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All Journal Humaniora Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Filsafat Lingua Cultura Jurnal Antropologi: Isu-Isu Sosial budaya Musawa : Jurnal Studi Gender dan Islam ProTVF MILLATI: Journal of Islamic Studies and Humanities Masyarakat, Kebudayaan dan Politik Journal of Language and Literature International Journal of Science and Applied Science: Conference Series Aksara Jurnal Filsafat PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences) Kandai English Language and Literature International Conference (ELLiC) Proceedings The Journal of Society and Media Journal of Social Science Kafa’ah: Journal of Gender Studies Journal of Social Science Paradigma: Jurnal Kajian Budaya Jurnal Bahasa, Sastra, dan Studi Amerika Dinika: Academic Journal of Islamic Studies. Aksara Aksara
Sri Kusumo Habsari
Universitas Sebelas Maret
Religion Arts Humanities Chemistry Computer Science & IT Education Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Physics Social Sciences Other

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DIGISEXUALITY AND FICTOPHILIA IN ANALOG HORROR SHORT FILM “OURGIRLFRIENDMARIA.COM” Heidy Sisiliani Rindang; Sri Kusumo Habsari; Muhammad Taufiq Al Makmun
Aksara Vol 37, No 1 (2025): AKSARA, EDISI JUNI 2025
Publisher : Balai Bahasa Provinsi Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29255/aksara.v37i1.4971.233-246

Abstract

This study examines the representation of human–AI intimacy in the analog horror short film Ourgirlfriendmaria.com through the lenses of semiotics, digisexuality, and fictophilia. Focusing on the character of Christopher, a socially isolated NEET, the film depicts the escalation of a parasocial relationship with an AI companion into possessive desire and virtual violence. Using qualitative semiotic analysis, this research explores how visual and interactive signs such as simulated rejection and the final symbolic choice blur the boundaries between artificial agency and human emotion. Drawing on representation theory, the film is interpreted as a critique of digital isolation and the normalization of emotional dependency on feminized AI entities. The concepts of digisexuality and fictophilia reveal how second-wave digital intimacy destabilizes ethical “digihealth” principles and intensifies fictophilic attachment. The findings suggest that AI romance systems risk reinforcing objectification and control dynamics, extending their implications beyond virtual spaces. The film ultimately functions as a cautionary narrative, emphasizing the psychological risks of unchecked digital intimacy and the need for ethical AI design.
Watching “Wonder Woman”: Reception of an American Film by Youth in Indonesia Az-Zahroh, Fatimah; Habsari, Sri Kusumo
Jurnal Bahasa, Sastra, dan Studi Amerika Vol 28, No 1 (2022)
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jbssa.v28i1.43330

Abstract

The popularity of Wonder Woman (2017) movie worldwide is not only reached the western lands but also the eastern countries, including Indonesia. Wonder Woman offers western post-feminist idea which can bring various responses to the audiences in Indonesia. By using descriptive qualitative approach, this research explores how the young audiences in Indonesia take pleasure and make meaning to the element of feminism in the movie. This research finds that Gal Gadot’s Diana performance in the movie offers special spectacle to the audience through her feminine qualities, such as beautiful face, ideal female body, and gentle character, despite being a powerful female hero who also has the quality of courage, strong determination, athleticism, and skill in fighting. The duality of Diana’s character, the femininity and masculinity, is also noted by the audiences as one of the most notably signs which presented feminism in the movie. Although most of the audiences are Muslim and embrace eastern culture, they tend to be more open to the feminist signs in the movie, as they have often been familiarized themselves with western values by frequently watching Hollywood movies.
Representation of Beauty Standard on Indonesia’s Woman Bankers Sofy Fawzia Munafidsyah; Sri Kusumo Habsari; Ismi Dwi Astuti Nurhaeni
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.74096

Abstract

The term good-looking is still used in the labor recruitment process in recent years. Especially in the recruitment of bank employees in Indonesia. Bank employees in Indonesia often get the stereotype that "bank staff must be beautiful”. So, this study describes the representation of good-looking bank employees in Indonesia. From this representation, this study also explains that the term good-looking is a term that practices beauty standards in society. This study used qualitative methods and took the data from informal conversations with several informants. In this study, researchers applied the theory of post-feminism, namely beauty myth, and also used Foucault's theory of power relations. The results of this study show that some banking agencies do facilitate their employees in caring for and maintaining physical appearance. It also proves that a good-looking bank employee is according to social beauty standards (ideal height and weight, langsat skin, makeup, and others). This proves that the standard practice of beauty in women is still thriving in society, even in a job or career, not in the entertainment field. 
Nina's Love Betrayal in The Drama Script The Seagull by Anton Chekov Della Eka Putri; Sri Kusumo Habsari; Susanto Susanto
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.73916

Abstract

Drama is a form of literary work that describes the reality of human life which is presented in the form of movement. In this case, one of the famous dramas "The Seagull" by Anton Chekhov who is a writer of short stories, non-fiction, and also a drama script is different from the majority of drama works in Russia in the 1800s which presented spectacle of comedy genre drama. Chekhov with his work The Seagull presents a drama genre tragedy or romantic tragedy. This study uses a qualitative research method with a descriptive qualitative analysis approach. Data collection will be carried out by means of in-depth interviews with predetermined sources, so this research will be seen the reason why Nina is betraying Constantine, even though Constantine loves Nina so much. Besides that is to find out more about the form or method used by Nina to get her wish.
Negotiating The Social Body: The Autonomy and Subjectivity of Javanese Female Singer “Sinden” in Eka Uget-Uget Vici Duta Febriansyah; Sri Kusumo Habsari; Eva Farhah
International Journal of Science and Applied Science: Conference Series Vol 6, No 2 (2022): International Journal of Science and Applied Science: Conference Series
Publisher : Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/ijsascs.v6i2.75845

Abstract

Sinden originated from the word "pasindhian" which means have many very treasury will song or singing (singing song). Sinden also called waranggana, "wara" means someone who is sex female and "anggana" means alone. Swarawati sued have ability broad communication, beautiful body and face, as well as ability sing songs Java. This post discuss subjectivity and autonomy body sinden through figure artist Eka's woman is passionate. how Sinden Eka Uget negotiate and seek subjectivity in art show puppet skin. Research results this show that subjectivity Eka Uget-Uget's body, how is it? still could show autonomy her body instead Becomes Eka Uget-Uget objek object rather Becomes Subject in the her body. He can make her body as subject. In Thing this, he alone Becomes the controlling actor her body alone. He could have position high bargaining and negotiation when he obey or entertain public. Paper this use method qualitative with collected data from Eka Uget-Uget's YouTube videos and several re-uploaded videos. through study this show that sinden entitled for appreciate and express her body alone without must intervened by other forces outside her body.
GOVERNING MORALITY, NEGOTIATING IDENTITY:LOCAL RESPONSES TO CULTURAL BANS IN A MULTICULTURAL URBAN SOCIETY Christy Damayanti; Sahid Teguh Widodo; Sri Kusumo Habsari; Argyo Demartoto
PROCEEDING ICTESS (Internasional Conference on Technology, Education and Social Sciences) Vol 7 (2026): ICTESS 7th
Publisher : Universitas Slamet Riyadi Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This article examines local responses to the prohibition of dog meat consumption and trade framed through moral regulation in the multicultural urban context of Surakarta, Indonesia. Drawing on a critical cultural studies perspective and engaging with international relations scholarship, the study conceptualizes cultural bans as part of the circulation of global moral norms related to animal welfare and public health that are negotiated at the local level. Using a qualitative case study approach, data were collected through in-depth interviews, observation of everyday practices, and analysis of policy documents and public discourse. The findings show that moral regulation does not eliminate the contested practice but instead transforms it and displaces it into informal and less visible spaces. Local actors respond through adaptive, symbolic, and non-confrontational forms of everyday resistance, in which public compliance coexists with the persistence of practice in private and semi-public domains. Global moral norms are neither fully internalized nor outright rejected; rather, they are selectively negotiated through local moral economies and embodied understandings of health, producing hybrid moral formations. By foregrounding everyday practices as key sites of moral negotiation, this article challenges linear assumptions of global norm diffusion and highlights the active moral agency of local actors in shaping how global ethical claims are enacted, contested, and transformed in multicultural urban settings. Keywords: moral regulation; everyday resistance; food practices; global norms; multicultural urban society
Co-Authors Ajie, Purwoko Andrik Purwasito Argyo Demartoto Az-Zahroh, Fatimah Bani Sudardi Christy Damayanti Della Eka Putri Deny Tri Ardianto Deny Tri Ardianto Devi Adlina Putri Diah Kristina Emil Dwi Febrian Eva Farhah Farokhah, Fiqih Aisyatul Fatkhu Rohmatin Febrian, Emil Dwi Fitria Akhmerti Primasita Gesiradja, Asriyanti Saputri Heidy Sisiliani Rindang Herry Nur Hidayat Istadiyantha Istadiyantha Karunia Purna Kusciati Krisnambudi, Dionisius Kundharu Saddhono Kusdianto, Yuyun M. Taufik Al Makmum Mahendra Wijaya Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Mugijatna Muhammad Noval Abdul Rozak Muhammad Taufiq Al Makmun Pramadhanti, Dhelinta Fitri Purwoko Ajie Putri, Devi Adlina Ratna Kumalasari Riyanti, Raden Roro Ratnasari Dwi Sahid Teguh Widodo Saktiana Kharisma Ardiani Saputri, Fadhilah Mahanani Sofy Fawzia Munafidsyah Susanto Susanto Susanto Susanto Susanto Susanto Susanto, Susanto Susilorini Susilorini Susilorini Susilorini, Susilorini Titik Wijanarti Vici Duta Febriansyah Wakit Abdullah Rais Warto Warto Wibowo, Prasetyo Adi Wisnu Widya Nirmalawati Wulandari, Nur Laily Wulandari, Nur Laily Wulandari Yunita Ariani Putri Yusuf Kurniawan Yuyun Kusdianto Zita Rarastesa