Article Per Year (5 Year)
p-Index From 2021 - 2026
3.907
P-Index
This Author published in this journals
All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Jurnal Antropologi: Isu-Isu Sosial budaya Musawa : Jurnal Studi Gender dan Islam ProTVF MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat Kandai English Language and Literature International Conference (ELLiC) Proceedings The Journal of Society and Media Kafa’ah: Journal of Gender Studies Jurnal Kajian Seni Paradigma: Jurnal Kajian Budaya Jurnal Bahasa, Sastra, dan Studi Amerika Dinika: Academic Journal of Islamic Studies. Aksara Aksara
Sri Kusumo Habsari
Fakultas Ilmu Budaya Universitas Sebelas Maret Surakarta
Religion Arts Humanities Chemistry Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Mathematics Physics Social Sciences Other

Published : 33 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 33 Documents
Search

 1   2   3   4 
Negotiating The Social Body: The Autonomy and Subjectivity of Javanese Female Singer “Sinden” in Eka Uget-Uget Febriansyah, Vici Duta; Habsari, Sri Kusumo; Farhah, Eva
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.75845

Abstract

Sinden originated from the word "pasindhian" which means have many very treasury will song or singing (singing song). Sinden also called waranggana, "wara" means someone who is sex female and "anggana" means alone. Swarawati sued have ability broad communication, beautiful body and face, as well as ability sing songs Java. This post discuss subjectivity and autonomy body sinden through figure artist Eka's woman is passionate. how Sinden Eka Uget negotiate and seek subjectivity in art show puppet skin. Research results this show that subjectivity Eka Uget-Uget's body, how is it? still could show autonomy her body instead Becomes Eka Uget-Uget objek object rather Becomes Subject in the her body. He can make her body as subject. In Thing this, he alone Becomes the controlling actor her body alone. He could have position high bargaining and negotiation when he obey or entertain public. Paper this use method qualitative with collected data from Eka Uget-Uget's YouTube videos and several re-uploaded videos. through study this show that sinden entitled for appreciate and express her body alone without must intervened by other forces outside her body.
Representation of Beauty Standard on Indonesia’s Woman Bankers Munafidsyah, Sofy Fawzia; Habsari, Sri Kusumo; Nurhaeni, Ismi Dwi Astuti
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74096

Abstract

The term good-looking is still used in the labor recruitment process in recent years. Especially in the recruitment of bank employees in Indonesia. Bank employees in Indonesia often get the stereotype that "bank staff must be beautiful”. So, this study describes the representation of good-looking bank employees in Indonesia. From this representation, this study also explains that the term good-looking is a term that practices beauty standards in society. This study used qualitative methods and took the data from informal conversations with several informants. In this study, researchers applied the theory of post-feminism, namely beauty myth, and also used Foucault's theory of power relations. The results of this study show that some banking agencies do facilitate their employees in caring for and maintaining physical appearance. It also proves that a good-looking bank employee is according to social beauty standards (ideal height and weight, langsat skin, makeup, and others). This proves that the standard practice of beauty in women is still thriving in society, even in a job or career, not in the entertainment field. 
Watching “Wonder Woman”: Reception of an American Film by Youth in Indonesia Az-Zahroh, Fatimah; Habsari, Sri Kusumo
Jurnal Bahasa, Sastra, dan Studi Amerika Vol 28, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jbssa.v28i1.43330

Abstract

The popularity of Wonder Woman (2017) movie worldwide is not only reached the western lands but also the eastern countries, including Indonesia. Wonder Woman offers western post-feminist idea which can bring various responses to the audiences in Indonesia. By using descriptive qualitative approach, this research explores how the young audiences in Indonesia take pleasure and make meaning to the element of feminism in the movie. This research finds that Gal Gadot’s Diana performance in the movie offers special spectacle to the audience through her feminine qualities, such as beautiful face, ideal female body, and gentle character, despite being a powerful female hero who also has the quality of courage, strong determination, athleticism, and skill in fighting. The duality of Diana’s character, the femininity and masculinity, is also noted by the audiences as one of the most notably signs which presented feminism in the movie. Although most of the audiences are Muslim and embrace eastern culture, they tend to be more open to the feminist signs in the movie, as they have often been familiarized themselves with western values by frequently watching Hollywood movies.
Co-Authors Ajie, Purwoko Andrik Purwasito Az-Zahroh, Fatimah Bani Sudardi Bani Sudardi Deny Tri Ardianto Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Eva Farhah, Eva Farokhah, Fiqih Aisyatul Fatkhu Rohmatin Febrian, Emil Dwi Febriansyah, Vici Duta Fitria Akhmerti Primasita Fitria Akhmerti Primasita Gesiradja, Asriyanti Saputri Heidy Sisiliani Rindang Herry Nur Hidayat Istadiyantha Istadiyantha Karunia Purna Kusciati Krisnambudi, Dionisius Kundharu Saddhono M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Noval Abdul Rozak Muhammad Taufiq Al Makmun Munafidsyah, Sofy Fawzia Pramadhanti, Dhelinta Fitri Prasetyo Adi Wisnu Wibowo Purwoko Ajie Putri, Della Eka Putri, Devi Adlina Rais, Wakit Abdullah Ratna Kumalasari Riyanti, Raden Roro Ratnasari Dwi Sahid Teguh Widodo Saktiana Kharisma Ardiani Saputri, Fadhilah Mahanani Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Titik Wijanarti Warto Warto Widya Nirmalawati Wulandari, Nur Laily Yunita Ariani Putri Yusuf Kurniawan