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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Jurnal Antropologi: Isu-Isu Sosial budaya Musawa : Jurnal Studi Gender dan Islam ProTVF MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat Kandai English Language and Literature International Conference (ELLiC) Proceedings The Journal of Society and Media Kafa’ah: Journal of Gender Studies Jurnal Kajian Seni Paradigma: Jurnal Kajian Budaya Jurnal Bahasa, Sastra, dan Studi Amerika Dinika: Academic Journal of Islamic Studies. Aksara Aksara
Sri Kusumo Habsari
Fakultas Ilmu Budaya Universitas Sebelas Maret Surakarta
Religion Arts Humanities Chemistry Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Physics Social Sciences Other

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HARGA DIRI DAN STATUS SOSIAL: MOTIF MERANTAU ORANG MINANGKABAU DALAM FILM (Pride and Social Status: The Migrating Motive Minangkabau People in Cinema) Herry Nur Hidayat; Bani Sudardi; Sahid Teguh Widodo; Sri Kusumo Habsari
Kandai Vol 17, No 2 (2021): KANDAI
Publisher : Kantor Bahasa Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v17i2.2805

Abstract

Merantau has known as the Minangkabau ethnic identity. As a social behavior, merantau shows a change in concepts and motives. Technological developments, especially in transportation, are slowly shifting the concept of merantau to broaden its reach, followed by changes in motives. Merantau is no longer seen as a learning behavior and process, but is more economical, looking for a better life. This article explores and describes the merantau in the film with merantau from the Minangkabau community through a semiotic study. As a result, the change in the concept and motive for merantau in the film represents the merantau Minangkabau society. Through the movie characters, the motive for merantau, who seems to have an educational background in the film driveby personal motivation, namely self-esteem and social status, which in directly indicates economic motives.Merantau telah dikenal sebagai identitas etnik Minangkabau. Sebagai sebuah perilaku sosial, merantau menunjukkan perubahan konsep dan motifnya. Perkembangan teknologi, terutama transportasi, secara perlahan menggeser konsep merantau menjadi meluas jangkauannya yang diiringi pula dengan perubahan motifnya. Merantau tidak lagi dipandang sebagai perilaku dan proses pembelajaran melainkan lebih bersifat ekonomis, yaitu mencari kehidupan yang lebih baik. Melalui kajian tekstual, artikel ini menggali dan menguraikan perilaku merantau yang ditampilkan dalam film dalam hubungannya dengan perilaku merantau masyarakat Minangkabau. Hasilnya, perubahan konsep dan motif merantau dalam film adalah bentuk representasi merantau masyarakat Minangkabau. Melalui tokoh-tokohnya, motif merantau yang tampaknya berlatar belakang pendidikan dalam film didorong oleh motivasi personal, yaitu harga diri dan status sosial yang secara tidak langsung menunjukkan motif ekonomis.
Runtuhnya Marxisme-Leninisme di Uni Soviet dalam Teori Ashabiyah Ibnu Khaldun Emil Dwi Febrian; Susanto Susanto; Sri Kusumo Habsari
Jurnal Filsafat "WISDOM" Vol 31, No 1 (2021)
Publisher : Fakultas Filsafat, Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jf.49944

Abstract

This article examines history collapse of the Soviet Union with Ibn Khaldun's ashabiyah theory. The Soviet Union was first communist nation founded in 1922 after fall of the Russian-Monarchy due to the crisis and saparatist movement in 1917. Post World War II, the Soviet Union became a center of the communist movement around the world, and advanced in industrial sector, known as a superpower nation in the 20th century beside the United States. However, the Soviet Union was declared collapsed in 1991. This article found that Ibn Khaldun's ashabiyah can explain history of the Soviet Union in three stages of state metamorphosis; formation, glory, and collapse. Ashabiyah means a bond that unites the people, but it can be positive and negative. Analysis with negative ashabiyah, concluded that the collapse of Marxism-Leninism in Soviet Union was due to the denial of this philosophical teaching to create the privileges of the Communist Party became an authoritarian regime, and considered irrelevant and opposed by society. Authoritarianism happaned because of exclusivism and cult, and could occur in non-communist nations, including Indonesia in the New Order era, this shows that it is not ideology that created of authoritarian regimes, but political practices in specific nations.
The Hegemony of Hedonism Lifestyle of Sales Promotion Girl (SPG) in Indah Hanaco’s `The Curse Of Beauty` Fiqih Aisyatul Farokhah; Sri Kusumo Habsari; Mugijatna Mugijatna
English Language and Literature International Conference (ELLiC) Proceedings Vol 2 (2018): 2nd ELLiC Proceedings: 'Education 4.0: Trends and Future Perspectives in English Educa
Publisher : Universitas Muhammadiyah Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (959.479 KB)

Abstract

The mainstream of pop literature has developed fast now. It tells the lifestyle of urban society which is too glamour, consumptive and hedonistic. In this era of industrialization and capitalism phase influence them to trap in luxurious habit. It does not only affect the upper class but also thepoor society. The activities such shopping branded stuff, hanging out in the mall, changing the up to date mobile phone only for chatting and playing social media become the addiction. Unsurprisingly, there are many people do everything to make it come true. They never realize, they are the victim of this fake light life. One of them is Sales Promotion Girl (SPG) workers. The hedonism lifestyle has hegemonized their life until they take the risk to come in this Job. They do not know, their body has been exchanged by hedonism lifestyle. This phenomenon does not only happen in the reality but also in the pop literature as like Indah Hanaco‟s work. Her novel theCurse of Beauty tells about the true lifestyle of SPG that is trapped to hedonism lifestyle, therefore, they are willing to do sell their precious life to the prostitution world. This paper aims to show the form of SPG‟s hedonism lifestyle in this novel. Then, it tries to find the causes of thosehabits until they are willing to sell their body. Finally, it comes to the purpose of the author to take this situation become the pop literature.
PRAKTIK WACANA NYESEK BAGI PEREMPUAN SASAK Devi Adlina Putri; Sri Kusumo Habsari; Susanto Susanto
Kafa`ah: Journal of Gender Studies Vol 10, No 1 (2020)
Publisher : Universitas Islam Negeri Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/jk.v10i1.295

Abstract

Benchmarks for ideality for the body that prioritize aspects of physical appearance as well as social demands of the Sasak people who determine women should be able to nyesek or make sesek cloth as a source of value and meaning to the body. This article aims to examine the centrality of the body to explain how the discourse of nyesek is used as a benchmark of female maturity and as a standardization of the ideal wife in the Sasak tribe. This research tries to identify various traditional discourses in the Sasak tribe and study how these discourses function to discipline women. This study also tries to see the views of Sasak women, both the older generation and the younger generation, about the concept of nyesek. This research applies a qualitative descriptive approach. Data obtained through interviews with Sasak women in the range (18-80s). Since most sesek weavers are elderly who can only use the Sasak language, interpreting it into Indonesian requires an interview with a young Sasak tribe. This research seeks to show that the ability of nyesek to be learned by Sasak women not only serves to preserve tradition, but also to encourage women to have an economic role in the family. That is because most of the respondents interviewed were farmers' wives, nyesek was considered as an additional family income, even though its contribution was still small. This research is important because there are still many Sasak women who are not aware of the existence of body control through the discourse contained in the nyesek tradition.
RESISTANCE OF BAMBOO WOVEN CRAFTSWOMEN TO NATURAL EXPLOITATION Ratna Kumalasari; Sri Kusumo Habsari; Prasetyo Adi Wisnu Wibowo
Kafa`ah: Journal of Gender Studies Vol 11, No 2 (2021)
Publisher : Universitas Islam Negeri Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/jk.v11i2.438

Abstract

The exploitation that occurs in nature is a form of domination that is considered to have a relationship with the dominance that occurs in women because the exploitation of nature goes hand in hand with the oppression of women. Nature causes more and more damage, and women get the impact of that damage that leads them to fight against fundamental issues related to their survival. This paper raises the issue of environmental degradation experienced by women bamboo weaving and their active involvement in maintaining natural resources that act as their source of life. This research is a qualitative research conducted in Cimahpar Village, Girijaya Cianjur, West Java, with data obtained from observations, FGDs, and interviews. The data is focused on the perspective of eco-feminism, namely by examining more deeply the dominance experienced by women who are bamboo craft weaver and their efforts to prevent environmental damage and loss for their living. The results show that woman bamboo craft weavers are aware of protecting their environment, which is manifested by fighting against the attempts to destroy the bamboo ecosystem, leading to landslides. To maintain the bamboo ecosystem, the women of Cimahpar continue to utilize bamboo for various purposes. Subsequently, they protect their environment for their living
Anti-Mimicry of the Female Characters in Conrad’s Almayer’s Folly Mugijatna Mugijatna Mugijatna; Sri Kusumo Habsari; Karunia Purna Kusciati
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 20, No 1 (2021)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1132.849 KB) | DOI: 10.24036/humanus.v20i1.112207

Abstract

This research focuses on Joseph Conrad’s Almayer’s Folly  to explain the circumstance which leads to the rejection of Mrs. Almayer and Nina Almayer to embrace the dominant race and the reason why these characters choose to remain within ‘Othered’ identity. This study employs Ricoeur’s hermeneutics that applies two steps of reading: distantiation to obtain an objective understanding of the novel and an appropriation through putting the objective understanding of the novel in the socio-cultural context. This study attempts to offer the term “anti-mimicry”, borrowing Bhabha’s term’ to explain the subjectivity of the female character who stand out against the white domination to resist through savage and barbarous manners to mock the dominator, the white. Through the refusal to mimic, Conrad provides a space for Malay women consciousness to develop her subjectivity that could be construed as Conrad’s ambiguous perspective to white superiority in the colonialized era.
KAJIAN POETIKA KOGNITIF KETERLIBATAN PEMBACA TERHADAP FIKSI DIGITAL (The Study of Cognitive Poetics to the Readers' Engagement with Digital Fiction) Sri Kusumo Habsari; Diah Kristina; Fitria Akhmerti Primasita; Yusuf Kurniawan; Karunia Purna Kusciati
Kandai Vol 18, No 2 (2022): KANDAI
Publisher : Kantor Bahasa Provinsi Sulawesi Tenggara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jk.v18i2.4129

Abstract

Developing the observation of the intensity of students' engagement with digital texts, which tend to increase significantly during the pandemic Covid-19, this research raises questions on the cognitive poetics process and experiences in readers' engagement with digital fiction. Of such phenomenon, this research applies cognitive poetics, which refers to the appreciation of the texts experiencing artistic enjoyment and creativity. In the context of digital fiction, this research assumes that readers experience mental immersion and create some forms of transportation. Subsequently, this research studies the readers' immersion in narratives and identifies forms of transportation as a conceptual metaphor projected to different media. This research applies qualitative content analysis to the data obtained from a survey posted on social media. Data are analyzed based on the trend and generalized to identify the causal relationship between the act of reading, the sensory immersion, and the forms of transportation. Adopting cognitive psychology theory, this research argues that readers' immersion process in digital fiction is not holistic and stable. Instead, it is a situation creating different forms and intensities. The result shows that digital text variations and the freedom of expression provide a space for readers to project the conceptual metaphor into various forms of transportation, which can be supportive and persuasive. Dari pengamatan terhadap semakin meningkatnya imersi mahasiswa terhadap teks digital yang semakin meningkat dalam situasi pandemi Covid-19, intensitas interaksi dengan fiksi digital menimbulkan pertanyaan, bagaimana proses kognitif dan keterlibatan pembaca dengan fiksi digital. Untuk mengkaji fenomena tersebut, penelitian ini menggunakan teori poetika kognitif yang mengarah pada konsep apresiasi teks yang menimbulkan kenikmatan artistik dan kreatif. Dalam konteks fiksi digital, penelitian ini memiliki asumsi bahwa pembaca mengalami imersi mental dan melakukan transportasi dalam berbagai bentuk. Dengan demikian, penelitian ini bertujuan untuk mengkaji imersi pembaca terhadap naratif dan mengidentifikasi bentuk-bentuk transportasi. Penelitian ini menggunakan metode kualitatif analisis konten terhadap data yang diperoleh melalui survey yang disebarkan melalui media sosial. Data dianalisis berdasarkan trend dan digeneralisasikan untuk mengidentifikasi relasi kausal perilaku membaca dan pengalaman imersi sensoris serta bentuk transportasi yang dilakukan. Dengan mengadopsi cabang teori kognitif psikologis, penelitian ini berusaha membangun argumen bahwa proses imersi pembaca terhadap fiksi digital bukanlah imersi yang bersifat holistik atau stabil, tetapi selalu terjadi perubahan baik dalam jenis maupun intensitas, tergantung pada situasi saat berinteraksi dengan teks digital. Hasil survey menunjukkan bahwa keragaman teks digital dan kebebasan untuk berekspresi di berbagai medium digital memberikan ruang pembaca untuk mengekpresikan bentuk-bentuk transportasi yang sifatnya bisa berupa supportif maupun persuasif.
Javanese Language Representation: A Dialogue and Expression ala Kethoprak in the Film Nyumbang Purwoko Ajie; Sri Kusumo Habsari; Deny Tri Ardianto; Kundharu Saddhono
Lingua Cultura Vol. 17 No. 1 (2023): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v17i1.9586

Abstract

The research aimed to examine the usage of the Javanese language to represent the discourse of nyumbang (donation) in the film Nyumbang produced by Montase Film Independen Yogyakarta. It focused on analyzing the discourse semantics of the Javanese dialogues, which took the style expression ala Kethoprak. The primary data are the Javanese dialogues in the film Nyumbang. At the same time, the supporting data were taken from journals, books, newspapers, websites, and supporting media (audiovisuals, interview results, and other documentation). Data analysis techniques included reduction, presentation, and verification of conclusions related to the research object. The results indicate the utilization of a strong Javanese accent, mostly found in Kethoprak's performance, to represent the problematic discourse of nyumbang. The actors who are the members of the Sanggar Kethoprak Merbabu Budaya, Magelang, speaking in Javanese with the Mataram accent, highlight the problematization of the ideology behind the discourse of nyumbang. The Mataram accent, which is the language style of Kethoprak, added with the helpless facial expressions of the actors, provides the interpretation of the raising question of the nyumbang tradition, which has been embedded in Javanese culture. Through some word choices that are exaggerated to produce a sense of helplessness, the tradition of nyumbang, formerly developed to help each other, becomes a social burden. Thus, the research finds that the film Nyumbang provides an effort to maintain the Kethoprak tradition without abandoning the characteristics of its traditional performances, which contain criticisms of tradition in modern life.
Social Media as Heterotopia: Exploring the Dynamics of Cancel Culture in the Gisella Anastasia Sex Video Scandal Wulandari, Nur Laily; Habsari, Sri Kusumo; Susanto, Susanto
Humaniora Vol 35, No 2 (2023)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.92669

Abstract

This study examines the phenomenon of cancel culture on social media, focusing on the controversy surrounding the case of Gisella Anastasia's nude video. Utilizing Michel Foucault's heterotopia theory, this research investigates how social media platforms such as Instagram serve as heterotopias that shape new norms and challenge social rules. The study analyzes Instagram's role in cancel culture, exemplified by the Gisella Anastasia case and netizens’ responses. It explores how digital spaces blur the distinction between reality and virtuality, impacting individual freedom and identity formation. Through text and content analysis, this research uncovers power dynamics within Gisella Anastasia's Instagram accounts, @hopsindonesia, and @rananews.id, over specific time frames. The findings indicate that social media functions as a heterotopic space where netizens contest societal norms and challenge the hegemony of identities. It also shows that anonymity encourages damaging comments and perpetuates cancel culture, acting as resistance against societal norms and identities. The absence of hierarchy in social media fosters unbounded behaviors among netizens, sometimes even leading to excessive brutality.
Foucault's Docile Bodies Perspective: The Figure of Seniwati's Feminism in the Wido Documentary Film Ajie, Purwoko; Habsari, Sri Kusumo; Ardianto, Deny Tri
Humanus Vol 22, No 2 (2023)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/humanus.v22i2.121761

Abstract

Discussion of docile bodies has been absent in film analysis. Most research is attracted to study gender representation in which women are frequently underrepresented. Thus, this study aims to examine the documentary film of Wido, a female artist, through Michel Foucault's theory of docility. This research is attracted to Widowati's narration as a Javanese woman artist who must be able to manage between her profession as an artist and a housewife respectfully. The data are the narration and scenes of Wido as both a female artist and a housewife in the documentary movie “Wido”. All data obtained are analysed textually, applying Foucault's notion of docile bodies. The research argues that the representation of Wido challenges the notion of docile bodies. Despite Widowati still glorifying her domestic roles, the feminine prescription of which women should be responsible for domestic chores, she subsequently exchanges the domestic responsibility with her husband to work in public as an artist. She also acknowledges that she is the family's breadwinner without diminishing her husband's primary responsibility as the head of the family. The fluidity of gender roles she performs contradicts the notion of docile bodies in which women are always taught and supervised to glorify their femininity.
Co-Authors Ajie, Purwoko Andrik Purwasito Az-Zahroh, Fatimah Bani Sudardi Bani Sudardi Deny Tri Ardianto Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Eva Farhah, Eva Farokhah, Fiqih Aisyatul Fatkhu Rohmatin Febrian, Emil Dwi Febriansyah, Vici Duta Fitria Akhmerti Primasita Fitria Akhmerti Primasita Gesiradja, Asriyanti Saputri Heidy Sisiliani Rindang Herry Nur Hidayat Istadiyantha Istadiyantha Karunia Purna Kusciati Krisnambudi, Dionisius Kundharu Saddhono M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Noval Abdul Rozak Muhammad Taufiq Al Makmun Munafidsyah, Sofy Fawzia Pramadhanti, Dhelinta Fitri Prasetyo Adi Wisnu Wibowo Purwoko Ajie Putri, Della Eka Putri, Devi Adlina Rais, Wakit Abdullah Ratna Kumalasari Riyanti, Raden Roro Ratnasari Dwi Sahid Teguh Widodo Saktiana Kharisma Ardiani Saputri, Fadhilah Mahanani Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Titik Wijanarti Warto Warto Widya Nirmalawati Wulandari, Nur Laily Yunita Ariani Putri Yusuf Kurniawan