Kain Sasempang means the simplicity of a man, 5) Cawek means perseverance. Clothing complements such as 1) Deta symbolizes a leader fol his wife, 2) kaluang laca means a man can see certain situations and conditions, 3) Tali Liwuang symbolizes the Minangkabau kingdom of Darul Qara, 4) Dagger whose placement is tilted to tha left means a man must think twice before acting. 5) Shoes symbolize equality of degree and equality of vision and mission between husband and wife. For the design on traditional groom™s clothing decoration basandiang duo in the form of the pleats and other decorations totaling seven means an understanding of a man who can control and clean his seven outer and seven inner.Keywords: design, meaning, groom™s clothesAbstrakMasing-masing daerah mempunyai karakteristik pada busana pengantin yang secara umum belum banyak diketahui oleh banyak orang. Nagari Air Bangis Kabupaten Pasaman Barat memiliki busana pengantin adat basandiang duo. Busana Pengantin adat Basandiang duo memiliki keunikan pada desain busana pria, yaitu salah satunya desain jas dengan taburan emas yang memilik makna tersendiri.. Tujuan penelitian adalah untuk mendeskripsikan desain dan makna busana pengantin pria adat basandiang duo. Metode penelitian menerapkan metode deskripif kualitatif. Data primer dan data sekunder ialah jenis data yang digunakan. Pengumpulan data menggunakan teknik pengamatan, interview, dan dokumentasi. Dengan langkah reduksi data, penyajian data, verifikasi dan penarikan kesimpulan maka analisis deskriptif kualitatif dapat digunakan untuk analisis data. Penelitian ini menyatakan hasil bahwa dilihat dari busana mutlak dan pelengkap busana pengantin pria adat basandiang duo terdapat desain dan makna. Busana mutlak seperti 1) Jas Batabua bermakna bahwa seorang, pria sudah mampu memberikan nafkah kepada istrinya, 2) Kemeja warna putih menjadi lambang hati pria yang bersih dan siap secara bathin menghadapi terpaan didalam rumah tangga, 3) Sewa Lambuak yang longgar bermakna agar langkah kaki pria ringan dalam urusannya, 4) Kain Sasempang bermakna kesederhanaan seorang pria, 5) Cawek bermakna keistiqomahan. Pelengkap busana seperti 1) Deta melambangkan seorang pemimpin untuk istrinya, 2) Kaluang Laca bermakna seorang pria dapat melihat situasi dan kondisi tertentu, 3) Tali Liwuang melambangkan kerajaan minangkabau darul qara, 4) Keris yang peletakannya miring ke kiri bermakna seorang pria harus berpikir dua kali sebelum bertindak, 5) Sepatu melambangkan persamaan derajat dan persamaan visi dan misi antara suami dengan istrinya. Untuk desain hiasan busana pengantin pria adat basandiang duo berupa lipitan dan hiasan lainnya yang berjumlah tujuh bermakna pemahaman tentang seorang pria yang bisa mengendalikan dan membersihkan tujuh zahirnya dan tujuh batinnya.Kata Kunci: desain, makna, busana pengantin pria Authors:Dini Amira : Universitas Negeri PadangPuji Hujria Suci : Universitas Negeri PadangReferencesErnatip, E., Chrystyawati, E., Refisrul, R., Maryetti, M., & S, R. (2004). Arti Simbolik Ragam Hias pada Peralatan Upacara Perkawinan di Nagari Air Bangis Kabupaten Pasaman. CV. Faura Abadi.Ernawati, & dkk. (2008). Tata Busana Jilid I,II, dan III. Direktorat Pembinaan Sekolah Menengah Kejuruan.Febrina, F., Yasnidawati, Y., & Idrus, Y. (2013). Studi Busana Pengantin Tradisional di Alam Surambi Sungai Pagu. Journal of Home Economics and Tourism, 4(2). https://ejournal.unp.ac.id/index.php/jhet/article/view/2476Hayati, A., & Nelmira, W. (2022). Studi Tentang Sulaman Benang Emas Memakai Kaca Dan Cermin Pada Pelaminan Di Desa Naras I Kota Pariaman. Gorga¯: Jurnal Seni Rupa, 11(2), 338. https://doi.org/10.24114/gr.v11i2.37683Ibrahim, A., Djafri, Bafiman, B., Yanis, M., Alimunar, A., Ilyas, M., & Akbar, R. (2017). Pakaian Adat Tradisional Daerah Sumatera Barat. Jurnal Sains Dan Seni ITS, 6(1), 51“66. http://repositorio.unan.edu.ni/2986/1/5624.pdf%0Ahttp://fiskal.kemenkeu.go.id/ejournal%0Ahttp://dx.doi.org/10.1016/j.cirp.2016.06.001%0Ahttp://dx.doi.org/10.1016/j.powtec.2016.12.055%0Ahttps://doi.org/10.1016/j.ijfatigue.2019.02.006%0Ahttps://doi.org/10.1Marthala, A. E. (2015). Pakaian Pengantin Dalam Perkawinan Masyarakat Minangkabau Padang. Humaniora, 53(9), 158.Novrita, S. Z., & Pratiwi, M. (2022). Makna Motif Batik Di Kabupaten Solok Selatan Studi Kasus Pada Sanggar Azyanu Batik 1000 Rumah Gadang. Gorga¯: Jurnal Seni Rupa, 11(2), 628. Ernatip, E., Chrystyawati, E., Refisrul, R., Maryetti, M., & S, R. (2004). Arti Simbolik Ragam Hias pada Peralatan Upacara Perkawinan di Nagari Air Bangis Kabupaten Pasaman. CV. Faura Abadi.Ernawati, & dkk. (2008). Tata Busana Jilid I,II, dan III. Direktorat Pembinaan Sekolah Menengah Kejuruan.Febrina, F., Yasnidawati, Y., & Idrus, Y. (2013). Studi Busana Pengantin Tradisional di Alam Surambi Sungai Pagu. Journal of Home Economics and Tourism, 4(2). https://ejournal.unp.ac.id/index.php/jhet/article/view/2476Hayati, A., & Nelmira, W. (2022). Studi Tentang Sulaman Benang Emas Memakai Kaca Dan Cermin Pada Pelaminan Di Desa Naras I Kota Pariaman. Gorga¯: Jurnal Seni Rupa, 11(2), 338. https://doi.org/10.24114/gr.v11i2.37683Ibrahim, A., Djafri, Bafiman, B., Yanis, M., Alimunar, A., Ilyas, M., & Akbar, R. (2017). Pakaian Adat Tradisional Daerah Sumatera Barat. Jurnal Sains Dan Seni ITS, 6(1), 51“66. http://repositorio.unan.edu.ni/2986/1/5624.pdf%0Ahttp://fiskal.kemenkeu.go.id/ejournal%0Ahttp://dx.doi.org/10.1016/j.cirp.2016.06.001%0Ahttp://dx.doi.org/10.1016/j.powtec.2016.12.055%0Ahttps://doi.org/10.1016/j.ijfatigue.2019.02.006%0Ahttps://doi.org/10.1Marthala, A. E. (2015). Pakaian Pengantin Dalam Perkawinan Masyarakat Minangkabau Padang. Humaniora, 53(9), 158.Novrita, S. Z., & Pratiwi, M. (2022). Makna Motif Batik Di Kabupaten Solok Selatan Studi Kasus Pada Sanggar Azyanu Batik 1000 Rumah Gadang. Gorga¯: Jurnal Seni Rupa, 11(2), 628. https://doi.org/10.24114/gr.v11i2.39652Ramadhan, M. S., Yulianti, K. N., & Ananta, D. (2022). Inovasi Produk Fashion Dengan Menerapkan Karakter Visual Chiaroscuro Menggunakan Teknik Cetak Tinggi Cukil Kayu Block Printing. Gorga¯: Jurnal Seni Rupa, 11(1), 192. https://doi.org/10.24114/gr.v11i1.33052Refisrul, & dkk. (204 C.E.). Tatakrama Suku Bangsa Minangkabau di Nagari Air Bangis Kabupaten Pasaman Provinsi Sumatera Barat. Proyek Pengkajian dan Pemanfaatan Sejarah dan Tradisi.Werdini, H. P., & Puspaneli, P. (2023). Pengembangan Media Moodboard Busana Pesta pada Mata Pelajaran Desain Busana oleh Siswa Kelas XI di SMK N 03 Payakumbuh. Jurnal Pendidikan Tambusai, 7, 14312“14316. https://www.jptam.org/index.php/jptam/article/view/8666Yuliarma. (2016). The Art Of Embroidery Designs. Kepustakaan Populer Gramedia.Yunus, R. ., Efi, A., & Yuliarma, Y. (2014). Studi tentang Busana Pengantin Tradisional Kurai Bukittinggi. Journal of Home Economics and Tourism, 6(2).Yusmerita, Y., Aryati, Y., & Suci, P. H. (2023). Application of environment learning models to the results of motive design in decorative design courses. JPPI (Jurnal Penelitian Pendidikan Indonesia), 9(2), 999. https://doi.org/10.29210/020232862

CASE STUDY OF KERINCI TYPICAL BATIK AT THE INCOANG.GNCE BATIK SANGGAR SUNGAI PENUH Fina Herdyanti; Puji Hujria Suci
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.61767

Batik in Indonesia was acknowledgen by unesco in 2009 as an intangible cultural treasure, and each region has batik with different characteristics and characteristics. One of the batik producing areas is in Kerinci, Sungai Full City, specifically at the Incoang.gnce Batik Studio which was founded in 2016. The method for creating batik in this studio uses the stamped batik technique and creates batik with the characteristics of Kerinci, Sungai Full City. The study’s objective is to characterize the background to the establishment of the Incoang.gnce batik studio, describe the form of batik motifs and the process of making typical Kerinci batik at the Incoang.gnce Batik Studio. The research method applies a qualitative descriptive method, the type of data used is primary and secondary data. Data collection techniques use observation, interviews and documentation techniques. Data analysis techniques with data reduction steps, data exposure and conclusions. To test the validity of the data, triangulation was carried out with the owner of the Incoang.gnce Batik Studio. The results of this research concluded that the Incoang.gnce batik studio was founded in 2016 based on batik training from the industry department, the batik motifs were sourced from what was in Kerinci, the river city full of culture and then typical Kerinci batik was created at the Incoang Gnce batik studio. Examples of motifs include the Karamantang motif, Umoh Lahaek motif, Jangkoi motif, Manyang motif, Kawoa motif, Incung script motif. The batik making process at the Incoang.gnce batik studio uses the stamped batik technique, starting from the stamping process, the coloring process, the embossing process, the dyeing process, and the lorot process. The tools used in making batik include stamping tables, stamping canting, frying pans and stoves. Materials used in batik are wax, dye, soda ash and water glass.

Co-Authors Adriani Adriani Agusti Efi Ambiyar, Ambiyar Amira, Dini Aprilia, Nova Azzahra Fujiatul Mardatillah Dewi, Siska Miga Dini Amira Ernawati Ernawati Ernawati Ernawati Fina Herdyanti Fitbriansyah, Fauziyah Gianti Hadiastuti, Hadiastuti Heansa 14, Sania Adlina Herdyanti, Fina Hutasuhut, Nurul Inayah Indra Saputra Indra Saputra Khairani, Riva Maharani, Anjelina Mardatillah, Azzahra Fujiatul Melda Mahniza Mimi Yupelmi Nayla Putri Nizwardi Jalinus Novrita, Sri Zulfia Novryani, Hellen Puspaneli Puspaneli Puspaneli PUSPANELI, PUSPANELI Putri Vanisha Putri, Nayla Rafikah Husni Rahmi, Febriatul Reni Fitria Rizkayeni Marta Roudlotus Sholikhah Sari, Macita Sari, Resti Elma Suci Rahmawati Suci Rahmawati Suci Rahmawati, Suci Susmelly, Sri Vici Syahril Chairani Weni Nelmira Wulansari Prasetyaningtyas, Wulansari Yasnidawati Yasnidawati Yeni Elviza Febrianti Yenti, Nefri Yulia Aryati Yusmerita Yusmerita Yusmerita Yusmerita Zanil, Ilham

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